The YVR Screen Scene Podcast

Sabrina Furminger

Vancouver is one of the busiest film and television production centres on the planet. But who powers this thriving local industry? The YVR Screen Scene Podcast seeks to answer that question. Award-winning film and television journalist Sabrina Furminger conducts revealing interviews with the actors, filmmakers, and other talented artists who power the Vancouver film and television industry in this eye-opening twice-weekly podcast.

  1. Aug 7

    Episode 369: Daniel Bacon

    Daniel Bacon has amassed a long list of credits: more than 150 credits in film and television and more than 20 in the theatre. He played Bonecruncher, one of the man-eating giants, in The BFG – which was directed by an up-and-coming indie director – maybe you’ve heard of him – Steven Spielberg. He appeared in The Smashing Machine and Secrets of a Marine’s Life. He’s guest starred on shows like The Irrational, Motherland Fort Salem, Limetown, and The Good Doctor. He played in all three seasons of Paranormal Solutions Inc., including an episode where his character – an injured member of the PSI team – is injured and nursed back to health by Sasquatch, played with the gentle touch of a Wookiee on Life Day by Dave Collette. He’s appeared in dozens of Hallmark Movies, and was mayor in at least eight of them. And all this, after getting his start in a boy band and touring malls across Canada (like contemporaries Tiffany, Debbie Gibson, and Robin Sparkles).  All that is to say that Daniel has a lot of experience in the entertainment biz, and a lot of knowledge to share. On Wednesday, August 12, he’ll teach his very popular online workshop called “Own Your Audition” for The Drama Class, which you might remember is run by friends of the pod Cat Lough Haggquist and Bronwen Smith. Daniel’s class helps actors develop a process and a confidence in how to make choices that help your audition stand out – which, in this new era of self tapes, is especially important. In this fascinating and contemplative episode, Daniel talks about his boy band era, his time with Sasquatch, and how actors can make an impact with their self-tapes, and also shares his still-unfolding adoption story (which should be a movie all on its own).  YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 369: Daniel Bacon
  2. Jul 30

    Episode 368: Philip Granger enters ‘Backrooms’

    Philip Granger returns to the #YVRScreenScenePodcast to discuss Backrooms, the feature-length horror film that enjoyed the biggest global opening weekend in A24’s history. Based on Internet lore, Backrooms takes place beyond a hidden doorway discovered in the basement wall of a failing furniture store, in an endless, unsettling dimension populated by office corridors, warped furniture, and echoes of reality. The film is a phenomenal depiction of liminal space, and conveys the thrill and the horror of places in transition. And the fact that the film is set during an especially liminal year – 1989, when the analog world would soon be replaced by a rapidly globalized digital one – and that we in the audience exist at yet another liminal threshold (post-pandemic and hurtling towards a world where AI will exercise even more sway over our lives) makes Backrooms even more thrilling and horrifying. Phil appears in a memorable role as the Meterman, a grounded character who, in Phil’s honest and compassionate hands, has garnered fans and inspired artwork around the world.  In this fascinating and far-reaching conversation, Phil discusses his journey to and through Backrooms, including working with the exceptionally talented 20-year-old director Kane Parsons. Phil – who is head of the acting faculty at New Image College –also contemplates the changes sweeping the film and television industry, and offers some advice for actors who want to get unstuck. Also: honesty in acting; the importance of enduring friendships; the kids are actually alright; the unexpected lessons of the pandemic. YVR Screen Scene is a division of Fish Flight Entertainment.

    Episode 368: Philip Granger enters ‘Backrooms’
  3. Apr 21

    Episode 366: Are vertical dramas the next frontier for indie filmmakers?

    Vertical dramas originated in China in the late 2010s, and they’ve only grown in popularly since then: in 2024, revenue from vertical dramas in China surpassed traditional Chinese film box office receipts. Worldwide, they’re an $11 billion dollar industry, and the industry is only growing. Shot in 9:16 (specifically for phones) for apps like ReelShort and DramaShort, episodes of these serialised dramas are one to two minutes long and pay-as-you-go; in order to get to the end, viewers need to buy credits. The stories themselves rely on very specific genre tropes, including werewolves, forbidden love affairs, and secret identities, and have titles like Found a Homeless Billionaire Husband for Christmas, Fated to my Forbidden Alpha, and Married for Green Card, Stayed for Love (which are all real titles). Vancouver has become a go-to destination for the filming of these vertical dramas. However, even though vertical productions employ many of the same artists who work on independent film productions, content-wise, there isn’t a lot of crossover between the two. Is it even possible for indie filmmakers to leverage the vertical space to tell their stories?  According to Julie Bruns, there is indeed space for indie filmmakers in the world of vertical dramas. Julie is an award-winning indie filmmaker and actress (including Ada, about 19th-century genius mathematician Ada Byron King), a veteran of 25 vertical dramas, and the force behind Beneath Crimson Sails, which recently premiered on the vertical streamer Muvpix. Beneath Crimson Sails is a fully independent fantasy pirate vertical series filled with treasure, magic, sword fights, ships, stunts, and nary a trope in sight. In this fascinating and informative interview, Julie speaks with Sabrina about the world of vertical dramas, and what a project like Beneath Crimson Sails tells us about what’s actually possible in that space.  Episode sponsor: Fish Flight Entertainment

    Episode 366: Are vertical dramas the next frontier for indie filmmakers?
5
out of 5
17 Ratings

About

Vancouver is one of the busiest film and television production centres on the planet. But who powers this thriving local industry? The YVR Screen Scene Podcast seeks to answer that question. Award-winning film and television journalist Sabrina Furminger conducts revealing interviews with the actors, filmmakers, and other talented artists who power the Vancouver film and television industry in this eye-opening twice-weekly podcast.

You Might Also Like