The Happiest Pod on Earth

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Geek Therapy's Disney-Themed Podcast

  1. 07/01/2024

    All the Feels in Inside Out 2

    47: Join Ariel, Stef, and special guest Helen Garcia from Yellow Chair Collective for a heartfelt, hilarious, and insightful discussion on Inside Out 2 and the emotional rollercoaster that is adolescence. This episode unpacks how the film portrays anxiety, perfectionism, and identity shifts with surprising nuance, and why so many of us saw our younger (and current) selves in Riley’s journey. Whether you cried, cringed, or left the theater texting your therapist, this episode holds space for it all! Summary 00:00 Hosts and guest intros01:10 Inside Out 2, its massive marketing push, and what got left behind04:00 Spoiler warning and movie synopsis06:00 Anxiety’s debut and the anatomy of a panic attack09:00 When Joy can’t reach Anxiety—symbolism of helplessness11:00 Emotion combos, Internal Family Systems theory, and dynamic identity14:00 The evolving sense of self and grounding techniques17:00 Cultural misattunement during puberty (e.g., immigrant family dynamics)20:00 Why Riley’s experience didn’t feel universal for everyone22:00 Cultural TikToks reimagining emotions: Wu Ting, Honor, Filial Piety24:00 Core belief shifts: “I’m not enough” and perfectionism27:00 Visual art therapy and naming personal narratives30:00 Complexity vs. affirmation-only approaches32:00 Revisiting Joy, Sadness, and emotional integration34:00 Classroom tools for building identity through the school year37:00 Changing education systems and honoring the whole child39:00 Perfectionism as a survival response in racialized and immigrant communities42:00 Reflections on gamification, experiential learning, and emotional literacy47:00 Symbolic meanings in control boards and character design51:00 Are we all driven by one dominant emotion?54:00 The fragility of identity and metaphor of the belief system design56:00 Ice skating, burnout, and overachievement culture58:00 Sports as metaphor for identity, connection, and drive59:00 Where to find Yellow Chair Collective and final thoughts Transcription Speaker 1 0:00Shrink wrap radio, number 300 on the neuroscience of dreaming with Robert Haas. Speaker 2 0:07Shrink wrap radio, all the psychology you need to know, and just enough to make it dangerous. It’s all in your head. And now here’s your host, Dr Dave music. Speaker 1 0:27My return guest today, after a long absence, is Robert J Haas and we’ll be discussing recent developments in the neuroscience of dreaming. Robert Haas MS is author of the book Dream language. He’s also a director and past president of the International Association for the Study of dreams. He’s on the faculty at Hayden Institute for Dream leadership training and a former adjunct faculty for Dream studies at such institutions as Sonoma State University, Richland College and Scottsdale College, a former corporate executive scientist and researcher with training in Gestalt and humanistic psychology, he now devotes his skills to dream studies for which he has been a frequent guest on radio and TV and an internationally acclaimed lecturer and instructor for over 30 years. His unique, simple but powerful dream work approach is based on his training in Gestalt therapy and background in Jungian studies the neurobiology of dreaming, plus his pioneering research on the significance of color in dreams. Now here’s the interview. Bob Haas, welcome back to shrink wrap radio. Well, thank you. It’s great to be back. Yeah, it’s been five years since you were here, back on episode number 90, announcing the 2007 dreams conference and speaking about the language of dreams. Now this is going to be episode number 300 and you can help me celebrate, yeah, you can help me celebrate our 300th shrink wrap radio. And of course, after our interview, I’ll ask you to say a few words about the upcoming 29th annual iasd conference. That’s the International Association for the Study of dreams. But before we get into that, I understand you’ve been doing some work on recent developments in the neuroscience of dreaming. Speaker 3 2:27Yes, there’s a tremendous amount of interesting stuff going on now, particularly since over the last decade, certain researchers have been able to use brain scan equipment, PET scans, MRI, things of that sort, or fMRI, to understand what Saturn’s of the brain are active and inactive during the dreaming. Tremendous amount of research out there, and I basically just been kind of compiling it and reporting on it. Yeah, Speaker 1 2:57yeah. And you’ve done a terrific job. You sent me a couple of articles that that you’ve written, and very impressive. So what are some of the more exciting things that neurological research has discovered about the dreaming brain? Speaker 3 3:10Well, just just kind of going into past history, way back in 1952 the discovery of REM occurred, and at that point in time, we suddenly realized that we dream a great deal of our evening two hours, or roughly for adults, about 24% of our sleep time is spent in in dreaming, or in vivid dreaming. What is what typically happens in what’s known as the REM state, which is a rapid eye movement, but now what? What’s happened during through a lot of other testing and research has been done, as they found that we really dream throughout the entire night, even outside of REM state. However, the Dreaming is the dreaming that we think of as dreaming, which is the more vivid dreams and all still occur during this, this REM state. So there’s been a lot of focus with with brain scan type research on neuroscience, on the REM state as being more associated with the kind of vivid dreams that we typically think of. And what has occurred is that the researchers have found that during our this REM state or this more vivid dream state? A great deal of our brain is active. It’s actually awake. And there are other parts of the brain that are that the activity is diminished in or they’re relatively asleep, and they really create the sort of characteristics we see in a dream, for example, the parts of the brain that tend to be asleep, if I can use that simple term when we dream, are the parts of the frontal cortex, dorsolateral prefrontal cortex, which is our thinking brain, and the rational thinking part of our brain. If. And other areas like motion and parts of the brain responsible for waking consciousness remain pretty much inactive, and what that does is it tends to make our dreams the kind of bizarre characteristics that that we see in our dreams we because there’s no rational filtering going on or rational directing of the dream activities so dreams can hyper Connect. Speaker 1 5:27Yeah. Is that because that prefrontal part of the brain that you were talking about is asleep? Speaker 3 5:34Yeah, the dorsalatal prefrontal cortex is a part of the frontal cortex that really is responsible for our rational thought, and that tends to be inactive. But now that the a whole bunch of centers are active in our dreams, for instance, in particular, the emotional processing, the emotional brain, the emotional part of our brain, called the limbic system, is highly active, also parts of the frontal cortex, lower frontal cortex and the anterior cingulate, which deal with analytical problem solving, learning and problem solving, about those kinds of activities, are quite active. And the really interesting thing is that our visual our primary visual cortex, is not active, the part we see with which is interesting because we’re seeing our dreams. However, what is active are the centers all around that the association cortex in principally the visual association cortex. And what that means is that the things we see in our dreams are really associations, visual associations and visual metaphors associated with the stuff being processed more deeply within the brain. So, you know, people have worked with dreams a long time. Know that, you know, they look at Dream imagery as associations. However, now it’s been shown as to why that is that that visual association cortex is what’s creating the images in our dreams. So we see the sensitive pictures of what is going on inside of our brain, pictures of the emotions being processed, for example. Speaker 1 7:12You know, that part actually seems to me to be in line with some of Freud’s early insights. I mean, he talked a lot about associations, and he was, he was trained as a neurologist, and of course, they didn’t have all the tools that we have today. And boy, I think he would just be tickled. Speaker 3 7:34Stuff. It would be a lot of this is actually supportive of you, even more than Freud, yeah, particularly the part about how the brain can learn and how the brain does problem solving, dealing with unresolved issues of the day and providing cues as to how one might solve it, testing dream scenarios, and thus Actually self rewarding and learning. So there’s a lot of activity going on there that the June would be proud of as well. Speaker 1 8:06Yeah. Now that relates to the whole question of, you know, what’s the function of dreaming? Why has it evolved? What you know, maybe you can speak to that a bit. Speaker 3 8:18Okay, yeah, there has been an awful lot of theory, theories related to the function of dreaming over time, and some of the brain scan activity is actually helping to consolidate some of those theories into a few areas that seem to make sense. And one of them, the first thing, is the finding that the limbic system, or this emotional brain is highly active has led a lot of researchers to believe that the brain is processing unresolved emotional or at least emotionally important issues of the day. A bunch of researchers now feel that that’s the case that we’re really dealing with emotion and emotional processing in our dreaming activity, also the fact that the active frontal regions, the anterior cingulate, cingulate, and some other areas of the brain are active. This is an in

