The Dialogue Doctor Podcast

Jeff Elkins

Writing great books is critical to generating sales and building a following of readers. On the Dialogue Doctor Podcast, Jeff Elkins and other writers discuss how to write dialogue that will excite readers and help you sell more books.

  1. 2d ago ·  Video

    How to Write an Opening Readers Can't Put Down [Ep334]

    *]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]" dir="auto" data-turn-id= "request-6a203e50-1a68-83ea-9e80-00b0dd400c85-1" data-turn-id-container= "request-6a203e50-1a68-83ea-9e80-00b0dd400c85-1" data-testid= "conversation-turn-26" data-turn="assistant"> Writers want opening chapters that showcase their voice, introduce an unforgettable character, and make readers desperate to continue. But a strong voice can become self-indulgent. The narrator may entertain the reader without moving the story forward, explaining too much, repeating the same joke, or delaying the moment when something actually happens. In a writing competition, where judges are actively looking for reasons to stop reading, those extra words can cost you. In this episode, Jeff Elkins coaches author Scott Williamson on the opening of his darkly funny fantasy story about Auntie Pearl, a 300-year-old witch trying to turn a corpse into tea before her aging body falls apart. They explore how to tighten an opening without stripping away its personality, create intimacy between a first-person narrator and the reader, and withhold information to build mystery and narrative promise. Jeff also explains why writers should address one reader at a time, avoid telling readers what they are thinking, and keep present-tense narrators from revealing knowledge they cannot possess. The conversation also examines how vulnerability can make a monstrous character lovable, how a child character can become an engine for change, and how dark humor can keep physical suffering entertaining rather than exhausting. Watch this episode if you're revising an opening chapter, entering a writing competition, developing an intimate first-person voice, or trying to make readers fall in love with a character who does terrible things.     www.DialogueDoctor.com

    59 min
  2. Jun 15 ·  Video

    Why Character Growth Matters More Than Plot: Lessons from A Few Good Men [Ep 333]

    Writers want to create stories with unforgettable endings, powerful dialogue, and characters readers genuinely care about. But the problem is that we often spend most of our energy on the external plot: solving the murder, winning the trial, defeating the villain, or uncovering the truth. Those events create pressure, but they are not necessarily what makes the audience feel satisfied when the story ends. In this episode, Jeff Elkins (The Dialogue Doctor) and members of the Dialogue Doctor Community break down the character structure of A Few Good Men to reveal why the movie works. You'll learn how a story's "Vehicle characters" carry the reader's emotional experience, how a character's wound creates immediate hopes and fears, and why the real ending depends on whether the lead character becomes the person the audience hoped they could be. Jeff also examines how supporting characters can raise the pressure by ending tragically, how "Engines" and "Anchors" push a character toward their best or worst self, and why Joanne's storyline feels less satisfying than the arcs around her. Finally, the episode breaks down the pacing behind the iconic "You can't handle the truth" scene, showing how rapid-fire dialogue, strategic silence, emotional pauses, and a prolonged hero moment transform a courtroom exchange into an unforgettable climax. Watch this episode if you want to build stronger character arcs, create a cast that actively shapes your protagonist, write more emotionally satisfying endings, or understand why some famous scenes stay with audiences for decades. For more on the craft of writing, go to DialogueDoctor.com

    1h 10m
  3. Jun 8 ·  Video

    Stop Letting Characters Argue in Circles [Ep 332]

    Writers want sharp dialogue, compelling conflict, and characters with enough tension to keep readers turning pages. But the problem is that conflict can easily get stuck. Characters snipe at each other, trade sarcasm, or argue at the same emotional level for too long. The scene has energy, but it does not move. The relationship does not shift. The reader starts to feel like the conversation is circling instead of building. In this episode, Laura Humm coaches Tony Maxwell on how to make character conflict escalate, de-escalate, and actually change the relationship between characters. They discuss how to balance prose and dialogue, how to use the "zipper" technique to check the rhythm of a conversation, and how to move an enemies-to-allies dynamic from hostility into vulnerability. They also dig into how to write an arrogant protagonist without making readers hate him, how to give both characters expertise and agency, and how to use specialized knowledge—like veterinary medicine—without turning the scene into an info dump. You'll learn how to make dialogue feel like a tennis match, how to hide exposition inside conflict, how to use vulnerability to shift a relationship, and how to make every joke, barb, and emotional landing serve the scene. Watch this episode if your characters have great banter but the scene still feels flat, if your exposition keeps slowing the story down, or if you're trying to write conflict that actually changes something.   For more on writing dialogue, come to DialogueDoctor.com.  For the Fiction Makers Conference, come to FictionMakers.Live

    1h 10m
  4. Jun 5 ·  Video

    How Authors Are Actually Using AI, Ads, and TikTok Right Now - Write, Wrong, Repeat Episode 2

    Writers want to spend more time writing books and less time drowning in admin, ads, social media, and publishing decisions. But the problem is that the author business is messy. Ads may or may not be working. TikTok can feel confusing. Pen names complicate branding. AI tools raise questions about ethics, workflow, and usefulness. And while all of that is happening, the book still has to get written. In this episode of "Write, Wrong, Repeat" Jeff Elkins, JP Rindfleisch IX, Cry Cain, Tom Holbrook, and Holly Lyne talk through what they're testing in their author businesses right now. They discuss Facebook ads, Amazon ads, freebies, TikTok strategy, faceless accounts, pen names, genre-specific branding, and how AI tools like Codex can help organize admin, social content, spreadsheets, and marketing tasks. The conversation also digs into the real writer-life problem underneath all the tools: how do you protect your creative focus while still doing the business work required to publish? Holly shares how she wrote 100,000 words in a month, how she uses AI as a kind of business operations manager, and how clearing admin clutter helped her stay focused on the manuscript. Watch this episode if you're an indie author trying to figure out what's actually worth your time, what systems might help you keep writing, and how other writers are experimenting their way forward one month at a time.

    1h 8m
4.9
out of 5
18 Ratings

About

Writing great books is critical to generating sales and building a following of readers. On the Dialogue Doctor Podcast, Jeff Elkins and other writers discuss how to write dialogue that will excite readers and help you sell more books.

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