Switched on Pop

Vox Media Podcast Network
  • 4.6 (2.7K)
  • Music Commentary
  • Updated Weekly

Listen closer to pop music — hear how it moves us. Hosted by musicologist Nate Sloan & songwriter Charlie Harding. From Vulture and the Vox Media Podcast Network.

  1. Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI

    10h ago

    Why we can't resist Swedish pop (ft. Zara Larsson) ICYMI

    In case you missed it: How does a country of 10 million people dominate the global pop charts? From ABBA's Eurovision breakthrough to Max Martin's methodical hit-making, Sweden has quietly engineered a kind of musical Stockholm Syndrome: we've all become captives to their sound without realizing it. Listen to the crystalline vocal production and deceptively simple chord progressions in tracks by Lisa, Childish Gambino, and Addison Rae, and you're hearing Sweden's sonic fingerprint so embedded in pop's DNA that it now defines the genre itself. We sit down with pop star Zara Larsson to explore her love letter to home, "Midnight Sun." As she puts it, "I can't really leave Sweden; it's just something that's like a part of who I am," a sentiment that captures how Swedish pop's unique blend of melancholy and euphoria, mirroring the country's extreme seasons, has made us all willing prisoners of Stockholm's musical empire. Songs Discussed Lisa ft. Rosalia: "New Woman" Childish Gambino: "Lithonia" Addison Rae: "Fame Is a Gun" Bleachers: "Tiny Moves" Zara Larsson: "Midnight Sun" Robyn: "Show Me Love" Robyn: "Dancing on My Own" Nirvana: "Smells Like Teen Spirit" Brad Mehldau: "Smells Like Teen Spirit" Learn more about your ad choices. Visit podcastchoices.com/adchoices

    44 min
  2. 2hollis is the underground’s genre-hopping vampire

    5d ago

    2hollis is the underground’s genre-hopping vampire

    In the last episode of our feral pop miniseries, we take a look at the 22 year old rapper primed to take over the world: 2hollis. Splitting the difference between hardstyle and hip-hop while emanating an aura best described as “vampiric,” he’s been one of the most hyped musicians coming out of the underground. His music is distorted, chaotic, and over the top – literally – but he reflects a larger sentiment from younger audiences: the more sonic chaos the better. Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: Ninajirachi – F**k My Computer underscores – Music 2hollis – poster boy SUICIDAL-IDOL – ecstacy 2hollis – flash 2hollis – beginning 2hollis – sidekick underscores, 8485 – your favorite sidekick 2hollis – crush 2hollis – 3 Skrillex – Scary Monsters and Nice Sprites Learn more about your ad choices. Visit podcastchoices.com/adchoices

    32 min
  3. Pop music for an internet-pilled generation

    6d ago

    Pop music for an internet-pilled generation

    This week on Switched On Pop, we’re looking at all things feral pop, the microgenre that takes pop music to its most wild extremes. And no feral pop artist is more tapped into that ethos than underscores. Her music synthesizes dubstep, trance, and Timbaland with ease, and her latest album ‘U’ is filled with boundless energy. She’s already opened up for 100 gecs, PinkPantheress, and Porter Robinson; this fall, she’ll open up for Charli XCX on her upcoming Music, Fashion, Film tour. She said it best on her debut album, Fishmonger: “it’s the new wave of the future!”   Links: ⁠Newsletter⁠, ⁠YouTube Songs discussed: underscores – Music SOPHIE – Ponyboy underscores, 8485 – your favorite sidekick Nelly – Country Grammar (Hot Shit) Madonna – Music Madonna – American Life underscores – Do It Britney Spears – Piece of Me PinkPantheress, Zara Larsson – Stateside Justin Timberlake – SexyBack Learn more about your ad choices. Visit podcastchoices.com/adchoices

    25 min
  4. The new wave of pop is here, and it’s feral

    Jun 16

    The new wave of pop is here, and it’s feral

    What would it sound like if pop music was reverted to its most wild state of being? It would sound hyper-digital, influenced by the electronic vanguard of the 2010s, and speak to a post-genre audience. And while the charts have been stagnant, Gen-Z has been crafting this exact sound: one that is exciting, unpredictable, and above all else, feral. After bubbling underground for the past few years, the subgenre we’ve coined “feral pop” is finally poised to have a breakout, best exemplified by the popularity of the computer-loving Ninajirachi, pop star underscores, and rave-rapper 2hollis. This week on Switched On Pop, Reanna, Charlie, and Nate are going to tap into all that this dubstep-influenced sound has to offer, starting with the Australian DJ Ninajirachi, and explore why everyone in pop music is finally getting feral. Links: ⁠⁠Newsletter⁠⁠, ⁠⁠YouTube⁠ Songs discussed: Ninajirachi – CSIRAC underscores – Music 2hollis – girl Skrillex – Scary Monsters and Nice Sprites Imogen Heap – Headlock SOPHIE – BIPP Ninajirachi – iPod touch Ninajirachi, Izzy Camina – Ninacamina Skrillex – Rock ’n’ Roll (Will Take You to the Mountain) Skrillex, Sirah – Bangarang Ninajirachi – F**k My Computer Ninajirachi – London Song LCD Soundsystem – Sound of Silver Justice – Genesis Justice – Civilization Justice – Stress Learn more about your ad choices. Visit podcastchoices.com/adchoices

