General Witchfinders: The British Horror Podcast

podcasts by revoltingross
  • 4.7 (13)
  • Film History
  • Updated Monthly

General Witchfinders: The British Horror Podcast Welcome to General Witchfinders, a podcast dedicated to the dark heart of British horror and classic Hammer horror films – officially selected for permanent preservation in the British Library’s National Sound Archive. If you are passionate about British horror cinema, Hammer films, classic folk horror, Nigel Kneale’s Quatermass, and the chilling legacy of British supernatural television, this is the podcast for you. Hosted by lifelong friends Ross, Jon, and James, General Witchfinders dives deep into the world of British horror, gothic cinema, and unsettling archive television. We explore everything from Hammer horror’s blood-drenched vampire classics – starring Christopher Lee and Peter Cushing – to the eerie landscapes of The Wicker Man, Tigon’s The Creeping Flesh, and Amicus anthology films. Whether it is cinematic British horror icons like Dracula AD 1972 and The Curse of Frankenstein, modern independent UK folk horror like Possum and In The Earth, or sci-fi horror thrillers like Event Horizon and The Medusa Touch, we unearth the films that shaped the genre. We cover the definitive British sci-fi horror of Nigel Kneale – including The Quatermass Xperiment, Quatermass 2, Quatermass and the Pit, The Stone Tape, and his terrifying TV anthology series Beasts. Our episodes shine a spotlight on classic British horror literature, including the tales of James Herbert from The Rats to The Survivor, alongside vintage television gems like the BBC’s Ghost Stories for Christmas (Whistle and I’ll Come to You, The Ash Tree), Doomwatch, Tales of the Unexpected, Inside No. 9, Ghostwatch, and classic Doctor Who horror stories like The Dæmons and Horror of Fang Rock. Expect thoughtful commentary, dry wit, and nostalgic tangents about 1980s and 90s British culture. Beyond the Podcast We also publish the independent General Witchfinders horror zine and host live podcast events and film screenings for the UK horror community. General Witchfinders is your premier audio guide to British horror, Hammer films, folk horror, Quatermass, and everything that makes the UK’s supernatural tradition uniquely haunting. Listen now on Spotify, Apple Podcasts, or grab our latest horror zine and live event tickets at www.generalwitchfinders.com. Listener Reviews “Really entertaining and insightful. About half a dozen episodes done so far, and all on horror/supernatural things I personally love and wanted to hear more about. Lots of new facts and just downright entertaining takedowns. Great work.” – 5 Stars ***** 🦴 “If you’re looking for a fun chat about vintage British horror and sci-fi, then this is the podcast for you.” – 5 Stars *****Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

  1. 70: Blood from the Mummy’s Tomb (1971) – Hammer Horror – Dir. Seth Holt – Valerie Leon, Andrew Keir & James Villiers

    13h ago

    70: Blood from the Mummy’s Tomb (1971) – Hammer Horror – Dir. Seth Holt – Valerie Leon, Andrew Keir & James Villiers

