Let's Talk Antigonish Podcast

Let's Talk Antigonish

Let’s Talk Antigonish brings you thoughtful conversations as we unpack the questions, stories, and decisions shaping everyday life in our community. letstalkantigonish.substack.com

  1. Sep 26

    What we have learned about Antigonish, podcasting, and journalism

    Justin and Anuj sat down for a frank discussion about the Let’s Talk Antigonish podcast; what lessons have been leaned about life in this town, the benefits and limitations of podcasting, and what their hopes are for the future of both Antigonish and the podcast itself. The Public Face Problem Justin’s first observation is something he hadn’t fully anticipated when they started: most of the people they interview are representing an organization, and that shapes, and often limits, what they can say. The mayor, the warden, the MLA, the MP, the ER doctors, the heads of arts organizations and businesses; all of them come in with a public face and have to stick to talking points to some extent. They represent employers, electorates, and institutions, so they can’t just say whatever they think. This isn’t a complaint about any particular guest. It’s an observation about the structural constraint the podcast keeps running into. Academics like Jim Bickerton and Doug Brown can speak more freely because, as academics, they are somewhat freer to speak their mind. Someone employed by Nova Scotia Health cannot come on and rail against their colleagues or employer, and it would be wrong to expect them to. But it means listeners are not always getting the full picture. Justin and Anuj are both aware of this and have accepted it as part of the format they’ve chosen, which is conversation, not interrogation. Anuj makes a hypothesis: guests who are willing to be self-critical and self-reflective—the ones who stray from formal talking points—are the ones audiences respond to most warmly. Not because they say raw, unhinged things, but because the honesty reads as trust. Favourite Moments Anuj’s most memorable episode: the Filipino Association. Not just because it was a chance to discuss their amazing performance at the Highland Games parade, but because of what Cheryl revealed about the internal life of that community; how it functions, how it looks after newcomers, how deeply grateful it is to be here. What struck him was how little complaint there was. A community of over 200 people, working multiple jobs, navigating a country not their own, and what came through was warmth and gratitude. He didn’t know that community existed before the parade. Neither did Justin. That leads to a broader point Justin raises: there are almost certainly dozens of communities like that in this town; groups of people doing significant things that you’d never bump into unless you you are already part of the community. The podcast has surfaced a few. There are more still waiting to be found! The other episode that comes up: Trevor Gould at Paqtnkek. Anuj describes the moment he still thinks about when Trevor said: I feel like I have a place in town now. I feel visible. The Sisters of St. Martha’s episode is the one Anuj keeps coming back to. Sister Joanne was, he says, self-reflective and candid in a way he had not expected. The depth of what the Sisters have contributed to this community—as caregivers, as advocates, as people who quietly pushed against institutional power even within their own church—was something neither of them had fully understood before. And the Sisters, as Justin notes, rarely toot their own horn. They just do the work. The Gaps Justin admits that the podcast reflects his interests more than it should. He’s in the arts, so the podcast has done a lot of arts episodes. It’s not a problem exactly as all of it is genuinely interesting, but sports is enormous in this town and the podcast has barely touched it. Hockey hasn’t come up once. The Riverside Racetrack is on the list but the personal relationship to make it happen isn’t there yet. The daycare issue is another one they’ve been trying to crack for months. The problem is exactly the one identified earlier: everyone who knows the daycare system well is employed within it, which constrains what they can say publicly. Coming down the pipe: Senator PJ Prosper, who was recently in town. The mosque, which has renovated and rebuilt its space from the inside. StFX President Andy Hakin, who has has agreed to come in, though scheduling someone running a university is its own challenge. The No-Vision Observation The conversation turned toward something Justin noticed while working through his list: there is no collective vision for what Antigonish is trying to become. The tourism board has a direction. The town and county provide infrastructure, but less direction. Individual organizations build what they need. Projects happen; affordable housing units, the new RK facility, a possible arts centre, the Women’s Resource Centre planning a new building, L’Arche building new space, but they’re parallel tracks, not a coordinated plan. Nobody is standing at the front of the room saying: this is where we are going, and here is how everything we do fits into that. Anuj frames it as the absence of a collective imagination. Individual vision exists everywhere. A shared vision for the whole community is harder to find. When pressed, Justin’s hasty example is Canso: Spaceport Nova Scotia gives it an identity and a driver. Orlando has Disney. Sometimes a single massive anchor reshapes what a place is for. Antigonish already has two anchors, the hospital and the university, but has perhaps taken them for granted so that neither functions as an anchor for a unified vision these days. Off -the-cuff ideas are bandied about, including the idea that the town could focus on building to attract families and be known as the ideal place in Canada to raise children. Anuj suggests the town might also lean into being a genuinely elder-friendly destination, given that over 25% of the population is now over 65. Neither of them is proposing a solution. They’re noticing a pattern across 32 conversations. Whether the absence of a single vision is a problem or just a feature of a community where, as Anuj puts it, a thousand flowers bloom is an open question. What they both agree on: on the day they record this episode, there’s a food truck rally down at Columbus Field and a film festival at Immaculata happening simultaneously. Justin is planning to attend both. It is, he says, hard to be bored in this town. Perhaps the lack of a single vision and diversity of ideas is part of the town’s charm? The Podcast Itself Justin is honest about how this thing actually works. He does all the recording, editing, and social media posting. It runs about three to four hours of work a week on a good week. The hardest part isn’t the recording or editing, but the scheduling of guests; the constant feast-or-famine rhythm where three guests are ready the week you don’t need them and nobody is confirmed for the Saturday that’s coming. Neither Anuj or Justin have yet to pay themselves for the podcast. The money earned from subscribers and sponsors is being saved to help pay for guest content creators. They have two community sponsors, Whidden Park Campground and HARP, The People’s Press, whose support they are genuinely grateful for. And there’s a growing list of paid Substack subscribers whose contributions paid for audio equipment and will help fund future expansion. Even if the podcast never earns enough to pay its hosts, they’ll keep going either way, so fear not! A special episode is coming, assembled by host Anne Simpson and editor Jeanmichel Cote, which will be something a little different from the usual format. This is the kind of special content they want to see more of from guest contributors. The request to the audience: write in. With ideas, with feedback, with suggestions. Some of the best adjustments to the podcast—including the longer written episode summaries that now accompany each episode—came directly from listener notes. The rare complaints, Justin says, have on the whole been quite useful. Praise is also welcome, of course! Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  2. Sep 19

