Gig Gab - The Working Musician's Podcast

Dave Hamilton & Friends

4.9 (53)
Music Commentary
Updated Weekly

Welcome to Gig Gab—the podcast sanctuary for working musicians and anyone fascinated by the vibrant, often unseen world behind every note played on stage. Whether you’re a musician, a member of the crew, or just someone who loves peeking behind the curtain to discover the secrets of live performances, you’ve found your tribe.

2d ago

You’re Not Their Backup Plan: How to Market Your Band’s Shows with Pat Watters

Twenty years ago, Pat Watters looked at Texas country’s self-sustaining scene, where bands lift each other up and fans proudly claim their own, and asked a simple question: why only Texas? He’s spent every year since 2008 answering it in Wisconsin, building the Pat Watters Band on unapologetic regional pride. As a marketing agency partner, he knows exactly how bands get found. Stop pitching your gig like a fallback. “If you’re free Friday night” tells people you’re the last resort, so talk like you’re the best option and they just haven’t heard about it yet. Guard against oversaturation, because if fans can see you anytime, they’ll never actually come. Load your originals early while the room is still listening, and give every song a story worth leaning in for. Then work all three relationships: artist to artist, artist to media, and artist to fan. You’ll hear how the Midwest Country Music Organization turned rival bands into a real community, and why one musicians’ dinner on a slow Monday could start the same thing in your town. Pat shares his show-promotion formula: title every Facebook event with your band name and the venue, drop the event link in the comments, and post one simple day-of line that gets your followers asking where. Don’t build on rented land. Own your domain and your mailing list, and spend a few smart dollars on Meta ads. Then dress like you meant to be on that stage. Become a bigger version of yourself, and Always Be Performing. 00:00:00 Gig Gab 557 – Monday, October 26, 2026 October 26th: National Chicken Fried Steak Day Guest co-host: Pat Watters 00:02:24 Texas, a collaborative musical environment Pat Green from Texas, an inspiration! 00:06:24 Leveraging regional pride 00:10:56 Assume you’re the best option, they just don’t know about it yet Marketing your band in 2026 Re-making room for music post-COVID-lockdowns “If you’re free Friday night” Create FOMO…ASSUME FOMO. 00:13:50 Manage saturation, resist the temptation to play too often “If somebody can go see you anytime, they’ll never go see you.” 00:15:32 Beware the three-year arc Make yourself less available 00:16:26 Playing covers as an original band Play originals at the beginning of the night, covers towards the end 00:19:38 Give the audience a reason to pay attention “Upbeat Songs About Death” – Bitter Pill AND the Pat Watters Band 00:21:18 That public talk is also self-talk Our job is to entertain 00:23:16 SPONSOR: Tidal Upload. Visit https://Tidal.com/giggab to create an account and start uploading your music for free. 00:24:27 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you. 00:25:54 Three relationships: artist-to-artist, artist-to-media, and artist-to-fan Midwest Country Music Organization Related: Building fans through theatrical live shows with Neonautica (Gig Gab 555) 00:31:59 Create an evening for yourself 00:36:11 Formula for marketing your shows Learn your audience’s demographics Facebook event and a Facebook post (with a link to the event in the comments) Keep website up-to-date “I get to play country music today.” Related: Social media for musicians with Chris Cron (Gig Gab 554) 00:47:14 Always create your own event “The Pat Watters Band at [Venue]” 00:48:10 Don’t Build on Rented Land Joe Pulizzi – The Content Marketing Institute Have a website and a mailing list 00:53:51 Marketing on Facebook Ads Meta Business Manager Keeping a band together 00:59:46 Intentionally Wear a Costume on Stage “Performers are all figments of our own imagination” – Kris Kristofferson The Alter Ego Effect “Be an exaggerated version of yourself” 01:07:31 Gig Gab 557 Outro Contact Pat Watters PatWattersBand.com Facebook: ThePWB IG: ThePWB Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post You’re Not Their Backup Plan: How to Market Your Band’s Shows with Pat Watters – Gig Gab 557 appeared first on Gig Gab.
Sep 28