    Hammer Horror delivered one of its finest 1970s films with Blood from the Mummy’s Tomb, despite a notoriously cursed production. This 1971 British release is the studio’s fourth and final Mummy film, loosely adapted by Christopher Wicking from Bram Stoker’s 1903 novel The Jewel of Seven Stars. Crucially, it remains the only entry in the franchise where a physical mummy never actually appears. The trouble began early when a gap in the studio schedule forced the film into premature production. Wicking wanted to keep Stoker's original book title, but James Carreras refused, leading to a brainstorming session that birthed Blood from the Mummy’s Tomb – a title Wicking never expected them to use. Wicking also clashed with producer Howard Brandy and was barred from the set, forcing him to work with director Seth Holt secretly in the evenings. Brandy later claimed the script was unshootable and heavily rewritten by Holt. Brandy also wanted to cast Amy Grant, but Sir James Carreras insisted on Valerie Leon. Tragedy struck five weeks into the six-week shoot when Seth Holt suffered a fatal heart attack on set, collapsing into the arms of actor Aubrey Morris. Michael Carreras tried to recruit Don Sharp to finish the film, but Sharp was committed to a project in Israel. Michael Carreras ultimately directed the final week himself, later noting that Holt’s footage did not cut together well, forcing them to salvage what they could. Valerie Leon shines in the dual roles of Margaret Fuchs and Queen Tera. Beyond her famous Hai Karate aftershave adverts and seven Carry On appearances – including Carry On Christmas: Carry On Stuffing – Leon delivered a critically praised performance but clashed with the studio. She was deeply upset when producers denied her time off to attend Holt’s funeral, and her refusal to perform a nude scene required a body double. Hammer never hired her again. Her career later included roles alongside two different James Bonds, Roger Moore and Sean Connery. The supporting cast features incredible British character talent. James Villiers plays Corbeck, George Coulouris plays Berigan, and Aubrey Morris features as Doctor Putnum. Morris was described by Jeremy Brett to Noël Coward as the finest small-part player in London, boasting roles in The Wicker Man, A Clockwork Orange, and as the bubble-bathing B-Ark captain in The Hitch Hiker's Guide to the Galaxy. Rosalie Crutchley plays Helen Dickerson. James Cossins brings his trademark blustering authority to the role of an abusive psychiatric nurse, and a young Anthony Head makes an uncredited appearance. Andrew Keir plays Julian Fuchs, stepping in after Peter Cushing completed just one day of filming before leaving due to his wife’s emphysema diagnosis. Keir's presence links back to our Quatermass and the Pit reviews, Daleks’ Invasion Earth 2150 A.D., and Cleopatra alongside Richard Burton. The film is elevated by a brilliant electronic score by Tristram Ogilvie Cary, the pioneer who founded EMS, created the VCS 3 synthesiser, and composed the music for the first Doctor Who Dalek serial. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 30m
  2. 69: General Witchfinders LIVE: Folk Horror, M.R. James & Nigel Kneale

    May 8

    69: General Witchfinders LIVE: Folk Horror, M.R. James & Nigel Kneale

    In this special live episode, we dive deep into the world of Folk Horror, discussing the legendary Big Christopher Lee, the ghost stories of M.R. James, and the groundbreaking television work of Nigel Kneale. Recorded live at the King’s Arms Hotel in Dorchester, this event was hosted in partnership with our local independent bookshop, Teasel & Skylark, to celebrate the launch of our new zine. We explore the roots of British weird fiction, the enduring legacy of classic horror cinema, and the stories that keep us up at night. This episode features the main discussion from the evening. If you would like to hear the five live readings from the zine, you can grab a physical copy from our website or sign up as a supporter to get access to additional exclusive content. Get the Zine: www.generalwitchfinders.comSupport us on Patreon: patreon.com/generalwitchfindersA massive thank you to Teasel & Skylark and everyone who came out to support our first live event! Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 17m
  3. 68: The Medusa Touch (1978) – ITC Entertainment – Dir. Jack Gold – Richard Burton, Lino Ventura & Lee Remick

    Apr 5

    68: The Medusa Touch (1978) – ITC Entertainment – Dir. Jack Gold – Richard Burton, Lino Ventura & Lee Remick

