University of Minnesota Press

University of Minnesota Press

Authors join peers, scholars, and friends in conversation. Topics include environment, humanities, race, social justice, cultural studies, art, literature and literary criticism, media studies, sociology, anthropology, grief and loss, mental health, and more.

  1. 2d ago

    Montage and French cinematic history

    Amid the tumult of change that swept through French society in the wake of World War II, a trio of visionary filmmakers sought to make meaning of the chaos by revitalizing a common method: montage. Revealing Nicole Védrès, Alain Resnais, and Chris Marker as more than just groundbreaking auteurs, Ivan Cerecina shows how their collective infusion of montage with avant-garde aesthetics renewed the art of cinema while helping France reckon with its past and imagine its future. Cerecina’s book Assembly Lines is a call to action today as contemporary crises prompt reevaluation of our cultural histories. Here, Cerecina is in conversation with James Leo Cahill. Ivan Cerecina teaches film studies at The University of Sydney. He is author ofAssembly Lines: Montage in Postwar French Film, and his work has been published in Screen, Camera Obscura, and Framework. James Leo Cahill is associate professor of cinema and French literature at the University of Toronto. Cahill is author of Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé and general editor of Discourse: Journal for Theoretical Studies in Media and Culture. REFERENCES/PEOPLE: Nicole Vedrès Alain Resnais Chris Marker Sergei EisensteinDziga Vertov Henri Langlois André Malraux Walter Benjamin REFERENCES/FILM: Paris 1900 (Nicole Vedrès) La Vie commence demain (Nicole Vedrès) Guernica (Alain Resnais) OTHER REFERENCES: Steve Ungar / Critical Mass: Social Documentary in France from the Silent Era to the New Wave André Bazin, “On Why We Fight: History, Documentation, and the Newsreel,” in Bazin at Work. Laure Astourian / The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais and the Turn Inward in 1960s French Cinema Assembly Lines: Montage in Postwar French Film by Ivan Cerecina and Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé are available from University of Minnesota Press. Thank you for listening. Background track Claude Debussy, courtesy of www.classicals.de.

    Montage and French cinematic history
  2. Jul 28

    Walter Benjamin, reimagined through the forgotten power of radio

    Between 1927 and 1933, philosopher Walter Benjamin produced dozens of radio broadcasts that became a testing ground for his developing ideas and experimental pedagogy. Initially cast off as inconsequential, they are, as Dominic Smith reveals in Bridging Benjamin, a fruitful site for an original interpretation of Benjamin’s larger body of work. Here, Smith is in conversation with Esther Leslie. Dominic Smith is senior lecturer of philosophy at the University of Dundee, Scotland. He is author of Bridging Benjamin: A Philosophy of Technology, Place, and Education; Exceptional Technologies: A Continental Philosophy of Technology; and coeditor of Contingency and Plasticity in Everyday Technologies. Esther Leslie is professor of political aesthetics at Birkbeck, University of London. Her books include Walter Benjamin: Overpowering Conformism; Hollywood Flatlands, Animation, Critical Theory and the Avant Garde; Synthetic Worlds: Nature, Art and the Chemical Industry; Walter Benjamin; Derelicts: Thought Worms from the Wreckage; and Liquid Crystals: The Science and Art of a Fluid Form. EPISODE REFERENCES: Tay Rail Bridge Disaster of 1879Gilles Deleuze Martin Heidegger Derrida Susan Buck-Morss Adorno Bertholt Brecht Asja Lācis Immanuel Kant Berlin Childhood around 1900 / Walter Benjamin Radio Benjamin / Walter Benjamin “A Visit to the Brass Works,” radio segment / Walter Benjamin Lichtenberg: A Cross Section, journal article / Walter Benjamin, Gerhard Schulte Carl Schmitt Georgio Agamben Sam Weber Fredric Jameson Peter E. Gordon PRAISE FOR THE BOOK:"A powerful case for Benjamin’s usefulness in discussions of our relationship with the challenge of technological thought, Bridging Benjamin is exemplary in its extensiveness, honesty, and immediacy."—Gerhard Richter Bridging Benjamin: A Philosophy of Technology, Place, and Education by Dominic Smith is available from University of Minnesota Press. Thank you for listening.