How Every Club Sounds Great: Running SXSW Stages & Changeovers with Nate Cross

Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything. Want to be the band every festival wants back? Show up on time, keep it simple, and put your current input list first, since it matters more than your stage plot. Add one sentence describing what your band should sound like so the engineer isn’t guessing. Nate also explains how SXSW went from a flat “no” on in-ear monitors to welcoming your split snake, and shares how his two-drummer, nine-piece band Water Damage turned one showcase into a challenge accepted. Whether you’re under the lights or behind the scenes, Always Be Performing. 00:00:00 Gig Gab 553 – Monday, September 28, 2026 September 28th: Ask a Stupid Question Day Guest co-host: Nate Cross from SXSW 00:01:16 Arrived in Austin 2003, interned with SXSW in 2006 Finally in 2012 the phone rings…Assistant Production Manager 00:07:33 Learning the SXSW flow 00:11:20 Dozens of Venues, 5-6 bands per night per venue 00:12:40 Building out stages and PAs 00:15:01 Setting up the stages for success Everyone coming to that stage wants it to sound as good as possible…and so do we! Micing everything 00:17:18 Changeover 00:18:10 Keeping the schedule running on time Managing the 20-minute changeover 00:22:44 How many production staff assigned per venue? FOH engineer Stage manager Student Production Crewmember Plus 2-3 stage crew 00:24:05 Adding backline to every venue in 2026 00:27:22 Setting Your Band Up For Success at a Festival Punctuality Communication Simple Is (usually) best 00:31:04 Advancing with Success Stage Plot is truly for space allocation. Make sure your layout is up-to-date and correct. Input List is the most important aspect Update your Stage Plot and Input List once per year 00:35:08 Put that “what my band sounds like” sentence on your input list 00:41:21 IEMs, Split Snakes Pre-pandemic the answer to IEMs at SXSW was “no” 00:49:40 “My band doesn’t use monitors” 00:51:27 Water Damage, Nate’s band Water Damage Instagram – @wwwaterdamage 00:54:05 The Thread of Serendipity That Runs Through SXSW Dave says get a Platinum Badge! 01:02:14 Gig Gab 553 Outro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post How Every Club Sounds Great: Running SXSW Stages & Changeovers with Nate Cross – Gig Gab 553 appeared first on Gig Gab.
Sep 21

The Opener Sets the Tone: Set List Strategy, AI vs. the Artist & The Craft of Fronting a Band

Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble. Set lists first: your opener sets the tone, and the tone is yours to set. Easing a dining room into rock-band mode calls for something catchy and upper-mid-tempo with room to breathe; a room that came to see a band wants to know right away what kind of show they walked into. Start cold off a click in your ears instead of a count-off if you want crisp. Put the across-the-board crowd-pleaser second, not first. And treat the night as an exchange of energy: it’s great when the audience offers first, but you can’t plan on that, so you make the first offering. Always Be Performing, right from note one. From there you get a genuine on-air disagreement about AI and episode artwork, and where the line sits between using a tool and removing the human creator. The audience for your art is other humans, whatever you used to make it. Then stage etiquette, with Rush handing you both answers on one tour: Anika Nilles quietly fixing a wardrobe malfunction mid-song while the show rolls on, and Geddy Lee stopping 2112 to get a dead bass sorted. The call is yours in a split second: if you’re the focal point and the problem has you distracted, name it and bring the crowd in; otherwise let it go and keep playing. Crowd work closes it out: banter is a skill you learn to summon on demand, not a personality you’re born with. Pick one person or an avatar and talk to them, build a stage character the way Billie Joe Armstrong is already St. Jimmy every night, treat what you wear as a costume your audience assumes you chose on purpose, borrow the bits you love from the front people who inspire you, and then watch yourself back a few days later…alone, and generous enough to find one good moment for every three you’d fix. 00:00:00 Gig Gab 552 – Monday, September 21, 2026 September 21st: National Pecan Cookie Day Guest co-host: Skylar Hamilton 00:02:28 Use a paper towel roll Keep Rolling With It 00:04:45 Setlist Management Starting Songs 00:18:33 How do we continue using AI to maximize efficiency without removing the artists? Waves NS1 00:31:51 Send us your questions: feedback@giggabpodcast.com 00:32:09 Stage Etiquette: What happens when something goes wrong? The Alter Ego Effect 00:43:13 Crowd Management: Being a front-person 01:03:01 Gig Gab 552 Outro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post The Opener Sets the Tone: Set List Strategy, AI vs. the Artist & The Craft of Fronting a Band – Gig Gab 552 appeared first on Gig Gab.
Aug 31

Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road

Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm. The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing. 00:00:00 Gig Gab 549 – Monday, August 31st, 2026 August 31st: Eat Outside Day Guest co-host: Kevin Glendinning 00:02:38 Pula, Croatia. 8 countries in 7 days 00:04:36 SNL stage for The Deftones with the Carson Daly show 00:06:20 Making an impression on touring musicians with 00:08:35 Always be learning about the new tech Learning from the “new” guys Neve 5045 Primary Source Expander Waves PSE Plugin Digico Mustard Source Enhancer 00:13:55 Always be open-minded 00:18:57 Mixing ears and the respect of it all 00:21:02 Chris Rabold mixing monitors for REM 00:22:06 Now some REM stories 00:24:23 Helping get Adam Levine & John Mayer through ear fatigue with one ear monitor 00:26:46 OzFest System Engineers and hearing fatigue 00:27:45 Sometimes it just doesn’t sound right 00:30:44 Super Bowl in 2011 in Dallas…with snow! And The Black Eyed Peas 00:35:45 Being rehearsed enough to just do the gig (and fix what goes wrong when it goes wrong) 00:36:25 Lorde’s large-and-resilient fanbase 00:39:21 Working Red Rocks..”Wet Rocks” 00:44:33 Christina and the reboot “Don’t worry…the audio will come back.” Dave’s issue with the Mackie DL32S losing input signals 00:49:58 Batteries Matter 00:52:31 Miley Cyrus, Taylor Hawkins, Lightning-stuck aircraft, oh my! 00:56:28 Getting paid to see the world The pros and the cons 00:59:11 The “covert” phone call… and Justin Timberlake Get to know ML who works for ShowCo Ask for the gig you want (and, specifically, ask Anthony Giordano) The Victoria’s Secret Awards! Watching Muse with Justin 01:06:11 Have gratitude for everyone who you’ve worked with 01:08:14 Kevin wants to answer your questions! 01:09:52 Gig Gab 549 Outtro Follow Kevin Glendinning IG: @kev_chitown LinkedIn: Kevin ‘KG’ Glendinning Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road – Gig Gab 549 appeared first on Gig Gab.
Aug 24

From Broadway Swing to Principal: Eight Shows a Week...with Victor Carrillo Tracey

