De Balie

De Balie

Een podcast over politiek, maatschappij en cultuur.

  1. In conversation about the epic novel Theodoros with Mircea Cărtărescu and Jan Willem Bos

    1D AGO

    In conversation about the epic novel Theodoros with Mircea Cărtărescu and Jan Willem Bos

    Can obsession turn an impossible dream into reality? In conversation with the master of modern surrealism Mircea Cărtărescu about Theodoros, a novel about the rise of an unlikely emperor. Theodoros is set in the nineteenth century and follows the extraordinary life of the otherwise ordinary Teodor, the son of two servants of a Romanian aristocrat. Raised on stories of Alexander the Great told by his Greek mother, he becomes obsessed with the idea that he too is destined for greatness — and everything else must give way to it. His improbable life path eventually leads him to Ethiopia, where he ascends the throne as Emperor Tewodros II. Theodoros is a surreal epic, written in rich, distinctive prose. About the speakers Mircea Cărtărescu (Bucharest, 1956) is considered one of the most important voices in contemporary European literature. His novels and poetry have been widely translated and awarded, and his acclaimed novel Solenoid was hailed by the European press as a masterpiece. Jan Willem Bos (1954) translated more than twenty-five novels, short-story collections, and poetry collections from Romanian. He has also published numerous articles and written several nonfiction books about Romania. Remo Verdickt (1992) is a literary scholar and specialised in Mircea Cărtărescu’s work. He wrote several articles about him, including in De Standaard and Los Angeles Review of Books. He is currently a postdoctoral researcher in literature at KU Leuven.  Programme editor: Ianthe Mosselman Moderator: Remo Verdickt In collaboration with: Roemeens Cultureel Instituut Brussel Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 34m
  2. Simone de Beauvoirs ‘De tweede sekse’ herverteld met Alicja Gescinska, Elma Drayer, Frida Boeke en Simone Milsdochter

    3D AGO

    Simone de Beauvoirs ‘De tweede sekse’ herverteld met Alicja Gescinska, Elma Drayer, Frida Boeke en Simone Milsdochter

    Wat is de relevantie van Simone de Beauvoir drie feministische golven later? De Pools-Belgische filosoof Alicja Gescinska wekt ‘De tweede sekse’ van Simone de Beauvoir opnieuw tot leven. In 1949 analyseerde Simone de Beauvoir in ‘De tweede sekse’ haarscherp hoe het ervoor stond met de vrouwenemancipatie nadat de eerste feministische golf was gaan liggen. Stemrecht was weliswaar bereikt, maar nog altijd waren vrouwen economische afhankelijk van, en achtergesteld aan de man. Die afhankelijkheidsrelaties maken, zo luidt het filosofische adagium dat onlosmakelijk met De Beauvoir verbonden is, dat je niet als vrouw geboren wordt, maar tot vrouw gemaakt. Wat is de relevantie van Simone de Beauvoir nu de vierde feministische golf gaande is? De Pools-Belgische filosoof Alicja Gescinska wekt ‘De tweede sekse’ opnieuw tot leven en haalt De Beauvoir naar de eenentwintigste eeuw. Is het niet de man die behoefte heeft aan emancipatie? Alicja Gescinska is een Pools-Belgische filosoof, schrijver en publicist. Afgelopen jaar verscheen van haar hand Vrouwen in duistere tijden, tien biografische portretten van vrouwen van blijvende betekenis, onder wie Rosa Luxemburg, Anna Achmatova, Hannah Arendt en Barbara Skarga. Met dit boek is ze genomineerd voor de Socrates Wisselbeker. Deze maand verschijnt in de serie De originelen ‘De ontdekking van de vrouw’, een filosofisch monoloog waarin Gescinska ‘De tweede sekse’ opnieuw vertelt. Programmamaker: Veronica Baas Moderator: Frida Boeke In samenwerking met: Uitgeverij Athenaeum en Filosofie Magazine Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 37m
  3. AI at War: On AI, Mass Surveillance and Cyberwarfare with American Journalist Shane Harris

    5D AGO

    AI at War: On AI, Mass Surveillance and Cyberwarfare with American Journalist Shane Harris

