Stageworthy

Stageworthy

Now in its 10th year, Stageworthy is Canada’s theatre podcast, bringing you in-depth interviews with theatre artists, panel discussions, and more. Each week, host Phil Rickaby sits down with the people who make theatre happen: from household names to artists you should know. Whether you're an audience member, a theatre maker, or just plain curious about Canadian theatre, Stageworthy offers a front-row seat to the conversations shaping the industry. New episodes every Tuesday.

  1. 5d ago

    Antoni Cimolino on Leaving the Stratford Festival after 39 Years

    Read transcript About This Episode: Antoni Cimolino has spent 39 years at the Stratford Festival: as actor, producer, executive director, and finally as artistic director since 2012. In this wide-ranging conversation with host Phil Rickaby, Cimolino reflects on what drew him to Stratford as a teenager, the moment a play on the thrust stage changed the course of his life, and the long arc from audacious young actor (who once offered toaster ovens in exchange for an audition) to the outgoing steward of one of the world's great theatre institutions. Cimolino talks candidly about programming his final season around themes of forgiveness and the power of theatre, the existential financial crisis the pandemic brought to Stratford, and why he ultimately stayed on longer than he had planned. He also digs deep into the unique demands of the thrust stage, the philosophy behind commissioning ambitious new Canadian work, and what it meant to shepherd the festival through a fundamental shift in how audiences consume entertainment. This is a generous, thoughtful conversation with someone who has dedicated his professional life to a single institution, and who leaves it, by almost any measure, in better shape than he found it. Guest: 🎭 Antoni Cimolino Antoni Cimolino is the artistic director of the Stratford Festival, a post he was named to in 2012, having served as general director, executive director and general manager, in addition to other roles. He began at the Stratford Festival in 1988, as an actor, taking on his first directing projects in the mid-1990s. Highlights of his career include playing Romeo to Megan Follows's Juliet; directing Richard Monette in Filumena, William Hutt in Twelfth Night, Brian Bedford in Love's Labour's Lost and Martha Henry in The Tempest; the creation of the multimillion-dollar Endowment Foundation; the renovation of the Avon Theatre and the creation of the Studio Theatre; and the building of the glorious new Tom Patterson Theatre. In 2013, his first season as Artistic Director, Cimolino introduced The Meighen Forum, a season-long series of more than 150 events illuminating the themes of the playbill and illustrating their relevance in today's world. That same season he directed The Merchant of Venice, with Tom McCamus and Scott Wentworth, and Mary Stuart, with Seana McKenna and Lucy Peacock, a production that was extended an unprecedented four times.  His recent productions include The Winter’s Tale in 2025, Dion Boucicault’s London Assurance and Eduardo De Filippo's Grand Magic with Geraint Wyn Davies in 2023/2024, as well as Richard III and The Miser with Colm Feore in 2022; the English-language première of Birds of a Kind by Wajdi Mouawad; The Merry Wives of Windsor with Geraint Wyn Davies, Sophia Walker and Brigit Wilson; Napoli Milionaria! with Tom McCamus and Brigit Wilson; The School for Scandal with Shannon Taylor, Geraint Wyn Davies and Joseph Ziegler; Macbeth with Ian Lake and Krystin Pellerin; The Hypochondriac with Stephen Ouimette and Brigit Wilson; Hamlet and The Alchemist with Jonathan Goad; King Lear with Colm Feore (one of the top-selling Shakespeare productions in the Festival's history); and The Beaux' Stratagem with Colm Feore and Mike Shara. In 2014, Cimolino and Executive Director Anita Gaffney launched Stratford Festival On Film, an ambitious project to capture all of Shakespeare's plays. The productions from this ongoing initiative, along with films of some non-Shakespeare productions and original digital content are part of a massive catalogue of arts programming available on the Festival's subscription streaming platform, StratFest@Home. In 2018, Cimolino and Gaffney launched a $100-million campaign to build a new Tom Patterson Theatre. The campaign exceeded its goal and the new theatre opened in May 2022, winning a number of architectural awards, including the Governor General's Medal in Architecture, the global MasterPrize Award, the UK Civic Trust Award and the Design Excellence Award from the Ontario Association of Architects, as well as the OAA's People's Choice Award. Cimolino, now in his 39th season at the Festival, is the director of the 2026 production of The Tempest at the Festival Theatre and Saturday, Sunday, Monday at the Avon Theatre. More with Antoni Cimolino: 🎬 Documentary: This Above All: The Theatrical Life of Antoni Cimolino - available on CBC Gem Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy

