Rowling Studies The Hogwarts Professor Podcast

John Granger

The Artistry and Meaning of J. K. Rowling and Other Greats hogwartsprofessor.substack.com

  1. 1D AGO

    'Sleep Tight, Evangeline,' Miniature Psalters, and the Head of Persephone: A Conversation with Dimitra Fimi

    Last November Nick and John introduced Dimitra Fimi, the magnificent maven of Tolkien Studies and Professor of Fantasy and Children's Literature at the University of Glasgow, to students of J. K. Rowling’s work. In that discussion, ‘Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra Fimi,’ she shared her thoughts about Rowling’s creative use of mythology in Harry Potter but especially in the Cormoran Strike series. The Hogwarts Professor team asked her to join us again because of Rowling’s yuletide charm bracelet gift to Strike fandom and the recent announcement of the Strike 9 title, Sleep Tight, Evangeline. Her insights about the Longfellow poem as a possible even likely source of the next book’s epigraphs are engaging, but it is her expertise in the arcane area of miniature books as well as mythology and the light each shines on the two items attached to the last link of the charm bracelet that open up exciting possibilities . Her idea is that the Psalter on the ninth link of the charm bracelet may actually be, unlike the other tokens on the bracelet’s nine links, an object that will play a part in the story, a miniature book. It turns out that one inch high books were something of an industry as curios in the 19th and early 20th century, a means of demonstrating technological mastery. Dr Fimi discussed several projects she has been a part of in conjunctions with nano-technologists and the librarians at the University of Glasgow’s special collections division. The one that has the most obvious link to English literature is the ‘Tiny Alice project,’ a contemporary effort to minituarize Lewis Carroll’s Alice stories to unfathomable minuteness: The Tiny Alice Project has produced one of the world’s smallest books: a tiny reproduction of Lewis Carroll’s children’s classic Alice’s Adventures in Wonderland (1865). All 78 pages and 26,764 words of the story have been transposed on to a tiny silicon chip, with each page just the width of a human hair (60 microns). Each individual letter is just two microns high, and made from pure gold! Click on the icons below to find out more about the project, the technology behind it, and Lewis Carroll and his interest in the minuscule. Via the tabs above you can also discover the long tradition of miniature books, and teaching resources. Clip: Twixter link to tweet above You can read Dr Fimi’s write-up of ‘Tiny Alice’ and the Miniature Book exhibition she curated at the University of Glasgow to highlight their special collection of these treasures at her 2019 blog post about them. Pictures that include annotated miniature books — copies in which their owners made notes in the miniscule margins of the printed pages — can be seen here. Later this week, Nick will be sharing his thoughts on Robert Browning’s The Ring and the Book as the Ironbridge Murder story’s template within Hallmarked Man, John, Nick, Sandy Hope, and Ed Shardlow will be parsing the ring within Strike8’s Part Seven, and more about Longfellow’s Evangeline — stay tuned! The Ten Questions Guiding Today’s Conversation with Dr Fimi with the Necessary Links for Fun Follow-Up: (Intro) So everything Serious Strikers are thinking and talking about this month made me think of you, Dimitra, and to write you hat-in-hand with an invitation for your return to HogwartsProfessor to share your perspective, knowledge, and first impressions. Thank you for making time to join us! 1. (John) Jumping right in, then, two of the charms on the Strike9 or ‘Evangeline’ bracelet are Fimi areas of unique expertise: the Psalter and the Head of Persephone. I had urged readers to read your Miniature Books in Children’s Fantasy at A Kind of Elvish Craft: The Dimitra Fimi Substack Site in the links after our conversation here last November but I confess to being surprised still when you asked for the dimensions of the Psalter charm after Nick and I posted our thoughts on the subject. For those who haven’t read your ‘Miniature Books’ post, please share how one of the world authorities on the writing of J. R. R. Tolkien became interested in the smallest of texts, the ‘Little Books’ of 19th century printing. 2. (Nick) So you asked for the dimensions of the Psalter, you weren’t thinking as we were that the Psalter charms would be a box holding a folded up paper with a psalm, maybe two, inside it. You’re thinking it might actually be a complete Coverdale Psalter? Is that possible? 3. (John) What Nick and I hope to contribute to the nascent field of Rowling Studies, as you know, is a refocusing of the scholarship and the serious reader attention about her work on to her Lake Springs -- the biographical part of story inspiration -- her Shed Tools or intentional artistry, and the Golden Threads, the plot points and themes that run throughout her work, i.e., to bring Rowling Studies more in line with all literary scholarship about notable authors, living and dead. One of the Golden Threads we talked about in our Kanreki series last summer was the ‘Embedded Text,’ the books inside a book topos that is in almost every book Rowling writes (Kanreki Golden Thread posts one and two). Detective fiction is always about an embedded text, the narrative ‘written’ by the criminal to prevent the detective from reading the real story of what happened and Rowling-Galbraith often makes this narrative an actual book (Dumbledore Chocolate Frog Card, Tales of Beedle the Bard, Bombyx Mori, Talbot’s ‘True Book,’ The Predictions of Tycho Dodonus, etc.). How do you think a Psalter miniaturized book would appear in a Strike novel? 4. (Nick) Has an author used a miniaturized book before in this way? Were there 19th Century Psalters that people wore as talismans or carried as the original Pocket Books? 5. (John) And what about the Head of Persephone charm on that bracelet? It’s on the ninth and last link, paired with that Psalter. You shared your first thought about the Persephone charm, a hopeful note, on the comment thread here. As our go-to authority on Greek mythology, I’m dying to know more of your thinking about (a) the specific charm and its relation to the Cupid and Psyche myth-template to the Strike series, (b) its pairing with the Psalter, and (c) its position as the last charm on the bracelet. Do you still think it’s a sign that Robin will survive Sleep Tight, Evangeline? 6. (Nick) As someone immersed in mythological studies and more than familiar with Rowling’s use of myth, do you think the Jungian interpretation of that myth as the ‘actualization of feminine identity’ is a better lens through which to read that embedded text or is the Spenserian lens of Eros/Anteros, False Cupid and Cupid more helpful? Or is this not a case of Either/Or but Both/And? Valentines Day Special 7. (John) Rowling is a close reader and admirer of J. R. R. Tolkien, though that is more evident in the clear pointers to his work in her own work than from her interviews. How does her use of myth contrast with that of Tolkien and Lewis? (See John’s 2008 post about Rowling’s debts to Tolkien and the two part podcast with Tolkien scholars and Rowling Readers Dr Amy H Sturgis and Dr Sara Brown here and here for more on that influence.) 8. (Nick) In an in-person meeting with UK Serious Strikers last week, Rowling shared with them and later via X with everyone the title of the ninth Strike novel, Sleep Tight, Evangeline. We’re pretty sure that title refers to a song by an American Blues group called ‘The Whiskey Shambles’ (story of the hunt, why Whiskey Shambles is a good bet). There is a famous poem, though, by Henry Wadsworth Longfellow called ‘Evangeline,’ one perhaps not as famous as ‘Aurora Leigh’ or ‘The Ring and the Book,’ other texts Rowling may have used as back-drops to her novels, but still another poem very famous in its own time akin to those epics. Is its subject matter as good a match-up with the possible direction of Sleep Tight as the Victorian poetry back-drop is with other Rowling models? 9. (John) You’re a native Greek speaker; what does ‘Evangeline’ mean in Greek? Is it a common name in Greece or is it a ‘Virtue Name’ in the Puritan tradition of grace-filled names (cf., Credence Barebone is probably a reference to an Englishman named “Praise-God Barebone, whose son Nicholas may have been given the name If-Jesus-Christ-had-not-died-for-thee-thou-hadst-been-damned[3]“). 10. (Nick) Don’t leave before trying to tie together the pieces of this conversation! Is there a thread joining the Psalter, the Head of Persephone, miniaturized books, and the title Sleep Tight, Evangeline? Dimitra Fimi is Professor of Fantasy and Children’s Literature at the University of Glasgow and Co-Director of the Centre for Fantasy and the Fantastic. Her Tolkien, Race and Cultural History won the Mythopoeic Scholarship Award for Inklings Studies and she co-edited the critical edition of A Secret Vice: Tolkien on Invented Languages which won the Tolkien Society Award for Best Book. Her Celtic Myth in Contemporary Children’s Fantasy won the Mythopoeic Scholarship Award in Myth and Fantasy Studies. Other work includes co-editing Sub-creating Arda: World-building in J.R.R. Tolkien’s Work, its Precursors and its Legacies and Imagining the Celtic Past in Modern Fantasy. She has contributed articles for the TLS and The Conversation, and has appeared on numerous radio and TV programs. When the rightly famous and beloved ‘The Great Courses’ series decided to offer a Lord of the Rings entry for their catalog of the very best in scholarship for adult-learners, they asked Dimitra Fimi to create ‘The World of J. R. R. Tolkien,’ one of their most popular courses and one you can enjoy in an Audible edition. Links Promised in Conversation: A Kind of Elvish Craft: The Dimitra Fimi Substack Site * Miniature Books in Children’s Fantasy * Parabas