    The little place that reads

    Anuj is back, and to mark the occasion, Justin and Anuj sit down with Kathleen Robertsson, president of the ABC for Kids Society, to talk about the Dolly Parton Imagination Library and why Antigonish is being cited nationally as a model for how this program can work. What Is the ABC for Kids Society? The ABC for Kids Society is the local organization behind Antigonish’s Dolly Parton Imagination Library program. Its mission is wonderfully simple: make sure every child in Antigonish Town and County has access to books from birth to age five. Through the program, every registered child receives one free, carefully selected book every month, mailed directly to their home and addressed to them by name. The ABC for Kids Society’s job is to make that possible locally, raising the money needed to cover the community’s share of the books and building the partnerships that have allowed the program to reach an extraordinary 80% of eligible children in Antigonish. The books themselves come through Dolly Parton’s Imagination Library, which handles the selection, printing, and mailing. The local society never has to buy, store or distribute the books. Its role is community building: fundraising, outreach, partnerships, and making sure families know the program exists. And Antigonish has taken that role seriously. What began with a few people around a kitchen table has grown, in just three years, into one of the most closely watched local Imagination Library programs in Canada, earning the town a nickname that captures the whole idea: the little place that reads. Who Is Kathleen Robertsson? Kathleen is from Antigonish; her father was Henry Sullivan of Henry’s Barbershop, which will ring a bell for anyone who’s been here long enough. Like many Nova Scotians, she spent a significant chunk of her working life in Alberta, teaching in Fort McMurray. She retired back home with a plan. In Fort McMurray, her friend Julianne sat on the Dolly Parton Imagination Library’s blue ribbon book selection committee. They talked about the program often. Kathleen told Julianne that when she retired to Antigonish, she would try to start it there. She meant it. In April 2023, Kathleen sat down at a kitchen table with some friends and asked: would you help? They said yes, and the ABC for Kids Society was born. What the Program Actually Is The premise is simple. From birth to age five, every registered child receives one free book per month, mailed directly to their home. The book is addressed to the child by name. There is no catch, no free trial that converts into a subscription, no hidden cost to families. Kathleen says she still has to convince people of this because their first instinct is that it’s too good to be true. Dolly Parton’s organization handles all the logistics: the book selection, the printing and the mailing directly to the child’s mailbox. The local society doesn’t touch a single book. What it does is raise $3.85 per book per child per month—$46.20 per child per year—to cover its share of the cost. Everything else is funded by The Dollywood Foundation. The books are not secondhand selections or publisher leftovers. They are properly curated, beautiful books selected annually by a blue ribbon committee that convenes in Tennessee for five days, scouring hundreds of titles for books that address character development, language, numeracy, imagination and age-appropriateness. And the selection committee isn’t simply a room full of PR people or publishing executives. It includes bookstore owners, psychologists, and elementary teachers. Canadians are represented, too. Kathleen has been, as Julianne’s guest, to that gathering herself. Occasionally a Nova Scotian author will make the list. One of those is Freddie the Flyer, about the first Indigenous pilot, written by Halifax-based author Danielle Metcalfe-Chenaila. The Numbers There are 815 children between birth and five years old in Antigonish, according to the census. Kathleen’s program currently serves 650 of them. That’s an 80% enrollment rate. The national target for a program like this is considered to be around 65%. Antigonish blew past that. Jan, who heads the national Canadian operation, mentions Antigonish regularly. The program has attracted attention across the country. Why 80% Matters This is not a program designed only for families who can’t afford books. Kathleen is emphatic about this. The goal is a shared foundational experience; a common library of books that children arrive at primary school having read. Teachers at the pre-primary and primary levels have told her it is making a tangible difference. Kids come in with shared language, shared stories, and shared points of reference. The program reaches the whole community, including families out in Tracadie, Arisaig and Havre Boucher who don’t need to drive into town and spend gas money to put books in their children’s hands. The books come to the mailbox. And the name on the label matters enormously. Kathleen tells a story about a three-year-old named Luke from Pomquet who runs in from the mailbox each month holding his book to his heart, pointing at the label and spelling it out: L-U-K-E. “That’s me. This book is for me.” That moment—a small child learning that someone out there knew his name and sent him something—is what Dolly Parton designed the whole program around. She understood, Kathleen says, that what you need a child to feel is that someone, somewhere, cares about them, regardless of what’s going on in their life. Dolly The program started in 1995. Dolly Parton’s father was illiterate, and she wanted to give him a gift. She decided to give free books to all the children in her home county of Sevier County, Tennessee. Her father loved the gift. The program grew from one county to the whole state, and from one state to the entire United States, and then to Canada and beyond. Today the Imagination Library mails out three million books per month to children worldwide. Kathleen notes that this makes it bigger than both Walmart and Amazon by certain logistical measures. The whole operation runs out of a small office above a bank back in Sevier. Dolly once said she wanted to be remembered not for her looks, but for her books. She ran the whole thing on this principle: she put in her own money, she found people who loved children and loved books rather than people who were good at corporate PR, and she insisted that every community do its own part — the shared partnership model that means the program can scale without becoming top-heavy. How Antigonish Did It Perhaps unsurprising, it was easy for Kathleen to get the idea off the ground in Antigonish. Most community orgs she approached said yes to the idea right away. The Kinsmen. The Town. The County. The Sisters of St. Martha’s. 98.9 XFM. The Monsieur Hugh McPherson Council of the Knights of Columbus. The Antigonish Lions Club, which runs a full breakfast fundraiser every year. The 100 Women Who Care. And StFX, where Professor Mark McIsaac’s fourth-year business class—which Kathleen calls Team X—met with her six times over the course of a year to help build out the society’s social media presence and financial infrastructure. That last piece, Kathleen says, is part of why Antigonish grew so fast. The students were phenomenal. They helped professionalize an organization that started at a kitchen table and turned it into one of the most recognized programs in the country within three years. Dolly Day: September 25th To mark Dolly Parton’s passing and celebrate what the Imagination Library has meant to this community, the Town of Antigonish has proclaimed September 25th Dolly Day. (Nine-Two-Five) The ABC for Kids Society is inviting everyone to sparkle it up a little — wear something pink, something glittery, play a Dolly tune, bake a batch of Dolly Cookies, and give your staff a cup of ambition (rather than your boss). If you want to donate, you can find the org’s page on CanadaHelps at this link: https://www.canadahelps.org/en/charities/antigonish-imagination-library/ A gift of $9.25 covers two months for one child. You get a tax receipt. Boom, boom, it’s done, in Kathleen’s words. And if you have a child between birth and five in Antigonish Town or County and they’re not yet enrolled, that is easily fixed. Just visit this link to register: https://antigonishimaginationlibrary.com/ ********************************* Thanks to Whidden Park Campground and Healing Arts Reconciling People (HARP): The People’s Press, Community Sponsors of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  3. Sep 12