    The Medusa Touch (1978): Richard Burton and the Power of CatastropheIn this episode, we investigate the 1978 supernatural horror thriller The Medusa Touch. Directed by Jack Gold and adapted from the Peter Van Greenaway novel, The Medusa Touch is a quintessential piece of seventies British cinema that sits at the dark intersection of the disaster movie and the occult thriller. The film follows the investigation into the apparent murder of John Morlar, played with volcanic intensity by Richard Burton. Richard Burton is the undeniable gravitational centre of The Medusa Touch. Despite Richard Burton only filming for three weeks and demanding a massive upfront fee, his presence as the telekinetic John Morlar defines the movie’s grim atmosphere. We discuss how Richard Burton portrayed a man who believed his thoughts could cause jumbo jets to crash and cathedrals to crumble. Interestingly, because of Richard Burton’s high cost, his character is often seen heavily bandaged in a hospital bed, allowing a stand-in to do the heavy lifting while Richard Burton provided the piercing close-ups and that legendary voice. Fans of 90s rock will know that a specific line from Richard Burton in The Medusa Touch – ‘I will bring the whole edifice down on their unworthy heads’ – was famously sampled by the Manic Street Preachers. This misanthropic energy is what makes John Morlar such a compelling antagonist. Throughout our review of The Medusa Touch, we explore how Richard Burton channeled his own real-life disillusionment into the role of John Morlar, creating a performance that feels both radioactive and world-weary. The supporting cast of The Medusa Touch is equally impressive. We look at Lino Ventura as Detective-Inspector Brunel, the man tasked with solving the mystery of John Morlar. Since The Medusa Touch was a co-production between the UK and France, Ventura provides a gritty, European perspective to this very British tale of destruction. Lee Remick, known for her work in The Omen, appears here as Dr Zonfeld, the psychiatrist who holds the keys to understanding the psychic pressure building inside John Morlar. We also dive into the rich layer of British character actors that populates The Medusa Touch. From Jeremy Brett, the future Sherlock Holmes, playing the man who steals John Morlar’s wife, to the ubiquitous Harry Andrews and Gordon Jackson, The Medusa Touch serves as a ‘who’s who’ of the era’s talent. We even touch upon the vocal work of David de Keyser, whose rich tones dubbed Ventura and appeared in everything from Superman to Doctor Who. Whether you are a fan of seventies horror, telekinesis films, or the legendary career of Richard Burton, this deep dive into The Medusa Touch has something for you. We examine the film's legacy, its sociopolitical commentary, and the sheer technical spectacle of the climactic cathedral collapse. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    2h 14m
  4. 67: Frankenstein Created Woman (1967) – Hammer Horror – Dir. Terence Fisher – Peter Cushing, Susan Denberg & Thorley Walters

    Mar 2

    67: Frankenstein Created Woman (1967) – Hammer Horror – Dir. Terence Fisher – Peter Cushing, Susan Denberg & Thorley Walters

