5 Star Tossers

5 Star Tossers

Playful academic podcast that looks at movies and other cultural objects through the lens of 5 groovy themes: Pervs 'R Us, Beast & Sovereign, Il vaut mieux Lyotard que jamais, Marx Grudge, and What Would Jesus Do? 

  1. Why Iran?

    APR 3

    Why Iran?

    Hi there hello audient, how've you been? The end, they say, is near.  Some say this end is the apocalypse. Others call it "a new Middle Ages" ..sorry, I mean "East".  Some say 'end' with the meaning of goal - for example the goal of the war on Iran - and shift the definition of 'end' according to the means they can afford... War as capitalism in other means I guess. Due to the unfortunate combination of our illustrious MC being quite unwell, and Sagi having seemingly fallen down a particularly steep and slippery economico-theologico-geo-politico rabbit-hole-o - -                   ..it might have become a tad monological at times. The thread that starts us off concerns the "raw" nature, or feel, of this war. American liberals opine over Bush that bothered to lie at least; he spoke around the oil, not through it (or to it for that matter). But the political chaos of this war - the lack of inhibitions in doing, as Chancellor Merz says, "our dirty work" - does serve to expose a hand that prefers to remain invisible (Max Weber would say it has spiritual aspirations). And it also exposes a structure, and a problem, with a long, seldom discussed, history. The invisible hands of the "secular" west's global capitalism can be uncannily traced to the first Crusade in 1095; where a power-drunk Pope called for the destruction of the vile race that defiles the Holy Land (incidentally solving much internal strife and crime, as the first 70% of his speech suggest)... Seen in this more nuanced lens, this conflict was a long time coming. The seeming insanity of everything about this war, the feeling that no one is holding the Westphalian reins, leaves only the most ancient of hands to steer the course of events. But the real issue is one of Sovereignty - a secularized (Christian) theological concept based on their conception of 'God' (and the violence that this concept did to the Jewish 'Hashem'). This problem never stops rearing its head whenever Christians find themselves in conflict; the Eastern/Western Church schism, the Crusades that were used to "blow off steam" of intra-Christian aggression ("Go attack the heretic Muslim! (instead of robbing our clergy...) We must save the Holy Land!"), the way that an Other like itself (universalist, potentially Imperial, economically relevant) immediately conjures messianic fires in the religious (and supposedly "secular") world, aching for an apocalypse. The peace of Westphalia took all that religious animosity of yet another Christian schism (the Reformation), and channeled it inwards; classic Augustinian move. If "all" cannot resolve the problem of sovereignty - i.e. how to respect difference under a metaphysics that presupposes access to, and comprehension of, both God's totality and infinity. The very logic of Westphalia is already Protestant; access to God, to the Sovereign, was only further internalized by Luther who gave it to the "individual" believer, but the indivisible, absolute sovereignty of 'God' remains. Its claim remains; now in individual hearts that can snap at any moment, spontaneously, as if manifesting destiny. And this is the framework through which we read this conflict. Considering the westphalian system and the effects of forcing it on the Middle East, the reasons for which this system was forced and enforced in the first place (hint: it's not to bring any enlightenment, and certainly not democracy, to the yum yum oil-rich region), the fact that it caused a structurally antisemitic pressure that resulted in the solution of "Israel," its uncanny protection by 'western liberal democracies' (often blatantly double-standardized...), and also dissolve the nagging question of "does Israel have a right to exist" The rest is up to you, audient. Are you still there..?...

    1h 27m
  2. Pluribus: Never...? Let the Dead Bury the Dead

    JAN 19

    Pluribus: Never...? Let the Dead Bury the Dead

    ...we Tossed our way into oblivion with the exciting new show Pluribus in this one. Hello audient! The new show Pluribus comes at us with all the niceties, trappings and plot pitfalls  to be found in our rot-attacked brains. While the first Season leaves many more questions than answers, leaving large holes in the logic and the story, it makes for a perfect Tossers episode; a real conceptual skeet-shooting playground. Pluribus deals with an alien(?) hive mind that has taken over every person on Earth except for very few who had an "incompatible" genetic material. The fact that this hive speaks and behaves in an almost one-to-one parody on the "personality" of ChatGPT in our increasingly compartmentalized realities and interactions with one-another (like in Social Media) makes the connection to AI-related issues almost inescapable. We'll mention here just one particularly interesting toss we cam across, concerning the 'body' (the 'animal' part of Aristotle's famous definition of the "Human" as 'a talking animal'). It juts out of the narrative like a sore thumb, like an unmourned loss: what does it mean for the main protagonist to "fall in love" with a body from the hive mind? How does a hive mind approach real issues of attachment, like pain and discord, as they arise through the "affair" with the protagonist? What is the role - within our attachments - of the body's memories, its unique history, when it is "pluribussed" like that? This also connected to a recurring theme in the Tossers' arsenal, the ethical imperative we inherited from our Derrida(ddy), the one we express as "Never let the dead bury the dead." As the bodies of the entire world's population become an indistinct mass grave, a Frankenstein-monster-cum-Turing-machine, it becomes both overly relevant and no longer relevant: when the dead are recycled into food for the "hive-people" and yet you can fall in love with a person whose body is completely controlled by the "everyone" of the hive, including going and sleeping with another "survivor" (of the assimilation) while expressing love to our protagonist. Confused? We hope so. But it is a rather productive confusion, we believe, in our day and age. Rather appropriately, all Stars made an appearance here in one way or another. The rest will be told to our one, loyal (and virtual!) audient, and her flaming lips...

