Mixing Music | Music Production, Audio Engineering, & Music Business

@DeeKeiMixes
  • 4.9 (277)
  • Music Commentary
  • Updated Weekly

The Mixing Music Podcast is your ultimate guide to music production, audio engineering, mixing, and mastering. Hosted by professional mix engineers Dee Kei (@DeeKeiMixes), Lu Moreno (@MasteredByLu), and James Parrish (@jamesdeanmixes), this podcast covers recording techniques, studio mixing, vocal production, sound design, DAW workflows, plugin reviews, gear recommendations, industry secrets, and the business of music production. Whether you're a music producer, mix engineer, mastering engineer, independent artist, or content creator, you’ll get expert insights to take your sound to the next level. Our hosts have worked with Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, Rico Nasty, ATEEZ, Kanye West, The Game, and more, collaborating with major record labels like Universal Music Group, Sony Music, Interscope Records, Republic Records, and Capitol Records. Join us for mixing tutorials, mastering strategies, music production tips, home studio setup advice, industry interviews, and pro techniques used in professional recording studios. Whether you're using Pro Tools, Ableton Live, FL Studio, Logic Pro, or Studio One, this podcast is packed with valuable information to improve your mixing workflow and production quality. In our exclusive episodes, James Parrish and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music. All exclusive episodes are focused on technical aspects of the post-production process. The Mixing Music Podcast is sponsored by Antares (Auto Tune), Plugin Boutique, Lauten Audio, Sweetwater, & Filepass, Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredByLu @jamesdeanmixes witter: @DeeKeiMixes CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast’ Discord! The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.

  1. 20h ago

    Why Talented Engineers Say No to Opportunities — Imposter Syndrome, Thinking Fast and Slow, and Career Confidence

    Lu brought the topic this week — and it's one of the most universally felt things in audio that nobody talks about directly: the feeling of not belonging in the room. Not because you don't have the skill. Not because you don't have the credits. Just because the feeling is there, and most people let it make the decision for them. The episode opens with Lu sharing what he keeps hearing in consultation calls — talented engineers at every level passing on sessions they would have handled just fine, because they didn't feel ready. Dee and Lu are direct about it: the gap between someone who is working and someone who isn't is almost never the quality of their mixing. It's almost always confidence and forward motion. They unpack what imposter syndrome actually looks like at different stages of a career — not just at the beginning, but also at the mid-level, when asking for help or shadowing someone starts to feel embarrassing in a way that holds people back just as much. From there, Dee reads from Daniel Kahneman's Thinking Fast and Slow — specifically the chapter on cognitive priming — and the episode gets genuinely fascinating. He walks through the Florida Effect study, where participants subconsciously primed with age-related words actually walked slower down a hallway without knowing it. Then the pencil experiment, where people forced into a smile by how they held a pencil in their teeth rated cartoons as funnier than those forced into a frown — without being aware their facial expression had changed at all. The implication is direct: acting calm and confident doesn't just make you look calm and confident to others. It statistically makes you feel calmer and more confident yourself. The conversation also takes an unexpected turn into money priming — how the mere presence of money-related imagery in your environment makes people measurably more independent, more self-reliant, and also more selfish and socially distant — and what that means for the environments engineers build and the mindsets they carry into sessions. It ends where it started: the feeling of not belonging is not evidence of not belonging. Send the email. Ask to sit in. Shadow the session. The only thing making the street look longer than it is, is you. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  2. Aug 11

    Analog Plugins vs. Hardware: What Blind Tests Actually Show — And Why Engineers Still Buy Gear Anyway

    This episode starts with a confession: Dee Kei wants a new compressor. Specifically, he's been eyeing the Heritage Audio Grandchild 670N — a $3,000 stereo Fairchild-style compressor in a 5U rack unit that launched in late 2025. From there, the episode opens up into something much more interesting than a gear review. Dee and Lu walk through exactly what makes the original Fairchild 670 so mythologized — the tube count, the time constants, the maintenance costs that make owning one feel like buying a second car you're afraid to drive — and why Heritage Audio's approach of distilling the circuit down to four tubes in an affordable, modern form factor is either brilliant or sacrilegious, depending on who you ask. They break down what the Grandchild 670N actually has on the front panel — DC threshold, AC threshold, sidechain filters, mid-side and stereo linking, true bypass — and why $3,000 for two channels of Fairchild-esque compression is a genuinely different proposition than it was even three years ago. But the most interesting part of the episode isn't the gear. It's what happens when Dee reads from two actual peer-reviewed studies on whether listeners can hear the difference between analog and digital processing at all. The first study tested analog modeling plugins against free non-modeling alternatives across 540 participants — and found that not only did listeners show no preference for the analog mix, the majority who thought they could identify it were wrong. The second covered DAX differences using a loopback method with over 1,300 respondents. The conclusion: people largely can't tell the difference, and the majority who claimed they could were misidentifying what they heard. So why does any of this matter — and why does Dee still want the compressor? The episode lands on something more philosophical than a gear recommendation: the difference between buying hardware because you believe it's objectively better, and buying it as an act of devotion to the craft. Dee draws a sharp distinction between using gear purchases to fill a hole in your love for music versus buying from a place of already loving it deeply — and how Tony Mazzarati still sharpening techniques at his level is proof that the rabbit hole never ends for people who genuinely want to go deeper. Gear talk, research, psychology, and the irrational passion that keeps working engineers working. A lot going on in this one. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  3. Aug 4

