Get Writing Podcast

Liz Mugavero
  • 5.0 (25)
  • BOOKS
  • UPDATED WEEKLY

Ever wish you had someone to coach you through all things writing and publishing, from activating your creative voice to committing to a practice that sticks, to getting your work out into the world?Well, now you do—just tune into the Get Writing podcast with host Liz Mugavero. Liz (and her alter ego Cate Conte) is the bestselling author of three mystery series, a creativity and writing coach, and a lifelong lover of words who has also used her skills in the worlds of journalism, nonprofits, and corporate America. This isn’t just any writing podcast. Liz’s specialty is helping you bring your whole self to the page. The inner work drives the creative output, always—and this is about uncovering who you truly are so you can tell YOUR stories in YOUR voice. And these conversations run the gamut from the nuts and bolts of writing and publishing to the most effective spiritual practices to help you tune in (crystals, anyone?). So if you’re into writing with a little woo behind it, this is the place for you. Through guest interviews and solo sessions, Liz shares the strategies to get you living your best creative life.Find out more at www.cateconte.com.

  1. FEB 5

    Episode 142: Back to the Work — Writing, Resistance, and the “What’s Next” After Launch

    I’m so happy to be back! I’ve been on a short break from the podcast—finishing a book, trying to stay focused, and, honestly, wrestling with what it means to keep making art when the world feels heavy. I’ve caught myself wondering whether talking about creativity and writing and books is indulgent… or beside the point. What I keep coming back to is this: creating isn’t frivolous. It’s resistance. Paying attention, telling stories, making meaning—this is how we stay human. So I’m back after a short sabbatical, and I couldn’t have picked a better conversation to return with. In this episode, I’m joined by author and communications professional John David, whose debut novel The Bystander launched just weeks before we recorded. We talk honestly about the part of the writing life that doesn’t get romanticized: what happens after launch, how it feels to market your own work, the long silence of querying, and how to keep going when there’s no magic formula. This is a conversation about persistence, patience, and staying in the work—even when it feels uncomfortable or uncertain. In this episode, we talk about: • Coming back to creativity as resistance and meaning-making • The question every author has after launch: What’s next? • Why marketing often feels like selling one book at a time • The strange truth: it’s easier to market everyone else’s work than your own • How a career in communications shaped John’s fiction writing • Why journalists make compelling investigators—and compelling characters • Mystery vs. thriller, and why genre lines are increasingly blurred • Why not every mystery needs to start with a murder • The reality of querying agents and hearing nothing back • Turning down the wrong offer—and why fit matters more than validation • Finding the right publishing home through an independent press • Writing into a three-book deal and learning to live with deadlines About the book The Bystander is a mystery with thriller elements inspired by a real-world event. When a journalist captures a viral act of violence on camera, everything that follows isn’t quite what it seems—and the deeper he digs, the more complicated the truth becomes. Find John David John writes on Substack at https://byjohndavid.substack.com/, where he shares reflections on writing, publishing, and the behind-the-scenes reality of building a fiction career. If you enjoy long-form, thoughtful essays about the writing life, his Substack pairs naturally with the conversations we have here—and with the kinds of reflections I share on my own Substack as well. The Bystander is available wherever books are sold and can be ordered through your local bookstore. If you’re in the middle of the writing life—querying, launching, wondering if your work is “good enough,” or asking yourself why you keep going—this episode is for you. Thanks for being here. And if you needed the reminder: making art still matters. Keep writing. Listen + Subscribe You can listen to this episode of Get Writing with Liz Mugavero wherever you get your podcasts. Remember to: • Hit follow/subscribe • Leave a quick rating or review • Share the episode with a writer friend who needs a reminder not to give up And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    1h 1m

  2. 12/19/2025

    Episode 141: Dark Academia, Toxic Obsession & Sorority Secrets with author Heather Colley