    1h 23m
  2. 5D AGO

    Valentine's Day Special: The Cupid and Psyche Myth within the Cormoran Strike Series

    Happy Valentine’s Day! Mrs Murray met the UK StrikeFans.com contingent and Badly WiredLamp (“and friends”) on Thursday to talk about the Cormoran Strike novels. Yesterday, Friday the 13th, Rowling tweeted about the secret she had told them — the title of Strike9: Nick Jeffery found the most likely source of the title Sleep Tight, Evangeline, assuming it is not an anagram, in six minutes: BadlyWiredLamp who was at the Rowling meeting congratulated Nick on twixter seven minutes later: “Well done for finding it Nick!” with a hand salute emoji. Which semi-confirmation from a witness suggests he is spot on. Even more impressive, Nick wrote up a flash post about The Whiskey Shambles and other ‘Evangeline’ possibilities at the HogwartsProfessor weblog, ‘Sleep Tight, Evangeline – Title Release for Strike 9.’ Nick and John will be discussing this news as well as the Psalter and Head of Persephone charms with miniature book, Tolkien, and mythology expert Dimitra Fimi this weekend for a post here next week. See her ‘Miniature Books in Children’s Fantasy’ to prepare for that conversation. Stay tuned! But it’s Valentine’s Day! John and Nick celebrate this Hallmark Holiday with a journey through the Cormoran Strike novels’ V-Day celebrations and a discussion of the various Valentines and Cupid’s in the story, with special emphasis on the Cupid and Psyche myth that Rowling has suggested is the series story template. That suggestion came the week after Hallmarked Man’s publication in the first of her Public Service Announcements to “Robin and Strike fans:” This image came as a surprise even to Hogwarts Professor subscribers because, though we have been writing and talking about the Cupid and Psyche myth as one of the mythological templates behind the Strike series since early 2021, it was the first time Rowling had acknowledged this publicly. Since the September revelation of this connection by the author and the appearance of the head of Persephone at the end of her Strike9 clues Christmas Charm bracelet, Strike fandom is now on board with the idea. Which on-boarding Nick and John celebrate with this Hearts and Flowers conversation, in which: * Nick reviews the Valentines Day events in the Strike series, the importance of which makes 14 February to Serious Strikers what Halloween is to Harry Potter fans; * John discusses the post American Bar office scene in Troubled Blood that let the cat out of the bag about the Cupid and Psyche myth just beneath the Strellacott romance; * Nick updates that with Rowling’s PSAs and charm pointers to the Trials of Psyche in Robin’s story; * John lays out how and where Hallmarked Man features Valentine Longcaster, the character with the Cupid name, and a Valentine’s Day conflict with dogs to Guard the Gates of Hell (from charting Parts Five and Six); * Nick journeys back to Cuckoo’s Calling and explains how Lula Landry’s death and Robin’s first meeting with Strike are twist on Cupid and Psyche with Venus, Psyche, and Cupid, Hephaestus, and Ares all with their equivalents in Charlotte, Robin, and Cormoran; * John ups the ante of the conversation by bringing in Edmund Spenser and C. S. Lewis, two writers Rowling loves, both of whom wrote stories that turn on Cupid and Psyche, and suggesting that Galbraith, in using the Eros-Anteros distinction of those writers in the Strike series is answering allegorically the core question of human life: whether to focus the soul on the ephemeral body and its desires or on the noetic faculty of soul, the Heart, logos within us; * Nick and John then discuss Robin and Strike’s individual relationships Cuckoo to Hallmarked in light of Cupid-False Cupid and taking turns going through the Strike novels with a look at the principal murder victim and murderer and their respective relationships; * John shares the Jungian interpretation of Cupid and Psyche as the mythic representation of feminine actualization, the chrysalis of female identity; * And more! Below are the links to posts on this subject mentioned in their back and forth and to a translation of the original myth. Happy Valentines Day — and stand by for more discussion of Sleep Tight, Evangeline, the Psalter and Persephone Charms, and all things Strike and Mythology with Dimitra Fimi. Links Mentioned in the Valentines Day Celebration Conversation: Rowling Points to Myth of Cupid and Psyche in order to Console Strike Fans Disappointed with Hallmarked Man (8 September 2025, Nick Jeffery) Nick shares the context of Rowling’s tweet (fan disappointment!) and the background information about the illustration she chose for it. The Most Pleasant and Delectable Tale of the Marriage of Cupid and Psyche (Apuleius) A translation of the Silver Age Latin tale from Apuleius’ Golden Ass. A Mythological Key to Cormoran Strike? The Myth of Eros, Psyche, and Venus (22 April 2021, John Granger) The first post to discuss Rowling’s use of this specific myth within Cormoran Strike, it is essential reading and comes in four parts: * a discussion of Rowling’s stated beliefs about the soul and how it is the focus of her story-telling, * a review of her psychological artistry in Potter and the post Potter novels and screenplays, * a synopsis of the Eros and Psyche myth, and * a point to point look at the parallels in the story thus far with speculation about novels to come. Robin’s Two Perfumes: The Meaning of Philosychos and Narciso (9 June 2021, John Granger) The names of Robin’s baseline perfume, Philosychos, and the one she and Strike choose at story’s end, Narciso, both point less to the bedroom than to Robin’s allegorical, psychological, and mythological role as Psyche in the series. Erich Neumann in his Amor and Psyche: The Psychic Development of the Feminine describes this discipline as a “prohibition against pity” which “signifies Psyche’s struggle against the feminine nature.” … Psyche’s last trial involves her having to confront death, a “marriage” to which she was condemned as a sacrifice at the story’s start, a meeting she can only survive by transcending her feminine qualities of nurturing and pity. She must become, if only temporarily, a narcissist to pass through Hades and return to the world of the Sun and to Cupid. The myth, in Jungian lights, is about her transcending the accidental self, here her feminine and sexual relation to Eros or Cupid, for “ego-stability” leading to “individuation,” ascent to the greater, immortal Self. Robin as resident psychologist and loving soul is the Psyche-cipher of the Strike mysteries. She differs from the relatively passive Human Beauty of the myth in her active and determined “struggle against the feminine nature,” her “What. I. Do!” She not only wrestles with her desires for domesticity and maternity in her thinking but stands up to Strike-Cupid in their Valentine’s Day Street Fight and demands his respect or at least more considerate behavior. But she is still struggling with her difficulty to be the narcissist rather than the Great Mother when circumstances and her heroine’s journey of psychological individuation demand that. Reading Rowling as Myth Maker and Myth Re-Writer: A Conversation with Dr Dimitra Fimi Nick Jeffery and John Granger converse with Dr Dimitra Fimi about Harry Potter, Cormoran Strike, Tolkien, Jane Eyre, and the Mythological Artistry of J. K. Rowling, Hogwarts Saga to Hallmarked Man The Hallmarked Man’s Mythological Template ‘Cupid and Psyche’s importance for grasping the depths of Strike 8, from the “necessity” of the Silver Vault and the three men in Robin’s life, to spaghetti carbonara and ‘Maid of the Silver Sea’ Ink Black Heart: The Mythic Backdrop (10 September 2022, John Granger) What Rowling is depicting in Robin’s journey through the events and mystery of Ink Black Heart include a trap set by Venus, one that takes Robin to a personal and professional underworld or hell, her survival and endurance of every temptation by her determination to be steely rather than empathetic, especially with respect to a certain “lame fellow” (!), and her re-surfacing from hell a changed person, one worthy of begrudging Venereal approval (or Zeus’ intervention — Rokeby!). Ink Black Heart: Strike as Zeus to Robin’s Leda and Cupid to Mads’ Psyche (10 November 2022, John Granger) These traditional portrayals of the every person’s human and divine aspects, soul and spirit as man and woman in dynamic, cathartic relationship — think Romeo and Juliet, Redcrosse Knight and Una, Cupid and Psyche — are perhaps, with her alchemical symbolism, sequencing, and coloring, Rowling’s greatest literary ‘reach’ and achievement in the Strike series, albeit one largely lost on her her vast reading audience. The deliberate conjunction-melange of archetypal psychology, mythology, and spiritual allegory in these novels is, especially in combination with her hermetic artistry, intertextual playfulness (Aurora Leigh!), and chiastic structures, testimony to the author being one of the most accomplished and challenging writers of the age in addition to the most popular (and least well understood, even by her fans). Hallmarked Man: Freemasonry and J. K. Rowling (7 February 2024, Nick Jeffery) The Royal Arch degree is unique in England for including the ceremony of “Passing the Veils” symbolising the path to enlightenment that a mason undergoes as he progresses in the craft. Given Peter Rowling’s upward social mobility from working class apprentice to engineer and moving from the Bristol suburbs to middle class Tutshill, it isn’t beyond reason to wonder if Peter might have been tempted by the social and career advantages that freemasonry might have offered him and exposed a young Joanne to some of the symbolism. Edinburgh, as well as being the home of the Grand Lodge of Scotland, is also home to if not the oldest lodge in the wor

