Austin Film Festival's On Story

Austin Film Festival

Austin Film Festival's On Story Podcast is the companion to Austin Film Festival's television show, On Story. Get an uncensored inside look at the creative process of film making through the eyes of some of the entertainment industry's most prolific writers, directors and producers.

  1. NOV 5

    The Screenwriter's Guide to Adapting IP

    This week on On Story, a conversation with Nicole Perlman and Jodi Hildebrand on their experiences as writers and producers working with existing intellectual property, or IP.  Nicole Perlman is best known for working as a co-writer on Marvel's Guardians of the Galaxy, and Captain Marvel, as well as Detective Pikachu. For eight years, Perlman has worked as a Creative Advisor at the Sundance Screenwriting Labs, in addition to mentoring for Global Media Makers, Women in Film, the BlackList, and more. She is currently developing television projects for Fox Searchlight, Amazon Studios, and Netflix.  Jodi Hildebrand is a film and TV producer, who currently runs the Scripted Television and Film team at Conde Nast Entertainment. In this role, Hildebrand works with writers from publications like The New Yorker, and Vanity Fair, on adapting their articles for film or television. Hildebrand recently produced the 2018 film adaptation of Peter Rabbit, and its sequel, Peter Rabbit 2: The Runaway.  AFF moderator Paul Alvarado-Dykstra sat down with Perlman and Hildebrand for a conversation on the ins-and-outs of working with existing IP, from respecting the lived experiences of the protagonist in a true story, to optioning the rights to your favorite book.  Clips of Guardians of the Galaxy courtesy of Walt Disney Studios Motion Pictures.  Clips of Luke Cage courtesy of Disney+. Clips of Thor: Ragnarok courtesy of Walt Disney Studios Motion Pictures.

    26 min
  2. OCT 22

    A Conversation with Rian Johnson

    This week on On Story, a covnersation with writer-director Rian Johnson on his love of genre media from noir to sci-fi, and the long process of outlining which allows him to craft intricate stories without getting lost in the second act. Johnson made his directorial debut in 2005 with the neo-noir mystery, Brick. Set against the backdrop of a suburban high school, Brick draws inspiration from classic noir mysteries while adding a coming-of-age twist. Johnson dove into the sci-fi genre with his time-travel action-thriller Looper, released in 2012. Starring Bruce Willis, Looper follows the work of contract killers who are tasked with executing targets who have been sent backwards through time by crime syndicates from the future. Next, Johnson served as writer-director for Star Wars: The Last Jedi, an installment of the Star Wars sequel trilogy. Most recently, Johnson has been busy writing, directing and producing his murder-mystery film franchise Knives Out. After earning Johnson an Academy Award nomination for Best Original Screenplay, Knives Out was followed by its first sequel, Glass Onion. The third film in the series, Wake Up Dead Man, will be coming to select theaters this November before streaming on Netflix. The series is known for its star-studded ensemble cast, led by Daniel Craig, as the eccentric, gentlemanly detective, Benoit Blanc. In addition to his work in film, Johnson has also directed episodes of Breaking Bad and created the case-of-the-week crime-comedy series Poker Face, starring Natasha Lyonne.  Barbara Morgan sat down with Rian Johnson for a conversation on his expansive career and his intricate writing process. Clips of Brick courtesy of Focus Features. Clips of Looper courtesy of Sony Pictures Releasing. Clips of Knives Out courtesy of Lionsgate. Clips of Poker Face courtesy of Peacock.

