The Reel Schmooze

The Times of Israel

Jordan Hoffman brings all the entertainment news and film reviews a Jew can use.

  1. Jafar Panahi's defiant tragicomedy 'It Was Just an Accident'

    JAN 22

    Jafar Panahi's defiant tragicomedy 'It Was Just an Accident'

    Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. We update that last week's main movie, "Holding Liat," is now playing in 20 locations throughout North America. Then we hear a "Jangle" about unabashed Zionist Michael Rapaport, who was just in the news for his participation in "The Traitors." The first "Schmoovie" of the week is "It Was Just an Accident" by Iranian filmmaker Jafar Panahi. Nominated for two Academy Awards, it is playing internationally at major arthouse theaters. The premise is roughly based on Panahi's stints in Iranian prisons for his films exposing the oppressive regime. It includes a ragtag group trying to assess if a kidnapped man is indeed their interrogator/torturer. Though the set-up sounds grim, there is plenty of Panahi's trademark wit to keep you thinking -- and chuckling. The second film discussed is 2015's "Taxi," which was produced during a period in which Panahi was barred from creating films. Smuggled out and screened at the Cannes film festival, the movie takes place in a borrowed taxi and includes an uncredited cast of everyday Iranians -- or are they? Check out the two "not bad" films (our highest mark) in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts. IMAGE: Director Jafar Panahi poses for a portrait photograph for the film 'It Was Just an Accident' at the 78th international film festival, Cannes, southern France, May 21, 2025. (Scott A Garfitt/Invision/AP) See omnystudio.com/listener for privacy information.

    52 min
  2. 'Holding Liat': Post-Oct. 7 anguish and inconvenient truths

    JAN 14

    'Holding Liat': Post-Oct. 7 anguish and inconvenient truths

    Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. The "Schmoovie" of the week is "Holding Liat," a remarkable documentary that charts the struggle of one Israeli-American family to return its loved ones who were taken hostage to Gaza during the Hamas murderous onslaught on southern Israel on October 7, 2023. Short-listed for an Oscar for Best Documentary, "Holding Liat" is now playing at art theaters, including in New York and Los Angeles. Produced by Hollywood filmmaker Darren Aronofsky and created by brothers Brandon and Lance Kramer, we learn in the film that during the siege on Kibbutz Nir Oz, educator Liat Beinin Atzili and her husband, artist and mechanic Aviv Atzili, were separately captured by the Hamas gunmen.  The film follows American-born couple Yehuda and Chaya Beinin, kibbutznikim who immigrated to Israel in the 1970s, their daughter Tal, who emigrated from Israel to Portland a decade ago, and their grandchildren, primarily Netta, who barely survived the rampage at Nir Oz. The filmmakers, cousins to the Beinin family, begin charting their relatives two weeks after the couple's capture. Through updates from the IDF, we understand that there are disturbing findings related to Aviv, but that Liat is thought to be relatively secure. Yehuda, Tal and Netta journey to Washington, DC, to attempt to sway US politicians' hearts and minds to fight for their cause, but quickly see how each generation frames the conflict and its potential resolution. Upon the joyous return of Liat during the 2023 temporary truce that saw 97 hostages freed, we learn that Aviv was slaughtered by the terrorists. However, Liat resumes her activism, pushing for a two-state solution to the ongoing conflict.  Hear the conflicted reactions the intense, but nuanced film evokes in this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts. Image: Still from 'Holding Liat' (courtesy) See omnystudio.com/listener for privacy information.

    1 hr
  3. 'Marty Supreme' and the art of chutzpa

    JAN 1

    'Marty Supreme' and the art of chutzpa

    Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. The "Schmoovie" of the week is "Marty Supreme," starring Timothée Chalamet (who also co-produced), Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara and Fran Drescher. It was produced and directed by Josh Safdie, who also co-wrote the script, alongside Ronald Bronstein.  Like the very Jewish film it is, it arrived to the world on December 25 and so Borschel-Dan had to make a rare outing into a Jerusalem cinema. She brings back the unique impressions from an Israeli crowd watching this utterly Yiddishe story set in 1950s Lower East Side New York -- especially how they reacted to Holocaust references. Hoffman, who recently interviewed director Safdie about the film for Vanity Fair, gives us the inside scoop on the crazy cast of characters that flesh out the "junkyard Jews" at the heart of the tale. The pair keeps the conversation very general -- no spoilers! -- for the first half of the episode, but then get Talmudically into the weeds for the second. Hear about our very first unreserved top-marking "not bad" from both hosts on this week's The Reel Schmooze. The Reel Schmooze is produced by Ari Schlacht and can be found wherever you get your podcasts. IMAGE: Timothée Chalamet attends the premiere of 'Marty Supreme' at Regal Times Square on December 16, 2025, in New York. (Evan Agostini/Invision/AP) See omnystudio.com/listener for privacy information.

    56 min
  4. Art or propaganda? 'The Voice of Hind Rajab'

    12/16/2025

    Art or propaganda? 'The Voice of Hind Rajab'

    Welcome to The Reel Schmooze with ToI film reviewer Jordan Hoffman and host Amanda Borschel-Dan, where we bring you all the entertainment news and film reviews a Jew can use. This week, we hear reviews of two films: the 2019 "An Officer and a Spy," a film by controversial director Roman Polanski on the Dreyfus Affair, which is now playing in the United States, and the shattering documentary, "The Voice of Hind Rajab." But the pair opens the program by honoring director-actor Rob Reiner, who was slain over the weekend alongside his wife, Michele. We learn about his early acting work and hear about many of his groundbreaking films that have become enduring classics. Hoffman tells us about Polanski's cinematic childhood and early adult life -- he barely survived the Holocaust and his wife, Sharon Tate, was murdered by the Manson family. We then hear how Polanski skipped out on the sentencing after pleading guilty to engaging in unlawful sexual intercourse with a minor, a 13-year-old girl he was photographing for Vogue, and has lived outside of the US ever since, but still working consistently. And after all that, we learn about the merits of the film, "An Officer and a Spy." The final movie discussed is potentially even more controversial to several listeners, "The Voice of Hind Rajab." The film portrays the attempts of the Ramallah-based Red Crescent to send an ambulance to save the six-year-old Hind, who is trapped in a war zone in northern Gaza in a car with her family, who are all dead. Using the actual soundtrack from the terrified girl's phone calls for help, the film is a carefully crafted re-enactment of the impending tragedy. Hear which film(s) got a seal of approval on this week's The Reel Schmooze. The Reel Schmooze is produced by the PodWaves and can be found wherever you get your podcasts. See omnystudio.com/listener for privacy information.

    50 min
5
out of 5
12 Ratings

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Jordan Hoffman brings all the entertainment news and film reviews a Jew can use.

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