    If you love stories that feel like they’ve been ripped from the headlines—and then turned just a little darker and stranger—you’re going to be obsessed with my guest this week. Her book is set in the Greek-life world at the University of Michigan and follows two undergrads, Stella and Penny. Stella is the sorority girl who seems to have it all; Penny is the introvert who becomes obsessed with the idealized version of Stella she sees. Their lives collide through sororities, frat boys, prescription drugs and psychiatric “care” that’s more comedy and chaos than actual help. Things spiral in a way that’s messy, unsettling and very human. If you love dark academia, complicated female characters, and endings that don’t necessarily offer a neat bow, this one’s for you. We talk about: The origin of The Gilded Butterfly EffectHow Heather took the mystique of sorority houses and Greek life and turned it into a literary campus novel. Imagined selves & performative perfectionHow Penny’s obsession with Stella is fueled by an imagined, “perfect” version of her—and how that connects to social media, curated lives and what we choose to show the world. Psychiatric care, pills, and dark humorWhy Heather made the psychiatrists in the book hilariously incompetent, and how Stella and Penny manipulate them for drugs, attention and validation. Short stories vs. novelsWhy she finds short stories easier than novels, how this book started as a single short story set in a church basement, and why she always knows the ending early. How her PhD shapes her writingHow studying 19th-century poetry and form at Oxford made her think differently about structure, language, and even commas—and how that attention to detail shows up in her prose. The long road to publicationGetting an agent in 2020 (yes, right as the pandemic hit), losing that agent, continuing to submit, and eventually finding the right home with small press Three Rooms Press. Bleak endings & “unfixable” peopleWhy she’s drawn to dark, unresolved endings and troubled characters who don’t necessarily get redemption, and how that connects to the Victorian novels she studies. Process, pressure, and permissionHer very unstructured, note-app-based writing process, why deadlines help her, and the reminder that your writing process doesn’t have to look like anyone else’s to be valid. What’s nextThe short story collection she has coming out (full of unhinged women and strange endings, with one story from Stella’s POV), plus her plans for finishing her PhD and staying in academia. About Heather ColleyHeather Colley is a writer and academic originally from New York and now based in the UK. Her debut novel, The Gilded Butterfly Effect, is a dark, literary campus novel set in the Greek-life world at the University of Michigan. Her short fiction has won awards including the Oxford Review of Books short fiction prize, the Hopwood Award, the BNU-Oxford short fiction prize (runner-up), and the Desperate Literature Prize shortlist. Heather is a PhD student in English Literature at Oxford University. She holds a master’s degree in literature from St Andrews University and a bachelor’s degree in the same subject from the University of Michigan Ann Arbor. Connect with Heather & Find the BookBook: The Gilded Butterfly Effect – available in print, ebook, and audiobook wherever you usually buy books Website: heathercolleyauthor.com Instagram & TikTok: @heathercolleyauthor (lots of literary and bookish posts… plus cat content )🐈 Listen + SubscribeYou can listen to this episode of Get Writing with Liz Mugavero wherever you get your podcasts. Remember to: Hit follow/subscribe Leave a quick rating or review Share the episode with a writer friend who needs a reminder not to give up And if you’re craving a little more support, come hang out with me inside The Creativity Lab—it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    35 min

  3. 12/11/2025

    Episode 140: How to Land a Traditional Book Deal in 2025: Inside the World of a Book Broker with Randy Peyser