    26 min
  3. OCT 1

    On Writing YA, with Julie Plec

    This week on On Story, a conversation with Julie Plec on her love of YA storytelling, and her experience co-creating and co-showrunning The Vampire Diaries. The Vampire Diaries is a supernatural, romantic teen-drama which ran for 8 seasons from 2009 to 2017. The show follows the life of a mortal teen girl, Elena Gilbert, as she navigates grief, love triangles, small town politics, and supernatural threats from ghosts, to werewolves, to evil doppelgängers. The success of The Vampire Diaries allowed Plec to expand this magical world into two spinoff shows, The Originals, and Legacies.  Plec began her career as a co-producer and personal assistant to Wes Craven while he directed the first three installments of the Scream franchise. She did rewrites for Scream and Scream 2, and in that process she befriended legendary horror screenwriter Kevin Williamson, who would later become her co-creator and co-showrunner on The Vampire Diaries. Plec has gone on to serve as co-creator and co-showrunner of Peacock's Vampire Academy, and direct episodes of Roswell, New Mexico, and Riverdale. In 2020, her production company, My So-Called Company, signed an overall deal with Universal Television, which included the production of her new show for Amazon Prime, We Were Liars. AFF moderator Fabienne Harford spoke with Plec about how she responds to pressure from fans while writing, and her insistence on writing YA content that respects its audience.  Clips of Vampire Diaries courtesy of CBS Studios and Warner Brothers Clips of the Originals courtesy of CBS Studios and Warner Brothers Clips of Riverdale courtesy of CBS Studios and Warner Brothers

    28 min
  4. AUG 20

    On Writing Vida, with Tanya Saracho

    This week on On Story,  a conversation with the creator and showrunner Tanya Saracho on her process crafting the hit Starz television series Vida. Saracho is a critically-acclaimed playwright and television writer known for featuring authentic latine storylines. In fact, Saracho co-founded the Untitled Latinx Project (ULP), whose mission is to increase Latine representation in television through content created by Latine writers and directors. Further, Saracho also launched the Ojalá Ignition Lab, an incubator program aimed to nurture, amplify, guide, and empower intersectional Latine voices.  With her roots in Theatre, Saracho formed Chicago's Teatro Luna in June 2000. This ensemble of all latina women helped establish Saracho as a theater artist before she ultimately co-founded The Alliance of Latinx Theater Artists (ALTA) of Chicago. Saracho's dedication to diverse stories carried over to her television work as she wrote on popular female-driven shows such as Devious Maids, Girls, and How to Get Away with Murder before Saracho created Vida for Starz.   Vida, the heartwarming family drama, quickly became a critical success upon its release, charming critics and audiences alike with its tale of two mexican-american sisters who return home to Boyle Heights, Los Angeles after the death of their mother. The show, which aired for three seasons, artfully tackled gentrification in LA, fraught family dynamics, and sexuality from an authentic latine point of view. AFF moderator and writer herself Marcelena Campos Mayhorn sat down with Saracho to discuss creating the pioneering series.  Vida clips courtesy of Starz Entertainment.

    25 min
  5. AUG 13

    A Conversation with Meg LeFauve: Inside Out of Pixar

    This week on On Story, a conversation with screenwriter Meg LeFauve on her career as a writer at Pixar, where she co-wrote Inside Out and Inside Out 2, as well as The Good Dinosaur. Inside Out follows the personified emotions of Riley, a young girl who struggles to fit in after her family relocates from Minnesota to San Francisco. Riley's emotions are stored as memories, and her most impactful experiences become core memories, which each define a central part of her personality. The story follows the chaos that ensues after Joy and Sadness go missing in the depths of Riley's mind, leaving Fear, Anger, and Disgust in control of Riley's emotional reactions. Inside Out 2 picks up when Riley is entering high school and follows the clash between Riley's original emotions, and four new additions: Anxiety, Envy, Embarrassment, and Ennui. Both films were Oscar nominated, including a nomination for LeFauve for Best Original Screenplay for her work on Inside Out.  LeFauve began her film career as a producer and president of Jodie Foster's production company Egg Pictures. LeFauve produced The Dangerous Lives of Altar Boys, which won the 2003 Independent Spirit Award for Best First Feature. I spoke with LeFauve about her experience taking the leap and moving from her stable producing career into the chaotic world of writing for Pixar. After Inside Out she went on to work as a writer on Captain Marvel, Onward, and My Father's Dragon. LeFauve also co-hosts the Podcast, The Screenwriting Life, which is dedicated to the craft and profession of screenwriting.  I sat down with Meg LeFauve to discuss her journey from producer to Oscar nominated writer.  Clips for Inside Out courtesy of Disney Plus and Disney Enterprises, Inc

    39 min
4.7
out of 5
87 Ratings

About

Austin Film Festival's On Story Podcast is the companion to Austin Film Festival's television show, On Story. Get an uncensored inside look at the creative process of film making through the eyes of some of the entertainment industry's most prolific writers, directors and producers.

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