    1h 58m
  3. FEB 6

    The Christmas Charm Bracelet of Strike 9 Clues (Part Two)

    Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels, joined Nick and John to discuss the Charm Bracelet that J. K. Rowling posted on her Twixter home page as a Christmas gift to her readers. She said that that the thirteen charms on nine links were a set of clues about the next Strike novel, the ninth in a ten book series. In the first Part of Elizabeth, Nick, and John’s conversation, they discussed Rowling’s charm bracelet history, speculated about why she posted this picture when she did, decided to look at each charm on the bracelet for its stand-alone meaning and its place in the nine link set, and to read the whole series as if it were a ring composition, one reflecting a nine Part structure in Strike 9. They then made deep dives into the details of each charm: the heart shaped box containing a ‘You and Me’ engagement ring, a golden diamond-laden egg, a foul anchor, two angels, and a Trojan horse. In this second Part of that conversation, the trio of Serious Strikers continue with the remaining charms on the bracelet, namely, a Jack-in-the-box, an Hourglass, a White Rose and Crocodile, a Corvid head, and a Psalter paired on the last link with the Head of Persephone. They share their thoughts, too, about the bracelet as a symbolic integer and its ring meaning. The notes below are in support of references they make mid-flight and to other resources of interest to Magic Charm Decoders! Enjoy. Thank you to all our subscribers with special gratitude and appreciations for our paid subscribers; you are the wind in our sails, the heat from our vents… Serious Strikers are reading Browning’s The Ring and the Book, charting Hallmarked Man Part Six, and reviewing the Myth of Cupid and Psyche to look for parallels in the Strike-Ellacott series. See you soon! Jack-in-the-Box Charm * Rowling claims this as her favorite charm (Nick and John in the conversation mistakenly attribute this preference to the Psalter charm): * Badly Wired Lamp ID’d it * Is it a devil — or a Racoon? * The jack in the box toy, the 'Jack' being a devil, was invented in Germany in the 16th century as a mockery of the Roman Catholic doctrine of the Real Presence of Christ in the Eucharist. * The shape of this charm, the golden circular center in the inside of the open box top, represents the transcendent spiritual realm and the square bottom with its four directions, the fallen world. The ‘jack’ devil lives in the latter but is from the former. * The charm is the third latched object in the chain, the heart box and Trojan horse preceding it and the psalter at chain’s end following it — which means the ring latch and center are latched objects with surprises inside. The two interior objects at center have deadly surprises and the beginning and end eternal life interiors. The symbolism here is of the human being and its capacity via choice for either spiritual perfection in sacrificial love (anteros) or consumption by individual desires (eros). The thing hidden inside, man’s spiritual capacity or heart, is either light or darkness, the inside bigger than the outside. (John) * What is the Strike 9 connection, the analogue to the demonic Jack in the box? Is it RFM? Uncle Ted? Ilsa’s husband Nick? Polworth? * The Jack’s position is at the center of the bracelet and between the hourglass and the Trojan horse. So it’s placed between cleverness and craftiness and things that we can control and bad surprises, but also time, because we can’t control time. (Elizabeth) Hourglass Charm * tempus fugit ‘like sand in an hourglass’ * memento mori * infinite symbol * The Strike series may be a collection of mystery-story genres, each one illustrating a unique type of story, different from all the others while keeping the same core of characters and overarching narrative (cf., Rowling’s note in The Running Grave acknowledgements that that book was her “cult” book). The hourglass, then, may be Rowling’s pointer to Strike9 being a suspense drama in which the good guys not only have a challenging mission (find and rescue the missing Robin, Strike, Lucy, Pat, whomever) but have to do it before a literal deadline arrives. The Ticking Clock plot device. * If the Jack at link five is the center of the bracelet ring of nine links, how does the hourglass mirror the Trojan horse? It’s two parts? The deadline aspect? “Reveal the crazies inside before the hourglass empties”? White Rose Charm * White Rose of Yorkshire * The interior of the flower charm is a literal Turtleback or ring composition diagram. * White Rose of Dante: Paradiso Cantos XXXI and XXXII The true home of all the blessed is with God in the Empyrean, a heaven of pure light beyond time and space. Dante sees the blessed systematically arranged in an immense white rose: like a hologram, a three-dimensional image, the rose is formed from a ray of light reflected off the outer surface of the Primum Mobile (30.106-17). The queen of this white rose is the Virgin Mary, traditionally represented as a rose herself (see Par. 23.73-4). This celestial rose recalls large rose windows of Gothic cathedrals, many of which are dedicated to Mary. The image of the rose, often red, is also used to represent Christ or, in other contexts, earthly love. The white rose is symmetrically structured according to various criteria, including belief, age, and gender. One half of the rose, already full, holds those who, according to Christian tradition, believed in Christ to come (the blessed of the Hebrew Bible); the other half, with only a few seats still unoccupied, contains those who believed in Christ already come (saved Christians). Two gendered rows mark this division of the rose in two halves. In the row below Mary appear women of the Hebrew Bible (Eve, Rachel, Sarah, Rebecca, Judith, Ruth, and unnamed others); Beatrice is seated next to Rachel, on the third row from the top. Opposite Mary, John the Baptist heads a row of men containing Francis, Benedict, Augustine, and other Christian fathers. Mary is flanked by Adam (first man) and Moses on one side, and Peter (first pope) and John the Evangelist on the other. John the Baptist is flanked by Lucy on one side and Anna, the mother of Mary, on the other. While only adults are seated in the upper section of the rose, below a certain line the rose contains souls of blessed children, their precise location based not on their own merits (since they lacked the power of free will) but on predestination. As physical laws do not apply in the Empyrean, Dante's ability to see these figures is not diminished by distance (30.118-23; 31.76-8). * White Rose of Mockingjay (Hunger Games finale) The prevailing symbol of Catching Fire and the most meaningful token the Christ figure of the series gives Katniss is a pearl, the solid-light symbolism of which we’ve discussed before. I think Commander Paylor’s name may be our last Madge-Pearl-Mags name reference in being a “pale orb.” That gold and pearls have a similar translucency and metaphysical correspondence with the ‘Light of the World’ make the twin possibilities that much more rich — and Commander Paylor’s ascending to Panem’s Presidency that much more meaningful and appropriate. Katniss steps into the Garden with the Pearl’s blessing (“on my authority”) and discovers roses of every possible color. There are red, of course, and “lush pink, sunset orange, and even pale blue.” She knows what she wants, though; the rose colored like light, the white rose, Dante’s symbolic prelude to the beatific vision and transcendence. Just as she cuts the “magnificent white bud just about to open” “from the top of a slender bush” (ibid, p. 355), the manacled, “pale, sickly green” President Snow, our snake in the Garden, speaks. “The colors, are lovely, of course, but nothing says perfection like white.” Our story Satan, you recall, left her a white rose in District 12 in chapter 1 and dropped roses with the bunker buster bombs in Part 1 to terrify Katniss. Now we know why. He was taunting her with her end, that as a seeker’s soul he knew her goal was perfection in Christ and taunted her with it, especially when he held Peeta-Christ and understood the cartharsis and chrysalis she would have to pass through to claim it herself. Now that she is in the inner sanctuary, the High Place, he tells her the truth she could not hear anywhere else, the final, ugly truth about the cause for which Katniss had sacrificed everything. Snow reveals, just as Peeta had told her at the story’s start, that she was deceived by those she trusted. President Coin killed Primrose with a weapon designed by Gale. Having been to the Absolute center, the world navel, and taken away the beatific vision as a white rose, Katniss is no longer a seeker but the resolution of contraries, an androgyn of justice and mercy. She is above right and wrong now as the phoenix-mockingjay and hears the voice of the “murderer” on the Hanging Tree at last. She deceives President Coin at the Victors Meeting as something of an avenging angel; she becomes a murderer herself by assassinating President Coin. Peeta-Christ comes down from the tree as her savior once again and prevents her suicide via Nightlock by his out-of-nowhere intervention. * Why does the White Rose share the seventh bracelet link with a crocodile? Faerie Queene! Crocodile Charm * The Crocodile in Shed, crocodile skin handbags (Hallmarked Man) “Maybe the4 crocodile or whatever they’re keeping in the shed’s chewed its way out,” said Strike. “ (Chapter 22, p 176; center chapter of Part 2) * Crocodile entry, Cirlot’s Dictionary of Symbolism Crocodile Two basically different aspects of the crocodile are blended in its symbolic meaning, representing the infl

