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Daily news updates from across the Slate Podcast network.
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What Next: An “Apprentice” Producer’s Mea Culpa
How one producer—now freed from his 20-year non-disclosure agreement—regrets his role shaping Donald Trump’s image on The Apprentice.
Guest: Bill Pruitt, producer for seasons 1 and 2 of The Apprentice.
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Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther.
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What Next: The View from Israel
What do Israelis think of the war in Gaza and how their leadership is conducting it?
Guest: Tamar Harrel-Santis, student and combat reservist living in Ramat Yishai, Israel.
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Hang Up: Luka and Kyrie Are Running the NBA
Joel Anderson, Stefan Fatsis, and Josh Levin discuss the stardom of the Dallas Mavericks’ Luka Doncic and Kyrie Irving as well as Draymond Green’s stint on TNT’s Inside the NBA. Michael McCann of Sportico also joins to break down the multibillion-dollar settlement that will likely mark the end of amateurism in college sports.
Luka and Kyrie: How the Mavericks duo took over the Western Conference Finals.
NCAA: Will the settlement deal actually become reality? And how will the payments work?
Afterball: Stefan on Bill Walton, Jack Scott, and the FBI.
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Term Limits Could Ruin Congress
On today’s episode of Hear Me Out: self-limiting.
Congress is historically unpopular; it’s one of the few things that people on both sides of the aisle can agree on. But what could be done to actually fix our legislature?
Term limits are often posed as a good potential start. But there are those who argue that that’s not the best way to fix our legislature — and the pool of people who feel that way isn’t exclusively career politicians, either.
Charlie Hunt, a professor at Boise State University, joins us to argue against term limits.
If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com
Podcast production by Maura Currie.
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What Next: The Death of Bidenomics
After inheriting a tricky, post-peak-pandemic economy, the Biden administration pulled off the double-feat of stalling inflation while also keeping unemployment low. Wages have risen, and so has purchasing power. But if you ask voters, they’ll tell you the economy is terrible.
Does Biden have a messaging problem or is an economy where the price of everything still seems too high simply impossible to run on?
Guest: Annie Lowery, staff writer at the Atlantic.
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Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther.
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Slow Burn: A Hotbed of Homosexuality
While the What Next team observes the holiday, enjoy the first episode of Slow Burn's new season.
In the 1970s, San Francisco became a welcoming home for tens of thousands of new gay residents—and a modern-day Sodom for the American right. With a moral panic sweeping across the United States, a Florida orange juice spokeswoman inspired an ambitious California politician to launch his own campaign against lesbians and gays—one that would change the course of U.S. history.
(If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.)
Subscribe to Slate Plus to immediately unlock the first five episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen.
Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.
Josh Levin is the editorial director of Slow Burn.
Derek John is Slate’s executive producer of narrative podcasts.
Susan Matthews is Slate’s executive editor.
Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme.
Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective.
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