Your voice is the most temperamental instrument you’ll ever own, and this week Victor Carrillo Tracey – original company member of Broadway’s The Outsiders – walks you through what it takes to keep one working eight shows a week. Hydration and sleep swap places at number one, alcohol and caffeine cost more than you think, and inspiration doesn’t get a vote when downbeat is 8pm. You’ll hear how a single college voice lesson with a head cold taught Victor to navigate around a compromised instrument years before he needed it on Broadway, and why nerves usually answer to preparation rather than talent. Book the room. Play your opener as the last song of soundcheck. Always Be Performing starts well before anyone’s watching. Then it gets nerdy. Victor breaks down what a swing actually is (think relief pitcher), and how he covered nine tracks at once before working his way up to playing Paul full-time. You’ll pick up forced perspective, the staging trick that tells an audience exactly where to look and translates straight to your own stage. Plus the band sealed in the pit under the apron, monitor wedges in the floor and sidefills in the wings, a rig that tracks each voice around the house, watching a Broadway book get written in real time, and Dave’s case for mixing your in-ears in stereo instead of piling everything up the middle. Victor’s last Outsiders show is October 11th, right around performance number one thousand…and he still tells himself this is the best job ever before every show. 00:00:00 Gig Gab 548 – Monday, August 24th, 2026 August 24th: International Strange Music Day Guest co-host: Victor Carrillo Tracey 00:02:45 The voice is the most temperamental instrument 00:06:04 The benefits of an education Always Be Learning – Beginner’s Mind 00:08:54 Learning to navigate around your voice when things are non-optimal 00:13:28 Taking care of your voice The most important thing is hydration. Except Sleep is the most important thing. Be aware of alcohol and caffeine 00:17:01 Inspiration won’t always strike 00:18:35 And taking care of your body 00:20:55 Preparing yourself for success Play your opener as your last soundcheck song before the house opens You can visualize this, too! Book the room to rehearse in advance Always be preparing Having a preparation mindset 00:28:40 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you. 00:30:08 Being a Swing Kinda like a relief pitcher Nine tracks at once! 00:33:33 Ok, a detour into musical theater and The Outsiders 00:39:02 Forced Perspective 00:43:12 Missing playing a non-voice instrument 00:45:19 Playing with the band in a theater show …without seeing your bandmates 00:50:46 Watching the Broadway book being built And recording the Cast Album at Power Station at BerkleeNYC Music Studio Jamie Eblen Justin Levine 00:56:11 Mixing a musical…and hearing it on stage! Monitor wedges in the apron Sidefills in the wings Cody Spencer 01:04:55 Previews are grueling, and great! 01:05:45 Mix your in-ears in stereo Nothing up the middle: kick one degree right, snare one degree left. 01:07:43 Victor’s leaving The Outsiders after 2.5 years Choosing your destiny…follow your gut And make it happen! Gratitude! “This is the best job ever” before going on stage every time. 01:12:37 Gig Gab 548 Outtro Follow Victor Carrillo Tracey IG: @victorctracey Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post From Broadway Swing to Principal: Eight Shows a Week – Gig Gab 548 with Victor Carrillo Tracey appeared first on Gig Gab.
Aug 17

Matt Beck on Matchbox Twenty, The Outsiders, Hot Cocoa and a Green Tartan Suit

Matt Beck taught himself guitar strung upside down and backwards and has never once found a reason to stop. He joins you this week from the pit of The Outsiders, where he’s played since opening night three years ago, and from a July that had him running Jon Anderson, the B-52’s, and Matchbox Twenty in the same month: seventies, eighties, and nineties, back to back to back. You’ll hear why a guitar player who can actually read on a staff gets calls other players never see, how orchestrators bury Easter eggs in a score, what it does to a band when the pit is closed and the audience only sees you on camera at the curtain call, and why the plight of the freelancer always comes down to the same thing: your calendar, and what you said yes to eight months ago. Then it’s the road stories. Matt traces twenty-three years with Matchbox Twenty back to a Lisa Loeb tour with Dweezil Zappa standing next to him, and the Zappa family connection that put his name in the right room. He talks about building parts alongside Bono and The Edge for the Spider-Man musical, writing live arrangements for Rod Stewart, and finally getting Sugarjar out the door with Richard Hammond and Sammy Merendino. You’ll also get a Matchbox soundcheck shut down by something nesting in the rafters, three cups of hotel cocoa and a green tartan suit that taught Matt everything he needed to know about a pre-show routine, and the discipline underneath all of it: on Band Geeks off-days, he ran the entire Jon Anderson show every single morning. Always be performing and, as Matt adds on his way out, always be practicing. 00:00:00 Gig Gab 547 – Monday, August 17th, 2026 August 17th: Black Cat Appreciation Day Guest co-host: Matt Beck 00:03:48 Musicals trying to make it on to Broadway 00:04:50 Theater work in NYC Playing, orchestrating “Play like Steve Gadd” “Play like Steve Vai” “A la Larry Campbell” 00:09:45 Acknowledging the band 00:11:56 Reading guitar on staff music 00:14:36 Knowing your castmates 00:15:59 Managing the schedules of multiple projects Going from Jon Anderson to B-52’s to Matchbox Twenty…in a month! 00:22:07 Logistics of travel on gig day 00:24:37 Matchbox Twenty…23 years! Got the call for…Lisa Loeb, alongside Dweezil Zappa. And the Zappa family connection delivers, along with great networking. 00:30:38 Studio vs. Live 00:32:28 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab 00:34:15 Working with Bono and Edge on the Spiderman Musical Creating those signature moments 00:35:32 Live arrangements with Rod Stewart 00:37:03 Creative collaboration is the key 00:38:06 Playing in original bands as an informative piece of the career 00:39:27 Learning how to be in a band 00:40:24 Sugarjar, Matt’s 3 piece band Richard Hammond Sammy Merendino 00:42:30 Learn to play every style authentically And play with as many people as you can. Diversify! 00:45:01 Growing up with professional musician parents 00:47:09 The risk of a day job 00:48:21 As if a swarm of bees 00:50:44 Slipping through the crowd in a green suit! 00:54:47 Pre-show routines and biological imperative 00:57:30 “If You’re Gone” – matchbox twenty Dave says: Yes, I know… “When I am Gone” is a similarly tear-jerking Bitter Pill song 01:02:08 Band Geeks and Jon Anderson…and Matt Beck Off-day routine: run the show 01:11:15 Gig Gab 547 Outtro Follow Matt Beck IG: mattbecktwenty Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Matt Beck on Matchbox Twenty, The Outsiders, & Hot Cocoa and a Green Tartan Suit – Gig Gab 547 appeared first on Gig Gab.
Aug 11

