In this episode, Malcolm and Simone Collins dive deep into a fascinating question from a viewer comment: Why did the early 2000s-2010s online atheist/skeptic community splinter, with many becoming the seed crystal for today’s online right-wing culture—while those who shifted left (Atheism+, socialism, Democrat alignment) largely lost their audiences and relevance? We explore the two major “seed crystals” of modern internet culture: * YouTube skeptic/debater/edge-lord style (truth-seeking, anti-woke evolution, Gamergate → new right) * 4chan’s shocking authenticity and owning-it energy And on the left: Tumblr’s vibe/aesthetic-driven culture (memes, cancel culture, performance over truth). Why did right-leaning creators like Thunderf00t, Sargon of Akkad, The Amazing Atheist, and Armored Skeptic stay relevant, while figures like Laci Green and iDubbbz crashed out? What makes ShoeOnHead the notable exception who kept a right-leaning audience without fully adopting the politics? And how does ContraPoints prove the rule with her theater-kid, BreadTube style? We also touch on: * Vibrant optimism vs. nihilistic pessimism * Truth-seeking vs. aesthetic vibes * Why conservatism now feels like “the new atheism” * Trump’s unique “Christianity,” religious evolution in the community, and more If you lived through the New Atheist era, Gamergate, or the Tumblr-to-mainstream-left pipeline, this one’s for you. Episode Transcript Malcolm Collins: Hello Simone. I’m excited to be here with you today. Today we are going to explore a question that actually came up through a comment on one of my previous videos. So on one of my previous videos, somebody was pointing out, because I pointed out there was this evolution within online culture of the online atheist slash skeptic community, which then transformed into the online anti-feminist community. ‘Cause first it was dunking on Christians, then it was dunking on feminists, then it was dunking on. Woke people and then that transitioned into Gamergate. And then that became the core of what became the new right. Or at least like the online right culture. And he pointed out, he goes, well, hold on. There were also people, in fact, you could argue about half of the people involved was that original atheist community, that original you know, online skeptic community. Yeah. That went in the opposite direction. They went. Into the atheism Plus for anyone who [00:01:00] remembers that, that was like atheism plus socialism or something. And then they became Democrats and they became left-leaning. And, and this is true but one that doesn’t discount the fact that the ones who went to the right ended up forming the seed crystal that became online right-leaning culture. Mm-hmm. But two and more importantly, the key to the mystery that we’re on right now is. Every single one of them except for one. Notable exception, okay. Who went to the left from that original community ended up losing their audience, losing their relevance, and losing their cultural halt, whereas the ones went right, continue to be mainstream figures in the online. Right. Hmm. And the question is, is why? And my by the way, if you’re wondering who’s a notable exception here everybody knows who it is. It’s shoe on head. Yep. But, but, but shoe on head. It’s very [00:02:00] interesting and she sort of gives away part of the story here. Who is Shoe On Head’s? Audience shoe on Head’s. Audience is. A right leaning audience. Yeah, totally. If you watch like for example, we had Leaflet on recently and we’re talking about thing Oh, we were like, oh, something like, oh, shoe want head. Like obviously I know that she watched, she Want Head, we watch Shoe, want Head. You go to Asma Gold. Obviously Asma Gold Watches Shoe Want Head. Knox will talk about Shoe. Want Head. Oh Shoe Want Head Talk about, you know, everybody on the right watches, shoe on Heads. Yeah. So much so that you go to a Sky Brow video and it’s a bunch of conservative online commentators. And then in every single one, it’s shoe on it, right? Simone Collins: Amen. Malcolm Collins: And so what she managed to do was to maintain the audience that was transitioning into right wing political beliefs while not fully adopting them herself. Why, why would, why is she able to do that? Why do I watch you on head? I think it’s because I, I do not [00:03:00] feel that any of her beliefs are performative. Yeah. Like when I, when I watch her. She really believes what she believes about things. Well, Simone Collins: she comes across as based in the way that we understand based rather than the way that people on the left define based, which is like, oh, you’re a white nationalist. Whereas like, I, I see. Based as being unapologetically yourself, she comes across that. Plus she has that unique one, one very dominant element of being progressive these days is like. Non playful pessimism. And unless you, like, even when people