Word Balloon Comics Podcast

John Siuntres

1 on 1 interview show featuring the creative minds behind Comics TV Film Novels & Animation. Hosted by Chicago Pop Culture expert, John Siuntres

  1. 3D AGO

    "My Four Days At Marvel" Diana Schutz pt 2

    Part two with Diana Schutz picks up right where the real war stories begin. This time, Diana pulls back the curtain on her Comico years , stepping into the editorial trenches at a publisher that, for a moment, looked like it was riding high. She talks candidly about the challenge of wrangling the Robotech comics line,but also the joy of editing Johnny Quest, working with the legendary Doug Wildey and the always inventive William Messner-Loebs. She breaks down why that book worked .   Then comes the sobering part: Comico’s collapse. Diana explains that it wasn’t simply bad luck — it was a fundamental misunderstanding of how the newsstand distribution system actually operated. In the early direct-market dominance era, that mistake was fatal. A harsh lesson in the business side of comics that too many creative-driven companies learned the hard way in the ’80s. From there, Diana recounts her earlier blink-and-you’ll-miss-it four-day stint at Marvel Comics as an assitant editor for Ann Nocenti , working under Editor-in-Chief Jim Shooter. She doesn’t hedge. The rigid, top-down editorial structure simply wasn’t a fit for her.  Diana closes this segment by giving heartfelt credit to her then-partner Bob Schreck for helping her land back on her feet, find new opportunities, and stay in the industry after some serious professional gut punches. It's a compelling look at the pitfalls of trying to survive the comic biz in the 80s and 90s.  Part 3 tomorrow.

    1h 5m
  2. 5D AGO

    “Inside the Early Indie Boom” Diana Schutz pt 1

    This is Part One of a three-part deep dive with comics legend Diana Schutz, whose editorial fingerprints are all over modern comics history. From her influential years at Dark Horse to her early work during the Comico era and beyond... We start at the beginning: Diana’s first exposure to comics through Supergirl and her love for the clean, expressive style of 1960s comic art. That passion never faded, it evolved. She walks us through the meticulous process of restoring a classic Lois Lane cover, explaining how comics restoration has grown into a serious craft and industry of its own. From there, we explore her current work translating a graphic novel by Brazilian artist Ricardo Leite for a new high-end comics art publisher, and she breaks down the real art of translatio. Why cultural nuance matters, and why having the right English-language voice is essential to preserving tone and intent.  We also rewind to the early ’80s, when Diana launched The Telegraph Wire, a 32-page bi-monthly comics magazine that began as a retailer newsletter and became a proving ground for her editorial skills. She talks about learning graphic design on the fly, selling ads, interviewing creators, and building something from scratch in a pre-internet comics landscape. It’s a vivid look at a smaller, more intimate industry, one where relationships mattered and information wasn’t instantly searchable.  Along the way, Diana reflects on working at Comics & Comix, getting recruited by Kim Thompson to write for Amazing Heroes, connecting with Matt Wagner, and navigating an industry that had very few women in visible roles at the time. She shares memories of mentors like Trina Robbins, editors like Maggie Thompson and contemproraries like Karen Berger, and even her wild experience serving as Tom Baker’s minder at a Chicago Doctor Who convention, complete with behind-the-scenes fandom chaos. This first chapter of our conversation is about origins, craft, and survival in a young comics industry that was still figuring itself out. And it sets the stage for much more to come.

    1h 16m
  3. FEB 11

    Bob Rozakis The DC Answer Man

    In this episode of Word Balloon, I sit down with longtime DC writer and historian Bob Rozakis for a deep dive into his Bronze Age experiences writing Robin, Teen Titans, Superman, and more during one of the most transitional eras in comics history.  Bob reflects on crafting character-driven stories at a time when DC was recalibrating its identity, sharing behind-the-scenes insight into working with iconic heroes while balancing continuity, editorial demands, and the evolving tastes of readers in the 1970s and early ’80s. From Robin back-ups to Titans team drama and Superman tales, Bob paints a vivid picture of what it was like working inside DC when the Bronze Age was firing on all cylinders. We also revisit one of the most unique chapters in DC lore, when Bob literally drove the DC Comics promotional “mobile” around New York and New Jersey hand-selling books like a Good Humor ice cream man. He shares stories of being there when Christopher Reeve judged a Superman movie contest at DC, capturing that moment when comics and Hollywood suddenly collided in a big way. Bob offers candid memories of the DC Implosion. What it felt like from the inside as titles were slashed and uncertainty hit the staff, and how creators adapted during a turbulent stretch in the company’s history. We also discuss his fascinating alternate-history essays published in Alter Ego, where Bob imagines a world in which DC and All-American Comics never consolidated the way they did. It’s a smart, playful exploration of “what if” publishing scenarios from someone who knows the real history inside and out.

    1h 22m
4.6
out of 5
468 Ratings

About

1 on 1 interview show featuring the creative minds behind Comics TV Film Novels & Animation. Hosted by Chicago Pop Culture expert, John Siuntres

You Might Also Like