  2. Oct 27

    Steffi DiDomenicantonio Has Some Hot Takes on Musical Theatre in Canada

    About This Episode: This week on Stageworthy, Phil talks with Steffi DiDomenicantonio: actor, musical theatre artist, and Canadian Idol alumna better known as Steffi D. From the very first question, the conversation takes off into a frank and energetic discussion about the state of musical theatre in Canada: the shortage of venues, the lack of homegrown stars, the price of tickets, and more. Guest: 🎤 Steffi DiDomenicantonio Montreal born and Ottawa raised Steffi DiDomenicantonio is a bilingual Dora Award nominated performer who has appeared on stages and screens for almost 20 years. Most notably, she played the role of Ilse over 600 times in 44 cities in the first Broadway national tour of Spring Awakening, was a Top 5 finalist on Season 4 of Canadian Idol and performed the role of Janice & Others in the original Canadian cast of the smash-hit musical Come From Away over 1,300 times in Canada and on tour in the United States. Her other favourite theatre credits include leading lady turns in productions of Cabaret, Next to Normal, The Last Five Years, The Addams Family, The Rocky Horror Show, Cinderella, Rock of Ages and the Heated Rivalry musical. On the small screen, she has appeared in over 60 TV shows, movies and commercials including Transplant, Frankie Drake, The Umbrella Academy, Mayday, Star Trek, Crawford, Murdoch Mysteries, Stage Fright (with Meatloaf) and Chucky. Steffi was named after tennis legend Steffi Graf and she is a proud Italian French-Canadian musical theatre nerd slash Liza Minnelli lookalike who loves karaoke, trivia, thrifting, horror movies, poutine and Taylor Swift, all at once or separately and in no particular order. Her current record breaking DuoLingo streak is over 1,545 days long. Connect with Steffi 🌐 Website: www.steffid.ca 📸 Instagram: @steffid5 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  3. Oct 20

    Ron Kennell on Clown Noses, Dark Places, and Why Comedy Is Harder Than Drama

    About This Episode: This week, Phil sits down with Ron Kennell, Canadian actor, emerging playwright, and former George Brown College classmate, for a wide-ranging conversation that spans decades of theatre-making, international adventure, and the stubborn will it takes to keep going in this industry. Ron has spent nearly a decade at the Stratford Festival, made his Shaw Festival debut, appeared on Star Trek: Strange New Worlds, and voiced characters in video games. He's also a writer, with a commissioned play about local Ontario psychic Vera McNicol and several screenplays on the go. Guest: 🎭 Ron Kennell From CBS’s Star Trek to CBC’s Sort Of. From the Stratford Festival to the Fadjr Theatre Festival in Iran. From touring - kids show in Quebec’s Arctic Circle, to playing a drag queen in the legend of George McBride at the Arts Centre in Vancouver. From voice acting in Far Cry (Primal) to writing feature film Dr Cabbie. Ron had had a varied career developed and sustained through his roots in the theatre. Connect with Ron 📸 Instagram: @resident_artisan Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  4. Oct 13