    An Antigonish-based org raising awareness about PTSD in first responders

    When the Helpers Need Help There is a particular assumption that comes with being a first responder or frontline worker: that you are somehow built differently. You run toward emergencies. You help other people through the worst moments of their lives with bravery and a calm demeanor. Surely, then, these first responders are born with an ability to encounters these situations on a daily bases without it negatively impacting their mental health. That assumption is at the heart of this week’s conversation on Let’s Talk Antigonish. Justin sits down with John Garth MacDonald and Matt Beson, two committee chairs with Helping the Helpers, an organization that began in Antigonish twelve years ago with a straightforward but urgent goal: to raise awareness about post-traumatic stress disorder among frontline professionals and, perhaps most importantly, to make it easier for people to ask for help. The organization’s annual Awareness and Education Day has now grown from 74 people at its first event to regularly attracting more than 200 participants. What started as a local initiative has developed a much broader reach, with speakers and participants from across Canada. But the conversation makes clear that the heart of Helping the Helpers remains local: creating a place where people in our community can talk openly about something that for a long time was rarely discussed. The Myth of the Invulnerable First Responder John Garth’s own experience is what started the organization. After years working as a paramedic, he went off work in 2012 with a workplace mental health injury—PTSD. What struck his colleagues was not simply that it had happened, but that it had happened to him. He had been a supervisor, mentor and facilitator. If someone like John Garth could be affected, his colleagues wondered, who might be next? That question became the beginning of Helping the Helpers. The conversation returns repeatedly to the idea that frontline workers are not immune to trauma. In fact, the nature of the work can mean that they encounter in a single day things that another person might never encounter in an entire lifetime. And because helping others is such a central part of these professions, there can be a tendency to keep going—to absorb what happened, go home, put on the uniform again the next day and carry on. As John Garth puts it, when he began his career, you weren’t supposed to ask for help. You weren’t supposed to cry. You were expected to show up the next day as though nothing had happened. The culture is changing, but the legacy of that culture remains. The Invisible Injury One of the most enlightening ideas in the conversation is the understanding that PTSD is as an “invisible injury.” From the outside, someone can look completely fine. They can report for work, follow procedures and do their job. The signs may only appear elsewhere. For some people, it can mean anger or heightened sensitivity. For others, withdrawing from family and friends, avoiding activities or becoming increasingly isolated. There is no single way that PTSD presents itself, and that can make it especially difficult for someone to recognize what is happening to them. The common thread, Matt suggests, may simply be that the person isn’t quite themselves anymore. And sometimes they are the last person to notice. That’s where colleagues, friends and family become so important. The people around someone may see changes long before that person recognizes them as signs that they need help. The Forgotten Family Perhaps the most moving part of the conversation is the discussion of what happens to the people around the person experiencing PTSD. When John Garth went off work, his wife Michelle became his advocate. She was caring for the children, working two jobs, managing the household and helping him navigate the system to get the care he needed. But, as John Garth points out, nobody was initially asking Michelle what she and the children needed. Families can experience what Matt describes as vicarious trauma too. They live alongside the changes, the stress and the uncertainty. They become part of the recovery process without necessarily being given support themselves. That is one reason spouses and family members have become an important part of Helping the Helpers’ Awareness and Education Day. A Day Built Around Hope The Awareness and Education Day isn’t simply a series of lectures about PTSD. It brings together frontline workers, people who have experienced occupational mental health injuries, mental-health professionals and the families and communities surrounding them. There are presentations, lived experiences, a speakers’ panel and opportunities for questions. There are also three psychologists on site, along with therapy dogs. But perhaps the most important thing the day offers is a safe environment. John Garth explains that the original motivation was simple: if someone sharing their story could help one person—a paramedic, a first responder, a family member or a child—then the day would be worth it. That idea of helping even one person runs through the entire conversation. The Challenge Coin One of the most tangible symbols of the organization is a challenge coin, originally inspired by a coin John Garth himself received and later redesigned by his wife Michelle. On one side is the Helping the Helpers logo and the message “Not All Injuries Are Visible.” On the other are raised hands and the words “Reach out, you are not alone,” along with “Strength together” and “Heroes are human.” Participants carry the coins with them. The idea is deliberately tactile: when things are difficult, you can take the coin out, rub your thumb over the raised hands and remind yourself that there is someone you can reach out to. John Garth says people have contacted him to tell him they have rubbed the hands on the coin so often that they have nearly worn them away. It’s a small object carrying a surprisingly large message. From Stigma to Recognition There has been progress since John Garth began his career. Workplaces are increasingly checking in with employees. Supervisors are asking questions that might not have been asked ten or twenty years ago. There is greater recognition that a mental-health injury can be an occupational injury. But the stigma has not disappeared. John Garth talks about the fear he experienced when he was preparing to return to work. He wondered whether his colleagues would see him as “damaged goods.” Would they still want to work with him? Would they trust him? Instead, he discovered that his colleagues had been asking his wife when he was coming back. They needed his experience, his guidance and his skills. The realization mattered. The problem wasn’t that John Garth was incapable of doing his job. As he explains, paramedics can function extremely well in emergency situations. The difficulty can come afterward—in dealing with what they have seen, heard and carried away with them. Recovery Isn’t a Finish Line Another important point in the conversation is that treatment isn’t necessarily a quick process. Recognizing that something is wrong is often the first and hardest step. From there, someone might work with their family physician, mental-health professionals or specialized PTSD services to develop a treatment plan. And it can take time. John Garth speaks openly about recovery as something ongoing rather than something that simply ends when someone is cleared to return to work. Taking care of himself, staying connected with professionals and maintaining the supports that have helped him are all part of that continuing process. But the conversation is not ultimately about despair. Quite the opposite. Both men talk about seeing people who have recognized what was happening, sought treatment and are now doing well. The Awareness and Education Day can be heavy. There are difficult stories, and there are tears. But there is also humour, connection and, increasingly, stories of recovery. Heroes Are Human That may be the simplest way to understand what Helping the Helpers is trying to accomplish. The organization is challenging the idea that strength means being unaffected. The people who spend their careers helping others are still human. They can be affected by what they see. Their families can be affected. Their colleagues can be affected. And asking for help doesn’t erase their strength or their professionalism. In fact, John Garth’s final message is perhaps the most important one of the episode: reach out. You are not alone. You deserve help. The next Helping the Helpers Awareness and Education Day takes place October 24 in Antigonish and is open to anyone connected to the subject—not only frontline professionals or people who have experienced PTSD themselves, but family members, educators, community members and anyone who wants to understand more. To register or for me info, visit helpingthehelpers.ca After twelve years, the organization continues for the same reason it started: because if one person hears something that makes them recognize they need help, the day has done its job. ****** Thanks to Whidden Park Campground and Healing Arts Reconciling People (HARP): The People’s Press, Community Sponsors of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  4. Sep 5