    1h 10m
  4. FEB 4

    The Christmas Charm Bracelet of Strike 9 Clues (Part One)

    On 23 December last year, Rowling changed her Twixter home page header and cameo with this tweeted explanation: The Charm Bracelet header features thirteen charms on nine links: Rowling tweeted an addendum about the Psalter and Jack in the Box charms: Nick Jeffery dropped an explanatory post two days later at the Hogwarts Professor weblog: J. K. Rowling Drops All the Strike 9 Clues for Christmas! It remains the only complete survey of the pieces and compendium of what Serious Strikers around the world have discovered about them. Beatrice Groves, author of Literary Allusion in Harry Potter, wrote up her charm bracelet thoughts at ‘The Strike Ellacott Files’ a month later. In ‘Charms, Psalms & Golden Clues: A brace(let) of clues for Strike 9,’ Prof Groves discusses the magical quality of charms as talismans and even incantational song: Rowling points out in this 2013 piece the link between the name given to charm bracelets and the magical world: ‘Why do we call those little masterpieces “charms” if not in allusion to their talismanic properties?… they are personal amulets.’ To charm someone is also to slightly to bewitch them, something Rowling plays with when Riddle exerts his charm on Ginny and literally possesses her: ‘If I say it myself, Harry, I’ve always been able to charm the people I needed.’ Witch Weekly’s Most-Charming-Smile Award is given to a smile that is both literally, as well as metaphorically, bewitching. The word ‘charm’ comes, through French, from the Latin ‘carmen’ which means ‘song, verse, oracular response, incantation.’ Its first meaning in English, therefore, was the magical one: ‘the chanting or recitation of a verse supposed to possess magic power or occult influence; incantation, enchantment; hence, any action, process, verse, sentence, word, or material thing, credited with such properties; a magic spell; a talisman, etc.’ (Oxford English Dictionary). From the sixteenth century onwards, ‘charm’ meant ‘anything worn about the person to avert evil or ensure prosperity’ because such amulets might contain the text of such a charm. And thinking about this made me aware for the first time of how in the most important charms in Harry Potter – the Fidelius Charm and the Patronus Charm – the word is not simply a synonym for spell but encodes this original, protective meaning. These magical ‘Charms’ like the charms on charm bracelets encode what Rowling calls ‘talismanic properties.’ Nick and John invited Elizabeth Baird Hardy, Deputy Headmistress of Hogwarts Professor, the genius behind AppalachianInkling.com, Hunger Games expert, and author of Milton, Spenser and the Chronicles of Narnia: Literary Sources for the C.S. Lewis Novels to talk about these charms, especially about what she had written briefly on the subject. The goals of this conversation? * To introduce the subject to everyone not familiar with the Christmas tweets and bracelet-header, * to discuss the ‘Why?’ of this present to Strike fans everywhere, * to speculate about the meaning of the bracelet pieces individually and in a series, and * to brainstorm their qualities as clues for Strike9, the penultimate novel in the decalogy. Which is a lot! The good news is that the conversation never flagged and the revelations and possible meanings of the charms, thirteen in total on nine links, reward anyone listening in. Nick starts off the conversation with a review of the six charm bracelets in Rowling’s life and writing, one of which was a long forgotten piece in the margins of a Rowling web site: [You can read about those internet ‘Easter Eggs’ in ‘Hidden Photos at Rowling’s Website’ here, here, here, and here.] Nick offered as a guiding idea for our conversation the likelihood that the nine links in the bracelet were meaningful, i.e., that they reflected the structure of the book for which the bracelet is meant to be a clue. There are thirteen charms, he noted, but certainly Rowling-Galbraith could have had a thirteen link chain made if she hadn’t thought the nine links more than sufficient, even a pointer to Strike 9 being a nine Part mystery. Since, as Nick noted, she has trouble even passing up a shop selling charms, it seems likely she has been collecting the pieces for this one for some time. Perhaps this bracelet is a “target” toward which she has been writing with these books. It is certainly not something she just threw together for a header photo shoot. The trio elected to read the circular collection of charms, consequently, as pieces with individual meaning — as magical talismans of sorts per Prof Groves — and as a ring composition, with both aspects indicating the place and meaning of the piece in the book. After a brief discussion of why Rowling, Inc., would release this set of clues now, with another Strike novel or Bronte Studios television adaptation in the distant future — John offered the possibility that this bit of fan servicing was meant as a touch of appeasement qua Christmas gift to the many fans disappointed with Hallmarked Man — Elizabeth, John, and Nick tackled the thirteen charms on nine links. In Part One of their conversation, they talk about * the heart shaped engagement ring box; * the golden diamond-laden egg; * the anchor; * the two angels; and * the Trojan horse. Their preliminary conclusions at the half-way point? Mrs. Murray in her Nativity gift to her readers offers them clues not only to the next Strike-Ellacott novel but to the meaning of human life. Each of these five charms is a symbol with obvious and not so obvious Christian meaning. John reconsidered his answer to the ‘Why now?’ in light of this avalanche of symbolism; instead of it being fan servicing to rescue the brand, he thinks it may be Rowling’s attempt — on the most celebrated remnant Christian holiday in a post-Christian world — to reset her serious readers’ understanding of what she is about as a writer, what sort of transformation she is trying to create via story within her readers. Part two of this interpretative deep dive into Rowling’s artistry in metallurgical symbolism, her “charm work” literary alchemy, will follow shortly. There are five links with seven charms to come — Jack in the Box, Hourglass, White Rose, Crocodile, Corvid, Psalter, and the Head of Persephone — all as rich in meaning as the first four links. Below are links to subjects mentioned in this first conversation and additions not discussed but discovered after the fact, all shared for your consideration and comments! Thank you as always from the Hogwarts Professor team for your joining us with special appreciation to our paid subscribers! Subjects that Elizabeth, Nick, and John Discussed: The Heart Shaped Engagement Ring Charm: * The first, fourth, fifth, and ninth links are clasped objects with surprises inside, * Ink Black Heart and Deathly Hallows: The Heart is Not About Emotions and Affection but the Human Spiritual Center (John, October 2022) * Hallmarked Man, Part Five: The Center of Strike 8 is about “Inner Light” (Ed Shardlow) * Gold as “solid light” and diamonds as “inner light,” both reflecting in nature the Light of God’s Word or Logos that is found with in every man (cf., John 1:9 and Rowling’s comments about Casual Vacancy being “all about” her belief that “the light of God shines in every soul”); * The consequent symbolism of a golden wedding/engagement band with two diamonds; * The human being as a ‘heart in a box’ either enlightened ‘gold and diamonds’ or a dark ‘jack in the box’ devil * The two-stone ring, as Nick notes, is a “me and you” ring, alluding to a certain theme song. Also, Elizabeth notes, Robin is faced with a choice between two very different types of proposals, so the duality of the ring in the box connects to that conundrum, and since that is apparently where 9 will begin, it gives us a good idea that we are right in “reading” the bracelet starting with this one The Gold Diamond-Laden Egg Charm: * Assuming it is an ‘Easter Egg,’ the two meanings of that phrase; * Again, ‘gold and diamonds,’ as above; * Paschal meaning of Eggs: The custom of exchanging colored eggs entered the life of the Church. The symbolic meaning of the egg as the beginning of a new life was known even earlier. Christians saw in this symbol confirmation of their faith in the coming general resurrection. The Easter egg’s red color symbolized the all-conquering Divine Love, which alone could destroy hell! The Foul-Anchor Charm: * ‘Strike 9 to Heads to Portsmouth!’ (Nick, September 2025) * Foul Anchor (Wikipedia); * Eagle, Globe, and Anchor (Wikipedia); * Meaning of ‘Hector’ in Homeric Greek is ‘Holding Fast,’ and, by interpretation, ‘anchor;’ * The Greek word for ‘Anchor’ found in the New Testament is ἄγκυρα, pronounced ‘ang-chor-a;’ * Hebrews 6:19: 13 For when God made promise to Abraham, because he could swear by no greater, he sware by himself, 14 Saying, Surely blessing I will bless thee, and multiplying I will multiply thee. 15 And so, after he had patiently endured, he obtained the promise. 16 For men verily swear by the greater: and an oath for confirmation is to them an end of all strife. 17 Wherein God, willing more abundantly to shew unto the heirs of promise the immutability of his counsel, confirmed it by an oath: 18 That by two immutable things, in which it was impossible for God to lie, we might have a strong consolation, who have fled for refuge to lay hold upon the hope set before us: 19 Which hope we have as an anchor of the soul, both sure and stedfast, and which entereth into that within the veil; 20 Whither the forerunner is for us entered, even Jesus, made an high priest for ever after the order of Melchisedec. * Meaning of "Anchor of the Soul" in Hebrews 6:19? The Immediate Context of Hebrews 6:13-20 The writer reassure

