5 Plain Questions Joe Williams

Joe is back with an update on season.

Secretary Deb Haaland made history when she became the first Native American to serve as a cabinet secretary. She is a member of the Pueblo of Laguna and a 35th generation New Mexican.

Secretary Haaland grew up in a military family; her father was a 30-year combat Marine who was awarded the Silver Star Medal for saving six lives in Vietnam, and her mother is a Navy veteran who served as a federal employee for 25 years at the Bureau of Indian Affairs. As a military child, she attended 13 public schools before graduating from Highland High School in Albuquerque.

As a single mother, Secretary Haaland volunteered at her child's pre-school to afford early childhood education. Like many parents, she had to rely on food stamps at times as a single parent, lived paycheck-to-paycheck, and struggled to put herself through college. At the age of 28, Haaland enrolled at the University of New Mexico (UNM) where she earned a Bachelor’s degree in English and later earned her J.D. from UNM Law School. Secretary Haaland and her child, who also graduated from the University of New Mexico, are still paying off student loans.

Secretary Haaland ran her own small business producing and canning Pueblo Salsa, served as a tribal administrator at San Felipe Pueblo, and became the first woman elected to the Laguna Development Corporation Board of Directors, overseeing business operations of the second largest tribal gaming enterprise in New Mexico. She successfully advocated for the Laguna Development Corporation to create policies and commitments to environmentally friendly business practices.

Throughout her career in public service, Secretary Haaland has broken barriers and opened the doors of opportunity for future generations.

After running for New Mexico Lieutenant Governor in 2014, Secretary Haaland became the first Native American woman to be elected to lead a State Party. She is one of the first Native American women to serve in Congress. In Congress, she focused on environmental justice, climate change, missing and murdered indigenous women, and family-friendly policies.

Chief Arvol Looking was born on the Cheyenne River Reservation in South Dakota. His primary responsibility is serving as the 19th Generation Keeper of the Sacred White Buffalo Calf Pipe – a role he was given at the age of twelve making him the youngest pipe keeper in Lakota history. As keeper of the sacred Pipe he also serves as the spiritual leader to the Lakota, Dakota, and Nakota Nation and advocates for the restoration of the Lakota Nation’s rights to the Black Hills—as guaranteed by the 1868 Laramie Treaty.



He grew up in an era of religious suppression, where traditional Lakota ceremonies were outlawed in both the US and Canada from the early 1900’s until the Indian Religious Freedom Act in 1978. His family was forced to hold Sundance, sweatlodge, vision quests, and healing ceremonies underground for fear of arrest by the police.



Arvol’s advocacy of environmental and Indigenous rights and issues has been recognized globally as a recipient of the Wolf Award of Canada, the Juliet Hollister Award, a Non-Governmental Organization with Consultation Status with the United Nations Economic and Social Council. He is also the author of White Buffalo Teachings and a guest columnist for Indian Country Today.

Since 1990, Arvol has also devoted himself to facilitate healing to all people and cultures through several sacred Prayer Rides on Horseback including The Annual Wintertime Chief Bigfoot Memorial Ride to Wounded Knee in order to mend the Sacred Hoop that was broken during the Massacre in 1890, The Unity Ride from B.C. to Six Nations in the early 2000s whose purpose was to heal historical trauma through the land and animals, and since 2005, he has supported and participated on the Dakota 38 Ride that takes place every December from South Dakota to Mankato, Minnesota to honor the memory of the 38 + 2 Dakota men who died under order of President Abraham Lincoln the Day after Christmas in 1862 in what was the largest mass hanging in U.S. history.

Jewelry making has been a Reano family tradition for over a century. The Reano family legacy started with Jose Isidro Reano and Clara Lovato Reano. Janie Reano is proudly carrying on tradition. Clara introduced her to jewelry making by teaching her to cut olivella shells to create heishe beads. Then progressing to various stones and shells. Eventually, how to grind, sand and polish the beads. Years later, Janie would expand
her skills under her Aunt Angie Owen. Learning the skills at creating mosaic jewelry. In 2016, Janie branched out at making her own style of jewelry. The influence of living in "Green" Oregon gave her the idea to recycle the left-over material used in creating necklaces and mosaic inlay. Janie recycled the material by drilling each small piece then tumbling them for several weeks. Then, 'stringing' up beads using sterling silver wire. The jewelry was debuted at the SWAIA Winter Market 2016. These days Janie collaborates with her mother, Rose Reano. She sells her jewelry year-round at the Palace of Governors in downtown Santa Fe and online at www.kewaparrotjewelry.com . She also participates at SWAIA Santa Fe Indian Market and Eiteljorg Indian Market and Festival in Indianapolis Indiana.

Brandon Baity is the Interim Executive Director of the Indigenous Association in Fargo, ND. He is originally from the Twin Cities and moved to the area in 2018. He is a descendant of the White Earth Nation, where his Father and Grandmother grew up. Brandon received his undergraduate degree in social work from the College of Saint Scholastica. He is deeply committed to community organizing, art, music, and learning more about his Anishinaabe culture and language and providing opportunities for other Indigenous community members to learn or teach about their culture. He was a founding board member of the Indigenous Association, and has worked toward the organization's goal of uniting, connecting, and strengthening the Indigenous community in the Fargo/Moorhead region since its inception in 2020.

Indigenous Association website:
https://www.indgns.org/

Cara Romero, born 1977 (Chemehuevi/ American)
In a fine art photographic practice that blends documentary and commercial aesthetics, Cara Romero (Chemehuevi Indian Tribe) creates stories that draw from intertribal knowledge to expose the fissures and fusions of Indigenous and non-Indigenous cultural memory, collective history, and futurity.
Romero has held solo exhibitions in the US, UK, and Germany. Her recent group exhibitions include Our Selves: Photographs by Women Photographers at the Museum of Modern Art and Water Memories
at the Metropolitan Museum of Art (2022). Her public art projects include #TONGVALAND presented in Los Angeles by NDN Collective (2021); Restoration: Now or Never with Save Art Space in London (2020), and Desert X in the Coachella Valley (2019).
 Widely collected, Romero’s photographs are in private and public collections including those at the Denver Art Museum, the Peabody Essex Museum, The Hood Museum, the Minneapolis Institute of Art, the MoMA, the Nelson-Atkins Museum of Art, Los Angeles County Museum of Art, and the MET. Romero was raised between the rural Chemehuevi reservation in California’s Mojave Desert and the urban sprawl of Houston. She is based in Santa Fe.