    Ozone Assistant, Auto-Tune, Dynamic EQ — Have We Always Been Using AI? A Solo Deep Dive

    Lu's on vacation. Dee Kei is alone with a page of talking points and one of the most contested topics in audio engineering right now — and the result is one of the most thoughtful solo episodes the show has produced. This is not an episode about which AI tools Dee uses or recommends. It's about something harder to talk about: how engineers think about delegation, what happens when a probabilistic recommendation gets presented with the confidence of certainty, and why the pro-AI vs. anti-AI binary is the least useful frame anyone could bring to this conversation. Dee opens with a distinction that reframes the entire debate: there's a difference between assistance tools, delegation tools, and full replacement — and most of the discourse collapses all three into one. He argues that engineers have been using automated decision-making for decades (dynamic EQ, auto release, delay compensation, drum replacement, LUFS metering), so the real question was never whether machines should make decisions. The real question is how much of the contextual, consequential decision-making we're comfortable handing over — and whether we understand what's being lost in that handoff. From there he gets into the value engineers actually bring that no AI is accounting for: accountability, history with an artist, taste, creative confidence, the ability to hear the same note as a client and understand what they actually mean. He's direct about the economic effects coming — fewer junior engineer jobs, faster turnaround expectations, clients arriving with better rough mixes — but equally direct about what those changes don't mean: that the ceiling of professional audio work is getting any lower. The episode closes on a question Dee leaves deliberately open: if an AI assistant could eventually make every technical decision as well as a human engineer, what do we actually believe the mixer is there to do? SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  4. Jul 28

    What Your Personality Type Says About You as a Mix Engineer — The Big Five OCEAN Deep Dive

    Before you do anything else, pause this episode and go take the Big Five personality test at https://bigfive-test.com/ — it's free, open source, and it's the entire point. Dee Kei and Lu share their results live on the show, and if you don't know your own numbers, this episode won't hit the same. The Big Five — also called the OCEAN model — is the only personality framework that psychologists actually take seriously. Unlike Myers-Briggs and 16 Personalities, which studies have found are closer to horoscopes in predictive power, the Big Five is clinically validated, cross-cultural, and remarkably consistent over time. Dee breaks down exactly why — the difference in test-retest reliability, the Barnum Effect, and what it actually means to score on a continuous spectrum instead of being dropped into a binary personality type. From there, the episode gets into the part that's most relevant to anyone building a career in audio: what each trait actually predicts in a professional creative context. High neuroticism and how it maps to taking client feedback personally, spiraling on revisions, and undercharging to avoid confrontation. High conscientiousness and how it shows up differently in recording versus mixing workflows. The relationship between openness and musical taste — and why, despite what you might assume, personality and music preference are barely correlated at all. Then Dee and Lu read their actual results out loud — and it gets surprisingly candid. Lu's strengths and blind spots, including the gap between his external warmth and his internal sensitivity to criticism. Dee's near-perfect openness scores, his low cautiousness, and why his directness can sometimes outrun his warmth in ways people misread. The moment where the AI-generated analysis of Dee's personality is so accurate that he and Lu both go silent. It's equal parts psychology, self-awareness, and career development — wrapped in one of the more honest conversations the show has had. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  5. Jul 21