    Antigonight still going strong despite budget cuts

    Justin sat down with Kyra Lambert (Artistic Director and Curator of Antigonight Arts After Dark Festival) and Abby Fraser (Festival Coordinator) to discuss this year’s Antigonight (taking place on September 19th), and what will be changing thanks to the provincial budget cuts to the arts. What is Antigonight? First, a primer for anyone who hasn’t been: Antigonight Arts After Dark is a free, fully accessible public arts festival that happens after dark in downtown Antigonish. No tickets. No mandatory stay time. No pressure. You walk around, you encounter both large- and small-scale art installations — light displays, participatory crafts, performance pieces, shadows and movement — and you engage with them however you like, or you don’t, and you move on to the next one. Some people come away having made something themselves. All of it is free. Quite a lot of it is genuinely surprising in the best way. The nighttime setting is part of the design, not just the name. Darkness invites artists who play with light and shadow and movement in ways that a gallery setting doesn’t permit. A lot of the pieces presented at Antigonight are first public showings — artists taking a shot with work that’s new or ambitious. That’s also by design. Last year the festival drew nearly 3,000 visitors across the event. This year the festival is concentrating itself around the public library, Creighton Lane, and back toward the Piper’s Pub parking lot — a more compact footprint than in some previous years, which is partly about creating a denser energy and more buzz. 16 Years, Down to One Night Antigonight is in its sixteenth year, which Kyra describes as genuinely impressive and credits in large part to Fenn Martin (friend of the podcast) whom she calls a visionary, a person of enormous energy and chutzpah. It was Fenn who stewarded the festival, under the umbrella of Antigonish Culture Alive, into what it has become: a festival that employs artists and arts workers and brings new ideas into town. The festival has classically run for two nights. This year it runs for one. The reason is money. Since 2024, the operational budget for Antigonight has been cut in half; a direct consequence of Nova Scotia’s provincial arts funding cuts. Kyra says that saying it sucks is the understatement of the year. The team has been using grant funding to the last nickel, as they always do, and this year they predict they will still go into the red simply to properly pay their artists, vendors, and staff. They have turned away artists with genuinely good projects—work that would have enriched the community—because they couldn’t afford to take it on. The community table-setting first night, which functioned as a welcoming, low-pressure entry point into the festival for people who find arts events intimidating, is gone this year for the same reason. Paying artists is the non-negotiable. The festival’s entire philosophical foundation is that artists deserve to be properly compensated for their work, and Kyra is clear: that is not on the table as a place to cut. So they cut elsewhere, and this year that means one night instead of two. This Year’s Theme and Artists The theme for the 2026 festival is Turning Tides. Kyra is careful about how she frames it: the prompt she sent to artists was to radically imagine what it would look like if the tides turned for the better. Not a lament, a provocation. What do you need in a better world? What can we imagine together? The lineup this year leans local. The Willows Bend Collective—a group of willow weavers and practitioners of regenerative coppice agriculture—will be doing live weaving tutorials where festival-goers can make their own pieces using willow branches cut and grown right here in Antigonish, alongside large-scale installations of the team’s own collaborative work. Michelle Sylliboy returns, described simply as a local legend. And Diane Langevin, who is completing her MFA through NSCAD, brings a series Kyra first saw at the Halifax library system: a Mi’kmaq-rooted body of work about sea creatures that serve as portents of things to come, which Kyra says maps onto the Turning Tides theme with almost uncanny elegance. The Funding Reality, Honestly This is the conversation the episode has really been building toward. Antigonish Culture Alive, like arts organizations across rural and coastal Nova Scotia, has been pushed toward the business community and individual donors to make up the shortfall. The problem, as Kyra points out, is that every other arts organization is doing exactly the same thing simultaneously, which means local businesses are receiving more funding asks than ever before at exactly the moment when their own revenues are under pressure from broader economic conditions. The well is being drawn from by more people just as the water level drops. Municipal funding bodies are under their own strain. Kyra says plainly that she cannot in good conscience tell the town to fund Antigonight when that money could go to housing or food support. She believes that arts are a base need. She also believes people need roofs and food. Working out how to navigate that tension when everyone is sharing the same small pot of money is the problem she can’t solve from where she sits. The deeper point she makes is about what gets lost when rural and coastal arts programming is underfunded. The things Nova Scotia points to with pride—the culture, the music, the identity—largely didn’t originate in Halifax. The Rankins, she notes by way of example. The Antigonish Movement Connection One of the more striking moments in the conversation comes when Kyra talks about how the team has been thinking about their situation in terms of the Antigonish Movement itself. She recently watched a National Film Board documentary about Moses Coady and Father Jimmy Tompkins, and one line from it stuck: You are poor enough to need it, and you are smart enough to do it. She’s applied it directly to the arts community’s current predicament. The funding isn’t coming from the province in the way it used to. The answer isn’t to wait for it. It’s to organize, to build the thing from the ground up, to pool what’s available and use it well. One such examples is the MOU recently signed on closing night of Festival Antigonish this past weekend. An agreement between Antigonish Culture Alive and Festival Antigonish to collaborate on the long-discussed idea of a dedicated arts centre for the town. Kyra calls this deeply futurist. It’s not government-led. It’s not guaranteed. But it is tangible evidence that the arts organizations in Antigonish are thinking seriously about how to be interdependent, how to build something lasting, how to function even without the provincial support they’ve been relying on. Hope, as she says, is not a plan. On Paying Artists and the Union That Doesn’t Exist One of the deeper discussions in the episode is about free labor in the arts — a thing that has always existed, that everyone in the room has participated in as both provider and recipient, and that is now getting worse. Kyra makes a distinction that matters: Antigonight pays artists properly, full stop, even going into the red to do it. But she worries deeply about what happens when other organizations, stripped of their grant funding, start asking artists to work for less or for nothing. Her dream is a union for arts workers. She knows how complicated it would be across different mediums with different material costs and different labor requirements. She knows “union” is a word some people flinch at. But the protections ACTRA has built for screen performers, as well as EQUITY and SAG and others, are exactly the model: collective bargaining that establishes that your work has value and that you cannot be asked to give it away indefinitely. Until something like that exists for the broader arts community, artists are on their own. She also cites a statistic from a book by Nova Scotia’s own Kate Beaton: if your household income as a child was over $100,000, you are ten times more likely to become a professional artist than if your household income was $50,000. What gets produced as culture, what gets shared as a common identity, is filtered through class and money long before anyone makes a conscious curatorial decision. Part of what Antigonight specifically tries to do is resist that — deliberately deprioritizing MFA and BFA credentials in its artist selection. Is the work good? Will people connect with it? Will it challenge something? That’s the question. The letters behind someone’s name are not. On AI Justin drops the subject of AI in toward the end. Kyra would like all of it to burn down—her precise words—and finds the idea of AI generating art not just philosophically wrong but politically incoherent. Art is the process of making it. Outsourcing that process to what she calls an environmental suck machine is, in her view, antithetical to what art is for. Abby agrees: if you’ve involved AI, it’s not art anymore — it’s scraped data, and it’s theft from the people whose actual work trained the model. The Antigonight application explicitly forbids AI use. You can call in your application, draw it, or present it in any alternative modality you choose. But you cannot populate it with AI. If you do, you’re out. That policy was not a difficult decision for the board. September 19th is fast approaching The final message from both guests is filled with excitement for the upcoming festival: Antigonight happens September 19th in downtown Antigonish, and it is free, accessible, and family-friendly. The team is stubborn and talented and committed to making it happen regardless of what the budget looks like. If you’ve been before, come back. If you’ve never been, this is the year to start. If you want to support the festival: donate online. Volunteer on the night — setup

