New Books in Music

Marshall Poe
  • 4.5 (11)
  • Music
  • Biweekly

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

  1. 2d ago

    Intersectional Listening: Gentrification and Black Sonic Life in Washington, DC with Allie Martin (Oxford UP, 2025)

    Gentrification is often considered through a visual lens, where development, progress, and neighborhood changes are observed. But what does gentrification sound like? In Intersectional Listening: Gentrification and Black Sonic Life in Washington, DC, (Oxford UP, 2025), author Allie Martin engages this question in Washington, DC, asking how Black people experience gentrification as a sonic, racialized process. Drawing from music, interviews, soundscape recordings, and more, Martin argues that gentrification ultimately serves to silence some voices and amplify others. Martin employs a combination of methodologies from ethnomusicology, Black Studies, geography, and digital humanities to make audible the ways in which gentrification disrupts and disturbs community. Throughout, she centers Black feminist listening practices, thinking through digital modes of listening and imagining emancipatory soundscapes. Intersectional Listening benefits from an innovative combination of sources, from interviews and soundwalks to passive acoustic recording and machine learning. Martin shares compelling stories of music and sound in the nation’s capital, and in doing so shifts conversations about how we listen to Black life. By foregrounding how processes of gentrification systematically seek to devalue, mishear, and ultimately silence Black possibility, Intersectional Listening posits how we can challenge ourselves to refute the consistent mishearing of Black people in Washington, DC and beyond.​ Allie Martin is an ethnomusicologist and artist from Prince George’s County, Maryland. She is an assistant professor in the Music Department and the Cluster for Digital Humanities and Social Engagement. Her work is attuned to questions of race, sound and power. Her first book, Intersectional Listening: Gentrification and Black Sonic Life in Washington, DC, explores the relationships between race, sound, and gentrification in the nation's capital. Allie is the director of the Black Sound Lab, a research environment dedicated to amplifying Black life and decriminalizing Black sound through digital practice. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  2. Nov 3

    Alive in the Sound: Black Music as Counterhistory with Ronald Radano (Duke UP, 2025)

    From the inside flap: In Alive in the Sound: Black Music as Counterhistory (Duke UP, 2025), Ronald Radano proposes a new understanding of US Black music by focusing on the key matter of value, manifested musically in its seemingly embodied qualities—spirit, soul, and groove. While acknowledging these qualities are always embedded in Black music, Radano shows they developed not simply from performance but from musicians’ status as laborers inhabiting an enduring racial-economic contradiction: Black music originated publicly as an exchangeable property owned by people whose subhuman status granted them—as “natural” musicians—indelible properties of sound. As a contradiction of the rules of ownership, wherein enslaved property was forbidden the right to own, modern Black music emerges after emancipation as a primary possession, moving dialectically into commercial markets and counterhistorically back into Black worlds. Slavery’s seminal contest of ownership underlie modern musical sensations of aliveness, which become the chief measure of value in popular music. By reconceiving US Black music history as a history of value, Radano rethinks the music’s place in US and global culture. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  3. Oct 19

    Christmas Carols: An English Enchantment with John Potter (Yale UP, 2026)

    The English Christmas carol has been sung in court and cloister, tavern and field since medieval times. But with the first Festival of Nine Lessons and Carols in 1880—and with a view to encouraging revellers into church—the humble carol became integral to the Christmas tradition. Carol concerts are attended all over the world, and the service at King’s College, Cambridge, has been broadcast since 1928 to millions of listeners. In Christmas Carols: An English Enchantment (Yale University Press, 2026), singer and author John Potter guides us through the development of this unique tradition. Carols, originating as secular delights of the medieval and Tudor court and chapel, were brought by the Victorians to a new urban audience. Priests, poets, and composers have rearranged ancient songs and created new ones ever since, incorporating European carols into the evolving English tradition. Taking us from their earliest origin to their flourishing during the early music revival, this is an enlightening account of a beloved phenomenon.   This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  4. Oct 14

    The Brass Band Story with Trevor Herbert (Yale UP, 2026)

    Brass bands have played a unique role in the cultural history of Britain. Amidst the industrial revolution, an increasingly urban population turned to music for mass entertainment. Brass bands became intimately associated with working men and spread across the country at breathtaking speed. At their height in the late Victorian era, there were thousands of them.  In The Brass Band Story (Yale University Press, 2026), Professor Trevor Herbert reveals the story of these bands, from their working-class origins and the enormous popularity of Victorian contests to their sophistication in modern times. It is a tale of the survival of tradition and the embrace of change. Victorian brass bands solidified communities and promoted shared local identities. As new modes of popular culture posed existential threats in the twentieth century, they reinvented themselves. The model British bands created is now replicated throughout the world.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  5. Oct 4

    Our Common Life: Folksong from the Front Porch to the Concert Hall with Stephen Wade

    Our Common Life: Folk Song from the Front Porch to the Concert Hall (U Illinois Press, 2026) by Stephen Wade is part memoir, part meditation on American culture, and part historical narrative of folk music. Wade centers this book around individual musicians and songs that provide a specificity to his discussion that is different from a typical historical survey. These individuals and their stories demonstrate how folklore offers a way of understanding the world. Filled with original research and abundantly illustrated with both color and black and white photography, Our Common Life illuminates the truth that creative freedom within informal tradition, fundamental to the artists and their processes, speaks to a resourcefulness inscribed in the nation's founding charter and expressed in its common life. Weaving experiences from his career in music as a student, producer, performer, and folklorist, Wade explores the meaning and history of American folk music in this book.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  6. Oct 1