    1h 1m

  2. 06/28/2024

    Magical Ink

    46: Ariel and Stef are joined by Dr. Jinxi Caddel for a heartfelt and art-filled dive into the world of tattoos, identity, and Disney fandom. From full Alice in Wonderland back pieces to tiny churro flash tats, this episode celebrates how ink becomes a personal archive of memory, culture, and connection. Jinxi shares her journey from tattoo publishing to mental health, co-owning a tattoo shop, and running a private practice for those who color outside the lines. Together, they unpack stigma, nostalgia, and the healing power of self-expression—through Disney and beyond. Whether you’re tattooed, tattoo-curious, or just love a good Dole Whip, this one’s for you. Summary 00:00 Hosts and guest introductions02:00 Childhood Disney memories and first tattoos04:00 Jinxi’s journey from tattoo publishing to psychology08:00 Stigma, acceptance, and professional visibility13:00 Tattoos in families and intergenerational storytelling16:00 Favorite Disney tattoos—characters, quotes, and food!20:00 Fandoms in ink: Star Wars, Marvel, and park icons24:00 Flash tattoos and memory markers28:00 Permanent makeup and cultural ties32:00 Tattoos as affirmations and emotional touchstones35:00 Therapeutic meaning behind body art40:00 Building safe, expressive spaces in education and therapy46:00 Final reflections and where to find Jinxi’s work Transcription 00:00:03:20 – 00:00:05:01Hello, everyone. 00:00:05:01 – 00:00:07:01Welcome to the Happiest Pod on Earth. 00:00:07:01 – 00:00:07:18I’m Stef 00:00:07:18 – 00:00:09:12I’m an educator who uses passions 00:00:09:12 – 00:00:10:09and fandoms to help 00:00:10:09 – 00:00:11:15my students grow 00:00:11:15 – 00:00:12:19and learn about themselves 00:00:12:19 – 00:00:14:07and the world around them. 00:00:14:07 – 00:00:16:01And I’m Ariel, a licensed therapist 00:00:16:01 – 00:00:17:20who uses clients passions and fandoms 00:00:17:20 – 00:00:18:15to help them grow 00:00:18:15 – 00:00:19:11and heal from trauma 00:00:19:11 – 00:00:21:19and mental and wellness. 00:00:21:19 – 00:00:23:14And I am Jinxi 00:00:23:14 – 00:00:25:19and I’m a mental health therapist 00:00:25:19 – 00:00:27:12and a book publisher. 00:00:27:12 – 00:00:29:10And the tattoo shop owner, 00:00:29:10 – 00:00:31:11in Eugene, Oregon. 00:00:31:11 – 00:00:33:01I have a practice called Black 00:00:33:01 – 00:00:33:20Sleep Therapy, 00:00:33:20 – 00:00:36:20where, I like to help people who, 00:00:36:22 – 00:00:39:02like to color outside the lines. 00:00:39:02 – 00:00:40:09That might be black sheep 00:00:40:09 – 00:00:43:05or unicorns themselves. 00:00:43:05 – 00:00:45:02So I’m happy to be here. 00:00:45:02 – 00:00:46:04Wonderful. 00:00:46:04 – 00:00:47:11And here at Happiest Pod, 00:00:47:11 – 00:00:48:19we dissect Disney mediums 00:00:48:19 – 00:00:50:05So the critical lens. Why? 00:00:50:05 – 00:00:51:15Because we are more than just fans, 00:00:51:15 – 00:00:53:06and we expect more from the mediums 00:00:53:06 – 00:00:54:07we consume. 00:00:54:07 – 00:00:56:15So, what are we talking about today? 00:00:57:21 – 00:00:59:09Well, we have another very 00:00:59:09 – 00:01:01:04special guest on our podcast. 00:01:01:04 – 00:01:03:04Welcome, Dr. Jinxi Right? 00:01:03:04 – 00:01:04:05It is. 00:01:04:05 – 00:01:05:17Thank you so much. 00:01:05:17 – 00:01:06:11I appreciate it, 00:01:06:11 – 00:01:08:09but I’m so happy to be here. 00:01:08:09 – 00:01:09:15Yeah, absolutely. 00:01:09:15 – 00:01:11:22And we’re we have a really fun topic 00:01:11:22 – 00:01:12:15to talk about. 00:01:12:15 – 00:01:13:18And, 00:01:13:18 – 00:01:16:11we talk about Disney art on many levels, 00:01:16:11 – 00:01:18:09but I think this is a level of Disney 00:01:18:09 – 00:01:20:21art that we haven’t quite talked about, 00:01:20:21 – 00:01:23:14which is body art and tattoos. 00:01:23:14 – 00:01:24:13And, 00:01:24:13 – 00:01:26:11I think with the recent, 00:01:26:11 – 00:01:28:14I think resurgence of tattoos 00:01:28:14 – 00:01:29:17and the accessibility 00:01:29:17 – 00:01:30:19to getting tattoos 00:01:30:19 – 00:01:33:15has been widely seen and respected. 00:01:33:15 – 00:01:35:17And, we just love 00:01:35:17 – 00:01:36:19especially going to the parks 00:01:36:19 – 00:01:37:15and seeing different 00:01:37:15 – 00:01:40:00interpretations of Disney art. 00:01:40:00 – 00:01:40:16And also, 00:01:40:16 – 00:01:40:21you know, 00:01:40:21 – 00:01:42:17we were really curious for you, 00:01:42:17 – 00:01:44:02Dr. Jinxi 00:01:44:02 – 00:01:47:02you’re kind of journey into your 00:01:47:02 – 00:01:49:17amazing life, I think, as a therapist 00:01:49:17 – 00:01:51:02and as an artist. 00:01:51:02 – 00:01:52:18I think it’s a very unique, 00:01:52:18 – 00:01:54:01perspective 00:01:54:01 – 00:01:55:10that not many people know about. 00:01:55:10 – 00:01:57:11Yeah. Well, thank you so much. 00:01:57:11 – 00:02:00:11I, you know, it’s funny because 00:02:00:17 – 00:02:03:14as a child, my very first experience 00:02:03:14 – 00:02:07:03with a tattoo was at Disneyland, 00:02:07:03 – 00:02:10:05and I was behind a girl in line 00:02:10:05 – 00:02:11:16who had a Cheshire 00:02:11:16 – 00:02:14:08cat tattoo on her back. 00:02:14:08 – 00:02:15:20And I thought it was like, 00:02:15:20 – 00:02:18:08the dreamiest thing I had ever seen, 00:02:18:08 – 00:02:19:01and I. 00:02:19:01 – 00:02:19:23I can’t remember 00:02:19:23 – 00:02:22:05how old I was, but I just 00:02:22:05 – 00:02:25:05it was locked in and I just knew 00:02:25:05 – 00:02:27:05someday I wanted tattoos to, 00:02:28:16 – 00:02:30:07And, I 00:02:30:07 – 00:02:31:16actually didn’t get 00:02:31:16 – 00:02:34:01my first tattoo until, 00:02:34:01 – 00:02:34:08like, 00:02:34:08 – 00:02:35:13my mid to late 00:02:35:13 – 00:02:36:2220s, after 00:02:36:22 – 00:02:38:17I had had all of my kids 00:02:38:17 – 00:02:43:23and, I was working as a, an editor 00:02:43:23 – 00:02:44:17and a writer 00:02:44:17 – 00:02:45:18for several, 00:02:45:18 – 00:02:48:18tattoo magazines at the time. 00:02:48:21 – 00:02:51:04And so that just opened 00:02:51:04 – 00:02:51:19my world 00:02:51:19 – 00:02:54:04into all of these incredible artists. 00:02:54:04 – 00:02:55:09And, 00:02:55:09 – 00:02:56:18my very first tattoo 00:02:56:18 – 00:02:59:18was a tiny little cherry on my ankle. 00:03:00:00 – 00:03:01:00And, 00:03:01:00 – 00:03:04:03and that has since grown into pretty much 00:03:04:03 – 00:03:05:06I have my whole head 00:03:05:06 – 00:03:08:05tattooed, down, down to my toes. 00:03:08:05 – 00:03:09:08Most of it’s covered. 00:03:09:08 – 00:03:10:21I have a couple little spots 00:03:10:21 – 00:03:12:23that I’m trying to hopefully 00:03:12:23 – 00:03:14:19be conservative them with now, 00:03:14:19 – 00:03:15:07because I don’t 00:03:15:07 – 00:03:18:07have much real estate left. 00:03:19:04 – 00:03:20:17But, that’s a real thing. 00:03:20:17 – 00:03:21:09That’s a real thing. 00:03:21:09 – 00:03:22:21The real estate is limited 00:03:22:21 – 00:03:25:11And, you know, I did it, 00:03:25:11 – 00:03:26:21when I first started, 00:03:26:21 – 00:03:30:01I was so into the art form 00:03:30:01 – 00:03:33:04and the, the camaraderie 00:03:33:04 – 00:03:35:01and just the whole experience 00:03:35:01 – 00:03:36:04of getting tattooed 00:03:36:04 – 00:03:37:20that I went full force, 00:03:37:20 – 00:03:38:17you know, like, once 00:03:38:17 – 00:03:40:00I was ready to do it, 00:03:40:00 – 00:03:43:00I was like, just going. 00:03:43:06 – 00:03:44:06So I. 00:03:44:06 – 00:03:45:14I covered up a lot, 00:03:45:14 – 00:03:48:06you know, my arms, pretty early on, 00:03:48:06 – 00:03:49:16a lot of the precious 00:03:49:16 – 00:03:51:10real estate got taken up, 00:03:51:10 – 00:03:52:20you know, in my early years. 00:03:52:20 – 00:03:55:12But, now I’m much more, 00:03:55:12 – 00:03:57:08you know, thoughtful. I think. 00:03:57:08 – 00:04:00:06So I worked 00:04:00:06 – 00:04:01:20in the publishing world 00:04:01:20 – 00:04:04:09for a long time in the tattoo realm, 00:04:04:09 – 00:04:05:02and, 00:04:05:02 – 00:04:06:00eventually worked 00:04:06:00 – 00:04:08:11for a publishing company in the, 00:04:08:11 – 00:04:10:09where I kind of learn 00:04:10:09 – 00:04:13:03the ropes of how to put books together. 00:04:13:03 – 00:04:14:12And then my husband 00:04:14:12 – 00:04:17:12and I, started Out of Step Books 00:04:17:13 – 00:04:20:13in, 2010. 00:04:20:13 – 00:04:23:10And we made art and tattoo books. 00:04:23:10 – 00:04:24:11We still run it, 00:04:24:11 – 00:04:25:23but we’re both pretty busy 00:04:25:23 – 00:04:26:22with lots of things. 00:04:26:22 – 00:04:28:16So we haven’t done a book 00:04:28:16 – 00:04:29:23for two years now, 00:04:29:23 – 00:04:32:23but we did 28 publications, 00:04:32:23 – 00:04:35:20including, two children’s books, 00:04:35:20 – 00:04:39:06and they’re all somehow tattoo related. 00:04:39:15 – 00:04:40:02What the 00:04:40:02 – 00:04:41:06the kids book is 00:04:41:06 – 00:04:42:11kind of a little dip 00:04:42:11 – 00:04:45:01into positive psychology 00:04:45:01 – 00:04:47:19about having a positive mental attit