  5. Aug 22

    The inside scoop on being a family doctor

    Dr. Gord Simms is a family doctor in Antigonish, but that’s only part of his job. He’s also a hospitalist, looking after patients admitted to St. Martha’s Regional Hospital. He has a PhD in biochemistry, a particular interest in complex chronic disease, and a patient roster whose median age is somewhere around 72 to 75. We sat down with Gord to talk about what family doctors actually do all day, why a 15-minute appointment is not really a 15-minute appointment, what happens when your doctor doesn’t call you about your blood work, and why the family doctor shortage is still such a problem in Antigonish. So What Does a Family Doctor Actually Do? The short answer is: almost everything. Family medicine is designed to be the first point of contact with the healthcare system. Gord sees children, adults and patients over 100 years old. His practice includes preventative care, chronic disease management, acute illnesses, mental health, addictions and palliative care. He also has patients he has technically never met — people who are registered with his practice but haven’t yet needed to come in. His own patient roster is unusually complex. When Gord began practicing in Antigonish three years ago, he took patients from the provincial registry, some from a retiring physician, and others from people he encountered while working as a hospitalist who had significant medical problems but no family doctor. The result is a practice with a median patient age in the mid-70s. He likes it that way. Complexity, it turns out, is one of the things that drew him to family medicine. From the Lab to the Clinic Gord didn’t exactly take the conventional route to becoming a family physician. He fell in love with chemistry as an undergraduate, then went on to complete a PhD working on Alzheimer’s disease research. He spent years in front of a laboratory bench, a computer or an NMR machine, developing molecules that might eventually contribute to treatments. But something was missing: people. Research can take decades to produce a tangible result. You can work on a molecule for years and, if everything goes perfectly, perhaps a drug eventually helps somebody twenty years down the road. Family medicine offers a rather different form of gratification. A patient can walk into your office with a problem and, five minutes later, tell you that you’ve helped. Gord realized that what he really enjoyed was the human connection — building relationships with people and helping them directly. He applied to medical school, didn’t get in on his first attempt, applied again, and eventually made the transition from the laboratory to the clinic. The 15-Minute Appointment One of the questions almost everyone with a family doctor has probably wondered about: why does my doctor seem to be running late? Gord’s answer is that the 15-minute appointment is more complicated than it sounds. If you’re seeing 25 patients in a day, adding just five minutes to every appointment can add two or three hours to the working day. And a 15-minute appointment isn’t actually 15 minutes of conversation. There are questions to ask, medications to discuss, blood work and imaging to order, referrals to arrange and notes to write. Gord tries to negotiate the appointment with patients: What’s your list today? What do they want to discuss, and what does he need to address? Sometimes everything can be dealt with. Sometimes something has to wait. If something is genuinely urgent, however, the rules change. A patient who needs 45 minutes gets 45 minutes. The consequence is that someone else may have to wait. For many family physicians, these time constraints—and knowing that there is a backlog of patients in the waiting room—are a constant source of stress. The Inbox Avalanche The part of family medicine that patients probably see least is the work that happens after they leave. There is an overstuffed email inbox. It never stops. Specialist letters arrive. Blood work arrives. Imaging arrives. Notes from other healthcare providers arrive. There are decisions to make about patient care, calls to return, forms to complete and results to communicate. Gord describes it as a never-ending avalanche. Even though the clinic day might officially run from eight to four, he estimates that another two or three hours of work can follow. And the inbox doesn’t take weekends off. If a specialist calls on a Saturday about one of his patients, he answers. If an urgent blood test comes back while he’s working his hospitalist week, he deals with it. During a seven-day hospitalist shift, he might see 25 patients a day while simultaneously managing issues belonging to his family practice patients. So Why Didn’t My Doctor Call? There is another side to the communication question. If you’ve had blood work or imaging done and haven’t heard from your family doctor, it doesn’t necessarily mean that nobody has looked at it. Gord’s practice tries to “close the loop” with patients when results are normal — staff may call to say that everything is fine and that an appointment is only necessary if the patient wants to discuss it further. If something requires attention, patients will be contacted. That said, Gord’s advice is straightforward: if you’re concerned, call your doctor. It never hurts to close the loop yourself. Maple, 811 and the Four-to-Six-Week Wait Gord’s current wait time for a routine appointment is around four to six weeks, which he says is fairly standard. That creates an obvious question: what do you do when you need medical care before your appointment? There are alternatives. People can call 811, use Maple or virtual healthcare, or go to an emergency department when appropriate. Gord doesn’t consider it a failure if one of his patients sees another doctor for an acute problem when they can’t get in to see him. The limitation is continuity. A Maple physician may not have access to all the same records Gord has, and Gord may not know what was discussed during that appointment. That is one of the reasons the province is moving toward a “one person, one record” system. The goal is that a physician in one part of Nova Scotia will eventually be able to access the relevant blood work, imaging and medical information generated somewhere else in the province without having to navigate several different systems. At the moment, Gord says, things are considerably more piecemeal. Collaborative Medicine There is also a new model emerging in the province and Antigonish: collaborative practice (officially called Health Homes). Instead of every patient belonging exclusively to one physician, a truly collaborative clinic has doctors, nurses, nurse practitioners and other healthcare providers working together around a shared pool of patients. Gord’s current practice at the Mediplex is what he calls quasi-collaborative. Doctors maintain their own patient rosters, but leave openings in their schedules to see one another’s patients when something acute comes up. There are obvious advantages to a fully collaborative model, particularly when a physician wants to go on vacation. Someone else can monitor the inbox, blood work and imaging. The Best Part of Being a Family Doctor For all the discussion of workload and burnout, there is a reason Gord chose family medicine. It’s the longitudinal relationship. You see someone not once, but over years. You learn their history, their values, what treatments they’ve tried and what has worked or failed. You watch people move through different stages of their lives. And Gord likes advocating for those people. The healthcare system is strained, he says, and access can be difficult even for people who have a family doctor. Helping patients navigate that system and get the care they need is one of the things he finds most satisfying. He also enjoys the complexity — patients who have accumulated illnesses over the course of their lives. Burnout The downside is that the same continuity that makes family medicine rewarding can also make it difficult to leave. Gord describes the pressure of constantly having something that needs attention. There is the clinic. There is the hospital. There is the inbox. There are specialist calls. There are urgent results. And because you know and have a long-term relationship with your patients, it can be difficult to simply hand them off to someone else. During one hospitalist week, Gord estimates he can work around 90 hours over seven days. His approach to staying sane is fairly practical: take a week off every three months, exercise, and recognize that he has some control over how busy he chooses to be. He has a three-year-old and a five-year-old at home, and a wife who he describes as “hyper-capable” and who keeps the household running while he works. He is, he admits, always tired. Five Things When Justin asks Gord what people can do to avoid needing to see a family doctor in the first place, the answer comes down to one word: Lifestyle. Gord breaks it into five components: exercise, sleep, hydration, diet and social interaction. None of these things will prevent every illness, he says. People get sick. But it is easy to let one or two of these pieces disappear from your life, and when several do, the effects on health, energy and general wellbeing can be significant. It’s perhaps the simplest piece of advice in an hour-long conversation about a very complicated healthcare system. Why Antigonish? Gord grew up in Dartmouth. His wife, Holly, is from Antigonish. They moved to Antigonish with their children and Gord’s father to be closer to family. The town’s size is part of the attraction. There is plenty for children to do, a university bringing energy and culture to the community, access to nature and enough of the amenities of a larger centre without actually being one. Professionally, Gord says the medical community is another reason to stay. There are specialize

  6. Aug 8

    What is the Antigonish Art Fair?