    Frankenstein Created Woman (1967) | Hammer Horror & Peter Cushing Deep DiveWelcome to another atmospheric installment of the General Witchfinders podcast. In this episode, we are throwing chronology to the wind and jumping straight into the heart of the Hammer Films oeuvre. Having previously explored the Baron’s first experiment in The Curse of Frankenstein and his final bow in Frankenstein and the Monster From Hell, we now settle into the middle of the franchise with the 1967 cult classic: Frankenstein Created Woman. Directed by the undisputed master of gothic cinema, Terence Fisher, and featuring a career-defining performance by Peter Cushing, this film stands as one of the most intellectually provocative entries in the Hammer Horror canon. Interestingly, this is famously cited as one of Martin Scorsese’s favorite films, proving that the brilliance of the Baron transcends the "B-movie" label. The Soul of Science: Baron Victor FrankensteinIn Frankenstein Created Woman, Peter Cushing returns as Baron Victor Frankenstein. Unlike earlier iterations where the focus was on the stitching of limbs and the reanimation of dead tissue, the screenplay by Anthony Hinds (writing as John Elder) takes a metaphysical turn. Here, the Baron is obsessed with the soul. The plot follows the wrongful execution of Hans Werner (Robert Morris), the lover of the physically scarred Christina Kleve (Susan Denberg). After Christina takes her own life in grief, the Baron captures Hans’s soul and traps it within Christina’s surgically repaired body. This results in a "soul-swapping" revenge thriller that remains unique within the Frankenstein series. Cushing’s performance is refined, showing a Baron who is less of a graverobber and more of a cold, calculated philosopher of the macabre. The Legend of Susan Denberg and Nikki van der ZylThe casting of Susan Denberg is central to the film's legacy. A German-Austrian model and 1966 Playboy Miss August Playmate, Denberg was already known to sci-fi fans for her appearance in the Star Trek episode "Mudd’s Women." While her visual presence is striking, the production decided her Austrian accent was too strong for the character. Enter the legendary Nikki van der Zyl. If you have watched a James Bond film, you have likely heard her voice. She famously dubbed Honey Ryder in Dr. No and provided dialogue for countless Bond girls and even Gert Fröbe in Goldfinger. Her work on Frankenstein Created Woman adds a layer of polished professional mystery to Christina’s character, bridging the gap between Hammer Horror and the 1960s spy-fi aesthetic. The Hammer Character Actor NexusAs we always do at General Witchfinders, we track the "mother nexus" of British character actors who populated the halls of Bray Studios. This film is a treasure trove for genre enthusiasts: Thorley Walters (Dr. Hertz): A close personal friend of director Terence Fisher, Walters brings a much-needed warmth to the role of the Baron's assistant. Fans will recognize him as a recurring Doctor Watson in various Sherlock Holmes adaptations, including Sherlock Holmes and the Deadly Necklace.Duncan Lamont (Werner): A veteran of the Hammer stable, Lamont appeared in the original Quatermass Experiment and returned for the 1967 film version of Quatermass and the Pit. He is also a favorite of ours from The Creeping Flesh.Robert Morris (Hans Werner): Another Quatermass alum who brings a tragic weight to the first half of the film.Derek Fowlds (Johann): Long before he was a household name in Yes Minister and Heartbeat, Fowlds was a RADA scholar cutting his teeth in the world of horror.Production History: From Bray Studios to the ScreenThe road to Frankenstein Created Woman was long. It was originally mooted as a follow-up to The Revenge of Frankenstein in 1958, capitalizing on the popularity of Roger Vadim's And God Created Woman. By the time it went into production at Bray Studios in July 1966, it was one of the penultimate productions at that iconic location. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 38m
  5. 66: The Asphyx (aka Spirit of the Dead) (aka The Horror of Death) (1972) – Glendale Film – Dir. Peter Newbrook – Robert Stephens, Robert Powell & Jane Lapotaire – Freddie Young Shot

    Feb 7

    66: The Asphyx (aka Spirit of the Dead) (aka The Horror of Death) (1972) – Glendale Film – Dir. Peter Newbrook – Robert Stephens, Robert Powell & Jane Lapotaire – Freddie Young Shot

    The Asphyx (1972) In this episode, we dive deep into the 1972 British science fiction horror cult classic, The Asphyx (also known as Spirit of the Dead or The Horror of Death). Set in the Victorian era, this unique period chiller follows a wealthy philanthropist and amateur scientist, Sir Hugo Cunningham, who stumbles upon a way to photograph the "Asphyx"—the Ancient Greek spirit of death that appears at the precise moment of a person's demise. A Quick Mea Culpa on Picture QualityBefore we get into the meat of the film, we have to address the elephant in the room: the visuals. Throughout the episode, you’ll hear us absolutely tear into the "pan and scan" and the ropy, grainy picture quality of the version we watched. Full disclosure: We’ve since realized we were watching a particularly bottom-of-the-barrel DVD. It turns out there are actually stunning, high-quality HD versions of The Asphyx available for free on YouTube! From the Todd-AO 35mm widescreen transfers to beautifully restored prints, the real film looks pretty good. If you want to see what Freddie Young actually intended, go search for it—it’s easy to find and looks worlds better than the disc we suffered through. Inside the Episode: Behind the Lens of a Horror Oddity. Despite our technical hurdles, The Asphyx is a fascinating piece of British cinema history. We explore the career of director Peter Newbrook, who rose from a messenger boy to the second unit photographer for the legendary mirage shot in Lawrence of Arabia. Key Discussion Points: The Legend Freddie Young: How a three-time Academy Award-winning cinematographer ended up shooting a 70s mad scientist flick. The Ghostbusters Connection: We examine the theory that this film’s spirit-trapping tech was the direct blueprint for the 1984 Ghostbusters equipment. The Remake That Never Was: Details on the failed 2011 reboot that was set to star Bond girl Alison Doody. Music: Composer Bill McGuffie (of Daleks' Invasion Earth 2150 A.D. fame) and his incredible story of overcoming a childhood injury to master the piano. A Star-Studded Cast of British Icons. The acting pedigree in this film is surprisingly high, featuring some of the most recognizable faces in British television and film: Robert Stephens: The star of The Prime of Miss Jean Brodie and The Private Life of Sherlock Holmes. We discuss his marriage to Maggie Smith and his iconic work in The Box of Delights.Robert Powell: From Jesus of Nazareth to fighting rats in Doomwatch, Powell brings a certain intensity to the role of Giles. Jane Lapotaire: A Tony-winner and star of The Crown (as Princess Alice). We also take a detour into her role in One of Our Dinosaurs Is Missing. Fiona Walker & Ralph Arliss: Spotting familiar faces from Doctor Who, I, Claudius, The Abominable Dr. Phibes, and the classic series Survivors. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 33m
  6. 65b: K9 and Company: A Girl's Best Friend (1981) – BBC – Writer Terence Dudley – Elisabeth Sladen, John Leeson & Bill Cole – Doctor Who Spinoff Special