    The Anthropic-case shows how interlinked tech companies and intelligence agencies are. With national security journalist Shane Harris we explore mass surveillance, cyberwarfare and the shifting balance of power in a changing world order.  Tech company Anthropic (known for chatbot Claude) made headlines because they refuse to allow their AI models to be used by the Pentagon for mass surveillance of American citizens and autonomous weapons systems. OpenAI, led by Sam Altman, has no problem with that and is supplying the technology to the U.S. government that Anthropic (for now) refused. Meanwhile Anthropic has been sanctioned by Donald Trump. Tech moguls have become essential partners in national security. With American journalist Shane Harris, we ask what role technology companies play in the modern security apparatus. How is cyberwarfare reshaping the global balance of power? And what are the implications for privacy, civil rights and democratic governance in the years ahead? About Shane Harris Shane Harris is a staff writer at The Atlantic. He has written about intelligence, security, and foreign policy for more than two decades. Previously, he was a staff writer for The Washington Post, where he was part of the team that won the 2022 Pulitzer Prize for Public Service for coverage of the January 6 attack on the U.S. Capitol. For his work as a writer, podcaster, and filmmaker, he has received the James Beard Media Award, the Gerald R. Ford Prize, the George Polk Award, and an Emmy nomination. He is the author of two books, The Watchers and @War. Programme editor: Senna Felius Moderator: Yoeri Albrecht Made possible by: Vfonds Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 55m
  4. Is publieksfilosofie echt filosofie? Met Arnon Grunberg, Coen Simon, Eva-Anne Le Coultre, Paul Cobben en Jonasz Dekkers

    6D AGO

    Is publieksfilosofie echt filosofie? Met Arnon Grunberg, Coen Simon, Eva-Anne Le Coultre, Paul Cobben en Jonasz Dekkers

    Welke rol heeft filosofie in het dagelijks leven? En in het publieke debat? Of is het zinloos om de zeer gespecialiseerde filosofie bedreven aan de universiteit te willen linken aan een maatschappelijk belang? Met hoofdredacteur Filosofie Magazine Coen Simon, vakdidacticus filosofie Eva-Anne Le Coultre, emeritus hoogleraar filosofie Paul Cobben, filosoof en journalist Jonasz Dekkers en moderator Arnon Grunberg. Wat is publieksfilosofie? De filosofen die komen opdraven in talkshows verkondigen vaak een slimme, geëngageerde mening, maar zijn niet ‘live’ op zoek naar een juiste houding tegenover hun onwetendheid. Terwijl dat juist is waar filosofie om draait, vindt Coen Simon, hoofdredacteur van Filosofie Magazine. En in principe moet iedereen dat kunnen, vindt ook Eva-Anne Le Coultre, pleitbezorger voor filosofie op het vmbo. Inzichten van grote filosofen kunnen daarbij helpen, en daarvoor hoef je echt hun werk niet van A tot Z te snappen. Daar is emeritus hoogleraar filosofie Paul Cobben – Hegelspecialist – het niet mee eens. Tegeltjeswijsheden hebben weinig te maken met zorgvuldig uitgedachte filosofieën.  Vanavond gaan we in gesprek over de aard van filosofie, de rol van filosofie in de samenleving en in het onderwijs en de vraag of filosofie aan iedereen besteed zou moeten zijn. Stine Jensen en Jonasz Dekkers verzorgen een intermezzo over de filosofie van het publieke debat. Programmamaker: Veronica Baas Moderator: Arnon Grunberg In samenwerking met: Filosofie Magazine en Maand van de Filosofie Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 49m
  5. Theatre of Democracy: in conversation with Łukasz Twarkowski