    Annie Luján & Veronica Hortigüela are Bringing Chaos to the Monastery with Monks

    About This Episode: Annie Luján and Veronica Hortigüela are the creators and performers behind Monks, a two-person clown show about a pair of medieval Spanish monks who invite a wagon full of strangers to spend a day at their monastery; and chaos ensues. What started as a self-funded, unscripted experiment at the Toronto Fringe in 2024 became one of the hottest tickets in the city, spawning multiple remounts and a triumphant run at the Edinburgh Festival Fringe before returning home to Toronto for a full production at Tarragon Theatre. Guests: 🎭 Annie Luján & Veronica Hortigüela Annie Luján (she/her) is a Dora Award-winning Costa Rican-Canadian actor and clown. She is a graduate of the 2022 Soulpepper Academy and Concordia University. As a clown, Annie has trained/worked internationally in Italy, the U.S., the U.K. and Canada. Her credits include: Laura Secord’s Thing (Crow’s - Upcoming), Dance Nation (Coal Mine), The Welkin, King Lear (Soulpepper), A Little Closer (The Vault) Last Landscape (Bad New Days), Comedy of Errors (The Grove) and Storybook Search (Bad Hats). Veronica Hortigüela (she/her) is a Dora-Award winning Spanish-Canadian actor, clown, and playwright, born and raised in Scarborough, Ontario. She is one half of the creative/performance team behind MONKS (Tarragon, Edinburgh Fringe, Theatre Centre, Crow’s, County Stage, Toronto Fringe). She's passionate about seeing theatre through various phases of development and has had the pleasure of working with Canadian Stage, Crow’s, Buddies in Bad Times, Stratford, Tarragon, Factory, Shakespeare in the Ruff, and YPT on the development of new plays. Performance credits include: The Shoplifters [Upcoming], Bremen Town, Feast (Tarragon Theatre), The Bidding War, Prodigal (Crow’s Theatre), Casimir and Caroline (Howland Co., Dora Award - Best Ensemble), Little Women, Every Little Nookie (Stratford Festival) and Dry Land (Cue6). Connect with Annie & Veronica: 📸 Instagram: @monksonstage Get Tickets to Monks @ Tarragon Theatre October 20-November 8: https://tarragontheatre.com/plays/tarragon-season-26-27/monks/ Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  5. Oct 6

    Kelly Taylor and Hools Kay are Un (Capital F) Famous in Toronto

    About This Episode: Kelly Taylor is the kind of artist who doesn't wait for permission. When the roles aren't coming, she writes them. When she doesn't get into fringe, she books her own theatre. When she needs a director, she calls a friend she trusts, Hools Kay. That spirit is exactly what Un (Capital F) Famous is built on: a show about an actress who loses everything and has to find her way back to the art that made her fall in love with performing in the first place. In this conversation, Kelly and Hools talk about how the show came together, what it was like growing up in a clown family, Fringe touring and much more! Guests: 🎭 Kelly Taylor and Hools Kay Kelly Taylor is a jill-of-all-trades who has extensive experience wearing many different creative hats. Hailing from a family of literal- clowns, comedy runs through the this purple haired millennial veins. Kelly is a voice actor specializing in animation, a writer, a producer and an actor. Kelly creates comedy inspired by her zany life and engages her audiences through her personal flare and eternal optimism. A neurodivergent, queer, creative, Hools Kay has been around the block for all things art making. After spending the last 7 years working on creating their own series and having that bubble burst abruptly this past summer, Hools is super stoked to be in the director's chair for their Toronto directorial debut. As an actor, Hools can be found doing interactive performances with companies across the city like The Dinner Detective and EscapeShow. They have always found brilliance in collective creation with passionate artists, and working alongside Kelly Taylor fits that description perfectly. Connect with Kelly & Hools Kelly's Instagram: @itskellytaylor Hools' Instagram: @hookslaybae Get tickets to Un (Capital F) Famous: https://www.eventbrite.com/o/kelly-taylor-121616969983 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  6. Sep 29