    12/31/2025

    65b: K9 and Company: A Girl's Best Friend (1981) – BBC – Writer Terence Dudley – Elisabeth Sladen, John Leeson & Bill Cole – Doctor Who Spinoff Special

    In this episode, we explore the 1981 television pilot K-9 and Company, a unique and historic entry in the Doctor Who universe. Produced as a proposed Doctor Who spin-off, K-9 and Company stars the legendary Elisabeth Sladen as investigative journalist Sarah Jane Smith alongside the robotic dog K9, voiced by John Leeson. While both were iconic former companions of the Fourth Doctor in Doctor Who, they had never appeared together on screen until the K-9 and Company pilot episode, titled A Girl’s Best Friend. Broadcast on BBC1 as a Doctor Who related Christmas special on 28 December 1981, K-9 and Company remains a vital piece of the Doctor Who franchise history despite not being commissioned for a full series. The existence of K-9 and Company was largely due to Doctor Who producer John Nathan-Turner, who wanted to bring Elisabeth Sladen back to the Doctor Who family. His initial 1980 plan for the actress would have seen Sarah Jane Smith travel in the TARDIS during the Doctor Who transition from Tom Baker to Peter Davison. However, Sladen wanted a role that evolved beyond her previous Doctor Who narrative. Simultaneously, the Doctor Who production team was struggling with the logistics of K9. While K9 was a massive hit with Doctor Who viewers, the prop was technically awkward and made the Doctor Who heroes too capable. The solution was K-9 and Company, a child-orientated Doctor Who spin-off where Sarah Jane Smith would be the central heroic lead. Before K-9 and Company, Elisabeth Clara Heath Sladen built a career in theatre and television, appearing in Z-Cars and Doomwatch. Her work on Z-Cars led directly to her casting in Doctor Who. Interestingly, the Doctor Who role of the new companion for The Time Warrior was originally cast with April Walker. However, Doctor Who lead Jon Pertwee felt the chemistry was wrong, leading to Sladen being cast as the definitive Sarah Jane Smith. She played the role in Doctor Who from 1973 to 1976, eventually returning for the K-9 and Company pilot. Her Doctor Who legacy continued in 2006 with David Tennant and the successful Doctor Who spin-off The Sarah Jane Adventures. Following her death in 2011, Doctor Who aired a tribute during The Impossible Astronaut, proving her status as a Doctor Who icon. The voice behind the metal dog in K-9 and Company, John Leeson, first voiced K9 in the 1977 Doctor Who serial The Invisible Enemy. While Tom Baker had a difficult relationship with the K9 prop, he worked well with Leeson. Leeson briefly left Doctor Who to avoid being typecast but returned for K-9 and Company and later the Doctor Who anniversary special The Five Doctors. The K-9 and Company pilot also featured Colin Jeavons, known for his work in The Hitch Hiker’s Guide to the Galaxy and the Doctor Who serial The Underwater Menace, and Mary Wimbush, a stalwart of The Archers. Written by Terence Dudley, a writer and director for Doctor Who stories like Meglos, the K-9 and Company pilot stands as a fascinating "what if" in the wider Doctor Who mythology. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 26m
  7. 65a: The Ice House (1978) – BBC – Dir. Derek Lister, Writer John Bowen – John Stride, Elizabeth Romilly & Ewan Hooper – BBC Ghost Story for Christmas