    32 min
  5. Olivia Rodrigo has The Cure for sadness

    Jun 15

    Olivia Rodrigo has The Cure for sadness

    Olivia Rodrigo is back with her third studio album, you seem pretty sad for a girl in love. As the title might suggest, it’s a deeply personal affair, with moody soundscapes supporting hyper-detailed lyrics of soul-wrenching depth. This album is a meditation on desire, and intriguingly, the letdown that can occur when desire is fulfilled. Each track is haunted by a band that basically invented the idea of unfulfilled longing, The Cure, who receive multiple direct shout-outs and numerous subtle references. But the album isn’t a tribute, or a rip-off. It’s a continuation of the voice Rodrigo has been developing ever since she debuted “drivers license” in 2021. It’s a sound distinctly her own, with signature techniques to match. The “re-verse” in “Drop Dead,” which we discussed in a prior episode, and a spiraling structure that keeps listeners waiting and waiting for the final word. Tune in to hear how Olivia channels her gothic predilections and fastidious lyrical craft into a powerful emotional payoff.  Songs discussed: Olivia Rodrigo - drop dead, stupid song, u + me = 3, purple, the cure, begged, what’s wrong with me, less, expectations, cigarette smoke, drivers license, vampire The Cure - Just Like Heaven, Friday I’m in Love David Byrne - drivers license Learn more about your ad choices. Visit podcastchoices.com/adchoices

    43 min
  6. Paul McCartney went back to Liverpool for something new to say

    Jun 9

    Paul McCartney went back to Liverpool for something new to say

    Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's tone. Harmonic instability runs through the entire record: chromatic mediants, deceptive cadences, and persistent pedal tones prevent even the most nostalgic songs from settling into comfort. The album's lyrics focus on McCartney's pre-Beatles Liverpool youth, territory unfamiliar even to long-time fans. The songs pay deliberate sonic tribute to specific Beatles recordings: Mellotron strings echoing "Strawberry Fields Forever," a backwards laugh tape loop answering "Tomorrow Never Knows," a first-ever McCartney/Starr vocal duet so close in timbre the two voices are nearly indistinguishable. Songs discussed:Paul McCartney – "Mull of Kintyre"Paul McCartney – "As You Lie There"The Beatles – "Blackbird"The Beatles – "Helter Skelter"The Beatles – "You Never Give Me Your Money"Paul McCartney – "Uncle Albert / Admiral Halsey"Paul McCartney – "Band on the Run"Paul McCartney – "Live and Let Die"Paul McCartney – "Mountaintop"The Beatles – "Being for the Benefit of Mr. Kite!"The Beatles – "For No One"The Beatles – "Because"The Beatles – "Lucy in the Sky with Diamonds"The Beatles – "Octopus's Garden"Paul McCartney – "Down South"The Beatles – "Two of Us"Paul McCartney – "We Two"The Beatles – "Strawberry Fields Forever"Paul McCartney – "Never Know Those"The Beatles – "Tomorrow Never Knows"Paul McCartney – "Salesman Saint"John Lennon – "Working Class Hero"John Cougar Mellencamp – "Small Town"Paul McCartney – “Home to Us” (with Ringo Starr)Paul McCartney – "The Days We Left Behind"The Beatles – "When I'm Sixty Four" Learn more about your ad choices. Visit podcastchoices.com/adchoices

    42 min
  7. How a sci-fi dystopia became a personal utopia (ft. Arc Iris)

    Jun 5

    How a sci-fi dystopia became a personal utopia (ft. Arc Iris)

    A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that shares its name. In its world, AI has taken most jobs and even the thinking left inside them, so the corporation offers pods where anyone can live any dream in virtual reality. The piece premiered in Cambridge in January 2020, then its New York show collapsed the day before the lockdown. What follows is the story of a project that outlasted its own premise. When venues closed, they left Providence for Los Angeles, rebuilt a dilapidated house, spent eight months in a 120-square-foot shed, and constructed their own studio and stage. The dystopia they wrote became, in their telling, a personal utopia. Learn more about your ad choices. Visit podcastchoices.com/adchoices

    13 min
  8. Why bands give us purpose (ft. MUNA)

    Jun 2

    Why bands give us purpose (ft. MUNA)

    A culture that rewards easily consumable individual identities produces plenty of pop stars and almost no bands. A significant exception: MUNA, the trio of Katie Gavin, Josette Maskin, and Naomi McPherson. MUNA treats the band as a structure that grounds identity beyond the ego and makes any success feel shared among the three. Their new album, Dancing on the Wall, wraps that conviction in blaring, unapologetic '80s production: slap bass, brightness pushed to the front, and everything connected in one time and place.Links: ⁠Newsletter⁠, ⁠YouTube MUNA, "It Gets So Hot" MUNA, "Dancing on the Wall" Lionel Richie, "Dancing on the Ceiling" MUNA, "Eastside Girls" Yello, "Oh Yeah" Dead or Alive, "You Spin Me Round (Like a Record)" Pet Shop Boys, "West End Girls" Billy Joel, "We Didn't Start the Fire" Charli XCX, "365" MUNA, "Wannabeher" Bikini Kill, "Rebel Girl" Peaches, "Boys Wanna Be Her" Le Tigre, "Deceptacon" MUNA, "Big Stick" MUNA, "Anything But Me" Flobots, "Handlebars" MUNA, "I Know a Place" Learn more about your ad choices. Visit podcastchoices.com/adchoices

    52 min
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Listen closer to pop music — hear how it moves us. Hosted by musicologist Nate Sloan & songwriter Charlie Harding. From Vulture and the Vox Media Podcast Network.

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