    Every second Friday during the summer months you will find a tiny village of tents in Chisholm Park in Antigonish. A gaggle of local artists can be found there—both well-known professional artists and aspiring youth—selling an eclectic mix of wares from jewelry to paintings. The nearby gazebo sees a steady stream of musicians and dancers take the stage. It’s a highly visible affair, impossible to miss if you happen to be driving through Antigonish when it’s on. But what exactly is this art fair? Who runs it and where did it come from? We sat down with Aida Arnold and Beth Latwaitis to talk about the origins of the Antigonish Art Fair, now in its fourteenth year, running five times a season on the park grounds that just so happen to be named in honour of Beth’s father, the former Mayor Colin Chisholm. Her father had passed by the time the art fair began, but she says he would have loved it — he was a community man through and through. The Art Fair is an outdoor evening market for artists, musicians, makers, and performers, held every second Friday in the summer months, with the park gazebo and surrounding grounds forming a natural stage and gathering place. Weather is the only real variable; if it turns, the event moves to the 4-H barn. But both Aida and Beth are clear that Chisholm Park is the soul of the fair, and the reason for its success. David Miller You can’t tell the story of the Art Fair’s origins without telling David’s story. David Miller approached Beth in 2012 with an idea: a summer event in Chisholm Park that would bring the community together and draw people from outside. He had the vision and the energy; she had the organizational capacity. Together they built the first art fair out of nothing, just an idea and an ability to wrangle the people they needed to make it happen. David had run the McDonalds on James Street for 23 years. He had an MBA, understood what money moving through a community could do to improve people’s lives, and spent a significant portion of those restaurant years talking to travelers passing through town—people headed to Cape Breton who’d stopped for food—telling them about Antigonish and giving them reasons to drive down Main Street. With a shared love of art and a desire to bring people from both inside and outside the community together, Beth and David tapped local artists and persuaded local politicians to back the idea. After a successful grand opening, the Art Fair has been back every summer (with the exception of a small break during COVID) and there’s no indication that it’s stopping anytime soon. What Makes It Work One of the Art Fair’s quieter distinctions is that it doesn’t separate the well-known from the brand new. At the last fair, established artist Anna Syperek was showing here work in one tent, while in another, a teenager was selling handmade cards — maybe their first public showing of anything. These artists can coexist here in a way that doesn’t happen at other art events, and the downstream effects of that for a young artist truly matter. Several people who showed at the early fairs have since gone on to pursue art studies. Some come back. Most have moved away, but they remember. Aida has stepped into the role of booking musical artists to play during the event. She scouts performers at the Saturday farmers market — she’ll approach someone she hears, hand them a card, and a few have shown up to perform. Jazz students from StFX who stay in Antigonish over summer have performed. Theatre Antigonish cast members have been invited. Volunteer MCs anchor the evening. Performers are paid — something Justin notes is unusual for a volunteer-run community organization of this size. Five young people are employed each fair to put up and take down the tents and distribute tables and chairs. The unusual 50/50 raffle deserves a mention. It’s a raffle where you indeed win money, but with a simple caveat: you have to spend it at the art fair. The Arts House The second major strand of this story is the Arts House — the small building near Boston Pizza that started life as the Antigonish Tourism office, a moveable structure that was deposited on whatever free land the tourism bureau could find. Beth and David had already been using the building during the winter months between art fairs, renting it for offseason activities and storage. When it came up for purchase, they made a rapid decision and bought it. The vision was a space where artists could teach and be paid for sharing their knowledge, where people could take lessons in anything from watercolour to music. It was another lurch into the unknown, as Beth describes it. The pottery program is now the most developed offering. The Dr. J high school donated six pottery wheels and a kiln they no longer needed. Home Hardware donated an adjacent structure to house the kiln. What started as noticing consistent demand for pottery classes has become a full studio with kiln on site. The building itself sits on land owned by the corporation that owns the mall (Canadian Tire), which donates the space — a contribution Aida describes as huge, huge, huge. The Arts House has since hired a part-time coordinator and continues to run classes through fall and winter when the outdoor events stop. The Flowers There’s a thread in the conversation about Aida and David's overarching desire to bring more beauty and art to the town. Long before the Art Fair took shape, Aida and a group of about six friends looked at what Charlottetown had done with plantings and street-level gardens and asked why Antigonish couldn’t do the same. They lobbied businesses to install iron hangers on their buildings. Pleasant Valley Nurseries donated flowers basket to hang from them. Somebody had seen baskets on bridges in another city and suggested trying it here. That’s how the bridges got their baskets. Expanding the Table One of Aida’s ongoing projects for the Art Fair is broader cultural representation, in both food and performance. Filipino food has appeared at the fair, and Syrian food, and Mexican. A group of Filipino children performed a pop music dance in the walkway between the two sections of the park, which Aida describes with visible delight. She is working toward featuring the Dabke; a traditional line dance from Syria and other Middle Eastern communities, performed at weddings and celebrations. One More This Summer The final Art Fair of the 2026 season is Friday, August 21st at Chisholm Park. All are welcome. If it rains, it moves to the 4-H barn, and Beth and Aida will have been watching the Weather Network closely enough to tell you by Thursday afternoon where it will be. The Arts House accepts class registrations year-round. Both organizations are supported by the town and county through community grants, and by the generosity of a long list of individuals and businesses that both women acknowledge would take the rest of the podcast to properly thank. The closing words in the episode belong to Beth, and they’re about David: He was brilliant, but he was kind. He was creative, but he wanted to get things done. He had a wonderful mix of humanity. Beth went from a single coffee and conversation about an art fair idea to years of work alongside him. And Aida has been there all along, happy to continue David’s legacy of bringing more art, beauty, and joy to Antigonish. Thanks to Whidden Park Campground and Healing Arts Reconciling People (HARP): The People’s Press, Community Sponsors of the Let’s Talk Antigonish Podcast. Interested in becoming a sponsor? Email us at letstalkantigonish@gmail.com Get full access to Let's Talk Antigonish at letstalkantigonish.substack.com/subscribe