    1h 22m
  5. Robin Ellacott's Imminent Death and Its Out of This World Effect on Strike

    JAN 22

    Robin Ellacott's Imminent Death and Its Out of This World Effect on Strike

    Running Grave, book Seven of the ten novel Cormoran Strike murder mystery series by Joanne Murray (‘J. K. Rowling’) writing as ‘Robert Galbraith,’ is what the author described as her “cult novel.” The cult in question is the Universal Humanitarian Church led by Jonathan Wace; the Strike-Ellacott Agency is hired by a father to rescue his youngest son who has disappeared into the UHC’s Chapman Farm property. Robin Ellacott successfully infiltrates the compound and she and the young man escape. Soon after Robin’s near-thing deliverance and return to London, Strike attends a UHC rally in that city with hopes that he will be spotted by Wace and invited to meet back-stage. ‘Papa J’ takes the bait and he and Strike square off in the cult leader’s dressing room. Strike reveals much of what Robin and he have learned about the UHC’s criminal past and present in that verbal confrontation. Strike exits only after delivering a warning; stay away from his partner or “I will burn your church to the f*****g ground” (Part 8, chapter 112, 808; italics in original). In the midst of this tense back-and-forth between private detective and religious guru, Strike thrice mentions a book published in 1930, Who Moved the Stone?, a relatively short work of popular Christian apologetics: ‘I see you’re one of those who prides themselves on disrespecting rites, mysteries, and religious observance,’ said Wace, smiling again. ‘I shall pray for you, Cormoran. I mean that sincerely.’ ‘I’ll tell you one book I’ve read, that’s right up your street,’ said Strike. ‘Came across it in a Christian mission where I was spending a night, just outside Nairobi. This was when I was still in the army. I’d drunk too much coffee, and there were only two books in the room, and it was late, and I didn’t think I’d be able to make much of a dent in the Bible, so I went for Who Moved the Stone? by Frank Morison. Have you read it?’ ‘I’ve heard of it,’ said Wace, sitting back in his chair, still smiling. ‘We recognise Jesus Christ as an important emissary of the Blessed Divinity, though, of course, he’s not the only one.’ ‘Oh, he had nothing on you, obviously,’ said Strike. ‘Anyway, Morison was a non-believer who set out to prove the resurrection never happened. He did an in-depth investigation into the events surrounding Jesus’ death, drawing on as many historical sources as he could find, and as a direct result, was converted to Christianity. You see what I’m driving at?’ ‘I’m afraid not,’ said Wace. ‘What questions d’you think Morison would’ve wanted answered, if he set out to disprove the legend of the Drowned Prophet?’ (805) This calling into question of the UHC’s historical claim to other-worldly power causes those of Wace’s inner-circle minions to chafe and counter with traditional Oriental wisdom about wrestling with pigs. Strike again alludes to Morison’s book: ‘Is that from the I Ching?’ asked Strike, looking from Zhou to Mazu. ‘Funnily enough, I’ve got a few questions on the subject of degradation, if you’d rather hear those? No?’ he said, when nobody answered. ‘Back to what I was saying, then.’ ‘Let’s suppose I fancy writing the new Who Moved the Stone? – working title, “Why Paddle in the North Sea at Five a.m.?” As a sceptical investigator of the miraculous ascension into heaven of Daiyu, I think I’d start with how Cherie knew Jordan Reaney would oversleep that morning. Then I’d be finding out why Daiyu was wearing a dress that made her as visible as possible in the dark, why she drowned off exactly the same stretch of beach as your first wife and – parallels with Who Moved the Stone? here – I’d want to know where the body went. But unlike Morison, I might include a chapter on Birmingham’ (805-806). John Granger and Nick Jeffery, as part of their Kanreki celebration of Rowling-Galbraith’s 60th birthday last July, discussed Texts-Within-the-Text as a Golden Thread that runs through all of the author’s work. Most of those embedded texts, though, are of Rowling’s invention, e.g., Dumbledore’s Chocolate Frog Card, Tales of Beedle the Bard, Bombyx Mori, The Predictions of Tycho Dodonus, Wace’s The Answer, etc. It’s fairly rare for Rowling-Galbraith to drop a reference to a real world book even in the relatively non-magical Strike series. In addition to the I Ching, however, Running Grave has Prudence Donleavy recommend two psychology texts to Robin (Lifton’s Thought Reform and the Psychology of Totalism: A Study of Brain Washing in China and Hassan’s Combatting Cult Mind Control: Protection, Rescue, and Recovery from Destructive Cults) in addition to Strike’s weaponization of Morison’s Who Moved the Stone? John and Nick chose to discuss Who Moved the Stone? this week rather than an embedded text that works as a template (cf., Aurora Leigh) or a Rowling favorite-book that shaped her perspective (e.g., I Capture the Castle) or a real-world book tied to the plot of Hallmarked Man (Bridge to Light, Pike’s Morals and Dogma) because it seemed to connect the dots of several recent Rowling revelations: * the “God-shaped vacuum” tweet; * the unforced admission that she suffers from VWD, a blood-clotting disorder; * the search for the coming Big Twist in the final books of the Strike series; * the Psalter charm on the Strike9 Christmas gift bracelet-of-clues; * the Church of St Giles in the Fields’ existence and its incredible absence from the first eight Strike books despite its overshadowing Denmark Street; and * the absence of Strike-series parallels to the Christian content and meaning of the Potter series, especially with respect to the Struggle to Believe in Deathly Hallows. For reasons the two discuss, all the above are pointers to possible Christian content of Strike books nine and ten, even that this content will be a substantial part of the mind-bending surprise finish to the series, namely, Strike’s transformation from a skeptic with respect to all things religious to believer. What bigger clue has Rowling presented in the series for that possibility than Strike’s confronting a religious “fraud and hypocrite” (799) with a book by an English skeptic about the evidence for belief in Christ’s Resurrection from the dead? Nick and John discuss both Who Moved the Stone? itself, its use in Running Grave in the Strike-Wace confrontation, and its possible meaning as a pointer to revelations and transformations to come: 1. Why is a Rowling Reader interested in Frank Morison’s Who Moved the Stone? ? 2. Who was ‘Frank Morison‘? What is the story behind the writing of Who Moved the Stone? ? What place does it have, if any, in UK Christian apologetics? 3. Do you think there are echoes of ‘Morison’s conclusions in the Passion parts of Dorothy Sayers’ Man Born to be King series for the BBC (1941)? 4. Chesterton per Wikipedia wrote in his review of Stone that he had been “under the impression it was a detective story” when he picked it up; how much does it read like a murder mystery, something akin to how Strike might sift through the evidence of a case? 5. Five instances of deductive insights Ross-Morison offers by reasoning that even most Christian believers would have considered — 6. A compare-and-contrast exercise of different perspectives -- John, believer, familiar with passion gospels; Nick, seeker, not so much -- how did their reading experiences differ? 7. Why would Rowling-Galbraith have Strike mention this book, one that fosters conversions to Christian faith, in his face-to-face meeting with a religious charlatan? Shouldn’t he be belittling faith at that point? 8. If there is a single ‘keyword’ in Stone, John believes it is “vacancy.” Nick and John discuss (1) the possibility that Rowling may have read this book as a young person and been struck by the God-shaped “vacancy” or “Vacuum” in her own life and (2) whether it could have been an influence on the Casual Vacancy title. They review Rowling comments about “the light of God shining from every soul” in her Vacancy interviews. 9 - John expresses his bewilderment that Robin and Cormoran have never discussed their faith backgrounds or lack of one in the course of their relationship, especially in light of their UHC cult experiences and Talbot’s True Book with its occult and Christian content. Nick explains the fall out of the English Civil War to John. 10. Could Strike’s familiarity with and seeming sympathy with the arguments of Stone a place-marker for future conversations about faith, not to mention revelations of why both Strike and Robin are so casual about the vacancy of a spiritual dimension in their lives? The remarkable take-away from this conversation was a discussion of the possibility that Rowling’s tweeted ‘Psyche Ascendant’ suggests the imminent death of Robin Ellacott in Strike 9 with Strike 10 being fallout of that death in the life of Cormoran Strike. ‘Fall out’ meaning Strike will learn the truth about all the questions to which he mistakenly thought he knew the answers — the suicides of his mother and Charlotte Campbell-Ross, the character of Jonny Rokeby, Ryan Murphy’s real motivation for pursuing Robin Ellacott, Cormoran’s relationships with his half-sister Lucy and “oldest mate” Dave Polworth — as well as ‘Who Killed the Better Half of the Strike Ellacott Detective Agency?’ John thinks the revelations coupled with Strike’s grief may drive him to his knees in St Giles in the Fields Church, a ‘Digging Dobby’s Grave on Easter morning’ parallel. Make your case in the comment boxes below if you think that he has lost his mind somewhere on the drive east from Oklahoma to the Carolinas. The Granger family is now well settled in their South Carolina bungalow and Hogwarts Professor will be posting with regularity. Nick and John thank you f