    Walter Benjamin, reimagined through the forgotten power of radio
  3. Jul 14

    George Brecht to Game Boy: A history of play and playfulness

    In his study of how a new and messy set of codes about playfulness took shape in the postwar US, Peter D. McDonald illuminates how playfulness became essential for understanding cultural, technical, and economic production. From Fluxus to the Easy-Bake Oven to Tetris to SimCity, The Impossible Reversal: A History of How We Play charts the transformation of our understanding of what it means to play. Here, McDonald is joined in conversation with Tiffany Funk and Chaz Evans. Peter D. McDonald is associate professor of design, informal, and creative education in the Department of Curriculum and Instruction at the University of Wisconsin–Madison and author of The Impossible Reversal: A History of How We Play. Tiffany Funk is an artist, critical theorist, and researcher who teaches in the School of Art and Art History at the University of Illinois at Chicago. Funk is editor-in-chief of Video Game Art Reader and author of HPSCHD: Inside John Cage and Lejaren A. Hiller Jr.’s Radical Multimedia Collaboration. Chaz Evans is assistant professor of media arts in the School of Visual Art and Design at the University of South Carolina and author of a forthcoming book in MIT Press’s Platform Studies series. REFERENCES: Hannah Higgins / Fluxus Experience  Barbara Stafford Rube Goldberg George Brecht Yoko Ono Seth Giddings / Toy Theory Fredric Jameson Benjamin Patterson / A Game: Three Capacities and One Inhibition Shigeko Kubota / Video Chess Brian Sutton-Smith Marjory Allen and the playground movement Mouse Trap SimCity PRAISE FOR THE BOOK: "Offers a new model for thinking about imaginative intellectual engagement with the material world."—Amy F. Ogata "Essential reading for scholars of play and games alike—and perhaps even the seed of a new and exciting field of play studies."—Aaron Trammell The Impossible Reversal: A History of How We Play by Peter D. McDonald is available from University of Minnesota Press. Thank you for listening.

    George Brecht to Game Boy: A history of play and playfulness
  4. Jul 7

    Scent and scentsibility: How smell shapes present and possible worlds.

    How does smell attune us to possibility? Hsuan L. Hsu studies smell’s capacity to shape our worlds, our futures, and our modes of being and relating—noting that olfactory worldmaking is going on around us all the time. Hsu is joined here in conversation with Ally Louks. Hsuan L. Hsu is professor of English at the University of California, Davis. He is author of Olfactory Worldmaking; Geography and the Production of Space in Nineteenth-Century American Literature; Sitting in Darkness: Mark Twain’s Asia and Comparative Racialization; The Smell of Risk: Environmental Disparities and Olfactory Aesthetics; and Air Conditioning. Ally Louks is an author, literary scholar, and public academic who teaches at the University of Cambridge. Louks has several book projects in progress including Under Your Nose: The Pleasures and Politics of Smell. REFERENCES: Hsuan Hsu / The Smell of Risk  Warren Cariou Renee Stout Anicka Yi / In Love With The World, Tate Modern exhibition Tanaïs / In Sensorium  Bruno Latour Erica Fretwell / Sensory Experiments  Chanelle Dupuis Teresa Brennan J. Douglas Porteous Proust’s madeleine  Jhumpa Lahiri Saidiya Hartman Manu Vimalassery, Juniana Hu Pegues, and Alyosha Goldstein, “Introduction: On Colonial Unknowing,” Theory & Event 19, no. 4. Lisa Lowe / The Intimacies of Four Continents  Roshanak Kheshti / We See with the Skin Christina Sharpe Sylvia Wynter Octavia Butler / Fledgling Larissa Lai / Salt Fish Girl Claus Wedekind / Sweaty T-Shirt experiment William Carlos Williams / Smell! Elizabeth Freeman / Time Binds Byung-Chul Han / The Scent of Time Milena Popova / Dubcon Kandice Chuh / The Difference Aesthetics Makes Olfactory Worldmaking by Hsuan L. Hsu is available in the Forerunners series from University of Minnesota Press, in print and in an open access edition. Thank you for listening.

    Scent and scentsibility: How smell shapes present and possible worlds.
  5. Jun 30

    Material labor and the digital economy.