    Dreaming of a traditional book deal but feeling totally lost about how to actually get there? Well, good news. In this episode, I’m sitting down with book broker Randy Peyser, who has spent nearly three decades helping authors land deals with traditional publishers. Randy shares what’s working right now in publishing, what agents and editors are really looking for and how to position both your book and your platform so you’re taken seriously. Whether you write fiction or nonfiction, this conversation gives you a clear-eyed, encouraging look at the business side of books—without crushing your own personal magic. In this episode, you’ll learn: • What a book broker is and how Randy acts as a connector between authors, agents, and publishers • Why she won’t pitch anything that isn’t polished, “stellar,” and clearly sellable • The current word count realities publishers are quietly using (including why many don’t want books over ~80K words) • Why nonfiction lives or dies on outcome-driven titles and a clear promise to the reader • What makes fiction stand out in an oversaturated market—and why your opening pages matter so much • How platform and engagement are evaluated behind the scenes (including tools like SocialBlade and what agents check while you’re pitching) • Smart ways to build visibility before your book is even out—like podcasts, newsletters, and focused social content • How conferences, pitch sessions, and tight, two-minute pitches can accelerate your chances of getting noticed • Randy’s hilarious and inspiring story of how her book Crappy to Happy ended up in Eat Pray Love • Her current project, Bald Courage, and why legal permissions matter when you’re writing about real people • The mindset shift from “my book is an option” to “my book is a priority”—and why that changes everything About Randy Peyser Randy Peyser is a book broker and the founder of Author One Stop. After working as an editor-in-chief in the Mind–Body–Spirit magazine world, she transitioned into helping authors land traditional book deals. Over nearly 30 years, she’s developed deep relationships with literary agents and publishers, and now pitches both nonfiction and fiction projects—often securing multiple offers and even six-figure deals for her clients. Randy also oversees a team of highly vetted editors and ghostwriters and is currently working on her own book, Bald Courage: Gentle Wisdom on the Chemo Journey. Resources • Randy’s website: Author One Stop – https://www.authoronestop.com • Social media metrics tool: https://www.socialblade.com (check your own engagement the way publishers do) • Look for in-person pitch opportunities like the Writer’s Digest Conference and other agent “speed dating” or pitch sessions in your genre Listen + Subscribe You can listen to this episode of Get Writing with Liz Mugavero wherever you get your podcasts. If this conversation gave you hope, a nudge, or a new way to look at your own “drawer novel,” it would mean the world if you: • Hit follow/subscribe • Leave a quick rating or review • Share the episode with a writer friend who needs a reminder not to give up And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    52 min

  4. 11/20/2025

    Episode 139: The Book That Wouldn’t Die: Thriller Author Cindy Fazzi on Persistence, Rewrites & Fate

    You know that saying about how most overnight successes are really just people who refuse to quit for like a decade? Every time I hear it, I think about my own story. I wrote a bunch of books before I got my first book published by a publisher. I had a couple that I really wanted to get published. I have one that I'm still rewriting to this day because it did not get published. And I wrote these books back in my 20s and early 30s. I was positive especially with one of these, that it was going to be the book. And it might still be, because I'm still rewriting it. But no — it almost got published once at a small press and then it did not. They ended up passing. And then the opportunity fell into my lap to start my first cozy mystery series. And that was a decade after I started trying. A decade after I started going to conferences and pitching and editing and rewriting and pitching again and getting a lot of rejections. So it really is true that “overnight” successes are years in the making. And today's guest is someone else who knows that journey inside and out — the persistence, the rewrites, the revisions, and that long stretch between who you are as a writer and when you finally get recognized by the industry and picked up by a publisher (if that’s the path you’re choosing). This story is awesome. I love my guest today, Cindy Fazzi. She's the author of the Domingo the Bounty Hunter series which she started writing in 1995. It was rejected everywhere, rewritten multiple times (do you see a theme here?), dropped by publishers, resurrected again, and ultimately sold twice to the same editor at two different houses. I mean, you can't make this stuff up. Cindy's story is one of the most hopeful and necessary conversations that I've had lately about resilience, representation and just really sticking with the book that you believe in. We cover: ✨ The “Unsellable” Book That Wouldn’t Let Go How Cindy first wrote the earliest version of Danger No Problem in 1995, had it rejected everywhere, and kept coming back to it over decades. ✨ Immigration, Identity & Why Representation Matters Why Cindy, a Filipino-American immigrant and former Associated Press reporter, felt compelled to center Filipino-American characters and humanize immigration beyond the headlines. ✨ The POV Shift That Changed Everything How changing the narrator from a non-criminal undocumented immigrant to a Filipino- American bounty hunter organically turned the story into a thriller and made the book click. ✨ Selling the Same Two Books — Twice The wild publishing ride: • Selling the series to one publisher • Watching that house shutter six months after release • Then selling the same books again to the same editor at a different publisher, who relaunched them and released both books simultaneously. ✨ Agents, Rejections & the Myth of “Once You Have an Agent, You’re Set” Cindy’s journey through three agents, what actually happens when agents can’t sell your work, and how she learned to stop tailoring her writing to someone else’s idea of “marketable.” ✨ Community as a Career Shortcut (and Lifeline) How joining Crime Writers of Color and Sisters in Crime later in her journey changed everything — and why she wishes she’d done it years earlier. ✨ A Brand-New Series with a Brilliant Heroine Cindy’s next project: a new series starring a female FBI intelligence analyst — a procedural featuring a heroine who doesn’t carry a gun but fights crime with her intellect and her instincts. About Cindy Cindy Fazzi is the author of the Domingo the Bounty Hunter series, including: • Danger No Problem • Sunday or the Highway The series follows Domingo, a Filipino-American bounty hunter who specializes in tracking criminal undocumented immigrants — and finds himself drawn into increasingly complex, high- risk cases involving non-criminal undocumented people as well. Through Domingo’s world, Cindy tackles the human side of immigration, justice, and belonging. A former Associated Press reporter, Cindy brings her journalist’s eye for detail ad clarity to her thrillers, blending pace, human stakes, and nuanced social issues. Where to Find Cindy • Website: CindyFazzi.com • Social: Instagram, Facebook, BlueSky, YouTube → @cindyfazzi Perfect For This episode is especially for you if: • You’ve been working on a manuscript for years and feel like it might never find a home • You’ve been rejected so many times you’re wondering if it’s a sign to quit • You care about representation and want to see more immigrant and Filipino-American characters in genre fiction • You love hearing real talk about the business side of publishing — agents, editors, imprints closing, books getting resurrected • You need a reminder that persistence + the right match can change everything Listen + Subscribe You can listen to this episode of Get Writing with Liz Mugavero wherever you get your podcasts. If this conversation gave you hope, a nudge, or a new way to look at your own “drawer novel,” it would mean the world if you: • Hit follow/subscribe • Leave a quick rating or review • Share the episode with a writer friend who needs a reminder not to give up And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    43 min