    2h 10m
  6. Blood! The Crimson Thread

    JAN 12

    Blood! The Crimson Thread

    Nick is joined by John Granger and special guest star Guido in their temporary headquarters as they await the move to Granger Towers. We discuss the revelation that J. K. Rowling has an inherited blood clotting disorder, and speculate that this could be von Willebrand Disease, and discuss what this could mean for a Golden Thread that John first explored more than five years ago. Nick surveys the instances of blood in all her published work, and John identifies a theme that Nick has missed - the Eucharist. Could this be the key to understanding the final narrative arch of the Strike series? Links Discussed in this Episode: The revelation of J. K. Rowling’s condition: https://www.hogwartsprofessor.com/j-k-rowling-and-the-roy-phipps-connection/ John discusses the Golden Thread on the Reading Writing Rowling Podcast in 2020. https://audioboom.com/posts/7566531-episode-37-troubled-blood-and-the-faerie-queene-strike-5 John Granger’s book How Harry Cast his Spell exploring the Christian content and meaning in Harry Potter. https://www.amazon.com/How-Harry-Cast-His-Spell/dp/1414321880 John’s visit to Denmark Street and St Giles-in-the-Fields in 2016. https://web.archive.org/web/20171130161236/https://www.hogwartsprofessor.com/visiting-cormoran-strikes-pub-and-denmark-street-premises-in-london/ Victor Turner - Colour Classification in Ndembu Ritual (1966) https://gwern.net/doc/psychology/vision/1966-turner.pdf The Blood Survey: Harry Potter and the Philosopher’s Stone The word “Blood” appears 33 times. dragon’s blood The Bloody Baron Harry thought Flint looked as if he had some troll blood in him. One book had a dark stain on it that looked horribly like blood. That’s unicorn blood. It put its hand into its pocket and pulled out a blood-red stone. Harry Potter and the Chamber of Secrets The word “Blood” appears 46 times. not a drop of magical blood in their veins ‘Wizard blood is counting for less everywhere –’ No Malfoy’s worth listenin’ ter. Bad blood, that’s what it is. ‘No one asked your opinion, you filthy little Mudblood,’ he spat. who think they’re better than everyone else because they’re what people call pure-blood. Most wizards these days are half-blood anyway. ‘… I smell blood … I SMELL BLOOD!’ Harry Potter and the Prisoner of Azkaban The word “Blood” appears 21 times. ‘It all comes down to blood, as I was saying the other day. Bad blood will out. Now, I’m saying nothing against your family, Petunia’ Ron and Hermione were standing underneath it, examining a tray of blood-flavoured lollipops. ‘BLOOD!’ Ron yelled into the stunned silence. ‘HE’S GONE! AND YOU KNOW WHAT WAS ON THE FLOOR?’ Harry Potter and the Goblet of Fire The word “Blood” appears 37 times. Now that they had removed their furs, the Durmstrang students were revealed to be wearing robes of a deep, blood red. ‘B-blood of the enemy … forcibly taken … you will … resurrect your foe.’ I wanted Harry Potter’s blood. I wanted the blood of the one who had stripped me of power thirteen years ago, for the lingering protection his mother once gave him, would then reside in my veins, too … Harry Potter and the Order of the Phoenix The word “Blood” appears 85 times. ‘Yoooou!’ she howled, her eyes popping at the sight of the man. ‘Blood traitor, abomination, shame of my flesh!’ ‘Because I hated the whole lot of them: my parents, with their pure-blood mania, convinced that to be a Black made you practically royal ‘The pure-blood families are all interrelated,’ said Sirius. ‘If you’re only going to let your sons and daughters marry pure-bloods your choice is very limited; there are hardly any of us left. ‘Terrified? I hope I, Sir Nicholas de Mimsy-Porpington, have never been guilty of cowardice in my life! The noble blood that runs in my veins –’ Again and again Harry wrote the words on the parchment in what he soon came to realise was not ink, but his own blood. ‘It seems there was some rather unusual kind of poison in that snake’s fangs that keeps wounds open. They’re sure they’ll find an antidote, though; they say they’ve had much worse cases than mine, and in the meantime I just have to keep taking a Blood-Replenishing Potion every hour. ‘While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort. He shed her blood, but it lives on in you and her sister. Her blood became your refuge Harry Potter and the Half-Blood Prince The word “Blood” appears 105 times. ‘If I had murdered Harry Potter, the Dark Lord could not have used his blood to regenerate, making him invincible –’ Harry had never hated Malfoy more than as he lay there, like an absurd turtle on its back, blood dripping sickeningly into his open mouth. ‘My daughter – pure-blooded descendant of Salazar Slytherin – hankering after a filthy, dirt-veined Muggle?’ It was as though something large and scaly erupted into life in Harry’s stomach, clawing at his insides: hot blood seemed to flood his brain I’ve learned more from the Half-Blood Prince than Snape or Slughorn have taught me in –’ ‘Harry, I’d like you to meet Eldred Worple, an old student of mine, author of Blood Brothers: My Life Amongst the Vampires – and, of course, his friend Sanguini.’ Blood spurted from Malfoy’s face and chest as though he had been slashed with an invisible sword. He staggered backwards and collapsed on to the waterlogged floor with a great splash, his wand falling from his limp right hand. ‘Payment?’ said Harry. ‘You’ve got to give the door something?’ ‘Yes,’ said Dumbledore. ‘Blood, if I am not much mistaken.’ ‘Blood?’ Harry Potter and the Deathly Hallows The word “Blood” appears 125 times. As I reveal in chapter sixteen, Ivor Dillonsby claims he had already discovered eight uses of dragon’s blood when Dumbledore “borrowed” his papers.’ MUDBLOODS and the Dangers They Pose to a Peaceful Pure-Blood Society ‘Splinched,’ said Hermione, her fingers already busy at Ron’s sleeve, where the blood was wettest and darkest. Was it his own blood pulsing through his veins that he could feel, or was it something beating inside the locket, like a tiny metal heart? ‘Drop your wands,’ she whispered. ‘Drop them, or we’ll see exactly how filthy her blood is!’ Every drop of magical blood spilled is a loss and a waste. ‘Precisely!’ said Dumbledore. ‘He took your blood and rebuilt his living body with it! Your blood in his veins, Harry, Lily’s protection inside both of you! He tethered you to life while he lives!’ Fantastic Beasts and Where to Find Them The word “Blood” appears 11 times. The Kappa feeds on human blood but may be persuaded not to harm a person if it is thrown a cucumber with that person’s name carved into it. Re’em blood gives the drinker immense strength, though the difficulty in procuring it means that supplies are negligible Salamander blood has powerful curative and restorative properties. Quidditch Through the Ages The word “Blood” appears 6 times. The first Bludgers (or ‘Blooders’) were, as we have seen, flying rocks The Tales of Beedle the Bard The word “Blood” appears 5 times. There is not a witch or wizard in existence whose blood has not mingled with that of Muggles Casual Vacancy The word “Blood” appears 97 times. Then pain such as he had never experienced sliced through his brain like a demolition ball. He barely noticed the smarting of his knees as they smacked onto the cold tarmac; his skull was awash with fire and blood; the agony was excruciating beyond endurance, except that endure it he must, for oblivion was still a minute away. All they could get out of her at first was, ‘The Fields, the bloody, bloody Fields …’ ‘Mrs Weedon’s new pills are upsetting her stomach,’ said Parminder calmly. ‘So we’re doing your bloods today, aren’t we?’ Sharp, hot pain and the blood came at once; when she had cut herself right up to her elbow she pressed the wad of tissues onto the long wound, making sure nothing leaked onto her nightshirt or the carpet. Some of her self-hatred had oozed out with the blood. Pagford, bloody Pagford. Samantha had never meant to live here. That morning, at breakfast, she had tested her blood sugar with the glucometer for the first time, then taken out the prefilled needle and inserted it into her own belly. It had hurt much more than when deft Parminder did it. Did she find it easier to accept him as a separate individual than if he had been made from her flesh and blood? Her glucose-heavy, tainted blood … The Cuckoo’s Calling The word “Blood” appears 64 times. Her accidental assailant was massive; his height, his general hairiness, coupled with a gently expanding belly, suggested a grizzly bear. One of his eyes was puffy and bruised, the skin just below the eyebrow cut. Congealing blood sat in raised white-edged nail tracks on his left cheek and the right side of his thick neck, revealed by the crumpled open collar of his shirt. Perhaps a knife would plunge between his shoulder blades as he walked through the front door of her flat; perhaps he would walk into the bedroom to discover her corpse, wrists slit, lying in a puddle of congealing blood in front of the fireplace. ‘Pushing someone over a balcony’s a spur-of-the-moment thing,’ said Strike, as though he had felt her inner wince. ‘Hot blood. Blind temper.’ When Lucy’s lips were pursed she bore a strong resemblance to their Aunt Joan, who was no blood relation to either of them. You’re a cold-blooded b*****d, aren’t you? No f*****g wonder old Jonny’s not keen on you.’ Strike, however, knew Charlotte as intimately as a germ that had lingered in his blood for fifteen years Sergeant Gary Topley lying in the blood-spattered dust of that Afghanistan road, his face unscathed, but with no body be