    How to Start a Music Career From Scratch: What Dee Kei & Lu Would Do Differently

    What would Dee Kei and Lu actually do if they had to start their music careers completely over today — same age, same responsibilities, but zero industry knowledge, zero connections, and zero credits? That's the question at the center of this episode, and the answers get surprisingly deep. The conversation starts practical: Lu makes the case for going straight to the top and finding the most credible working professional you can — shadowing, interning, and learning how the industry actually moves before spending a dime on gear. Dee adds his own counterpoint, arguing that hands-on reps with real people, even local ones, build something an internship can't always give you early on. The two go back and forth on the internship vs. DIY debate in a way that's genuinely useful for anyone trying to figure out where to start. But the episode goes further than tactics. Dee pulls from Thinking Fast and Slow by Daniel Kahneman to break down how self-control, delayed gratification, and the ability to focus attention are more predictive of long-term success than raw intelligence — and what that means for how you show up in the early days of your career. They also get into the fatherhood premium, what motivation looks like when the stakes are real, and why community college might be one of the most underrated networking moves for someone starting over in their 30s. The episode closes on something more philosophical: the difference between genuinely wanting a career in music and just thinking you should have one — and why knowing that distinction early could save you years of wasted energy or redirect you toward something even more sustainable. Whether you're 19 with a laptop and a dream or 35 reconsidering your path, this episode will challenge how you think about starting. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  6. Jul 14

    How Limiters Actually Work: Brick Wall, True Peak, Clipping, and the Naturl Audio AL-1 with Andrew Rynhard

    LINK TO 20% OFF! CODE: MMPOD Link and code expires 7/21/2026 In this episode, Dee Kei and Lu sit down with Andrew Rynhard — mastering engineer, developer, and founder of Naturl Audio — for one of the most technical and candid limiter conversations the show has ever had. Naturl Audio's philosophy is "evolution, not emulation," and that mindset runs through every corner of this episode. They start at the foundation: what's the actual difference between a brick wall limiter and a high-ratio compressor, and does the distinction even matter in practice? Andrew breaks down how the AL-1 takes a fundamentally different approach — abandoning traditional lookahead design in favor of an original zero-latency circuit, and deliberately avoiding the clipping or wave-shaping stage that most limiters rely on to force a hard ceiling. The result, he explains, is a limiter that stays musical and open under pressure rather than mechanical. Dee walks through how he actually uses the AL-1 in his mix sessions — not just as a loudness tool at the end of the chain, but as a creative shaping device — and Andrew digs into the Optimizer section, which uses upward compression and intelligent makeup gain to add loudness without coloration. The episode also takes some unexpected turns. Andrew opens up about the intense online backlash surrounding the AL-1's launch — including people threatening him over a plugin — and what that toxicity says about tribalism in the audio world. Dee shares a story about being the only engineer in a room full of pros willing to admit he couldn't hear a difference, and why that kind of honest integrity might be the most underrated quality in the business. Andrew echoes it with a lesson he learned from Jiu Jitsu: ego is the single biggest blocker to actually developing your ears, and the engineers who keep growing are the ones who can say "I don't know" out loud. It wraps with a real conversation about clipping philosophy — when to reach for a clipper vs. lean on the limiter, and what Grammy-winning masters actually look like in terms of true peak and LUFS. The answer might surprise you. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  7. Jul 7

    Do Expensive Preamps Actually Matter? The Jim Lil Video, Neve vs. Scarlett, and What No One Got Right

    SUBSTACK LINK In this solo episode, Dee Kei reads and expands on his Substack essay — a thoughtful response to the now-viral Jim Lil preamp video that sent the audio engineering world into a frenzy. If you haven't seen it, Jim Lil tested a Neve 31105 against a Focusrite Scarlett 2i2 and found the audible difference between the two to be far smaller than most engineers would ever admit. The reactions were loud, emotional, and — according to Dee Kei — largely missing the point. This episode isn't really about whether preamps matter. It's about why the conversation got so heated, what that reaction reveals about how engineers attach their professional identity to their gear, and what it looks like to hold your preferences with confidence without letting them harden into ego. Dee draws on philosophy — Nietzsche's concept of self-overcoming and Nishitani's idea of emptiness — not to be abstract, but to give language to something engineers feel but rarely articulate: the difference between having taste and needing your taste to be doctrine. He also calls out the logical fallacies that flooded the reaction videos, breaks down what Jim Lil's test actually proved versus what people claimed it proved, and ends with a distinction that every working engineer should sit with — the difference between a confident engineer and an egoic one. This is one of the more unique episodes in the show's catalog. Equal parts audio philosophy, industry critique, and professional development — and it's the kind of conversation the mixing world needs more of. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

  8. Jun 30

    The Best Computer Setup for Music Production in 2026 (Mac vs. PC, RAM, Storage Explained)