    Lisa Nakamura offers a powerful counterhistory of Silicon Valley in The Inattention Economy, which argues for both recognition and material compensation for the labor of the women of color who built the internet. Nakamura exposes how these women—including Tila Tequila, the first true internet influencer of the MySpace era—have been structurally excluded from racial capitalism’s benefits and focuses on how their work makes possible the platforms ingrained in our daily lives. Nakamura is joined here in conversation with Cassius Adair, André Brock, Jr., and Wendy Sung. Lisa Nakamura is the Gwendolyn Calvert Baker Collegiate Professor in the Department of American Cultures and the Digital Studies Institute at the University of Michigan, Ann Arbor. She is author of several books, including The Inattention Economy, Cybertypes, and Digitizing Race.  Cassius Adair is assistant professor at the School of Art, Media, and Technology, part of the Parsons School of Design at The New School.  André Brock, Jr., is an associate professor of Black Digital Media at Georgia Tech and author of Distributed Blackness. Wendy Sung is assistant professor of race, visuality, and digital culture in the Department of World Arts and Cultures/Dance at UCLA. Episode references: -“Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture,” American Quarterly 66, no. 4. -The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene / Celine Parreñas Shimizu  -Race After the Internet / Lisa Nakamura and Peter Chow-White, editors -Glitch Feminism: A Manifesto / Legacy Russell  -This Bridge Called My Back / Cherríe Moraga and Gloria Anzaldúa, editors -Distributed Blackness / André Brock Jr. -Violent Virality / Wendy Sung (forthcoming) -Digitizing Race / Lisa Nakamura -”Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture,” Lisa Nakamura, American Quarterly 66 no. 4. Praise for the book:"A groundbreaking rereading of the entire history of the internet."—Grace Kyungwon Hong "A crucial analysis of the way digital technologies have been systematically built out of the embodied labor of women of color."—Kalindi Vora The Inattention Economy: How Women of Color Built the Internetby Lisa Nakamura is available from University of Minnesota Press for purchase and also in an open-access edition available for download. Thank you for listening.

    Material labor and the digital economy.
  6. Jun 23

    Art, science, and the whale.

    Remember ‘Save the Whales’? Can we apply that same fervor to saving other species, or humans, or the planet?  Weather and the Whale gets into these questions. A project collaboratively organized by the Institute of the Arts and Sciences and the Friedlaender Bio-Telemetry and Behavioral Ecology Lab at UC Santa Cruz, this exhibition catalog combines artworks, critical and creative texts, and new scientific research investigating the histories and structures that render some lives, both human and nonhuman, more vulnerable to ecological crisis—and highlights collective practices necessary to create a more just world. Speakers: Rachel Nelson is director and chief curator at the Institute of the Arts and Sciences at UC Santa Cruz. Ari Friedlaender is professor of ocean sciences and director of the Friedlaender Bio-Telemetry and Behavioral Ecology Laboratory at UC Santa Cruz. Full book cast: Co-editor, with Nelson and Friedlaender: Alexandra Moore, curator of academic programs at the Institute of the Arts and Sciences at UC Santa Cruz. Artists: Imani Jacqueline Brown, Carolina Caycedo, Sharon Daniel, Yolande Harris, Christine Howard Sandoval, Ashley Hunt, Courtney Leonard, John Jota Leaños, Libia Posada, Mia Eve Rollow, Whale Liberation Front, Sam Williams, Suné Woods. Scientists: Natalia Botero-Acosta, Chloe Lew, Logan Pallin. Other contributors: Guillermo Delgado-P., Cory Diane, Mirra-Margarita Ianeva, LuLing Osofsky, Kailani Polzak, Şebnem Susam-Saraeva, Zac Zimmer. Weather and the Whale is available from University of Minnesota Press. Thank you for listening.

    Art, science, and the whale.
  7. Jun 16

    Absence and asexuality.