    2h 2m
  7. A Hogwarts Professor New Year Celebration!

    12/31/2025

    A Hogwarts Professor New Year Celebration!

    Welcome to the Hogwarts Professor New Year’s Celebration! John and Nick look back to a packed 2025, as John looks forward to big changes in 2026. From the marathon Kanreki celebration in July to the joys of sharing The Hallmarked Man with friends around the world and plans for The Hogwarts Professor in 2026. John Granger, Nick Jeffery and the HogPro faculty wish you and your families a happy, healthy and fulfilled new year! 1.) John, this time last year you said “I’m hopeful that 2025 will be the most exciting year in Hogwarts Professor’s 20+ year history, at least the busiest since the madhouse period following the publication of Harry Potter and the Deathly Hallows.” As someone who was part of the initial fandom frenzy, how did this year compare? Not anything like 2007 which was a continuous love fest for Harry Potter and that series’ author, Woman of the Year, etc. I was on national teevee repeatedly in the run-up to Deathly Hallows publication and the weblog and podcasts and book sales and speaking dates all did numbers they will almost certainly never do again. Rowling world was the world undivided and I rode that tsunami wave for several years afterwards. Times have changed. Rowling is a much more influential and consequently divisive figure. Her legacy is proving to be at least as great in the political realm as it is in literature with almost 14 million people reading her tweets and her books not selling that well if very well by any other measure. And our role at Hogwarts Professor has changed correspondingly. We sided with Team Rowling against the Gender Theory Extremists in 2020 and were cancelled in consequence. No book deals, no speaking dates, and no podcasts because I refused to bend the knee to Potter fandom’s collective effort to cancel Rowling as a transphobic murderer for stating simple biological and psychological truths. In 2025, though, as I hoped last December and January, we re-emerged as leaders of the Royal Society of Rowling Readers. I am still ostracised, of course, from Potter fandom conventions and the like as well as from Strike podcasts, but our conversations, Nick, have an ever growing following globally and locally and one participating in the best conversations anywhere about the artistry and meaning of Rowling’s work. It’s been a great year and I am again hopeful, especially in light of our move east, that 2026 will be another break through year at Hogwarts Professor. Nick and John share their highlights of 2025 - 2.) Non-Rowling HogPro Highlight Nick - Suzanne Collins - Sunrise on the Reaping Elizabeth Baird-Hardy’s posts inspired me to not just read the Hunger Games series, but Gregor the Overlander as well. John: The closing of ‘The Rowling Library’ magazine 3.) Highlight from the Lake: Nick - Rowling’s blood disorder - von Willebrand Disease John: Tough Call! High on my list were (1) Rowling’s legal fund for defending women discriminated against for gender critical beliefs and (2) Rowling in Greenland but I’m going to go with both Rowling’s 7 August ‘Lake and Shed’ Tweets and Rowling’s 12 September ‘Changes in Beliefs’ tweeting post Charlie Kirk. 4.) Highlight from the Shed: Nick - the Golden Threads! We have shared “Pregnancy Traps” and “Lost Child” threads this year which join “Bad Dad” and “Ghosts” which feature front and centre in “Hallmarked Man” John: Mythology – the forgotten Shed tool or more precisely the one neglected by even the most serious Strikers and Potter Pundits despite our efforts here really came to the fore in the wake of Rowling’s tweet post Hallmarked Man kerfuffle along with the advent of mythological mavin Dimitra Fimi’s into our conversations. 5.) Highlight from Rowling Inc: Nick - The all-cast audio editions of Harry Potter John: Casting decisions about Bronte Studios/Netflix casting decisions for the small screen teevee adaptations – Black Snape! 6.) Highlight from The Hallmarked Man release: Nick - That first English language sneak peek from Germany and the Robin ectopic pregnancy reveal! John: The realisation that for the first time Rowling wasn’t writing a self-contained Strike mystery with over-arching story details but the first of a three-part series-ending piece in which many of the players from the book will be returning in feature roles. 7.) Highlight book 9 and 10 tease: John - Cupid and Psyche Nick - J. K. Rowling’s fourth (or fifth) charm bracelet. 8.) John Introduces the Kanreki Project and its relationship to fourth generation potter scholarship…. · 55 total Substack posts 2023-2024 · 3 posts Jan-June 2025… · 31 posts in July and 34 since (today #69) The Goal: Shift the Rowling Reader focus from latest book to work as a whole with the three critical taxonomy categories of Lake springs, Shed tools, and Golden Thread as our guides or lenses The Means: the Kanreki blitz of Lake, Shed, and Golden Thread highlights from all of Rowling’s work in celebration of Rowling’s 60th birthday (the old) and the follow-up engagement with Serious Strikers before and after the publication of Hallmarked Man (the new) The Results: We nowhere near the finish line or even, I think, the avalanche tipping point that an authorised critical biography will push us over, but we have cleared the forest and prepared the field for that event, work that we will take another quantum leap forward in 2026 with our Lake, Shed, and Golden Thread Rowling Studies 101 online class. Which is to say that this is the year that the Substack Platform has really taken off, with an engaging and intelligent comments section that is really unparalleled, certainly J. K. Rowling fandom. I think much of this has been generated by our video conversations here. We have moved from the audio only Rowling Studies podcast; Nick, as the technical wizard, can you give us a peek behind the curtain? How have we done this, and what’s next? 9.) One of the reasons I’m exploring better quality audio and video, is that we can start creating content that can be used as a reference, potentially for many years. Once we can do this, then we can start offering online courses, can we say anything yet about our plans, John? John: As soon as I’m settled in, we’ll finish the Hallmarked Man ring charting (I’ve been listening to the painful Part Five chapters while packing…) and then offer a free five part introduction to L/S/GT thinking and survey of what is known in those categories followed by a ten week course for those wanting a much deeper appreciation of Rowling, roots, branches, and leaves 10.) John and Nick Wish Fulfillment Predictions for 2026 John: Special guests on our shows – Elizabeth Baird-Hardy, Beatrice Groves, Lindsey and Company from Strike Fans Nick: A proper interview with Beatrice Groves, Dimitry Fimi or John Granger. I’m more than happy to be the impartial invigilator. John: Critical Biography news, More Rowling Biographical Reveals Nick: A biography! (Authorised) John: Michael is Doorstepped and Tells All! Nick: A book! We know Rowling has the plots for a further 5 books one of which is “futuristic” but not set in space. But not the WB television reboot, that is scheduled for 2027! John: Rowling Confirms ‘Ending Trilogy Theory’ Nick: Rowling to talk about Fantastic Beasts – this will be difficult… John: Rowling is Special Guest on Hogwarts Professor Show Nick: A get together, with The HogPro team. Apologies for limited commenting on threads and posting during my family relocation! Thank you for your patience, support, and prayers since November and in the coming month! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

    1h 51m
  8. 12/24/2025

    The Most Influential Book Rowling Read as a Child Wanting to Be a Writer is Dodie Smith's 'I Capture the Castle'