  5. 11/13/2025

    Episode 138: A Hundred Words at a Time: with author Katerina Stoykova

    Sometimes one lifetime isn’t enough to hold all the versions of who we become—especially for writers, or anyone who’s ever started over. I’ve been thinking about what happens when you cross an invisible border—geography, language, career—and suddenly the words you’ve always trusted go quiet. Our guest today knows that silence intimately. She grew up in communist Bulgaria, moved to Kentucky, stopped writing for eleven years…and then, driving to work one morning, a poem jolted through her like electricity. That current carried her back to herself. Today I’m talking with poet, publisher, and community builder Katerina Stoykova about identity, reinvention, and the long road back to the page. We get into losing—and re-finding— your voice in a new language, why throwing away a year of work can be an act of devotion, what it takes to shape a pile of poems into a book, and how small daily goals add up to a creative life. We also dig into her press, Accents Publishing, her craft book The Poet’s Guide to Publishing, and the metaphor at the heart of her latest poetry collection, Between a Birdcage and a Birdhouse—that liminal space between nesting and flight. If you’ve ever felt “in between,” this one’s going to land. In this episode: • Growing up in communist Bulgaria, immigrating to the U.S., and holding two identities at once • The 11-year silence—and the poem that arrived like a jolt in a Kroger parking lot • Writing in a second language and giving yourself permission to “waste” pages • The craft and logistics of poetry books: conceiving, arranging, editing, publishing, marketing • Founding Accents Publishing (from hand-bound chapbooks in the dining room to global distribution) • Community as a lifeline: Kentucky Book Festival and the Kentucky State Poetry Society • Journaling → harvesting → (yes) burning: a ritual for clarity and privacy • The birdcage/birdhouse metaphor for the immigrant experience—home as a moving target • Monthly creative goals, tiny daily commitments, and tricking your brain past resistance • Why not being yourself is the costliest path of all About Katerina A Bulgarian by birth, Katerina Stoykova is a bilingual poet living in Kentucky and is the author of Between a Bird Cage and a Bird House (University Press of Kentucky, 2024) and The Poet's Guide to Publishing: How to Conceive, Arrange, Edit, Publish and Market a Book of Poetry (McFarland, 2024). Katerina is the founder and senior editor of Accents Publishing, as well as the creator of the Accents podcast on WUKY. Katerina served as the 2023-2024 Director of the Kentucky Book Festival, as well as the Director for the Center for the Book in Kentucky and is the 2025-2026 President of the Kentucky State Poetry Society. Connect Accents Publishing: https://www.accents-publishing.com/books.html Accents podcast: https://www.npr.org/podcasts/1191882226/accents Latest poetry book (University Press of Kentucky, 2024) https://www.kentuckypress.com/9780813198682/between-a-bird-cage-and-a-bird-house/ Nonfiction book, the Poet's Guide to Publishing (McFarland, 2024) https://mcfarlandbooks.com/product/the-poets-guide-to-publishing/ You can also follow the Get Writing podcast on all platforms and join my newsletter at lizmugavero.substack.com for creative rituals, seasonal challenges, and behind-the-scenes stories. And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    52 min