are jocular, it’s in a very nihilistic non vivacious way. It’s like, oh, I’m depressed. Ha ha ha. Like that common comedic bit, you know, of like, it’s very clear that this person is clinically depressed and mentally unwell, but they’re laughing and joking. That’s not her way. And, and it, there’s a sort of, it, it only. It almost all universally shows up on the right. That when, when people are like vivacious and optimistic and [00:04:00] joking about stuff that, that’s kind of, that’s right coded, but she is that despite being not a. Republican, for example. Malcolm Collins: Yeah. Yet, we’ll see, I I, I have a feeling, ‘cause recently she came around and was like, oh, I’m a Catholic now, you know? Simone Collins: Yeah. As of the pandemic, she got God again, Malcolm Collins: I think, or was it very loud about because I didn’t know that until the recent video with Simone and I both were like, did you know that she just yeah. I, I think she might be on a pathway to I’m, I’m just saying very the slowest pipeline you’ve ever seen crash. But, but yo, she’s a mom now, right? So, you know. Yeah. That, that’s after a lot of people change, right? Simone Collins: Yeah. That, that’s also, you know, one point against being progressive, Malcolm Collins: but. The second thought I had is, okay, well maybe the answer to this is very, very easy because it’s not just that this group became the seed crystal that the online right grew out of. Simone Collins: Okay. Malcolm Collins: [00:05:00] Culturally, they, we’re, we’re very, very heavily impactful for what the online right is like today. The online, right today, when you look at the social norms, conventions, styles of videos, everything like that. Simone Collins: Mm-hmm. Malcolm Collins: It clearly comes from the early. YouTube atheist slash edge Lord videos, right? Yeah. Like this culture is represented in it. None of that culture. When these people went to the left, I. Was adopted by the mainstream left. And so I was like, well, maybe the answer is that the left controls elite institutions, right? Mm-hmm. Like universities and stuff like that. And that is where they look in news companies, PR departments. I was like, that’s where they get their cultural talking points. It’s all taught down, whereas the right is bottom up. And that is why the internet didn’t end up influencing leftist culture. Mm-hmm. And then I started thinking a bit more about it and I was like. But that’s not [00:06:00] really true, is it? Because as an online culture watcher of that period the, the Tumblr culture of that period is the modern left. In fact, I’d say that the culture of Tumblr from that period almost completely, it, it eradicated and replaced whatever was there before. It is heavily, heavily, heavily impactful to the point where, you know. We were getting in fights on Tumblr. Like I, I didn’t have a Tumblr account, but like people were right about like, could you, could you be like a gender identify as like a cloud or you know, an attack helicopter or a turtle or a universe. Yeah. Yeah. And at the time today we’re like, oh, that’s like normal, weird lefty stuff. But no, at the time that was like a totally new cultural phenomenon, right? Simone Collins: Yeah. Yeah. Malcolm Collins: Now that’s gotten huge on the left. Right? And so have a, a lot of other cultural phenomenon. The, the you know, sort of fan fiction culture of, of Tumblr of that period. Many of the [00:07:00] ways of talking and joking, like the, the memes styles even cancel culture got its start was in Tumblr. And, and I will note, but that Simone Collins: I thought it came out of gay culture, which wasn’t really heavy on Tumblr, was it? Malcolm Collins: Well, they, they said, the word cancel came from the hashtag Cancel Colbert campaign, which is Simone Collins: hilarious. No, it existed before that, I think. Malcolm Collins: No, it did not really. It did not. You have gotten into this argument with me before on the show, and we looked it up Simone Collins: afterwards so you Malcolm Collins: were wrong. Simone Collins: Yeah, Malcolm Collins: it came from hashtag Cancel Colbert. Speaker: To give Simone Du, it was used in the black community before this, but it meant to like break up with somebody. It did not mean to attempt to de platform somebody cancel. Colbert was the first use of it in that context. Malcolm Collins: That is where it was popularized. And it was popularized by somebody named, I believe Amy Wong, who wanted to cancel Stephen Colbert, who is the most woke, obnoxious person ever for his Chong character. Where he went like, Ching Chong, Bing Bong, or whatever. Oh my Simone Collins: God, I forgot. Yes, yes, [00:08:00] yes. Speaker 2: my beloved character. Ching Chong. Ding dong. I love tea. It’s so good for you. You’re so pretty American. Girl. You come here, you kiss my tea, make all sweet. I no need no sugar when you are around. Come on rickshaw.