    1h 3m

  3. 06/19/2024

    Queer Cheer: Disney Dreams & Rainbow Realness

    Join Ariel, Stef, and their guests Jodie Anders and Shalom (aka Boy Venus) for an honest, colorful, and insightful episode that celebrates queer identity through the magic (and mess) of Disney. The conversation spans nostalgic awakenings, media analysis, cultural critique, and the affirming power of telling your story—your way. Jodie, author of Queer Cheer, shares how travel and diverse narratives helped her discover her own queerness. Shalom, a young activist and indie musician, reflects on the power of subtext in media like Luca and Frozen, and how art has been central to their self-exploration. Together, this group celebrates Pride, critiques tokenism, and envisions a future where queer stories aren’t subplots—they’re the main event. Summary Summary of HPOE 45: 00:00 Hosts and Guests Introduction 00:50 Pride Month focus and framing queer media through Disney 02:00 Progress or performative? Disney’s track record on LGBTQ+ representation 06:00 Nostalgic queer awakenings: crushes, princesses, and games 10:00 Queer coding in villains: Ursula, Jafar, and beyond 13:30 Explaining the Hays Code and its legacy in queer subtext 15:00 Highlights from Disney’s official Pride Night 18:00 Emotional weight of safe spaces at theme parks 20:00 Critiques of Disney’s capitalist allyship 22:00 Centering joy: queer characters beyond coming-out stories 24:30 Luca and fan interpretations as liberation 28:30 Elsa, headcanons, and intersectional readings 31:00 The power of dynamic identities in evolving characters 33:00 Queering Spider-Man and self-discovery through metaphor 36:00 Labels, fluidity, and growing into new identities 38:00 Demisexuality and the importance of representation 40:00 Jodie on travel, storytelling, and affirming queer youth 43:00 Affirmations that actually work 46:00 Shalom on community building and queer history 50:00 Spotlighting queer media: Punks, Watermelon Woman, indie music 54:00 Real allyship: more than rainbows—listen, uplift, include 59:00 Final thoughts and where to find Queer Cheer and Boy Venus’s music Transcription 00:00:00:00 – 00:00:08:18 00:00:08:18 – 00:00:35:00 Unknown Hello, everyone. Welcome to the happiest pot on Earth. I’m Steph. I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them. And I’m Ariel, a licensed therapist who uses clients passions and fandom to help them grow and heal from trauma and mental and wellness. Hey everyone, I’m Jodi Anders, I am a Jewish bisexual creator and I focus on creating diversity and promoting youth empowerment. 00:00:35:02 – 00:01:01:01 Unknown I currently serve as the publicity and communications director for a youth nonprofit in California, and I’ve spent over two decades mentoring teens in confidence and leadership skills. I’m the coauthor author of Queer Cheer Activities Advice and Affirmations for LGBTQ Plus Teens, and I also produce a podcast. Let’s talk about leadership, service, and Sisterhood, which is a podcast for teens by teens. 00:01:01:01 – 00:01:25:12 Unknown Hi. My name is Shalom. As a student, I’ve been involved in many campaigns and community organizing organizations, working with youth organizers in the San Fernando Valley to fight for the rights of Filipino migrant workers, justice and visibility for displaced ethnic communities abroad, and have worked to create, support and educate members of the Residents of Color community through the creation of my ever growing coalition. 00:01:25:14 – 00:01:51:16 Unknown California State University, Northridge is Queer Students of Color Club. I’m also a queer indie musician, producing music under the name Boy Venus. Check me out on SoundCloud if you’re interested. Specifically working within the electronic genre to make music reminiscent of games like Pokemon Legends of Zelda, Undertale, while also using techniques from artists like Rebecca Sugar, Ivy Tran and Stephen Filemon. 00:01:52:00 – 00:02:08:14 Unknown beautiful. And here at Happiest Pod, we dissect Disney Medium. So the critical lens. Why? Because we are more than just fans and we expect more from the mediums we consume. So, what are we talking about today? As you both heard these wonderful introductions from our exceptional guests today we have Jodi and Shalom. 00:02:08:15 – 00:02:38:08 Unknown Welcome to the happiest Pod on Earth. We are so thrilled that you are here to talk about all things LGBTQ representation. In honor of Pride Month and we’re really excited to really dive in, and, see the world and see the Disney World from Euro Isles lens. So yeah, welcome to the podcast. So to be here, I’m curious, you know, we have heard about representation in general in the media. 00:02:38:08 – 00:02:59:20 Unknown And when it comes to Disney, do you feel or believe that they’re increasing LGBTQ plus representation, and if so, when do you think they’ve done it? And are there opportunities they missed or were they just like completely missed the mark? I feel like it’s kind of like an ebb and flow situation. I mean, it’s definitely had some more, you know, representation. 00:02:59:20 – 00:03:24:23 Unknown And actually this discussion can get so nuanced, right? Because are we talking about like, original animation? Are we talking about like the entire Disney, universe, you know, within Marvel and Star Wars? So, at this point, apparently Hulu’s in there too. So if there’s some horror movies, or other anime animation you want to include that counts. 00:03:25:01 – 00:04:11:02 Unknown Yeah, I think like in the more like traditional sense of Disney Pixar. It’s it’s slowly increasing, like strictly within like movies and TV. Like in movies, I feel like we’re still not other than maybe like Strange World getting those main characters. That would be great. But, it’s really nice to see at least, you know, some nuances through the community, like having a non-binary character in elementals or, just, you know, at least some representation. 00:04:11:02 – 00:04:57:15 Unknown Which is better than that. But, there’s also just questionable things that they’ve done in the sense of like pulling from different markets or, you know, like, I know, so, like when they did Lightyear, I, I loved that they had a Lisa like, that his sidekick was such a big representation. And then it was so incredibly heartbreaking to have this, reaction to what was not even a minute of their relationship, the lesbian relationship she had, which was this beautiful little heartwarming family and, seeing at the time, like them, like pulling it from market to things like that. 00:04:57:17 – 00:05:01:20 Unknown But at the same time, like, if we kind of pull back the lens a little bit, 00:05:01:20 – 00:05:25:22 Unknown at the same time, there’s like getting the, the monthly emails, not even just the LGBTQ, pieces. They will highlight a monthly email, but like other minority communities and, even, like, abilities, I think they’re doing better on, although sometimes embarrassing when they maybe only have 1 or 2. 00:05:26:00 – 00:05:49:16 Unknown And I mean, I went to Pride Night. I just do that last night, which, you know, they now officially have their official one. And how many years do we have our unofficial. You know, we we still do have kids at Disneyland, but like, it’s nice that they’re officially hosting that. So. Getting better. But riding a wave and still carrying a little too much. 00:05:49:16 – 00:06:15:06 Unknown Maybe about what some people think. Sheila, any thoughts on your in? Yeah. I totally agree. And I think when thinking about representation at Disney, it’s when you look at it as like a conglomerate. I do think that they’ve missed the mark in a lot of ways. But I do think if you look at individual stories and individual narratives, then, you know, there’s some great representation. 00:06:15:08 – 00:06:31:16 Unknown At Disney for queer people, like just recently, in fact, they did a remake of the goosebumps books, and Myles McKenna, who’s a trans, activist, trans activist, actor and musician, is one of the leads in the show. And so, like, 00:06:31:16 – 00:06:45:16 Unknown individual properties, you know, they do have great representation. And even ones that, like, aren’t necessarily inherently queer, like frozen, you know what I mean? 00:06:45:16 – 00:07:10:02 Unknown Or like, not well, turning red too. But then also, Luca, you know, those are movies that weren’t intended to be queer, but they’re autobiographical stories that, you know, queer people can relate to. You know, like having those is great and that it makes you feel more seen. But I think as a, like a conglomeration, I think that’s really the way. 00:07:10:04 – 00:07:39:18 Unknown And I love when you said that there are stories that have been out there that queer people can relate to. So thinking back when you were younger, did you have any specific Disney characters that you were drawn to? Or like you were you just felt this special connection to real? Yeah. I, Todd, Jody and Eric, actually that, the way that I found out that I was queer is through watching The Little Mermaid. 00:07:39:20 – 00:08:06:04 Unknown Because I had a crush on both Eric and area. Yes. And that was really my first, like, understanding of queerness, you know, even before I could put words to it. Disney kind of opened up my mind for queerness, and I think a large part of that was like, I grew up, for a while in a very, like, predominantly woman like community. 00:08:06:04 – 00:08:34:06 Unknown I don’t know how to say that