    12/24/2025

    65a: The Ice House (1978) – BBC – Dir. Derek Lister, Writer John Bowen – John Stride, Elizabeth Romilly & Ewan Hooper – BBC Ghost Story for Christmas

    The Ice House is part of the BBC Ghost Stories for Christmas tradition, originally broadcast under the banner A Ghost Story for Christmas. First shown on BBC1 on Christmas Day 1978, it marked the final instalment of the original 1971 to 1978 run. This episode completes our podcast coverage of that era. - Written by John Bowen, who previously delivered The Treasure of Abbot Thomas, The Ice House was produced by Rosemary Hill and directed by Derek Lister. Its Christmas Day broadcast made it only the second entry in the strand to air on 25 December, following Lost Hearts, securing its place in the BBC Ghost Story for Christmas canon despite being quietly sidelined over the years. - Starring John Stride as Paul, Geoffrey Burridge as Clovis and Elizabeth Romilly as Jessica, The Ice House breaks from tradition by being a contemporary ghost story rather than a period adaptation. This change was driven by Rosemary Hill after she took over the strand. Series creator Lawrence Gordon Clark preferred the earlier M R James style and left after Stigma, making The Ice House the only film in the original run not directed by him. - John Stride had appeared uncredited in Sink the Bismarck! before gaining wider recognition in The Omen and A Bridge Too Far. He later starred in the BBC adaptation of The Old Devils. Producer Adrian Mourby later described Stride as a powerful actor whose volatility could be difficult to manage. - Geoffrey Burridge is remembered for Blake’s 7, Emmerdale Farm and his appearance in An American Werewolf in London. He died in 1987 from an AIDS related illness. His partner Alec McCowen later insisted their relationship be acknowledged during the broadcast of This Is Your Life. McCowen also connects back to the podcast through Frenzy and his role as Q in Never Say Never Again. - Elizabeth Romilly appeared in several television plays and in Secrets of a Door to Door Salesman. By 2011 she had left acting and was working as a lawyer in the Government Legal Service. - Writer John Bowen went on to create Hetty Wainthropp Investigates and wrote for Dead of Night and The Guardians, a 1971 series imagining a fascist Britain. It feels increasingly relevant and is very much on our list for future podcast coverage. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    1h 20m
  8. 64: Psychomania (aka The Death Wheelers) (1973) – Benmar Productions – Dir. Don Sharp – Beryl Reid, George Sanders & Nicky Henson

    12/13/2025

    64: Psychomania (aka The Death Wheelers) (1973) – Benmar Productions – Dir. Don Sharp – Beryl Reid, George Sanders & Nicky Henson

