Cinebuds

Radio Milwaukee

Every week, Radio Milwaukee's Dori Zori and Milwaukee Film’s Kristopher Pollard talk about movies in theaters, streaming at home or wherever they might be, as well as Milwaukee's film scene.

  1. Aug 19

    'Spider Man: Brand New Day'

    When your last installment pulled in three separate Spider-Men (Spider-Mans?) and five different villains from across seven previous movies — plus a Sorcerer Supreme and the near-collapse of the universe itself — it’s almost impossible for a franchise to get even bigger. So the minds behind Spider-Man: Brand New Day did something that’s simply unheard of in the realm of superhero movies: They got small. OK, we admit that’s a relative comparison. This episode still focuses on a film that contains the return of a fully hulked-out Hulk, a slightly toned down Punisher and at least brief appearances from several classic Spider-Man villains (plus one main antagonist who will go unnamed for spoilery reasons). But in this era of neverending escalation and audiences whose interest lowers as the stakes supposedly get higher, it was still refreshing to watch someone pull on a mask and have the struggle you care most about happen internally. That’s arguably the driving force behind the droves of people who have already seen Spider-Man: Brand New Day — more than $2 billion worth worldwide as of this writing — and one of the major reasons our hosts gave it a rare 10-star rating (rare because we don’t actually rate movies on a scale). This was a legitimate tear-jerker, whether you spilled them over Peter’s painful isolation or his quietly desperate pining for friends who had long since moved on or the brief appearance of the consistently wonderful Marisa Tomei or the other thing we will not spoil here. That emotional depth balanced the energy and fun we’ve come to expect from New York’s favorite web-slinger, making us believe these superheroes (and their genre) just might have some life left in them. ##### Cinebuds is sponsored by Joe Wilde Garage Doors.

  2. Jul 29

    'The Odyssey' and its 70MM journey to the big screen

    Music has vinyl. Literature has hardcover editions. Movies have the 70MM format. Used in decades past for sweeping epics like Lawrence of Arabia and 2001: A Space Odyssey, the preferred presentation of film purists has found modern boosters in luminaries like Quentin Tarantino and — more relevant for this episode of Cinebuds — Christopher Nolan. Booking the British-American director wasn’t really an option for a little-podcast-that-could like ours. So when we decided to combine our review of The Odyssey with some insight to the 70MM format, we tracked down two ideal local guests: Milwaukee Film technical manager Kelsey Parks and projectionist Spencer Tye. The organization’s Oriental Theatre is one of just two locations in the state of Wisconsin capable of unspooling a 70MM film (the other is the Marcus Majestic Cinema of Brookfield), and our guests revealed exactly how big of an undertaking that is — literally. The Odyssey requires five reels to cover its 172 minutes, with the heaviest one tipping the scales at nearly 50 pounds. Aside from the technical calisthenics, we get into the quality of the movie itself, including the director’s aesthetic choices (like the giant animatronic cyclops) and several standout performances (John Leguizamo’s in particular). If you want to catch The Odyssey in 70MM, the Oriental Theatre is showing it through Aug. 5. ##### Cinebuds is sponsored by Joe Wilde Garage Doors.

4.5
out of 5
26 Ratings

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Every week, Radio Milwaukee's Dori Zori and Milwaukee Film’s Kristopher Pollard talk about movies in theaters, streaming at home or wherever they might be, as well as Milwaukee's film scene.

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