The Victoria Clark Show for Music Teachers

Victoria Clark

The Victoria Clark Show is the podcast for music teachers who are tired of chasing payments, saying yes when they mean no, and feeling like their teaching life is running them rather than the other way around. Hosted by Victoria Clark, a piano teacher with almost two decades of experience and a full studio with a waiting list, each episode digs into the real challenges of the teaching life and how to make things work better for you. 

Episodes

  1. Jul 1

    I Don't Work Late and I Don't Work Weekends: Here's How

    Send me a message! If you feel like your teaching week runs you more than you run it, this episode is a realistic look at what really changes things. Not a productivity system or a colour-coded calendar, but an honest conversation about what time management means when you're self-employed, why so much of the generic advice misses the point, and what has truly made a difference in running a full studio. I talk through why most time management advice is built for a different kind of work, the difference between being busy and being productive, and how I design my teaching week around my energy rather than simply my availability. I'm specific about what that looks like in practice: why I teach Monday to Thursday, why I finish on Thursday just after lunch, and what made that possible. I also cover the systems and habits that have genuinely given me back time, and I work through the four objections that tend to stop teachers from making changes to how they work. In this episode: Why most time management advice doesn't account for the reality of a teaching weekThe difference between being busy and being productive as a self-employed teacherHow to design your teaching schedule around your energy, not just your availabilityAdmin tasks that expand to fill available time, and how to contain themThe systems that have given me back real hours in the weekFour objections that keep teachers stuck, and honest reframes for each oneResources mentioned: Time-Saving Quiz Teacher Piano Planner (launching summer 2026) Focus Sessions (£67/hr) Access the show notes here: Episode 8 Show Notes

  2. Jun 24

    How I Built A 50-Person Waiting List

    Send me a message!  A 50-person waiting list doesn't happen by accident. But it also isn't the result of having the most qualifications in the area, or spending money on advertising, or doing anything particularly complicated. In this episode, I walk through the four things that actually built mine: defining who I wanted to teach, becoming visible to the right families, communicating a clear and consistent message, and letting the studio's reputation do the compounding work over time. I also talk about what a waiting list actually changes about the way you run your studio, because it's not just a nice thing to say in your bio. It changes the decisions you make, the confidence you hold your policies with, and the quality of the enquiries you receive. If you have empty slots you can't seem to fill, or if you take on every student who enquires because you don't feel able to say no, this episode is for you. In this episode: What a waiting list actually means for your studio, beyond simply being fullThe process of defining your ideal student and why it is the foundation everything else builds onThe free visibility tools that help the right families find you before they have even contacted youHow to communicate a message that attracts the families you want to work withWhat a professionally run studio does for your reputation and your word-of-mouth referralsHow to manage a waiting list professionally and what to say when you're fullThe four objections that hold teachers back from doing this work, and honest reframes for each oneResources mentioned: How to Attract Your Ideal Piano Students (blog post)Free Studio Policy Template:Focus Sessions (£67/hr)Access the show notes here: Episode 7 Show Notes

  3. Jun 10

    How to Raise Your Fees and Secure Your Studio For September Without The Guilt

    Send me a message! If the idea of raising your fees makes you feel slightly sick, you're not alone. Most teachers I speak to have either avoided it for years, or they've done it once and vowed never to go through that stress again. But here's what I've discovered after doing this every year for the past 4 years: raising your fees and updating your studio policy for September, done properly, doesn't just protect your income; it removes the uncertainty of not knowing who's coming back in September, it eliminates the quiet disappearing act that happens when students drift away over summer without a word, and it actually strengthens your relationships with the families who stay. In this episode I walk you through the process I use every June: how I calculate my annual fee increase, how I check my studio policy wording for anything ambiguous, and how I communicate all of it to families in a way that feels professional and straightforward rather than awkward. I also tackle the three objections I hear most often: the fear of losing students, the worry about appearing too businesslike, and the worry that asking families to re-sign each year is encouraging them to leave. If you've been putting this off, this episode is your nudge to get it done. And if you do it this side of the summer holidays, you'll be able to start the new academic year safe in the knowledge that your studio is secure and all you need focus on is welcoming your students back. Resources mentioned: Monthly Billing Transition Toolkit (includes the fee calculation tool)Free Studio Policy TemplateFocus Sessions (one-to-one mentoring)Connect with Victoria: Instagram: @victoriaclarkpianoFacebook: @victoriaclarkpianoWebsite: victoriaclarkpiano.comAccess the show notes here: Episode 5 Show Notes

  4. Jun 3

    You're Self-Employed. So Why Does It Feel Like You Have No Choice?