    Cool Heat: Anita O'Day and Her Dangerous Jazz Life with James Gavin (Equinox, 2026)

    How did Anita O'Day-the legendary jazz singer who, along with Chet Baker, Miles Davis, Gerry Mulligan, and Stan Getz, led the so-called "cool school" of modern jazz-define cool? "That means doing everything that you like to do and getting away with it, you dig?" Her traits included a frosted tone with a dash of vinegar; a blithe, airy rhythmic sense that could make almost any band swing; an ultra-hip bebop vocabulary; and a wisecracking insouciance, as though all this were just a lark. O'Day emerged in 1941 as a big-band singer whose tough look and take-charge style established her as a musically savvy leader of men, not a begowned accessory. Thereafter, while creating a historic body of recordings on Verve Records, O'Day became "one of the boys" in another sense, spending much of the '50s and '60s hooked on heroin. Finally clean by the '70s, she had a stunning renaissance, touring the world each year and releasing dozens of albums; even the TV program 60 Minutes profiled her in 1980. Her memoir, High Times Hard Times, while vividly written (it was optioned more than once for films that didn't happen), cuts off in 1980, and contains almost no reflections on why she sang the way she did. With Cool Heat: Anita O'Day and Her Dangerous Jazz Life (Equinox Publishing, 2026), author James Gavin, whose biography subjects include Chet Baker, Lena Horne, Peggy Lee, and George Michael, now turns his attention to O'Day's mad roller-coaster life, a nonstop procession of thrills, laughs, outrageous stories, and unforgettable music-making. Gavin, a Grammy nominee and a two-time winner of ASCAP's Deems Taylor-Virgil Thomson Award for excellence in musical journalism, draws upon a wealth of unpublished material, including interviews with many of the people who knew her best making this a definitive portrait of one of the great characters and innovators in jazz history. James Gavin is the author of five acclaimed books and dozens of New York Times features; he is a worldwide public speaker, a Grammy nominee, and a recipient of two ASCAP Deems Taylor-Virgil Thomson Awards for excellence in music journalism. His previous book are George Michael: A Life (Abrams, 2022), Is That All There Is? The Strange Life of Peggy Lee (Atria Books/Simon & Schuster, 2014), Stormy Weather: The Life of Lena Horne (Atria Books, 2009), Deep in a Dream: The Long Night of Chet Baker (Knopf, 2002; republished by Chicago Review Press in 2011), and Intimate Nights: The Golden Age of New York Cabaret (Grove Weidenfeld, 1991; Back Stage Books, 2006). James Gavin’s website. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025).  He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.  Bradley on Facebook and Bluesky. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  7. Sep 20

    Joe Jackson, "Kahlil Joseph and the Audiovisual Atlantic: Music, Modernity, Transmedia Art" (Bloomsbury, 2024)

    Kahlil Joseph has collaborated with musicians FKA twigs, Flying Lotus, Sampha and Shabazz Palaces among many others. He has directed numerous films, music videos and advertisements across Africa, America and Europe. The award-winning filmmaker's disruptive style – which frequently merges visual representations of transcontinental experiences with the countercultural energies of Afrodiasporic music – challenges the Eurocentric biases underpinning Western media. At the same time, his works generate various contradictions and tensions because they are themselves products situated within an economic framework of neoliberal capitalism, at once offering alternative ways of being while, simultaneously, participating in and thereby sustaining the social structures that they otherwise seek to subvert and dismantle. Kahlil Joseph and the Audiovisual Atlantic (Bloomsbury, 2024) generates ground-breaking new dialogues between a range of audial and visual theories that are shaped by Paul Gilroy's conceptualisation of The Black Atlantic (1993). The book analyzes Joseph's work through intersections of emergent music video and new media concepts as well as film theories from African, American and European perspectives. Vitally, it argues that such an interdisciplinary and transcontinental approach to film, music and new media scholarship enriches the possibilities of their respective and, simultaneously, entwined branches of knowledge In the episode, we discuss Joe Jackson's pathway into studying Joseph's scholarship, his work's dialogue with Paul Gilroy (alongside a host of other vital scholars of the audiovisual and race) - and make the case for greater focus on the music video as a distinctive field of study. Follow this link for a sample of Joseph's work here    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  8. Sep 11

    Christopher Freeburg, "Soul: A Brief History of Black Cultural Life" (Yale UP, 2026)

    Today’s guest, Christopher Freeburg, is the author of Soul: A Brief History of Black Cultural Life (Yale University Press, 2026). This book explores the US history of black cultural life as a history of soul – a spiritual lived practice rooted in communally fostered music, religion, and politics. It makes the case that soul is forged through black community connections and that it’s sustained by moral principles, or pillars, which define how it is lived. The book’s four chapters are organized around four of these pillars: resonance, revelation, resilience, and transcendence. A number of black individuals are foregrounded in these discussions: they include Phillis Wheatley, Gwendolyn Brooks, Nina Simone, Jewel Thais-Williams, Barack Obama, and others. By telling their stories, and by honoring the weight of the trauma and violence that has long befallen the black community, Christopher Freeburg’s Soul invites its readers to commune with the soul power of people who brought about transformation in the face of seeming impossibility. Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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Ratings & Reviews

4.5
out of 5
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About

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Information

  • Creator
    Marshall Poe
  • Years Active
    2011 - 2026
  • Episodes
    602
  • Rating
    Clean
  • Copyright
    © New Books Network
  • Show Website
    New Books in Music

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