    APR 19

    Theatre of Democracy: in conversation with Łukasz Twarkowski

    ‘Theatre is an experience. A performance is never just an image.’ Łukasz Twarkowski is one of the most compelling theatre makers today, always trying to push the boundaries of the art form. In conversation with Łukasz Twarkowski. At the latest Holland Festival, Łukasz Twarkowski made a strong impression with his overwhelming multidisciplinary production Rohtko, exploring the concept of originality and forgery in the art world, inspired by a fake Mark Rothko sales scandal. In an earlier edition of the festival in 2023, Twarkowski organised with Respublika a six-hour utopian rave Het Parool called ‘an experience like no other’. Twarkowski’s work can rightfully be called groundbreaking. The originally Polish theatre maker creates interdisciplinary performances at the intersection of theatre, video art, and performance art. His work explores major philosophical questions of our time, including human consciousness, the rise of AI, and the place of the human being in the late capitalist world. With his work, Twarkowski tries to find new ways of storytelling that do justice to how the contemporary individual thinks and experiences the world. Because in a world flooded with images, traditional theatre is no longer up to that task, according to Twarkowski. This event is the first episode in a new series at De Balie, featuring conversations with leading European theatre makers about their work and vision. At the heart of the series lies theatre as a democratic space: a place where audiences are invited to reflect on what remains unspoken in society, and where art confronts the most urgent questions of our time. Łukasz Twarkowski is a creator of multimedia performances combining theatre and visual arts. He places his projects in the context of extending reality through multimedia. A crucial element of Twarkowski’s creative work is investigating the ability and limitations of theatre as a medium and tool of communication. By permanent deconstruction of narratives, questioning the fixed habits of the audience and by meaningful usage of new media, Twarkowski creates a new, original language of stage performance based on multimedia and, more widely, digital technologies. In using these, Twarkowski analyses and observes increasingly complex relations between the Real, the Symbolic and the Imagined. Programme editor: Ianthe Mosselman Supported by: Vfonds Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 48m
  6. Inside Palantir: Techdenkers with Richard Evans (Palantir Technologies), Ellen Mok (Digitale Doetank) and Jochem de Groot (NLdigital)

    APR 18

    Inside Palantir: Techdenkers with Richard Evans (Palantir Technologies), Ellen Mok (Digitale Doetank) and Jochem de Groot (NLdigital)

    Palantir is one of the most powerful and most mysterious companies in the world. The American tech giant, co-founded by MAGA supporter Peter Thiel, provides essential and controversial technology to (Western) militaries and police forces. The Dutch government is also a client. How desirable is that? Palantir, named after the magical seeing stones from Lord of the Rings, develops software that can link, analyze, and visualize enormous amounts of data. The company supplies armies, intelligence agencies, and police services: from the Ukrainian military to help hold back the Russians to the U.S. immigration enforcement agency ICE to track down migrants. The Netherlands has also been using Palantir technology for years, largely outside public view, according to research by Follow the Money. The Dutch military has worked with it since 2010; the National Police uses the software as the core of its data platform for combating serious crime. Large volumes of police data – from incident reports to telecom and location data – are made searchable and analyzable through a single system. Palantir itself states that it only provides a platform and does not process the data. This use raises fundamental questions. How transparent are these systems? Who oversees the algorithms? What safeguards exist against errors, bias, or wrongful suspicion? And what does it mean for our digital sovereignty? About the speakers: Richard Evans is a member of Palantir’s Privacy & Civil Liberties Engineering Team (PCL), working at the intersection of policy, ethics, law and software engineering, and helping to ensure that Palantir’s platforms are built and deployed in ways that uphold rights to privacy and other civil liberties. Based in London, Richard has worked across Palantir’s UK defence, UK healthcare, and international public sector businesses since joining the company in 2017. Richard was previously lawyer in the New Zealand Government, focused on public and constitutional law. Ellen Mok is the founder of Digitale Doetank, a mission-driven advisory firm focused on digital sovereignty and the strategic use of (emerging) technologies. With a background in cyber strategy and national security, she previously worked at KPMG as Manager Cyber Strategy & Risk, where she helped establish the nation-state threats team, and at the Dutch General Intelligence and Security Service (AIVD) as a Cyber Security Advisor and Researcher. Ellen holds two MSc degrees: one in Engineering & Policy Analysis (TU Delft) and another in Crisis & Security Management (Leiden University). She combines technical knowledge with political experience, being a candidate for the European Parliament with D66. Her focus areas include digital sovereignty, tech policy, and national security. Jochem de Groot is director of policy at NLdigital, the trade association of the Dutch digital sector. He wrote the book “Kolonisten van de Cloud” (Colonists of the Cloud), about the geopolitical role of tech companies. He is connected to the Advisory Council of International Affairs and the Netherlands Atlantic Association. Furthermore, he has worked at Microsoft, Philips and the Ministry of Foreign Affairs. Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

    1h 30m

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Een podcast over politiek, maatschappij en cultuur.

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