    Jay Northcott is Bringing Joy, Blackness, and Bootycandy to Buddies in Bad Times

    In this episode: Jay Northcott is a director, educator, and multidisciplinary artist whose work is rooted in joy, specificity, and a deep commitment to centring the full humanity of Black and queer artists. In this conversation, Jay joins Stageworthy host, Phil Rickaby to talk about Bootycandy, Robert O'Hara's wildly funny and emotionally complex play running at Buddies in Bad Times Theatre in association with Obsidian Theatre; and why a play written by an American offers a powerful opportunity to interrogate what it means to make distinctly Canadian art. Guest: 🎭 Jay Northcott Jay (They/Them) is a multidisciplinary Creator, Director, Producer, and former  Big Brother Canada contestant. Central to Jay’s creative and artistic practice is their advocacy for marginalized communities including Palestinians, Indigenous, Black, Racialized, Queer, Trans folks and beyond. The art they create is a window into their world, soul, values, and imagination. Art is freedom and freedom breathes life.  Credits include: 7 METHODS OF KILLING KYLIE JENNER (Obsidian Theatre), KING LEAR (Stratford Festival), COTTAGERS AND INDIANS (Watermark Theatre, PEI), CONCORD FLORAL (Randolph College), 21 BLACK FUTURES (Obsidian Theatre, CBC), THE PARASITE (Theatre Outrè), PREMIUM CONTENT (Major Matt Mason). Connect with Jay: 📸 Instagram: @jaythemcott Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  7. Sep 22

    Erin Shields is Bringing Deaf and Hearing Worlds Together in To A Flame

    About This Episode: Playwright Erin Shields joins Phil for a wide-ranging conversation about To a Flame, her loose adaptation of Edgar Allan Poe's The Fall of the House of Usher, a production fifteen years in the making that features both deaf and hearing performers and is performed in spoken English and American Sign Language. Erin also reflects on a remarkable year of productions, from Mary, Mary, Mary, Mary to Medusa to You Always, and how the pandemic, gave her the space to experiment with form in ways she hadn't before, and much more! Guest: ✍️ Erin Shields Erin Shields is a Canadian playwright, actor and educator based in Toronto. Most of her work highlights the negation or misrepresentation of women in classical texts by adapting these stories through a feminist lens for a contemporary audience. She likes making large plays for large stages. Her work has played across Canada and beyond. Connect with Erin 🌐 Website: www.erinshields.ca 📸 Instagram: @shieldserin1 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

  8. Sep 15

    Jacklyn Francis on Why Theatre Matters More Than Ever Right Now

    Jacklyn Francis has been making theatre in Canada for more than three decades, and in this conversation she brings the kind of hard-won perspective that only comes from years of navigating the industry's rhythms, disappointments, and genuine joys. In this episode, they talk about what it really feels like to work at a major festival like Stratford, the art of understudying, the strange grief that follows closing night, and much more! Guest: 🎭 Jacklyn Francis Jacklyn Francis is a proud Canadian stage and screen actor whose career spans more than three decades across theatre, film and television. She most recently starred as Alice in Sexy Laundry, at the Drayton Festival Theatre. A longtime member of the Stratford Festival company, her Stratford credits include Forgiveness, As You Like It, 1939, Hamlet-911, Henry VIII, Julius Caesar, To Kill a Mockingbird, The Changeling, Pride and Prejudice and Richard III. She has also performed leading roles at theatres across Canada, including the Citadel Theatre, Canadian Stage, Blyth Festival, Thousand Islands Playhouse, The Sudbury Theatre Centre, The Globe Theatre, Equity Showcase, Shakespeare in The Ruff,  Buddies in Bad Times, Theatre Northwest, Resurgence, Shakespeare by the Bay and appearances at The Toronto Fringe. On screen, Jacklyn’s recent credits include HBO’s Welcome to Derry, NBC’s Brilliant Minds and Ruby and the Well, alongside appearances in Murdoch Mysteries, Rookie Blue, Flashpoint, Little Mosque on the Prairie, Missing and Our Hero. A graduate of George Brown Theatre School with additional professional development at the Banff Centre/Citadel Theatre, Jacklyn is a recipient of the Jean A. Chalmers Apprentice Award and the Tanya Award in recognition of excellence at the Stratford Festival (in 2018, Jacklyn was the first actor ever to win this award) Connect with Jacklyn 📸 Instagram: @jacklynjax Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript

About

Now in its 10th year, Stageworthy is Canada’s theatre podcast, bringing you in-depth interviews with theatre artists, panel discussions, and more. Each week, host Phil Rickaby sits down with the people who make theatre happen: from household names to artists you should know. Whether you're an audience member, a theatre maker, or just plain curious about Canadian theatre, Stageworthy offers a front-row seat to the conversations shaping the industry. New episodes every Tuesday.

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