    1h 3m

  4. 06/15/2024

    Celebrating Juneteenth and Diversity in Disney

    44: Ariel, Stef, and special guest Chance Calloway discuss Juneteenth, media representation, and Disney’s portrayal of Black characters. They highlight Juneteenth’s significance and embodiment of “we’re not free until we are all free.” The episode promotes authentic representations and diverse voices in future Disney projects and teaches audiences about The Transformation Trope, Projection Representation, and Black coded characters. Summary Summary of HPOE 44: 00:00 Introduction: Meet Ariel, Stef, and Chance Calloway, and learn about their unique approaches to therapy, education, and creative arts. 01:33 Juneteenth Significance: An in-depth look at Juneteenth, its history, and its recent recognition as a federal holiday. The hosts discuss its unique place among American holidays and its traditions. 07:07 Media Representation: The importance of diverse representation in media, particularly in children’s films. The discussion includes the federal recognition of Juneteenth and calls for authentic portrayals of characters of color in Disney movies. 10:18 Brandy Cinderella Movie: An exploration of the impact of the Brandy Cinderella movie on media representation and its continued relevance in promoting diversity. 21:11 Black Panther: Reflecting on the success of Black Panther and its significance in showcasing Black excellence and representation both in front of and behind the camera. 32:34 Princess Tiana: Critiquing Disney’s portrayal of Princess Tiana in The Princess and the Frog, and advocating for more genuine representations of protagonists of color. 37:55 Black Coding in Disney Films: Discussing the concept of Black coding in Disney movies, the challenges in marketing diverse content, and the importance of amplifying diverse voices in future projects. 43:36 Conclusion: Summarizing the episode’s key points on Juneteenth, media representation, and the portrayal of Black characters in Disney films. The hosts encourage listeners to engage with these critical topics. Transcription 00:00:09,094 –> 00:00:11,894Ariel Landrum: Hello, everyone. Welcome to the happiest pod on Earth. 00:00:11,894 –> 00:00:18,530I’m Ariel, a licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental development. 00:00:18,690 –> 00:00:24,690Stefanie Bautista: And I’m Stef. I’m an educator who uses her passions and fandoms to educate the kids that I work with. 00:00:24,690 –> 00:00:33,345Chance Calloway: I’m Chance Calloway. I’m a producer, filmmaker, musician, writer, all around multi hyphenate. Creativity is my passion. 00:00:33,450 –> 00:00:36,410Stefanie Bautista: And happiest pod is where we dissect Disney mediums with a 00:00:36,410 –> 00:00:41,710Ariel Landrum: critical lens. Why? Because we are more than just Stef, and we expect more from the mediums we consume. 00:00:42,005 –> 00:00:44,825So, see, so I have a guest today. Chance, what are we talking about? 00:00:45,204 –> 00:00:48,425Chance Calloway: Today we’re talking about Juneteenth, and we’re talking about representation. 00:00:48,805 –> 00:00:56,720Stefanie Bautista: Yeah. Yeah. Chance, as you all know, if you’ve been following us on our podcast and also have seen us at Comic Con or WonderCon, 00:00:56,860 –> 00:01:02,465Chance is 1 of our very good friends, 1 of our most talented friends, like you said, multi hyphenate. 00:01:02,925 –> 00:01:10,500And, you know, I feel even when this podcast was coming to its conception, we would organically have a lot of really good 00:01:10,500 –> 00:01:18,425discussions about the way we consume media and the different things that we expect from it and also want to see from it in the future. 00:01:18,425 –> 00:01:26,080So I hope that today’s discussion is gonna be very enlightening for those of you aren’t familiar with Juneteenth. So, Chance, would you be 00:01:26,080 –> 00:01:28,420Ariel Landrum: able to explain what exactly is Juneteenth? 00:01:28,640 –> 00:01:33,845It became recently a federal holiday, but just because it wasn’t a federal holiday, doesn’t mean that it wasn’t a holiday. 00:01:34,165 –> 00:01:40,825Chance Calloway: Correct. Yes. Juneteenth, basically, is the embodiment of the term, we’re not free until we’re all free. 00:01:41,180 –> 00:01:47,680So when, the Emancipation Proclamation was passed, some, black Americans were still enslaved. 00:01:48,060 –> 00:01:51,585Some black Americans did not know that freedom had arrived. 00:01:51,884 –> 00:02:00,350And on June 19th, that was the day that they did basically the final, like, enforcement, and made sure that the enslaved people were made free. 00:02:00,430 –> 00:02:05,170And that’s when a lot of, people in the black community started celebrating it as a holiday. 00:02:05,390 –> 00:02:11,705Ariel Landrum: I think it’s important to note because it’s hard for people to fathom not getting information immediately. 00:02:12,245 –> 00:02:12,724Chance Calloway: Sure. 00:02:12,724 –> 00:02:16,620Ariel Landrum: There’s an acknowledgment that we get media so quickly. 00:02:16,760 –> 00:02:25,885We get news so quickly, especially, like, breaking news, reactions to it, that there isn’t this time to, like, digest and 00:02:25,885 –> 00:02:28,465understand before you’ve moved on to the next thing. 00:02:28,605 –> 00:02:37,650And I think that the fact that it became a holiday amongst the black community just shows, like, how important and informative it was. 00:02:38,189 –> 00:02:45,695Chance Calloway: Absolutely. Suleens. Yeah. And I think, for a lot of people, there’s a a hitch that comes with thinking of American holidays, 00:02:46,050 –> 00:02:47,810you know, and the American flag, things like that. 00:02:47,810 –> 00:02:51,569We’ve seen you know, it’s been the media a lot because of the cover of Beyonce’s new album. 00:02:51,569 –> 00:02:56,465A lot of, black Americans kind of don’t respect, like, holidays like the 4th July. 00:02:56,685 –> 00:03:01,905So then when something like Juneteenth came along, that I can respect. That feels like a celebration. 00:03:02,045 –> 00:03:02,569Ariel Landrum: And I think 00:03:02,569 –> 00:03:08,510Stefanie Bautista: when it comes to holidays, there are diff there’s different layers of celebrating and even the word celebrating a holiday. 00:03:08,650 –> 00:03:14,975Because, essentially, this is 1 of those holidays where it was a realization of something that hadn’t been realized, fully. 00:03:15,115 –> 00:03:22,799When you’re talking about people celebrating the 4th July, they normally talk about barbecues and doing fun stuff and not, 00:03:22,799 –> 00:03:26,180you know, the actual reason for the holiday. 00:03:26,400 –> 00:03:34,595This is 1 of those holidays that kind of wakes us up to the different ways we celebrate and the different ways we honor certain 00:03:34,595 –> 00:03:38,694people, especially when we’re talking about, honoring everyone equal. 00:03:39,710 –> 00:03:43,470And, like, celebrating it with a purpose and not just celebrating to sell. 00:03:43,470 –> 00:03:51,455Chance Calloway: And that that’s a really great point, Steph, because there’s a lot of holidays that, you know, have lost the meaning behind them for various reasons. Yeah. 00:03:51,455 –> 00:03:53,775And people feel different ways depending on the holiday. But Yeah. 00:03:53,855 –> 00:03:58,430Think about the majority of the holidays that we celebrate, it’s more because it’s a day off. Yeah. Right. Yeah. 00:03:58,430 –> 00:04:00,989And there’s some aesthetic theme around it that we like. 00:04:00,989 –> 00:04:06,415And we we celebrate Christmas or don’t even follow, like, the religion that Christmas is based on. 00:04:06,415 –> 00:04:14,840So, like, holidays become other things that, you know, whereas Juneteenth is still very resonant for the reason that it exists. 00:04:14,980 –> 00:04:22,525Stefanie Bautista: I’m coming from a standpoint where at school, that is your first foray into celebrating holidays and doing themed activities. Mhmm. 00:04:22,525 –> 00:04:30,050And I think the way that I’ve been experiencing it in the school culture that I’m currently in, which is very diversity, equity, 00:04:30,110 –> 00:04:39,285inclusion, and belonging based, we really take a deeper dive into what exactly are we celebrating or why exactly do we have that date. 00:04:39,665 –> 00:04:47,850And if, you know, that means taking a little bit more time and not just doing the hand turkey or doing, you know, the snowman. 00:04:48,070 –> 00:04:56,345I mean, that’s okay because we would rather have the kids have a bigger and full understanding of the holiday or the day off. 00:04:56,505 –> 00:05:03,465Ariel Landrum: I know that there are some traditions that have come about for the black community in celebrating Juneteenth, including colors 00:05:03,465 –> 00:05:05,310that you can wear and things that you could eat. 00:05:05,310 –> 00:05:09,729Would you be able to share for audience what that is, or what you did? 00:05:09,870 –> 00:05:14,925Chance Calloway: Sure. I mean, I I always celebrate many holidays just by nature of my bachelor. The 00:05:16,444 –> 00:05:18,944Stefanie Bautista: Every day’s a holiday. Okay. You know, 00:05:19,164 –> 00:05:23,104Chance Calloway: there are some Juneteenth cotillions, you know, which are which are very popular. 00:05:23,270 –> 00:05:29,509A lot of people like to do the, the kinda Afrocentric colors of the red, green, and black. 00:05:29,509 –> 00:05:32,295You know, some people have flags that are in those colors. 00:05:

    17 min

  5. 06/11/2024

    Dynamic Disabilities: From Accommodations to Accessibility

    43: Ariel, Stef, and return guest Maria delve into the intricacies of hosting a play therapy conference at Disneyland, focusing on accommodations for dynamic disabilities. They discuss the unique challenges and rewards of planning such an event in a magical setting. They emphasize the importance of inclusivity, accommodations, and the evolving nature of disability services at Disney. They also explore the distinctions between ask culture and guess culture, the impact of ableist assumptions, and practical strategies for integrating play-based interventions for disabled children and adults. Register for the “Play Therapy: Disney Bound” taking place at Disneyland and the Disneyland Hotel from March 10th-15th, 2025 here: https://www.anewhopetc.org/playatdisneyland Register for the “The Supportive Innovations for Therapeutic Heroes Conference (S.I.T.H.)” taking place at Las Cruces Convention Center, New Mexico from September 26th-28th, 2024 here: https://www.anewhopetc.org/sith Summary Summary of HPOE 43: Introduction and Terminology (0:00): Ariel, Stef, and Maria introduce Episode 43 and define the key terms of ableism, DEIB, and dynamic disabilities to prepare listeners for the discussion. Meet the Hosts & Guest (1:26): Ariel, Stef, and Maria introduce themselves and discuss their professional backgrounds. Maria’s Inspiration and Conference Challenges (2:53): Maria shares her inspiration for choosing Disneyland as the venue for her play therapy conference. She discusses the unique challenges and rewards of planning an event in a magical setting. Ask Culture vs. Guess Culture (10:01)” The conversation shifts to the importance of asking questions in personal and professional contexts. The trio explores the concepts of ask culture and guess culture and their impacts on event planning. Dynamic Disabilities and Accommodations (16:58): Maria explains the concept of dynamic disabilities and their fluctuating nature. The group discusses the importance of accommodations and the evolving policies of Disney’s Disability Access Service (DAS). Disney’s DAS Program and Challenges (21:21): The discussion delves into recent changes to Disney’s DAS program, including the new pre-registration process and the impact of these changes on visitors with disabilities. Play-Based Interventions (41:03): The hosts discuss play-based interventions for individuals with disabilities, highlighting the importance of creating inclusive play environments catering to children and adults. Hosting at Disneyland: Tips and Reflections (47:49): Maria shares practical advice on hosting events at Disneyland, emphasizing early planning and clear communication. She reflects on the success of her play therapy conference and announces details for the next event. Closing Thoughts and Future Plans (51:59): The episode concludes with reflections on the discussed topics, the importance of continuing advocacy for disability rights, and excitement for future events and conferences. Transcription 00:00 – 00:02Is episode 43 of happiest pot on earth. 00:02 – 00:09On this episode, we are going to be using some, very specific terminology that we would like to define for you ahead of time 00:09 – 00:13so when you listen you can feel more prepared. The first term is ableism. 00:13 – 00:22Ableism is the discrimination of and social prejudice against people with disabilities based on the belief that typical abilities are superior. 00:23 – 00:29At its heart, ableism is rooted in the assumption that disabled people require fixing and defines people by their disability. 00:30 – 00:38The second term is diversity. Diversity simply means the differences between people, and equity is about securing everyone’s 00:38 – 00:40access to the same opportunities and resources. 00:41 – 00:47Inclusion, which is another term that we use, creates a welcoming and respectful environment, and belonging is the feeling 00:47 – 00:50of being accepted and part of a community. 00:50 – 00:58Another term is dynamic disability. A dynamic disability is a condition or impairment that can change in severity and impact over time. 00:59 – 01:05This can include periods of remission or exasperation or symptoms that fluctuate throughout the day. 01:05 – 01:12People with dynamic disabilities may experience good days, bad days that are unpredictable, which can make it difficult to 01:12 – 01:14manage their symptoms and plan for the future. 01:26 – 01:29Hello, everyone. Welcome to the happiest pod on Earth. I’m Steph. 01:29 – 01:35I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them. 01:35 – 01:42And I’m Ariel, a licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental illness. 01:42 – 01:49I’m Maria. I’m a marriage and family therapist and a registered play therapist who pulls from pop culture to normalized mental health and therapy. 01:49 – 01:53And here at Happiest Pod, we dissect Disney mediums with a critical lens. Why? 01:53 – 01:56Because we are more than just fans and we expect more from the mediums we consume. 01:57 – 01:58So everybody, what are we talking about today? 01:59 – 02:08Well, we have a very special guest on our podcast today, an old friend, I guess you can say, because we have had her on our podcast before. 02:08 – 02:15We have Maria who is, a wonderful person, human being, and very talented in what she does. 02:15 – 02:22I am in awe of everything, that she has accomplished, and, I had so much fun the last time I saw her because the last time 02:22 – 02:26I we saw her was at the parks. So Yeah. Yeah. 02:26 – 02:33Yeah. Thank you guys so much for having me back, and thanks for coming and playing with me at Disney. 02:33 – 02:35I mean, there’s no there’s no better work day than 02:35 – 02:36a day at Disney. 02:36 – 02:39You really have to pull our hair to, like, go there. 02:39 – 02:44We’re just like, I don’t know about this one. That’s such a big ask. Oh, good. Ask. 02:44 – 02:46I had to leave work. Oh my goodness. 02:46 – 02:53So, Maria, I’m curious. What inspired you to choose Disneyland as the venue of your play therapy conference? 02:53 – 03:00And were there any unique challenges and rewards that you encountered in having the magical place be the location 03:00 – 03:11of your conference? Sure. I mean, when we think about play, and the 3 of us being, Disney adults, fan adults, I mean, there’s 03:11 – 03:15really not a better place than the parks to go and play. Right? 03:16 – 03:24And so really the the idea behind the conference was how do I integrate play back into the learning? I’m old. 03:24 – 03:30I used to attend conferences when they were fun. That stopped happening. 03:30 – 03:37You know, and prior to the pandemic, and then since we’ve been back trying to do, like, learning in person again, I learn 03:37 – 03:40best when I am fully, like, in it. 03:40 – 03:45And nothing nothing completely captures my attention than anything Disney touches. 03:46 – 03:49So, it was just it was a wild dream. It really was. 03:49 – 03:53It was just kind of a, I wonder if this had ever happened. 03:54 – 03:55And I was just like, well, what’s the 03:55 – 03:58worst that’s gonna happen? Right? Like, we’re gonna put it out there. 03:58 – 04:02Like, the worst day of this is still like a good day at Disney. 04:02 – 04:11I mean, that’s a pretty safe that’s a pretty safe low bar for me to try it out with. Absolutely. Yeah. And so, like, it’s interesting. 04:11 – 04:14So, I mean, I’ve done event planning before. 04:14 – 04:16I do host a conference here in my hometown. 04:16 – 04:22You you do kind of get to know the ins and outs of event hosting, and then there’s Disney. And then 04:22 – 04:31there is Disney. Okay, so did they have challenges that they threw your way that you hadn’t experienced in your current experience of event hosting? 04:32 – 04:35Not, not as many as I had anticipated, right? 04:35 – 04:42I kind of went in thinking I’m a small, small little minnow fish in a very big pond. Right? 04:42 – 04:49People who think about Disney events think, you know, big, huge corporation events. I am not that. 04:50 – 04:56So I I think I went in with the anticipation that I was going to be kind of like, that’s cute. 04:56 – 04:59He would like to do this, but like, maybe not. 05:00 – 05:02And that wasn’t the case at all, right? 05:02 – 05:08They were just, my event was just as important at, like, as, like, the next event coming in. 05:08 – 05:11That was probably 10 times the size of our event. 05:12 – 05:20I did not feel, yeah, I did not feel like we were patronized, we were not, you know, set aside, and they, I mean, it’s Disney. 05:21 – 05:26I I had such a surreal experience of, like, rolling up to the hotel and taking my bags out. 05:26 – 05:35I’m gonna go check-in, and I’m actually met at front door of someone who knows who I am and, like, walks me to my room, take 05:35 – 05:40has my bags carried to my room for me, gone through, and, like, here’s a personal number. 05:40 – 05:47If you need anything, you text this number, and we will respond to you. I was like, oh. Oh my goodness. Oh, okay. Okay. 05:47 – 05:49Like, you know there’s just 30 of us. Right? 05:49 – 05:51Like, this is not like a big, big thing. 05:52 – 05:54You must have me confused or something. 05:54 – 05:55I know. I know. 05:55 – 05:59It’s serious. Like, talk about imposter syndrome. I’m sitt