  6. 11/06/2025

    Episode 137: Yes I am dying on that hill - with Alex Mell-Taylor

    One of my biggest pet peeves when I worked in Corporate America was without a doubt when some leader or HR person called the workplace a “family.” It was a story designed to keep people compliant—an illusion of belonging that disappeared the moment you stopped performing. It sounded warm and fuzzy, sure. But as a storyteller, I understood that was exactly what this was: a story. Families don’t write you up for missing a deadline. They don’t guilt you into working weekends. They definitely don’t lay you off with a smile and a severance packet. What was really underneath those warm and fuzzy words was, We want you to be loyal until we don’t need you anymore. Then, you’re gone and we won’t even blink an eye. I started questioning how much of corporate culture is built on the stories we tell to keep people in line—stories about loyalty, productivity and worth. And that’s one of the things I went deep on with this week’s guest, Alex Mell-Taylor. Alex writes about politics, pop culture and futurism—all through the lens of story. We got into how writing can challenge cultural narratives, how corporate America can mirror cult dynamics and how fiction helps us imagine something more authentic. Alex also shares their journey from creating video content to writing essays about politics and culture, how fiction can tell the truth sideways and why community is essential for creative survival. In this episode: • Why “we’re a family” might be the most dangerous workplace myth • The link between advocacy and storytelling • How fiction can become cultural resistance • The cult logic of corporate America • Imagining better futures through creative work • Writing as a way to process fear—and move toward liberation • Building community as a creative survival skill If you’ve ever side-eyed a “we’re a family” email or felt the urge to write your way out of someone else’s narrative, this one’s for you. About Alex Mell-TaylorAlex Mell-Taylor is a trans, nonbinary writer who reports out from the digital trenches on pop culture and politics, often with an intersectional, queer bent. Their personal blog, Alex Has Opinions, has received hundreds of thousands of views and is growing every day. They are the editor and founder of the futurist magazine After the Storm, which has accepted stories from around the world. The Bubble We're In is their debut Romance novel. ConnectYou can find Alex’s work on Medium. You can also follow the Get Writing podcast on all platforms and join my newsletter at lizmugavero.substack.com for creative rituals, seasonal challenges, and behind-the-scenes stories. And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    1h 4m

  7. 10/30/2025

    Episode 136: Trust Your Gut, Rewrite the Rules and Other Writing Advice: Liz Alterman

    “Don't let somebody else tell you no until you've exhausted every avenue.” When I heard this advice from author Liz Alterman, I actually sat back in my chair. Because it’s So. True. In fact, it is the key to success in this author life—persistence, intuition and an almost ridiculous belief in yourself and the project that keeps you up at night. Liz Alterman is a novelist and essayist whose work ranges from psychological thrillers to rom- coms and memoir. We talk about how she’s navigated the rollercoaster of agents, rejections, indie publishing, and trusting her creative instincts—plus what happens when the “wrong” killer turns out to be the right one. This one’s a love letter to persistence, self-belief and the weird, wonderful process of being a writer—whether you’re 3,000 words in or deep in a series. Also: goats, cats and the occasional suburban meal-train rivalry. We truly cover it all: • What it really takes to claim “writer” as your identity • Liz’s merry-go-round ride with different agents and how it led to a deep belief in herself and her work • Navigating agents, rejections, and alternative publishing paths • Building better writing habits that fit real life • Trusting your gut when feedback is conflicting • How to find humor in dark stories • Substack experiments, marketing without losing your soul…and of course, cats If you’re wondering why your own writing career doesn’t go neatly from point A to point B… this episode is for you. Favorite Quotes “Are you writing for two gatekeepers—or thousands of readers?” “This isn’t a pan of brownies; it’s a year of my life.” “If feedback doesn’t feel true in your body, it’s a no.” About Liz Alterman Liz Alterman is a multi-genre author and journalist based in New Jersey. Her novels include You Shouldn’t Have Done That, The Perfect Neighborhood, He’ll Be Waiting, The House on Cold Creek Lane, and the memoir Sad Sacked. Her rom-com Claire Casey’s Had Enough lands June 3, 2025. She also writes essays, humor, and freelance pieces for publications like Parade Pets. Connect You can find Liz at https://www.lizalterman.com/. You can also follow the Get Writing podcast on all platforms and join my newsletter at lizmugavero.substack.com for creative rituals, seasonal challenges, and behind-the-scenes stories. And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    1h 5m