    Send me a message! If you work for yourself, you're supposed to be in charge of your own time. So why does it feel like your teaching week is something that happens to you, rather than something you've actually chosen?   In this episode, I'm talking about the gap between being self-employed and actually feeling like you have any say in when and how you teach. I share the story of how I restructured my teaching week so I could collect my son from school on Thursdays, and what happened when I told my students their slots were changing.  I also talk about why so many teachers end up teaching far more days than they want to, why the reschedule habit is quietly using up your evenings, and how attracting a different type of student can give you far more flexibility than you might expect.   This one is a mix of mindset and practical. You don't have to teach six days a week. You don't have to be available on WhatsApp at all hours. You don't have to fill every gap in your diary. But making the shift starts with realising you actually have a choice.   In this episode: Why teaching music doesn't have to mean evenings and weekends, every week, foreverThe story behind clearing my Thursday afternoons, and what actually happened when I did itWhy rescheduling is costing you more than you realise, and how to start pulling backHow to attract daytime students and why your website is the place to startHow to build your teaching week deliberately, rather than reactivelyThe lesson notes trap: how new teachers accidentally use up their evenings trying to prove their valueSwitching off when your brain wants to keep going  Resources mentioned: Free Studio Policy TemplateFocus Sessions (60 min, £67)Monthly Billing Transition Toolkit (£12): Connect with me: Instagram: @victoriaclarkpiano Facebook: @victoriaclarkpiano Website: Victoria Clark Piano Access the show notes here: Episode 4 Show Notes

  5. May 3

    I Used to Refund Every Missed Lesson. Here's Why I Stopped.

    Send me a message! You know you shouldn't refund it. You've told yourself that. And then the text comes in, and you feel the familiar pull, the guilt, the worry about how they'll react, and somehow you end up saying yes again. This episode isn't about what your cancellation policy should say. It's about why so many of us can't bring ourselves to enforce it, even when we know we should. For years I handled missed lessons on a case-by-case basis, making decisions based on how well I got on with the family that week, whether they'd seemed annoyed lately, or simply because saying no felt too uncomfortable. In this episode I get into the real reason that happens: the people-pleasing patterns that run deep in a lot of music teachers, the apology spiral that signals to parents that your policy is up for negotiation, and the fear of losing students that keeps so many of us stuck in the refund and reschedule cycle long after we know it isn't working. I also share the reframe that shifted everything for me around what students are actually paying for, what really happened in my studio when I stopped refunding, and why switching to monthly billing made the whole thing structurally so much easier. If you've listened to Episode 1 and thought "yes, but I still can't do it," this is the episode for you. In this episode: Why refunding missed lessons costs you more than moneyThe key reframe: what your students are actually paying forHow people-pleasing shows up in your studio policies, and what to do about itThe apology spiral, and why it's working against youThe fear of losing students, addressed honestlyWhy monthly billing and a no-refund policy work so well togetherResources mentioned: Monthly Billing Transition Toolkit (£12)Free Studio Policy Template Access the show notes here: Episode 3 Show Notes

  6. May 3

    Why The Cost of Living Crisis Isn't Yours To Fix

    Send me a message! Something happened on social media recently that I haven't been able to stop thinking about. I posted about why music teachers undercharge, and the comments that came back stopped me in my tracks: teachers who hadn't raised their rates in years, defensiveness, and one comment in particular that I keep returning to: "I think you live in a very different socioeconomic area to me." This episode is the extended version of that conversation. Because the cost of living crisis is real, and the financial pressure on families is real. But somewhere along the way, music teachers decided that pressure was theirs to absorb, quietly, alone, without anyone asking them to. And that decision is costing them far more than they realise: not just in income, but in resentment, unsustainability, and the slow erosion of the joy that made them want to teach in the first place. In this episode I get into where the guilt around charging actually comes from, why we're almost always wrong about what our students' families can and can't afford, and what your frozen rates are really saying about how you value your own expertise. I also address the fear sitting underneath all of it: that raising your rates means losing students, and why the evidence for that is much weaker than you think.   In this episode: Why music teachers have been absorbing inflation long before the cost of living crisisWhere the guilt around charging comes from, and why it's costing youThe assumption we make about our students' finances, and why it's usually wrongWhy your value is not determined by how little you chargeThe fear of losing students when you raise your rates, addressed honestlyWhat a sustainable, professional approach to annual rate increases actually looks like  Resources mentioned: Monthly Billing Transition Toolkit (£12) Access the show notes here: Episode 2 Show Notes

About

The Victoria Clark Show is the podcast for music teachers who are tired of chasing payments, saying yes when they mean no, and feeling like their teaching life is running them rather than the other way around. Hosted by Victoria Clark, a piano teacher with almost two decades of experience and a full studio with a waiting list, each episode digs into the real challenges of the teaching life and how to make things work better for you. 

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