    1 hr

  6. 05/25/2024

    Previously On X-Men with Julia and Eric Lewald

    42: Join Ariel, Stef, and their distinguished guests, Julia and Eric Lewald—writers and showrunners of the X-Men Animated Series. This episode explores the legacy of the original X-Men series, its cultural impact, and the exciting revival with X-Men 97. The Lewalds share the challenges and joys of bringing their beloved characters to life through personal anecdotes and professional insights. Tune in for a nostalgic journey and a look at how X-Men continue to inspire and educate through themes of identity, diversity, and resilience. Summary Transcript 00:00 Introducing Happiest Pod and Guests: Meet the hosts of Happiest Pod and their special guests, Eric and Julia Lewald, creators of the original X-Men series, as they discuss their passion for dissecting Disney mediums with a critical lens. 01:02 Rediscovering X-Men’s Impact: Explore Eric and Julia’s surreal experience of rediscovering the massive fanbase and impact of X-Men years after the original series ended, leading to a resurgence of interest in the show. 03:13 Family Support and Generational Connection: Discover how Eric and Julia’s family, including their children and grandchildren, have played a supportive role in their journey, bridging generational gaps and connecting with the show’s legacy. 04:20 Working Together as a Married Couple: Delve into Eric and Julia’s unique dynamic as a married couple working in the same industry, exploring how their shared experiences and collaboration have strengthened their relationship and creative process. 06:52 Empathy and Creativity in Collaboration: Uncover the deep empathy and understanding from working closely with a partner in the same field and how shared challenges and experiences can enhance creativity and collaboration. 08:58 X-Men’s Legacy and Social Commentary: Explore the profound impact of X-Men in shaping representation, social justice themes, and fostering discussions on complex topics, reflecting on the show’s legacy and relevance in today’s society. 09:42 Creative Freedom and Storytelling: Learn about Eric and Julia’s creative freedom in developing the X-Men series, balancing staying true to the original material and crafting engaging and impactful storytelling. 16:23 Consulting and Continuation with X-Men 97: Discover Eric and Julia’s experience as consulting producers for X-Men 97, reflecting on the evolution of the industry and the challenges and joys of contributing to the continuation of the beloved series. 25:11 Evolution of Animation Industry: Explore the changes in the animation industry over the years, from production timelines to technological advancements and the impact of social media on creative processes and audience engagement. 28:28 The Art of Releasing Episodes: Exploring the impact of releasing episodes weekly versus all at once, reminiscent of the original X-Men series and the value of discussing episodes with friends and fans. 31:27 Challenges of Accessing Content: Reflecting on the challenges of accessing the content in the past, such as delayed episodes on military bases and the impact of missing out on shared cultural experiences. 32:01 Evolution of Show Intro: Discussing changes in show intros over time, comparing the consistency of the original X-Men series intro with the dynamic intros of X-Men 97. 33:04 Budget Constraints and Creative Change: Exploring the impact of budget cuts on the final season of the original X-Men series, leading to changes in animation quality and music, highlighting the practical challenges in the industry. 36:11 X-Men’s Enduring Theme: Delving into the enduring themes of X-Men, including social commentary, personal struggles, and the evolving nature of human society, emphasizing the importance of appreciating differences and striving for a better world. 42:00 Time Travel and Multiverse Possibilities: Exploring the potential for time travel and multiverse concepts in X-Men 97, hinting at exciting narrative possibilities and connections to broader storytelling universes. 43:45 Narrative Impact and Character Development: Discussing the impact of character narratives and sacrifices in storytelling, highlighting the emotional depth and realism that resonates with audiences, showcasing the importance of character development and impactful storytelling. 47:00 Aspiring Writers’ Advice: Offering valuable advice for aspiring writers and creators, emphasizing consistency, networking, preparedness, flexibility, and the collaborative nature of the industry, encouraging aspiring creatives to hone their craft and embrace the profession’s challenges. 57:00 Closing Remarks and Future Engagements: Expressing gratitude for the impact of X-Men and the joy of creative work, sharing insights on upcoming events like LA con and the uncanny experience, and inviting listeners to engage with the guests on social media. Transcription 00:09 – 00:12Hello, everyone. Welcome to the happiest pod on Earth. I’m Stef. 00:12 – 00:18I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them. 00:21 – 00:21And I’m Ariel. I use my client’s passions and fandoms to help them grow and heal from trauma and mental unwellness. 00:25 – 00:31And I’m Julia Lewald, TV live action writer and animation, all that kind of stuff. 00:31 – 00:35And I’m Eric Lewald, same job, same business as my wife. 00:35 – 00:37I was just was the showrunner on X-Men. 00:37 – 00:40And here at Happiest Pod, we dissect Disney mediums with a critical lens. Why? 00:40 – 00:44Because we are more than just fans, and we expect more from the mediums we consume. 00:45 – 00:47So what are we here to talk about everybody? 00:47 – 00:51Well, as everyone heard, we have 2 exceptional guests on our podcast. 00:52 – 00:56Big round of applause and snaps to Eric and Julia Lee Wald. 00:56 – 01:02As they said, they are show runners, creators of the original X Men series, and we are so honored to have you on our podcast. 01:02 – 01:10As we all know, X Men and X men 97 is a huge, huge part of the Marvel Universe and now the extended Disney Universe. 01:11 – 01:14And we have tons to talk about, so I’m very excited. 01:14 – 01:16Well, thank you for inviting us. This is fun. 01:16 – 01:23Absolutely. So I’m curious, as you already know, we are going to talk about X Men, and I have seen that you’ve been going to a lot of conventions. 01:23 – 01:29You’ve been doing free comic book day signings. Does this feel like a resurgence? 01:29 – 01:31Does this feel like stepping back into old 01:32 – 01:33skin? It feels surreal. 01:33 – 01:42Understanding with good old X Men, the animated series, when it wrapped in 1997, there was no social media. There was no Google. There was no Internet. 01:42 – 01:47We knew at the time that X Men was a big hit for Fox Kids. 01:47 – 01:49But as far as the way it reached people, we had 01:49 – 01:50We had no clue. 01:50 – 01:51No clue. 01:51 – 01:51There was 01:51 – 01:53no interaction. We didn’t know. 01:53 – 02:00You know, we we we wrote the scripts at home, and then we go out and we realize we start going to cons in 2017 after we put 02:00 – 02:09out a book about the show and realized there were 100 of millions of people around the world who saw the show. I mean, it’s just crazy. 02:09 – 02:12We go to a con and half the cosplayers were doing our show. Yeah. 02:12 – 02:16And this was what it was not on the air, and the new show hadn’t been announced yet. 02:16 – 02:25Wow. Wow. Okay. So this is still feels very sort of shocking and new because you’re now getting the fan interaction that you 02:25 – 02:28didn’t before because the channels weren’t there. 02:28 – 02:30Absolutely. Absolutely. 02:30 – 02:36Yeah. So that was that was just it wasn’t something that was and we started feel I say feeling this at the cons well before 02:36 – 02:39the new show came out, and so that was all about the initial show. 02:39 – 02:48But then the new show, now it’s like, you know, we lived with this family 25, 30 years ago, and now the kids have gone off 02:48 – 02:54and now we’re living with our grandchildren. It’s a strange double whammy. 02:54 – 03:03Yeah. Yeah. Yeah. Actually, on that note, how is your family, you know, kind of helping you support the resurgence of your, you know, popularity? 03:03 – 03:10Because I’m sure they were your kids, of course, were probably very small when all of this was happening, and now your grandchildren are part of it. 03:10 – 03:13How how is your family helping in all of this? 03:13 – 03:16Well, hopefully, grandchildren are on their way. But as far as 03:16 – 03:20This this summer, there there there are 2 2 have been announced. 03:20 – 03:21Yep. Yep. Yep. Yep. Yep. 03:21 – 03:22Congratulations. But Congratulations. 03:23 – 03:30Of our own 2. We have 2. And nieces and nephews. Our own 2 were itty bitty. 03:30 – 03:34In fact, our second son was born October 8th, and x men 03:34 – 03:37Came out October 31, 92. 03:37 – 03:43So it it they they they’ve grown up as, you know, sort of with the show and with that time. So 03:43 – 03:51More recently, when we started going to cons 7 6, 7 years ago, they they and their girlfriends and their friends would come 03:51 – 03:55and, say at a big con like San Diego, be our support team. 03:55 – 03:57Yes. We need them. We need those new boxes and books. 03:58 – 04:00So, yeah, they’ve been very support very supportive. Yeah. 04:00 – 04:06I love that. And, I mean, the reason why I asked is because I have a lot of students who help out their family businesses.