    We’ve seen the page that states “this page intentionally left blank” or heard an authority figure declare “nothing to see here, folks”—and yet the so-called blank page has writing on it, and folks definitely have something to see. From the entry point of these and other paradoxical declarations of absence, KJ Cerankowski applies the aesthetics of asexuality to theorize silences, nothings, and emptiness—and ultimately explores new ways of making meaning out of the supposedly meaningless. Here, Cerankowski is joined in conversation with Hil Malatino and Ianna Hawkins Owen. KJ Cerankowski is associate professor of comparative American studies and gender, sexuality, and feminist studies at Oberlin College. Cerankowski is author of Nothing Wanting: Asexuality and the Matter of Absence and Suture: Trauma and Trans Becoming and coeditor of two editions of Asexualities: Feminist and Queer Perspectives.  Hil Malatino is associate professor in the Department of Women’s, Gender, and Sexuality Studies at Penn State and a senior research associate in the Rock Ethics Institute. Malatino is author of Side Affects: On Being Trans and Feeling Bad and Trans Care. Ianna Hawkins Owen is an advanced assistant professor in the Department of Gender & Women’s Studies at UC Berkeley. EPISODE REFERENCES: Ross Gay Intimacies / Leo Bersani and Adam Phillips Depression: A Public Feeling / Ann Cvetkovich Entangled Life / Merlin Sheldrake “Public Universal Friend,” hosts Rund Abdelfatah and Ramtin Arablouei, Throughline podcast Reed Erickson Eve Kosofsky Sedgwick, “Paranoid Reading and Reparative Reading” (book chapter, Novel Gazing: Queer Readings in Fiction) Christina Sharpe’s Ordinary Notes and In the Wake Renée Green Paradise Rot / Jenny Hval Lauren Berlant Agnes Martin Yayoi Kusama “Agnes Martin’s Homework” / The Brooklyn Rail PRAISE FOR THE BOOK:"Beautifully written, politically imaginative, and intellectually nuanced, Nothing Wanting uncovers an entirely new horizon for asexual scholarship and trans studies." —Nathan Snaza "Limning the rich, still barely specified horizons between sex, asexuality, transgender, consumption, and relation, this book charts a space between the everything and the nothing, which is so much more, as KJ Cerankowski shows, than in between." —Mel Y. Chen Nothing Wanting: Asexuality and the Matter of Absence by KJ Cerankowski is available from University of Minnesota Press. Thank you for listening.

    Absence and asexuality.
  8. Jun 2

    Translating the near and far worlds

    Welcome to worlds where cunning foxes outsmart bears and humans, where people are turned into wolves, where ogres (stállus) terrorize communities until outwitted, where undead creatures of the sea (rávgas) lure others to their demise. These worlds are illuminated in more than 300 folktales and legends that make up the most extensive compilation of Sámi narratives recorded from Sámi storytellers ever published in English translation: Sámi Folktales from the Near and Far Worlds, originally recorded by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm. Sjoholm is joined here in conversation with Lise Lunge-Larsen. Barbara Sjoholm is an award-winning translator and author of many books, including From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture and The Palace of the Snow Queen: Winter Travels in Lapland and Sápmi. Among her translations are By the Fire: Sámi Folktales and Legends, collected by Emilie Demant Hatt. Lise Lunge-Larsen is the award-winning author of The Troll with No Heart in His Body and Seven Ways to Trick a Troll. She lives in Duluth, where trolls can still be found if you really look for them. Praise for the book:"Beautifully written, the introduction to Sámi Folktales from the Near and Far Worlds captivates the reader from the very beginning with poetic descriptions of the Sámi landscape, the historical context and thematic characteristics of the storytelling tradition in Sápmi, and an exploration of the relationship between Just Knud Qvigstad and Isak Saba. This book is a valuable collection of Sámi stories."—Line Esborg, Head of Norwegian Folklore Archives, University of Oslo "For decades, these stories have provided contemporary Sámi literature with drama, detail, and inspiration. This collection is a treasure trove for every writer and reader to explore, and it’s a gift to the English language that these folktales are now translated."—Elin Anna Labba, author of The Home of the Drowned and The Rocks Will Echo Our Sorrow: The Forced Displacement of the Northern Sámi "The deeper you dig into this collection, the more satisfying it gets. Barbara Sjoholm’s introduction is worth its weight in gold."—Lise Lunge-Larsen Sámi Folktales from the Near and Far Worlds, collected by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm, is available from University of Minnesota Press. Thank you for listening.

    Translating the near and far worlds

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Authors join peers, scholars, and friends in conversation. Topics include environment, humanities, race, social justice, cultural studies, art, literature and literary criticism, media studies, sociology, anthropology, grief and loss, mental health, and more.

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