    1h 17m
  3. One Babel After Another: Walter Benjamin Finds Meme-ing

    11/10/2025

    One Babel After Another: Walter Benjamin Finds Meme-ing

    Dear, surviving, audient: how is it hanging? We\I sympathize. If you were looking to art as an answer, hoping for some revolutionary frameworks, or just plain ol' solace inside --             -- I'm afraid most of the pod's going to tell you to keep looking. In this one we watched 2 "political" movies released this year: Ari Aster's Eddington and Paul Thomas Anderson's One Battle After Another. More generally, the 2 movies raised the question of what it means to involve politics in a movie. Jake took this as an excuse to geek out on Grad school vibes and do a deep dive into Walter Benjamin's attempts to save aesthetics from the khaki schmattes of Communism. Who said Marx Grudge? Benjamin does brandish an interesting, rather Derridian, analytic tool in the distinction between allegory and the symbol; which I will anger Jake and summarize here as analogous (allegorical?!) to a movie whose special effects are shot on set with actual props, and the one where the effects are all programmed in (as CGI). Like shooting props, the allegory foregrounds its technicity, while the symbol will claim the harmony of form-function and content.  Except the symbol doesn't work anymore. Like the pathetic attempt poor Andy had to suffer through, where the reinvented "Superman" is called-upon to white-wash the Gaza genocide (still a western debacle). The symbol rang so hollow it gave Andy bowel issues.  (Editor's note:) We will NOT be getting into that. Of course, the allegory's very apparatus makes it susceptible to Capitalist manipulations. This is where we take a more specific tack on Anderson's film: shot and directed, deliberately, in my opinion, as a post-fascist account of how pathetic and hopeless revolutions are, how revolutionaries are either posers or self-deceiving cucks. And here is Anderson's genius, in recognizing the capitalist tentacles have already infiltrated all discourse -- which is a panicked, exhausted discourse these days (on "the left") -- "over-technicizing" allegory into social media reels and internet memes. His account gives the melancholia of a post-fascist winner looking back at history: disjointed, often accompanied by a (never happy or energetic or really calm) soundtrack, the characters are mostly isolated with superficial thoughts and relationships... it is the sad sigh of a fulfilled Sklavenmoral. There was more tossed around, of course. Fair warning. STARS: Marx Grudge (grudgingly); Beast & Sovereign... but really, all the Stars were there: the Il vaut mieux with differance; the Pervs R' Us with melancholy, the WWJD with 'Manifest Destiny'... P.S.  We have an official email address (5startossers@gmail.com), for you, dear audient, to vent; a kind of a complaint/feedback box. We will collect the complaints (/corrections/disputes) to an episode where we address your mirror of our stupidities.  5ST

    1h 29m
  4. Bowser Bones: The Fantasy of Biological Male Strength

    09/21/2025

    Bowser Bones: The Fantasy of Biological Male Strength

    Bowser bones is a phrase Andy and Jake came up with after playing way too much Mario Tennis. One afternoon, Jake chose to play as Bowser and easily defeated Andy, who was playing as Princess Peach. He accused Jake of cheating because Bowser's character has more power than Peach. This soon became a question about the assumption that man has more bone density than women. Andy pointed out what a gross fantasy it is whenever men assert this difference. Often times this assertion comes in the form of transphobia and the pearl clutching about trans women in female sports. Is there any way to assert this biological difference without leveraging violence?  Sagi was at his honest and most cancellable best. Wondering if there is some sympathy that we need to give to the anxiety caused by sexual difference; its neglect, owing to the Christian framework that constantly polices and represses it, is something that colors current perceptions of male violence and transphobia.  Andy looks at Freud's famous essay "A Child is Being Beaten" to help us think about the creation of this fantasy, and the anxiety of castration. Jake extends this idea by looking at Alan Bass who asserts the need to accept difference, while simultaneously critiquing the common narratives of sexual difference as concrete fetishes.  We splay ourselves open in this pod, while advocating for love as transcendence of run-of-the-mill gender narratives.

    1h 53m
4.4
out of 5
7 Ratings

About

Playful academic podcast that looks at movies and other cultural objects through the lens of 5 groovy themes: Pervs 'R Us, Beast & Sovereign, Il vaut mieux Lyotard que jamais, Marx Grudge, and What Would Jesus Do? 

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