Hired From an 11-View Video: Sean Mullaney on Opportunity and Owning the Stage

Guest co-host Sean Mullaney joins Dave Hamilton to prove that the gig you want is usually hiding inside the gig you almost skipped. A video with eleven views got Sean hired, the same way a YouTube clip landed Alexandra Mullaney in The Book of Mormon, so the lesson is simple: put the work out there, then be ready to say yes when someone finds it. You’ll dig into managing your niche without getting trapped by it, and the bigger question every bandleader eventually faces: who do you want to be as a frontman? You can’t make a face unless you’ve seen it, so study the greats, then get authentic to who you actually are. Preaching from the stage is hard. Performing as yourself is harder, and better. Then things get deliciously specific. You’ll hear what it’s like to chase Robert Plant with Mr. Jimmy, where nobody’s speaking English, everybody’s in full costume, and the details are so meticulous that imposter syndrome becomes something you manage rather than something that eats you. Sean said no. Then Sean said yes…and ended up on a sold-out stage at the Whisky a Go Go, a little petrified because the stakes were higher. That’s the point. You’ll get the upcoming Whole Lotta Heart show, why theater runs are a fun grind, what happens when you make that first mistake in front of everyone, how to honor your influences by studying the film instead of copying the notes, and how to manage your voice so you can keep doing this. Always Be Performing! Even when nobody’s watching yet, because view number eleven might be the one. 00:00:00 Gig Gab 546 – Monday, August 10th, 2026 August 10th: Duran Duran Appreciation Day Guest co-host: Sean Mullaney 00:01:00 The Underground Series 00:02:33 Hired on the 11th view! Once at Seacoast Repertory Theater Sean singing Leave by Glen Hansard (now with more than 11 views!) Alexandra Mullaney was booked into The Book of Mormon from a YouTube video 00:10:40 Managing your niche! 00:11:27 Be ready to say yes to opportunities 00:16:12 The Instant Classics in Phoenix 00:18:29 Who do you want to be as a frontman? “You can’t make a face unless you’ve seen it” 00:22:42 Being authentic to who you are Preaching is difficult! 00:26:36 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad 00:28:37 Do you want to be Robert Plant in Led Zeppelin? No one’s speaking English, and everyone’s in full costume The Mr. Jimmy Story on Gig Gab Led Zepagain With Mr. Jimmy, Sean plays a sold out show at The Whisky a Go Go 00:41:56 Managing Imposter Syndrome through the meticulous details 00:43:34 So…I said no. And then I said yes. 00:48:58 Upcoming Whole Lottta Heart Show 00:51:11 Petrified a little because the stakes are higher. 00:55:03 The Underground is… alternative programming! In Danger of Being Discovered Brother Love’s Album of the Year 00:59:13 01:06:02 Theater shows…a fun grind! 01:10:37 Making that first mistake 01:11:23 Honoring your influences Studying film! 01:14:00 Managing your voice! 01:19:37 Gig Gab 546 Outtro Follow Sean Mullaney IG: seansingsnstuff Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Hired From an 11-View Video: Sean Mullaney on Opportunity and Owning the Stage – Gig Gab 546 appeared first on Gig Gab.
Aug 4