  7. Aug 1

    A peek behind the emergency room curtain at St. Martha's with two ER physicians

    Dr. Rosie Pitkin and Dr. Michael Krauthammer are both originally from the United States, both trained in American hospitals, and both ended up in Antigonish as ER physicians. In this episode, they give us the lowdown on what is happening behind those closed doors at the St. Martha’s Regional Hospital Emergency Department. The Question Everyone Actually Has Justin opens with the question he knows everyone wants answered: why do we have to wait so long when we go to the ER? Rosie notes that the doctors tend not to be the ones who hear complaints about long wait times. The triage nurses are front-facing, first-contact, and closest to the waiting room, and they usually are the ones to field complaints about waiting times. The physicians, shielded by a pair of swinging doors, are perceived very differently. This observation turns out to be a recurring theme in the episode: nurses absorb a disproportionate amount of everything - from complaints to workload. The structural answer to wait times is the triage system; a 1-to-5 scale of urgency rooted in a military model. After seeing the tirage nurse, each patient is assigned a number indicating how urgent their particular medical case is. A code one is cardiac arrest: everyone in the resuscitation room, blood from the blood bank, the ICU physician called in. A code five is someone who needs a prescription refill because their family doctor is on vacation. The system means that when a heart attack or stroke arrives, everything else pauses. Often these most urgent cases are hidden from those of us in the waiting room; an ambulance that has just arrived at the back door with the whole department scrambling to deal with a code 1. The broader explanation is space. There is simply not an unlimited supply of beds and medical personnel to handle the influx of people arriving at the ER each day, so the triage system is in place to move people with the highest priority issues through as fast as possible. This is not uncommon for waiting rooms in both Canada and the US although, as we find out later in the episode, the family doctor shortage in Nova Scotia is likely a contributing factor. This Is Not The Pitt Brendan, a fan of the medical drama The Pitt, asks how closely the show reflects reality. Both doctors are diplomatic about the show. The chaos is dramatized, they agree. The last thing you want in an emergency department when someone is genuinely sick is chaos — you want calm, method, priority. The volume of patients crammed into every corner is, however, a fairly accurate portrayal of what a big inner-city hospital looks like in both the US and Canada. St. Martha’s is a different scale entirely. Some days people end up in the halls like on TV, but this is rare. Most days it’s quieter. And experienced physicians, they note with mild amusement, are probably simply more chill than the residents featured on The Pitt. Canada vs. the States: The Honest Version Both Pitkin and Krauthammer trained in American hospitals before coming to Canada, which gives them a comparison most Canadians don’t have. Rosie’s assessment is unambiguous: it’s a thousand times better here. Every metric. Quality of life for the physician. Quality of the nursing team. The sense of internal closeness among the staff. In the States, as Rosie describes it, medicine is a product to be bought and sold, and that reality shapes everything — how patients interact with staff, what happens when the bill arrives, what gets ordered and why. Michael describes Canadian healthcare as a limited resource that the system is set up to conserve — which has its frustrations — while American healthcare is a product, which has a different set of problems. Where the American system works, he says, is in access to specialty care and innovation, provided you have the insurance, the funds, and you happen to live near a centre that has what you need. For the routine stuff — the things most of us actually need most of the time — Canada is significantly better, they both suggest. The Nurses Are Running the Show Both physicians agree that nurses are the beating heart of the ER. The nurses at St. Martha’s are, in Rosie’s words, “bananas good”. She insists that nurses, like teachers, should probably be paid more than doctors. They work longer hours, do most of the physical lifting, absorb the patient frustration, manage the actual logistics of who goes where and when, and serve as the central nervous system of the whole operation. The triage nurse in particular, she says, has one of the hardest jobs in the building. Every single patient walking through the door is having their worst day. They’re in pain, they’re frightened, and they can’t concentrate on anything other than the physical complaint that brought them to the ER in the first place. Whatever friendly version of themselves shows up in the supermarket is not the version showing up to triage. The triage nurse takes their vitals, takes their history, assigns a code, and does this all day — so intensively that the role typically has to rotate between two people over the course of a single shift just to manage the load. Rosie also notes with evident pleasure that St. Martha’s is, in her experience, a nurse-run department — something she has never had before. Her previous working environments were predominantly led by men in suits with bow ties who talked down to her. Her current boss, Dr. Tania Sullivan, is, in Rosie’s words, “like a god to me”. The person who actually knows the most about what’s happening in the emergency department at any given moment, Rosie adds, is the housekeeping staff — because they know exactly which bed is empty, which is dirty, which is clean and ready for the next patient. This is invisible, essential work that nobody talks about. Is the ER filled with people who don’t have a family doctor? Justin ask what percentage of ER patients, at a rough estimate, are there not because of a true emergency but because they don’t have a family doctor and need a less urgent medical consultation? This, it would seem, must be one of the main reasons the ER is so busy. While they don’t have the actual numbers, Michael estimates that somewhere between 30 and 50 percent on a given shift fall into this category. Michael notes it varies depending on which community hospitals are open that day, since St. Martha’s serves a broader catchment area when satellite sites are closed. Neither of them minds this. From their perspective, if you’re in the emergency department, it’s not a low-acuity (meaning non-urgent) situation for you regardless of what the problem is. Something brought you to the ER, and so you were meant to be there. The challenge isn’t resentment from ER staff — it’s limitation. Emergency physicians are trained to a specific scope of practice, and the family doctor shortage is pushing the ER to expand that scope in ways it wasn’t designed for. These are physicians trained to be experts in resuscitation and urgent diagnosis, not dermatology or obstetrics. The example that illustrates it best: Rosie tells the story of a colleague who ordered punch biopsy kits so that ER physicians could take skin biopsies and send them to Halifax for patients who have been waiting years for a dermatology referral. Michael’s response to this was a pained expression. Who, he asks, is going to get those results and call the patient back to follow up? Is a punch biopsy even the right test? These are dermatology questions, not emergency medicine questions. The well-intentioned workaround creates new problems for ER docs being asked to work outside of their scope of practice. He puts a name to this: scope creep. It means being expected to do more than you were trained to do. He doesn’t resent the patients for needing it. He just knows it has limits. How They Both Got Here Both Pitkin and Krauthammer took unconventional routes into medicine — routes that both, in retrospect, seem perfectly logical but at the time felt like accidents. Rosie majored in art history at college because she thought it was cool. Her mother wouldn’t let her go to art school. She eventually decided that art conservation — the science of preserving and restoring artworks — required organic chemistry, and if she was going to take organic chemistry anyway, she might as well see what else was possible. She shadowed a doctor in an emergency room because that was the one medical environment where a college student off the street could walk in and observe. She liked what she saw. She went back. Both she and Michael ended up doing post-baccalaureate pre-med programs — a US pathway for humanities graduates who want to do the pre-med sciences without going back to undergrad — and she describes medical school with a mixture of disbelief and joy: she still doesn’t entirely know how she got in, she says. She was also, she says plainly, ready to quit before she moved here. The pandemic left her, like many physicians, burnt out and running on fumes. COVID accelerated a wave of early physician retirements in both countries that meaningfully worsened the doctor shortage that already existed. Antigonish changed her calculation. Michael started in a psychiatry lab as a research assistant, studying mind-body interventions for chronic pain at a time when most American doctors were prescribing opiates for everything that hurt. The research was ahead of its time. Like Rosie, he hadn’t taken a single science class in college. He describes being about 26 or 27 and realizing he had spent his youth doing things that came naturally, when what might actually be interesting was doing the things that were hard. He thought throughout most of medical school that he would go into psychiatry — a natural trajectory from a humanities background. Then he hit every rotation and found something interesting in each one. He landed in emergency medici