  8. 10/23/2025

    Episode 135: Getting Through the Middle: A Candid Conversation with Korina Moss

    When I signed with my first agent back in 2011, I really thought I’d made it. I had a contract, someone finally said yes to my work, and I figured from here on out, it would all just… flow. Write books, publish books, repeat. Easy, right? Yeah. No. That’s not how it works. Every milestone in publishing just opens a new set of questions. The middle of a writing career is this weird mix of gratitude and uncertainty—you’re not the shiny new debut anymore, but you’re not the household name with a dozen contracts either. You’re somewhere in between, still showing up, still hustling, still trying to figure out what success even looks like now. That’s what I’m digging into in this episode with my friend Korina Moss, Agatha Award– winning author of The Cheese Shop Mysteries. After six books, a loyal fan base, and all the recognition you’d hope for, her series came to an end—and she’s been really open about what that’s been like. We talk about what happens when your career takes a turn you didn’t see coming, how to find your footing again, and why community and resilience are everything when you’re stuck in the middle. If you’ve ever looked around and thought, Wait a second—wasn’t this supposed to get easier by now? …you’re going to feel seen in this one. What We Talk About • The myth of “making it” in publishing • What really happens when a successful series ends • The grief, relief, and recalibration that follow • Burnout, deadlines, and learning to set boundaries • Shifting genres and re-learning how to write again • The good and bad of social media for authors • How to stay connected to readers without losing yourself • Why community is what makes perseverance possible My Takeaway The middle isn’t failure—it’s feedback. It’s part of the deal. You’re allowed to pause. You’re allowed to want something different. You’re allowed to protect your energy, your health, and your joy—even when the world tells you to keep producing. If you’re in the in-between right now, I get it. It’s uncomfortable and uncertain, but it’s not the end. You’re not the only one figuring it out, and you’ll find your footing again—probably sooner than you think. Connect Find Korina Moss on Instagram @korinamossauthor or visit korinamossauthor.com. You can also follow the Get Writing podcast on all platforms and join my newsletter at lizmugavero.substack.com for creative rituals, seasonal challenges, and behind-the-scenes stories. And if you’re craving a little more support, come hang out with me inside The Creativity Lab— it’s where we write together, keep each other accountable, and make space for the kind of progress that actually feels good.

    48 min
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5
out of 5
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About

Ever wish you had someone to coach you through all things writing and publishing, from activating your creative voice to committing to a practice that sticks, to getting your work out into the world?Well, now you do—just tune into the Get Writing podcast with host Liz Mugavero. Liz (and her alter ego Cate Conte) is the bestselling author of three mystery series, a creativity and writing coach, and a lifelong lover of words who has also used her skills in the worlds of journalism, nonprofits, and corporate America. This isn’t just any writing podcast. Liz’s specialty is helping you bring your whole self to the page. The inner work drives the creative output, always—and this is about uncovering who you truly are so you can tell YOUR stories in YOUR voice. And these conversations run the gamut from the nuts and bolts of writing and publishing to the most effective spiritual practices to help you tune in (crystals, anyone?). So if you’re into writing with a little woo behind it, this is the place for you. Through guest interviews and solo sessions, Liz shares the strategies to get you living your best creative life.Find out more at www.cateconte.com.

Information

  • Creator
    Liz Mugavero
  • Years Active
    2023 - 2026
  • Episodes
    142
  • Rating
    Clean
  • Copyright
    © All rights reserved.
  • Show Website
    Get Writing Podcast

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