    A listener-requested episode is back by popular demand! Dee Kei and Lu tackle one of the most common questions in the show's history — what computer should you actually buy for mixing, producing, recording, and video editing in 2026? They make the case for why Mac has become the default choice for anyone working in a collaborative environment, breaking down file compatibility issues, AirDrop convenience, and why the cost gap with PCs no longer justifies the headache. From there, they go deep on the Mac mini's rise as one of the best value computers ever made, why it became so hard to find, and how the M4 and M5 chip generations have made fan noise, overheating, and lag basically non-issues for audio work. The conversation also covers RAM and storage decisions that actually matter (versus the ones that don't), why external Thunderbolt drives are now just as fast and far more affordable than maxing out internal storage, and surprising GPU improvements that are changing video editing speeds for producers who dabble in content creation. They wrap with an unexpected but relevant detour into Apple's privacy stance and what that means for engineers handling sensitive, high-value sessions. If you've been putting off a computer upgrade or just don't know what specs actually matter anymore, this episode cuts through the noise. SUBSCRIBE TO OUR PATREON FOR EXCLUSIVE CONTENT! ⁠SUBSCRIBE TO YOUTUBE⁠ Join the ‘Mixing Music Podcast’ Discord! HIRE DEE KEI HIRE LU ⁠HIRE JAMES⁠ Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredbyLu @JamesParrishMixes Twitter: @DeeKeiMixes @MasteredbyLu The Mixing Music Podcast is sponsored by ⁠Izotope⁠, ⁠Antares (Auto Tune)⁠, Sweetwater, ⁠Plugin Boutique⁠, ⁠Lauten Audio⁠, ⁠Filepass⁠, & ⁠Canva⁠ The Mixing Music Podcast is a video and audio series on the art of music production and post-production. Dee Kei, Lu, and James are professionals in the Los Angeles music industry having worked with names like Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, carolesdaughter, Crying City, Daphne Loves Derby, Natalie Jane, charlieonnafriday, bludnymph, Lay Bankz, Rico Nasty, Ayesha Erotica, ATEEZ, Dizzy Wright, Kanye West, Blackway, The Game, Dylan Espeseth, Tara Yummy, Asteria, Kets4eki, Shaquille O'Neal, Republic Records, Interscope Records, Arista Records, Position Music, Capital Records, Mercury Records, Universal Music Group, apg, Hive Music, Sony Music, and many others. This podcast is meant to be used for educational purposes only. This show is filmed and recorded at Dee Kei's private studio in North Hollywood, California. If you would like to sponsor the show, please email us at ⁠deekeimixes@gmail.com⁠. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

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4.9
out of 5
277 Ratings

About

The Mixing Music Podcast is your ultimate guide to music production, audio engineering, mixing, and mastering. Hosted by professional mix engineers Dee Kei (@DeeKeiMixes), Lu Moreno (@MasteredByLu), and James Parrish (@jamesdeanmixes), this podcast covers recording techniques, studio mixing, vocal production, sound design, DAW workflows, plugin reviews, gear recommendations, industry secrets, and the business of music production. Whether you're a music producer, mix engineer, mastering engineer, independent artist, or content creator, you’ll get expert insights to take your sound to the next level. Our hosts have worked with Odetari, 6arelyhuman, Trey Songz, Keyshia Cole, Benny the Butcher, Rico Nasty, ATEEZ, Kanye West, The Game, and more, collaborating with major record labels like Universal Music Group, Sony Music, Interscope Records, Republic Records, and Capitol Records. Join us for mixing tutorials, mastering strategies, music production tips, home studio setup advice, industry interviews, and pro techniques used in professional recording studios. Whether you're using Pro Tools, Ableton Live, FL Studio, Logic Pro, or Studio One, this podcast is packed with valuable information to improve your mixing workflow and production quality. In our exclusive episodes, James Parrish and Dee Kei react to interviews with various audio engineers, music producers, and YouTubers to help you understand the most useful advice for making better music. All exclusive episodes are focused on technical aspects of the post-production process. The Mixing Music Podcast is sponsored by Antares (Auto Tune), Plugin Boutique, Lauten Audio, Sweetwater, & Filepass, Find Dee Kei and Lu on Social Media: Instagram: @DeeKeiMixes @MasteredByLu @jamesdeanmixes witter: @DeeKeiMixes CHECK OUT OUR OTHER RESOURCES Join the ‘Mixing Music Podcast’ Discord! The Mixing Music Podcast is filmed and recorded at Dee Kei's Personal Mixing Studio in Los Angeles, California.

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