  8. Jul 25

    A discussion with our Member of Parliament, Jaime Battiste

    This week’s guest is Jaime Battiste, MP for Cape Breton–Canso–Antigonish, who popped by the studio as part of the whirlwind summer tour of his home riding. First, the Name The episode opens where it probably had to: the name. Jaime is pronounced the Spanish way; perhaps unexpected for someone from Eskasoni. Battiste was named after his father’s closest friend from Harvard Law School; Jaime Cervantes. He doesn’t generally correct people who pronounce it the English way. Where He Came From His parents met at Harvard. His mother (Marie Battiste) — a Mi’kmaq scholar pursuing her master’s in education — needed a tutor for an education law course and was referred to his father (James [Sákéj] Youngblood Henderson), who was finishing his law degree. The lessons went well, obviously. Six years later, Battiste was born. His mother became the first ever Mi’kmaq PhD. Her research focused on bilingual and bicultural education — specifically how to teach Indigenous language students in a way that honoured both their language and the broader education system. Battiste describes this as decolonizing education before the term was widely used. The results are striking: since the Mi’kmaq communities took control of their own education system in the 1990s, graduation rates have climbed from around 60% to 95% — among the highest of any Indigenous group in Canada. His parents eventually went to the University of Saskatchewan for thirty years of academic work before returning to Cape Breton in retirement. Battiste followed a similar trajectory. He went straight from law school into academia at Cape Breton University at 24, teaching political science, Mi’kmaq studies and history — sometimes to students older than himself. He was also doing significant youth leadership work; in 2004 he was the Assembly of First Nations National Youth Chair, where he met Paul Martin at the Kelowna Accord — a first ministers meeting on Indigenous issues — and describes Martin as the person who made him a Liberal. He never planned to run for Parliament. He was happy in his work as treaty education lead for Nova Scotia’s Mi’kmaq communities. When his predecessor, Mark Eyking, retired after 19 years, a lot of people encouraged him to run for what would be the first ever seat held by a Mi’kmaq MP. He went in not expecting to win. He was surprised each step of the way when he did. He signed up 800 people for the nomination meeting — roughly 90% of them Mi’kmaq — in a riding where Eskasoni, just under 5,000 people, is the second largest population after Antigonish. He’s also related to a significant portion of Paqtnkek. His great-great-great-grandfather was the one who established Paqtnkek; the current chief is his cousin, and he estimates somewhere between 20 and 30 percent of the community are family. What Does an MP Actually Do Brendan Ahren (guest co-host filling in for Anuj) asks the question most people never get a straight answer to: what does a member of parliament actually do all day? The Ottawa portion of the job runs 26 weeks a year, Monday to Thursday at minimum. As Parliamentary Secretary to the Minister of Crown-Indigenous Relations — essentially a deputy to the minister, stepping in when the minister is unavailable — Battiste is there Monday through Friday. His days run 8am to 8pm: committees, caucus, question period, meetings with stakeholders who come to Ottawa on advocacy days (nurses, firefighters, environmentalists, anyone with something to push for), and evening receptions from those same groups. Back in the riding, the job looks completely different. His riding is over 13,000 square kilometres — twice the size of PEI, which has four MPs to his one. He’s regularly driving two hours to meetings. He wishes he had better cell service — it’s one of his consistent asks in Ottawa — because taking calls on the road is often not an option. This summer he’s tried something new: an 18-foot trailer with a mobile office and a bathroom, which he’s been taking around the riding. He parks it in communities, works on emails and calls from there, and people stop in. It’s a little like campaigning, he admits. He doesn’t entirely mind. He also doesn’t mind when constituents pop in to say hello if the trailer in town. How to Actually Get In Touch This question came directly from Facebook, where the most common complaint when the podcast announced the interview was: I’ve tried to reach Jaime and haven’t heard back. Battiste’s answer is practical. He receives hundreds to thousands of emails per day — his public email address is exactly that, public, findable by anyone anywhere in the world. Constituent emails get priority, but only if they include a home address and make clear the sender is actually from the riding. Without that, a message from Antigonish sits in the same pile as messages from hundreds of non-constituents from BC, Ontario, or even Europe or Australia. What He’s Been Working on for This Area A few specific wins and ongoing files come up. The Baddeck skating rink in Victoria County was a significant one — Battiste successfully lobbied to have it named in the federal budget, leading to roughly $12 million in infrastructure funding for what was apparently one of the only counties in Canada without a working rink. That kind of direct budget line item is rare; most advocacy works through broader funds. The largest fund right now is Build Canada — $51 billion over 10 years, running through three streams. The big infrastructure stream covers hospitals, roads, and sewage treatment. A provincial-territorial stream sends roughly $343 million to Nova Scotia for the province to direct toward health infrastructure and related priorities. A local community impact stream matches smaller projects — a Legion heat pump, a playground, beach volleyball courts — dollar for dollar up to around $50,000. The hospital access road for St. Martha’s is something Battiste is actively supporting. He knows firsthand what the traffic situation looks like; he and a colleague were stuck in it last December and eventually turned around and did their meeting by phone. He’s been writing letters alongside every mayor and warden in the tri-counties in support of the Build Canada application. The Maritime Spaceport at Canso, with over $200 million in investment announced by the Prime Minister last week, will ripple into Antigonish: there won’t be enough accommodation in Canso and Guysborough for everyone coming, which means Antigonish benefits from the overflow. He describes this as being right on the cusp of significant growth for the area. On immigration and newcomers, he invokes Peace by Chocolate — Antigonish’s most internationally known example of what a welcoming community can produce — and notes he’s brought the Minister of Immigration to visit Main Street specifically to show her what that looks like in practice. The harder challenge, he acknowledges, is the mismatch between the number of international students arriving and the available housing, and the difficulty many face in finding work in their specialized field — a requirement for permanent residency. That piece, he’s honest, sits more at the local and provincial level than at his. The File He’s Most Proud Of: Physician Assistants Battiste describes knocking on a door during a campaign and meeting a physician assistant, which led him to a question he hadn’t known to ask: why does the United States have over 200 universities training physician assistants, while Canada has fewer than five? PAs take one-third the time and cost one-third the amount to train as doctors, and they can help staff emergency rooms and carry significant patient loads. He took this idea into caucus, to the Prime Minister, to the president of Dalhousie, and kept pushing. Dalhousie now has a Physician Assistant program — the only one in Atlantic Canada. The Canadian Association of Physician Assistants gave him an advocacy award for it. He considers it one of the more concrete things he’s moved. The Second Generation Cutoff The one federal policy change he’d make if he could pick only one: eliminating the second generation cutoff rule from the Indian Act. Currently, Indigenous people who have children outside of a registered relationship under the Indian Act can, over two generations, have descendants who lose their status entirely. Battiste calls it discrimination baked into legislation and says the decision about who is or isn’t a member of an Indigenous community should rest with those communities themselves, not with the federal government. He’s been pushing for this for four years. The Minister of Indigenous Services Canada has recently committed to introducing legislation to remove it. He expects the bill in the fall. The Leadership Race, and What Comes Next Battiste ran for the Liberal leadership in January. If he’d won, he would have been the first Indigenous Prime Minister of Canada. What would that have changed about Canada as a nation? He takes the question seriously. He talks about his friend Wab Kinew, Premier of Manitoba, whom he’s known for twenty years — they texted before both their political careers began, and still do. He sees in Kinew the same values he grew up with: empathy, an environmental relationship rooted in responsibility, and the ability to stand firm when something is inaccurate. If he’s being honest, he’d bet on Kinew as Canada’s first Indigenous prime minister over himself. He ran, he says, because he felt Atlantic Canada and Indigenous voices were being left out of the conversation during the Liberal leadership race. He needed to hear from one of the frontrunners that they’d taken that seriously. He had about three hours of conversations with Mark Carney before giving his endorsement, came to believe that navigating Trump and the current international economic moment requir

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Let’s Talk Antigonish brings you thoughtful conversations as we unpack the questions, stories, and decisions shaping everyday life in our community. letstalkantigonish.substack.com

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