Nobody Bought a Ticket to Watch Load-In

It’s just you and Dave this week for a full mailbag episode, with road stories up front: Matt Musty behind the kit with Train at Great Woods, three nights of Phish and Rush at MSG, and the Rush policy worth stealing: when a mistake is a one-off, don’t talk about it. Then into your questions. Should the front-of-house feed live in your in-ears? Here’s pre-fader versus post-fader, and why the answer’s usually no unless you’re a drummer. Maybe. Bass distorting in your IEMs? Start with gain structure, work down the chain one variable at a time, and suspect your earphones. Plus the cable fix for that hummy mono click, and the Zoom Q2n-4K for filming your gigs. Nobody bought a ticket to watch load-in. That old adage – you’re not paid to play, you’re paid to haul gear – gets retired here, because the performance is the product, and that’s exactly why we Always Be Performing. From there: sitting ahead of, behind, or dead on the click and why none of it’s wrong, how to stop cringing at your own stage videos using the Alter Ego Effect, and why demand for small-act live music has softened: drinking age, drinking habits, and the couch you’re competing against. 00:00:00 Gig Gab 545 – Tuesday, August 4th, 2026 August 4th: National Chocolate Chip Cookie Day 00:01:20 Matt Musty with Train, then Phish/Rush/Phish at MSG 00:03:31 Rush’s rule: don’t talk about a one-off mistake 00:04:51 Frankie Valli tribute nights with The Underground 00:05:46 Drums mushy in the wall the sound 00:06:36 Issue Mackie DL32S 00:10:49 Jeremy-What about adding the FOH mix to my IEM mix? Pre-Fader vs. Post-Fader 00:16:49 Glynn-Why is my bass distorting in my IEMs? Behringer XAir XR 12 00:23:42 Steve-Solving the mono click hum problem? 00:27:42 Drew-Recording Your Gigs with a Zoom Q2n-4K 00:31:50 Adam-Playing for free vs. being paid to load gear 00:37:10 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you. 00:39:00 Joe-Playing with the click vs. ahead or behind Roland SPD ONE: Kick and Electro 00:44:54 Kim-How do I learn to control my body on stage? Alter Ego Effect 00:52:34 Noah Kirkeide-Why is demand for live music down? 00:57:46 Drinking laws morphed during World Cup 00:59:28 Gig Gab 545 Outtro Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Nobody Bought a Ticket to Watch Load-In – Gig Gab 545 appeared first on Gig Gab.

See All (552)

Dave Hamilton

Host

4.9

out of 5

53 Ratings

So much good how-to info, great stories and fun!

10/14/2024

macsrcool

This is the show for working musicians of all types and at any level, anywhere. Cool gear, lots of tips and tricks and just the best stories about gig life. My favorite part is that Dave knows that everyone’s situation can vary and he invites listener participation. No matter when, where or how much you play, there’s good stuff here.
Consummate pros with great advice and stories

03/15/2023

The Robonzo

I’ve known Dave and Paul for a number of years and remember when Paul came to me to ask what I thought of the idea he and Dave had for this podcast. Both are outstanding musicians and great people. The information they’ve put into Gig Gab is truly impressive. If you’re a working musician or someone who is just morbidly curious about what goes into putting live music on a stage, you’ll love this podcast. Topics they share are truly insightful and entertaining. Keep up the good work guys!
Yep

01/11/2022

ConfusedBreakfastPodcast

The only thing better than movies, is music. This is one of our favorite music podcasts, full of great conversations and content.
Best Band Show

10/17/2021

Sertshark

I’ve been listening to these two for a few years, and when I first found them I marathoner all the older shows. It’s the best podcast out there about being in a band. Yes, at times one of them gets a little long-winded, and while at first it was distracting, I have realized it is perfect, and I love it because he always talks about something we all can related to as musicians in a working band. Love the show. It’s my favorite podcast.