    Merry Christmas! In between looking at houses to rent and packing up the Granger house in Oklahoma City, Nick and John put together this yuletide conversation about perhaps the most neglected of Rowling’s influences, Dodie Smith’s I Capture the Castle. John was a reluctant reader, but, while listening to the audio book, reading the Gutenberg.com file on his computer, and digging the codex out of his packed boxes of books, the author of Harry Potter’s Bookshelf was totally won over to Nick’s enthusiasm for Castle. In fact, John now argues that, even if Rowling didn’t read it until she was writing Goblet of Fire as some have claimed, I Capture the Castle may be the best single book to understand what it is that Rowling-Galbraith attempts to do in her fiction. Just as Dodie Smith has her characters explain overtly and the story itself delivers covertly, When Rowling writes a story, like Smith it is inevitably one that is a marriage of Bronte and Austen, wonderfully accessible and engaging, but with important touches in the ‘Enigmatist’ style of Joyce and Nabokov, full of puzzles and twists in the fashion of God’s creative work (from the Estecean logos within every man [John 1:9] continuous with the Logos) rather than a portrait of creation per se. Can you say ‘non liturgical Sacred Art’? And if you accept, per Nick’s cogent argument, that Rowling read Castle many times as a young wannabe writer? Then this book becomes a touchstone of both Lake and Shed readings of Rowling’s work — and Smith one of the the most important influences on The Presence. Merry Christmas, again, to all our faithful readers and listeners! Thank you for your prayers and notes of support and encouragement to John and for making 2025 a benchmark year at Hogwarts Professor. And just you wait for the exciting surprises we have in hand for 2026! Hogwarts Professor is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. The Twelve Questions and ‘Links Down Below’ Referred to in Nick and John’s I Capture the Castle Conversation: Question 1. So, Nick, we spoke during our Aurora Leigh recording about your long term project to read all the books that Rowling has admitted to have read (link down below!), first question why? and secondly how is that going? Rowling’s Admitted Literary Influences What I want is a single internet page reference, frankly, of ‘Rowling’s Admitted Literary Influences’ or ‘Confessed Favorites’ or just ‘Books I have Read and Liked’ for my thesis writing so I needn’t do an information dump that will add fifty-plus citations to my Works Cited pages and do nothing for the argument I’m making. Here, then, is my best attempt at a collection, one in alphabetical order by last name of author cited, with a link to at least one source or interview in which Rowling is quoted as liking that writer. It is not meant as anything like a comprehensive gathering of Rowling’s comments about any author; the Austen entry alone would be longer than the whole list should be if I went that route. Each author gets one, maybe two notes just to justify their entry on the list. ‘A Rowling Reading of Aurora Leigh’ Nick Jeffery Talking about ‘A Rowling Reading of Aurora Leigh’ Question 2. ... which has led me to three works that she has read from the point of view of writers starting out, and growing in their craft. Which leads us to this series of three chats covering Aurora Leigh by Elizabeth Barrett Browning, I Capture the Castle by Dodie Smith and the Little Women series by Louisa May Alcott. I read Castle during the summer. Amid all the disruptions at Granger Towers, have you managed to read it yet? How did you find it? Capturing Dodie Smith’s I Capture the Castle: Elizabeth Baird-Hardy (October 2011) Certain elements of the story will certainly resonate with those of us who have been to Hogwarts a fair few times: a castle with an odd combination of ancient and modern elements, but no electricity; eccentric family members who are all loved despite their individual oddities (including Topaz’s resemblance to Fleur Delacour); travel by train; a character named Rose who may have been one of the reasons Rowling chose the name for Ron and Hermione’s daughter; descriptions of food that make even somewhat questionable British cuisine sound tasty; and inanimate objects that have their own personalities (the old dress frame, which Rose and Cassandra call Miss Blossom, is voiced by Cassandra and sounds much like the talking mirror in Harry’s room at the Leaky Caldron). But far more than some similar pieces, I Capture the Castle lends something less tangible to Rowling’s writing. The novel has a tone that, like the Hogwarts adventures, seamlessly winds together the comic and the crushing in a way that is reflective of life, particularly life as we see it when we are younger. Cassandra’s voice is, indeed, engaging, and readers will no doubt see how the narrative voice of Harry’s story has some of the same features. A J. K. Rowling Reading of I Capture the Castle: Nick Jeffery (December 2025) Parallels abound for Potter fans. The Mortmain’s eccentric household mirrors the Weasleys’ chaotic warmth: loved despite quirks, from Topaz’s nude communing with nature (evoking a less veiled Fleur Delacour) to Mortmain’s intellectual withdrawal. Food descriptions—meagre yet tantalising—prefigure Hogwarts feasts, turning humble meals into sensory delights. Inanimate objects gain voice: the family dress-frame “Miss Blossom” offers advice, akin to the chatty mirrors or portraits in Rowling’s world. Even names resonate—Rose Mortmain perhaps inspiring Ron and Hermione’s daughter—and train journeys punctuate the plot. The Blocked Writer: James Mortmain, a father who spent his fame early and now reads detective novels in an irritable stupor, mirrors the “faded glory” or “lost genius” archetypes seen in Rowling’s secondary characters, such as Xenophilius Lovegood and Jasper Chiswell. The Bohemian Stepmother: Topaz, who strides through the countryside in only wellington boots, shares the whimsical, slightly unhinged energy of a character like Luna Lovegood or Fleur Delacour. Material Yearning: The desperate desire of Cassandra’s sister, Rose, to marry into wealth reflects the very real, non-magical pressures of class and poverty that Rowling weaves into Harry Potter, Casual Vacancy, Strike and The Ickabog. Leda Strike parallels: Leda Fox-Cotton the bohemian London photographer, adopts Stephen, the working-class orphan, and saves him from both unrequited love and the responsibility that comes with the Mortmain family. Question 3. [story of finishing the book last night by candle light in my electricity free castle] So, in short Nick, I thought it astonishing! I didn’t read your piece until I’d finished reading Capture, of course, but I see there is some dispute about when Rowling first read it and its consequent influence on her as a writer. Can you bring us up to speed on the subject and where you land on this controversy? * She First Read It on her Prisoner of Azkaban Tour of United States? tom says October 21, 2011 at 4:00 am If I recall correctly, Rowling did not encounter this book until 1999 (between PoA & Goblet) when, on a book tour, a fan gave her a copy. This is pertinent to any speculation about how ‘Castle’ might have influenced the Potter series. * Rowling Website: “Books I Read and Re-Read as a Child” Question 4. Which, when you consider the other books on that virtual bookshelf -- works by Colette, Austen, Shakespeare, Goudge, Nesbit, and Sewell’s Black Beauty, something of a ‘Rowling’s Favorite Books and Authors as a Young Reader’ collection, I think we have to assume she is saying, “I read this book as a child or adolescent and loved it.” Taking that as our jumping off place, John, and having read my piece, do you wish you had read it before writing Harry Potter’s Bookshelf? Harry Potter’s Bookshelf: The Great Books behind the Hogwarts Adventures John Granger 2009 Literary Allusion in Harry Potter Beatrice Groves 2017 Question 5. So, yes, I certainly do think it belongs -- with Aurora Leigh and Little Women -- on the ‘Rowling Reader Essential Reading List.’ The part I thought most interesting in your piece was, of course, the Shed elements I missed. Rowling famously said that she loved Jo Marsh in Little Women because, in addition to the shared name and the character being a wannabe writer, she was plain, a characteristic with which the young, plain Jane Rowling easily identified. What correspondences do you think Little Jo would have found between her life and Cassandra Mortmain’s? * Nick Jeffery’s Kanreki discussion of Rowling’s House on Edge of Estate with Two Children, Bad Dad ‘Golden Thread’ (Lethal White) Question 6. Have I missed any, John? * Rockefeller Chapel, University of Chicago Question 7. Forgive me for thinking, Nick, that Cassandra’s time in church taking in the silence there with all her senses may be the biggest take-away for the young Rowling; if the Church of England left their chapel doors open in the 70s as churches I grew up in did in the US, it’s hard to imagine Jo the Reader not running next door to see what she felt there after reading that passage. (Chapter 13, conversation with vicar, pp 234-238). The correspondence with Beatrice Groves’ favorite scene in the Strike novels was fairly plain, no? What other scenes and characters do you see in Rowling’s work that echo those in Castle? * Chapter 13, I Capture the Castle: Cassandra’s Conversation with the Vicar and time in the Chapel vis a vis Strike in the Chapel after Charlotte’s Death * Beatrice Groves on Running Grave’s Chapel Scene: ‘Strike’s Church Going’ Question 8. I’m guessing, John, you found some I have overlooked? Question 9. The Mortmai

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The Artistry and Meaning of J. K. Rowling and Other Greats hogwartsprofessor.substack.com

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