1 Sealed Letter

Kathryn Hastings

The legacy of letter writing and how to bring this beautiful art form into the 21st century

  1. 5d ago

    The Residue of Attention with Jessica Oreck from the Office of Collecting & Design

    What makes an object worth keeping? In this episode, Kathryn sits down with artist, filmmaker, and collector Jessica Oreck, founder of the Office of Collecting & Design, a traveling museum devoted to the diminutive, the forgotten, the misplaced, and the unusual. Together they explore the hidden lives of objects, the memories they awaken, and why the seemingly insignificant artifacts of everyday life often become the most meaningful. Their conversation wanders through collecting, letters, museums, Virginia Woolf, Proust, the Japanese concept of mono no aware, the beauty of impermanence, and the surprising importance of leisure, wonder, and attention. They discuss: • Why ordinary objects often outlast precious ones
• The "residue of attention" and how use creates meaning
• How collections become portals to memory
• The relationship between beauty, grief, and impermanence
• Why women, artists, and dreamers need spaces of their own
• The value of everyday rituals and beautiful objects
• The enduring magic of the postal service and correspondence
• What it means to create a legacy in an age of infinite content This is a conversation for collectors, letter writers, artists, nostalgists, and anyone who has ever kept a small treasure simply because it felt impossible to throw away. SHOW NOTES Office of Collecting & Design:
https://officeofcollecting.com/about Museum Tour Dates:
https://officeofcollecting.com/tour-dates Treasure Club:
https://officeofcollecting.com/subscribe/treasure-club Decoder Club:
https://officeofcollecting.com/subscribe/decoderclub Office of Collecting & Design Instagram:
https://www.instagram.com/office.of.collecting/

    53 min
  2. Mar 11

    114: The Punctuation That Almost Was: Lost Symbols of Tone, Irony, and Emotion

    What if English had a punctuation mark for sarcasm? Or a symbol specifically for rhetorical questions? Or even a mark that meant love? For centuries, writers, printers, and philosophers have tried to solve a quiet problem in language: written words struggle to convey tone. In speech we have inflection, pacing, and expression. On the page we have only letters and a handful of punctuation marks. That gap has inspired generations of thinkers to invent entirely new symbols for irony, disbelief, affection, and astonishment. In this episode, we explore the strange history of modern punctuation that was proposed but never adopted. We also explore how ton incorporate these interesting symbols into your writing. ⸻ Sources Bazin, Hervé. Plumons l’Oiseau (1966). Denham, Henry. Early typographic proposals for rhetorical punctuation (1580s). Speckter, Martin K. “Making a Point, or What’s the Story with the Interrobang?” TYPEtalks Magazine, 1962. Parkes, Malcolm B. Pause and Effect: An Introduction to the History of Punctuation in the West. University of California Press, 1992. Wilkins, John. An Essay Towards a Real Character and a Philosophical Language. London, 1668. Unicode Consortium. Unicode Character Database and historical punctuation documentation. Smith, Keith Houston. Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks. W. W. Norton & Company, 2013. Houston, Keith. Shady Characters: Ampersands, Interrobangs and Other Typographical Curiosities. Profile Books, 2013.

    30 min
  3. 11/05/2025

    112. “My Soul, Not Just a Mother” – Paula Modersohn-Becker and the Art of Being Overwhelmed

    In this episode, we explore the life and letters of Paula Modersohn-Becker (1876–1907), one of the first women to paint herself nude and a pioneer of early Expressionism. Through her correspondence, Paula offers a rare, unfiltered window into the emotional world of a woman artist caught between creativity, duty, and selfhood. This episode centers on one of Paula’s 1907 letters written while she was pregnant, a raw and revealing piece in which she pleads with her sister to stop calling her impending childbirth a “blessed event.” Tired of being defined only by motherhood, Paula confides her fear of losing her identity as an artist and admits, “I have worked so little.” We reflect on how Paula’s exhaustion, honesty, and fierce self-belief echo the struggles many still face today: the tension between personal purpose and societal roles, between ambition and expectation. Through historical context and Paula’s own words, this episode offers a meditation on identity, overwhelm, and the timeless courage to believe in oneself. Full Letter Featured: Letter from Paula Modersohn-Becker to her sister (Worpswede, 1907), translated from German. Primary Sources and References: ​ Bachrach, Susan. Paula Modersohn-Becker: Biography. Fembio. https://www.fembio.org​ The Art Story Foundation. “Paula Modersohn-Becker Artist Overview and Analysis.” https://www.theartstory.org/artist/modersohn-becker-paula​ Musée d’Orsay. “Women Painters in the 19th Century.” https://www.musee-orsay.fr​ Radycki, Diane. Paula Modersohn-Becker: The First Modern Woman Artist. Yale University Press, 2013.​ Modersohn-Becker, Paula. Letters and Journals. Translated by J. A. Underwood, 1960.

    34 min
5
out of 5
23 Ratings

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The legacy of letter writing and how to bring this beautiful art form into the 21st century