    59 min

  7. 05/07/2024

    Finding Belonging With Turning Red

    41: Join Ariel, Stef, and their distinguished guests, Soo Jin and Linda—authors and mental health professionals—as they bond over Pixar’s Turning Red. This episode covers the film’s profound themes of family, identity, mental health, and cultural nuances. Our discussion celebrates the movie and the real-life reflections it inspires, especially during AANHPI Heritage Month and Mental Health Awareness Month. Just in time to celebrate Pixar Fest, this conversation promises to bridge the gap between popular culture and professional insights. Disney/Pixar Turning Red: Mei’s Little Box of Big Feelings Storybooks Free Downloadable Turning Red Activity Sheets Developed and Provided by Disney/PixarDownload Summary Summary of HPOE41 00:00 Introduction: Introduction to the episode with Ariel and Stef welcoming guests Soo Jin and Linda, setting up the discussion about Pixar’s Turning Red as it relates to AANHPI Heritage Month, Mental Health Awareness Month, and Pixar Fest. 01:02 Turning Red Discussion Kickoff: Discussion on the significance of Turning Red, how it relates to the personal experiences of the hosts and guests, especially during Asian American, Pacific Islander, and Native Hawaiian Heritage Month. 02:35 Watch Party Experience: Guests share their unique experiences of watching Turning Red through a virtual watch party, emphasizing community and shared experiences in appreciating the film. 07:01 Cultural and Emotional Impact: Delving into how Turning Red reflects personal and cultural narratives, exploring themes of adolescence, identity, and the Asian diaspora experience. 19:34 Deep Dive into Themes: Analysis of the major themes in Turning Red such as identity, family pressure, and the intersection of culture and personal growth, including the challenges faced by second-generation immigrants. 34:18 Professional Insights and Book Discussion: Guests discuss how the film’s themes are relevant in their professional practice as mental health professionals and talk about their book, Where I Belong: Healing Trauma and Embracing Asian American Identity, offering insights into therapy and cultural humility. 40:45 Engagement and Representation: Strategies discussed for engaging communities and readers through the themes of the movie, and the importance of representation in media. 47:30 Conclusion and Further Resources: Conclusion of the discussion, reflections on the impact of Turning Red, and information on where listeners can find related resources or engage further with the themes discussed Transcription Ariel Landrum (00:00)Hello everyone, welcome to Happiest Pod on Earth. I’m Ariel, a licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental unwellness. Stefanie Bautista (00:10)And I’m Stef. I’m an educator who uses my passions and fandoms to help my students grow and learn about themselves and the world around them. Soo Jin Lee (00:16)Hello everyone, my name is Soo Jin Lee. I’m a licensed therapist passionate about supporting Asian Americans address mental health challenges surrounding identity and intergenerational healing. Linda (00:26)Hi, my name is Linda Yoon. I’m a licensed psychotherapist, social worker who is passionate about helping people heal from trauma and recovery. Ariel Landrum (00:35)And here at Happiest Pod, we dissect Disney mediums with a critical lens. Why? Because we are more than just fans and we expect more from the mediums we consume. Stefanie Bautista (00:34)Mm-hmm. That’s right. And so on this episode, everybody, what are we going to discuss Ariel Landrum (00:47)Yeah, so everyone heard we have some very special, awesome guests, Soo Jin and Linda, and we thought this would be the most opportune time to talk about a film that came out essentially during the pandemic that we have revisited a few times, but never got to have on the show. And that is the iconic Pixar movie, Turning Red. And right now it’s Pixar Fest, so I’m hoping that at Disneyland we will be able to see Mei Mei and her mom. Stefanie Bautista (01:10)Yes, and not only is it Pixar Fest, it is also AAPI Heritage Month, which is Asian American, Pacific Islander and Native Hawaiian Heritage Month. So we would love to celebrate this amazing movie that spoke so dearly to my heart and to a lot of people who I know’s hearts, because growing up as an Asian American was a very unique experience. And it is so amazing to see that on the big screen. Unfortunately, the little screen at first, because like as Ariel mentioned, it did come out during COVID. And I’m actually curious to know how did you all watch it? Did you watch it right when it came out? Did you watch it a little later? I know when you have the ability to just watch things on your own, not everybody flocks to the theater. So I’m curious to know how did you all watch it the first time? Linda (01:53)Actually our staff, Soo Jin and I, who run a group practice, we have around that time we had about 20 staff, mostly Asian American therapists, and we were very excited about this film coming out. And we used to do, since everybody’s working in the remote right, we used to do Happy Hour Friday. We didn’t really drink, we just watched movie together and had boba. That’s what we did. Ariel Landrum (02:09)Mm-hmm. No, beautiful, beautiful. Soo Jin Lee (02:17)That’s the drink, the boba. Linda (02:19)The boba. And there used to be a lot of platforms that you can share screen and watch movies together during this time, right? So we actually watched like about seven of us gathered together. And that was my first time watching Turning Red. Stefanie Bautista (02:19)Yes. Ariel Landrum (02:24)Mm-hmm. Soo Jin Lee (02:30)Me too, yeah. So essentially we had a watch party at our work, which was really amazing. And this was, Turning Red was the one that everyone wanted to watch and we were so excited to watch it together. And so we definitely watched it on the mini screen for me because I had a laptop at the time. But even so, you know, in the mini screen of my laptop, I was just so zoned into the movie. Ariel Landrum (02:34)Mm-hmm. Hahaha! Stefanie Bautista (02:45)Right, yeah, yeah. Ariel Landrum (02:52)Yeah, yeah, so I did watch it at home. My TV is 78 inches, so I don’t think it feels many to me. And I watched it with at the time my roommate because my partner was working at the ski resort and it was nice having a conversation with my roommate because they are a non-binary white person, and they got to ask questions about my experience and if I understood like some of the themes happening in the movie. And I was presenting the themes that like stuck out to me. And it was really interesting how they had noted a part of the movie that I hadn’t considered because I was so engrossed in how it like solidified my experience as diaspora, which was the part of the movie where there was like a potential hint towards like a period. Soo Jin Lee (03:34)Mm-hmm. Yeah. Ariel Landrum (03:34)that never gets discussed anywhere. And I had so bypassed that. And they had highlighted how that was really so pivotal for them to see and how sad it was that we weren’t seeing it in theaters because of COVID, because of the fact that you don’t hear anybody talking about that part of a woman or a non-binary person with ovaries experiences. Stefanie Bautista (03:34)Mm-hmm. Yeah. Linda (03:37)Yes. Stefanie Bautista (03:39)Mm-hmm. Soo Jin Lee (03:55)Mm, yeah. Stefanie Bautista (03:55)Yeah, it’s so interesting to know that we can experience gruesome deaths on the screen, but oh my gosh, don’t even think about talking about it, period. We are not gonna talk about that. That’s too much for us. I don’t know if kids can handle that, period. Well, I just had my son right after this came out. And so I watched it in pieces because I like had a newborn and I was trying to figure out like, when am I gonna sit down? They always say like, Ariel Landrum (04:02)Hahahaha Period. Soo Jin Lee (04:06)I’m…glurgeoning. home. Linda (04:15)Mm. Stefanie Bautista (04:19)Oh, nap when the baby naps. Do laundry when the baby does laundry. Just kidding. Like, so I’m like, well, am I going to watch a movie when the baby watches a movie too? So I remember watching it in pieces, but having such big reactions. And he at the time loved the music. And it was, it’s so like 90s pop throughout the whole thing. Just the soundtrack itself is like not very symphonic like normal, but it was so upbeat that he would just be so entranced with the visuals and Mei Mei Mei Mei and Ariel Landrum (04:22)I’m sorry. Linda (04:23)Thank you. Stefanie Bautista (04:45)Is she so animated that he really liked it. But I did have to watch it another time because watching it in pieces I would have to like stop at like pivotal moments and I was like, oh no, what’s gonna happen next? so it was almost like an like a series for me because I would have to stop and then do something and then watch it again and didn’t do something But I loved it so much Linda (04:47)Mm-hmm. Ariel Landrum (04:57)Hehehe Soo Jin Lee (05:02)Oh, I love that. After my showing the watch party on the small screen, after it came out on Disney+, I was telling my husband about it because he doesn’t really watch Disney shows as much or animated shows as much, but I had to convince him. I was like, we’re gonna sit down and you’re gonna watch this with me. And he ended up loving it too. Like it’s so corny, but I don’t know why I like it. Linda (05:20)It was really… Stefanie Bautista (05:20)I think that’s the best part, because it was so corny. Soo Jin Lee (05:22)Exactly. Ariel Landrum (05:23)Yeah. Linda (05:23)That was the best part. We watched with our staff,

    51 min

  8. 05/01/2024

    Galactic Celebrations: Star Wars Nite and Beyond

    40: Ariel and Stefanie delve into Star Wars, unpacking its cultural significance and impact as part of the May the 4th celebrations. Both hosts go on a journey through this monumental franchise’s legacy and ongoing influence. From Disneyland’s Star Wars Nite to personal connections with the franchise to practical applications of this IP in therapeutic and educational settings. Summary Summary of HPOE40: 00:00 Introduction: Uniting Passions with Therapy and Education: Ariel and Stefanie introduce themselves, outlining how they use fandoms in their therapy and education practices. 01:33 Star Wars Nite: Hits and Misses: Ariel recounts her recent experience at Disneyland’s Star Wars Nite, discussing the event’s organization and where it fell short. 07:07 Main Street Magic: A Star Wars Immersive Experience: Insights into the immersive experiences at Disneyland during Star Wars Nite, focusing on themed meals and interactions. 32:34 Season of the Force: A Special Journey on Space Mountain: Details on the special Star Wars-themed version of the Space Mountain ride, incorporating effects and music from the franchise. 10:18 Engaging with the Galaxy: Star Wars Events and Their Impact: Discussion on various Star Wars-themed events, their impact on fans, and the use of Star Wars in therapy and education settings. 21:11 May the 4th: Celebrating Star Wars Community and Culture: Reflections on the significance of May the 4th, celebrating community and culture through Star Wars, including thematic food and character interactions. 32:58 Star Wars Across the City: Celebrating in Los Angeles: Discussion on Star Wars events in Los Angeles, including museum exhibitions and sporting events, showcasing how the franchise is celebrated beyond Disneyland. 37:55 Educational Adventures: Star Wars in the Classroom: Discussion on how Star Wars themes are utilized in educational settings to engage and educate students on values and ethics. 43:36 Conclusion: The Enduring Legacy of Star Wars: Summarizing the episode’s discussion, reflecting on the enduring impact of Star Wars on popular culture, therapy, and education. Transcription Ariel Landrum (00:00)Hello everyone, welcome to Happiest Pod on Earth. I’m Ariel, a licensed therapist who uses clients’ passions and fandoms to help them grow and heal from trauma and mental illness. Stefanie (00:09)And I’m Stef I’m an educator who uses passions and fandoms to help my students grow and learn about themselves and the world around them. Here at Happiest Pod, we dissect Disney mediums with a critical lens. Ariel Landrum (00:19)Why? Because we are more than just fans and we expect more from the mediums we consume. So, Stef, what are we talking about today? Stefanie (00:26)Well, actually, this is a very big topic. we are heading into May. And one of the biggest things that us Disney fans celebrate in May is the season of the force. So we’re going to be talking about Star Wars today. Ariel Landrum (00:37)We have a celebration today. This is another story. Dun dun Stefanie (00:42)every time I think Star Wars, I think the Imperial March. So I’m always like, it’s just so much more iconic to me. It is not positive, but it’s a banger, as the kids say. So yes, it is season of the Force. So we’re talking about all things Star Wars. I know that there are very big Star Wars events happening. Ariel Landrum (00:45)Dun dun dun! Hehe Yeah. Stefanie (01:01)around the city and also maybe even across the country. Many people celebrate Star Wars in different ways and we will be talking about not only those events but also how we use Star Wars in our practices as well. Because I know that Star Wars being such an iconic staple in pop culture, it parallels a lot of different mythologies and different types of storytelling that both of us use to connect with our clients and our students. Ariel Landrum (01:05)Mm-hmm. Mm-hmm. Yes. Stefanie (01:25)Ariel, I know that you just recently, like very recently, celebrated Star Wars in a big way. Can you tell us what you, experienced? Ariel Landrum (01:33)Absolutely. So we had Season of the Force at Disneyland and one of the events they had was one of their nighttime events and it was the Star Wars at Nite And I did that literally yesterday, last night. Didn’t get home until after midnight. The way the night events go is they go from 9 to 1 and you do get to go to the park at 6, so like two hours earlier than the event. There were some things I definitely learned from this that I think we can apply to other night events. And then there were some misses, I think on the part of Disneyland. So. Stefanie (02:01)Mm-hmm. I see. I am very curious. This is one After Dark event that you and I did not go to together. I didn’t get to go to Star Wars Nite I love the After Dark events, but as I am a mother, it is very hard for me to pry myself away from my little ones. I cannot wait until they get older so that I can experience these things with them, but I’m very curious to know your experience. I know the last time we talked about an After Dark event was Disney Channel Nite. Ariel Landrum (02:11)Mm-mm. Mm-hmm. I cannot wait until they get older. Stefanie (02:28)and we had a blast. It was so much fun and so dynamic that I’m kind of still riding on that high, if you will, of Disney Channel Nite because we’ve done other nights like Marriest Nites, Princess Nites, they have had their hits and misses. But yeah, I know you can listen to those other episodes to kind of get a run through of how everything goes, but Ariel Landrum (02:29)Mm-hmm. It was so much fun and so dynamic that I’m kind of still riding on that high if you read of Disney Channel Night. Because we’ve had other nights, like Marius’ nights, and the movie nights, and we have had their hits and misses. But yeah, I know you can… Stefanie (02:53)I feel like Star Wars Nite is very equivalent to Oogie Boogie Bash to where it already has a following and people anticipate for these tickets to come out. So was it really hard for you to find tickets to this particular event? Ariel Landrum (02:57)It already has a follow-up. Yes. And people can participate. Yes. So that was the crazy thing is they were still selling tickets, I think even until like last week. And the tickets that sold out the fastest were the ones closest to May 4th. And then the first day of the event. And that was it. After that, like I think my roommate was still looking to see if like tickets were available and they were. Stefanie (03:24)Yeah, and I think that maybe has to do with like the actual day. Oogie Boogie Bash tends to sell out first closer to Halloween. So maybe this is one of the things where they really wanted to be on May the 4th. But I mean, it is it is a weekday, so that could have contributed to it. But yeah, so like the other nights, I know that you get to step in two hours or so before the event. And when you went. Ariel Landrum (03:30)Mm-hmm. Yeah, yeah. Yeah Mm-hmm. Stefanie (03:47)Did you get any sort of giveaway at the gate when you checked in? Ariel Landrum (03:50)Mm. So remember Disney Channel Nite, they gave us that glow stick, which was supposed to be the wand. They only gave us the map and a lanyard. And I was. Stefanie (03:56)Mm-hmm. Oh. Ariel Landrum (04:03)Yeah, I’m a Magic Key Holder, so I got the Magic Key Holder patch. That was another giveaway. So it does look like all of the Disney night events have a patch as part of the Magic Key giveaway. But that was it. There wasn’t any additional swag. So that was like Miss Number One, because you could have easily just done the glow sticks again. And that’s a saber. Stefanie (04:07)Okay. Mm-hmm. Oh, absolutely. That’s like double dipping. And I remember when they gave us that glow stick, I was like, this is super high quality. It’s not like those glow sticks you get at Party City. Like this is a legitimate like wand looking glow stick. And when you cracked it, it was very bright. So I’m interested that they didn’t give you like Yoda ears or. Something, nothing. OK, interesting. All right. So they gave you a map. Was it as detailed as? Ariel Landrum (04:24)Mm-hmm. and then like, wandered away. Like, I just realized that it was very bright. Very bright. Yeah. Stefanie (04:45)the previous map that we got? Okay. Ariel Landrum (04:46)Yes. Yes, it was as detailed. So it looks like they’ve sort of learned their lesson from last year that all the Disney or I mean, yeah, the Disney night events will have a map that details the food pictures of the food where to find it, the different photo ops and characters that you can meet, as well as like Stefanie (04:59)Mm-hmm. Ariel Landrum (05:05)shows or entertainment that they had around the park. And I was telling my partner, it’s really funny. They don’t you don’t get like the map early. You get it the day you arrive. And yet the map has on their transportation and parking. And it’s like you would have already transported here and parked because they don’t give you this map early. So he thinks that’s part of like standard operating procedure that they have to put that stuff on printed material. Stefanie (05:09)Mm-hmm. Yeah. Right. Ariel Landrum (05:30)But I’m like, you wasted a lot of space, or you could have given us a digital version of this, I’m just saying. Stefanie (05:35)Yeah, I’m wondering also if they had it available via the app, but not many people use the app like that. I know that they did do that for Princess Nite where they had like a post that says, oh, the map is released so that you can plan ahead for your event. But they never really like advertise that very like forward, if you will. So, yeah, I think. Ariel Landrum (05:3

    52 min
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