    This time we watched the 1973 British horror film Psychomania, a cult biker horror oddity originally filmed as The Living Dead before the title changed. In the United States it appeared as The Death Wheelers. Not to be confused with the 1963 American film Psychomania, also known as Violent Midnight. The film was produced by Benmar Productions, better known for Spaghetti Westerns shot in Spain. They also made Horror Express later the same year with the same writers, which we covered back in episode 7. Psychomania was created in association with Scotia Bar Distributors who had director Don Sharp under long term contract. Don Sharp was born in Tasmania and began as an actor before becoming a director in the mid 1950s. He turned out low and medium budget films including the Tommy Steele musical It’s All Happening, then Hammer Films hired him and he made several well received thrillers. He also worked as second unit director on Those Magnificent Men in Their Flying Machines. Quiz time for Jon. Sharp directed BigChrisLee six times. Name them. Beryl Reid plays psychic medium Mrs Latham. She left school at 16 and debuted in 1936 as a music hall performer at the Floral Hall in Bridlington. She became famous on BBC radio in Educating Archie as Monica and as the Brummie Marlene. She later worked for the National Theatre and the Royal Shakespeare Company. She made the very first challenge on Just A Minute in the 1967 pilot. In the late 1970s and early 1980s she played Connie Sachs in Tinker Tailor Soldier Spy and Smiley’s People, earning two British Academy Television Award nominations and winning for Smiley’s People. Doctor Who fans will know her as Captain Briggs in Earthshock. The same year as Psychomania she appeared in Dr Phibes Rises Again. Ross will always remember her as Grandma in the Adrian Mole TV adaptation. Nicky Henson plays lead biker Tom Latham. A familiar face across British television, he excelled at playing cultivated gents, snobs and playboys. His many guest roles included several appearances in The Bill, A Touch of Frost, Pie in the Sky, Fawlty Towers and Witchfinder General as Trooper Swallow. His first wife was Una Stubbs, with whom he later appeared in EastEnders. Despite living with cancer for twenty years he continued acting on screen until 2018. Robert Hardy plays Chief Inspector Hesseltine. We discussed him fully in episode 41a when we covered The Stalls of Barchester from the BBC Ghost Stories for Christmas series. Academy Award winner George Sanders plays Shadwell. Born in Russia to an English horticulturist mother and a rope maker father, he became a British subject when the family fled during the revolution. His smooth voice and upper class accent made him perfect for polished villains. His roles included Jack Favell in Rebecca, Scott Folliott in Foreign Correspondent, the Saran of Gaza in Samson and Delilah and Addison DeWitt in All About Eve which won him the Oscar for Best Supporting Actor. He voiced Shere Khan in Disney’s The Jungle Book and played Simon Templar in several films in The Saint series. British horror fans may know him from the Doomwatch movie as The Admiral. There are brief appearances by June Brown as Mrs Pettibone, John Levene from Doctor Who and Bill Pertwee as a publican. Levene worked with Jon Pertwee who was Bill’s second cousin. The soundtrack by John Cameron was released in 2003 by Trunk Records. Cameron said they needed something spooky and different with a rock feeling, all pre synthesizer. They recorded at Shepperton’s studios which had not been updated since before the war. He described hooligan musicians scratching inside pianos while the engineer sat there in suit and tie, completely anachronistic. Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

    2h 15m
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4.7
out of 5
13 Ratings

About

General Witchfinders: The British Horror Podcast Welcome to General Witchfinders, a podcast dedicated to the dark heart of British horror and classic Hammer horror films – officially selected for permanent preservation in the British Library’s National Sound Archive. If you are passionate about British horror cinema, Hammer films, classic folk horror, Nigel Kneale’s Quatermass, and the chilling legacy of British supernatural television, this is the podcast for you. Hosted by lifelong friends Ross, Jon, and James, General Witchfinders dives deep into the world of British horror, gothic cinema, and unsettling archive television. We explore everything from Hammer horror’s blood-drenched vampire classics – starring Christopher Lee and Peter Cushing – to the eerie landscapes of The Wicker Man, Tigon’s The Creeping Flesh, and Amicus anthology films. Whether it is cinematic British horror icons like Dracula AD 1972 and The Curse of Frankenstein, modern independent UK folk horror like Possum and In The Earth, or sci-fi horror thrillers like Event Horizon and The Medusa Touch, we unearth the films that shaped the genre. We cover the definitive British sci-fi horror of Nigel Kneale – including The Quatermass Xperiment, Quatermass 2, Quatermass and the Pit, The Stone Tape, and his terrifying TV anthology series Beasts. Our episodes shine a spotlight on classic British horror literature, including the tales of James Herbert from The Rats to The Survivor, alongside vintage television gems like the BBC’s Ghost Stories for Christmas (Whistle and I’ll Come to You, The Ash Tree), Doomwatch, Tales of the Unexpected, Inside No. 9, Ghostwatch, and classic Doctor Who horror stories like The Dæmons and Horror of Fang Rock. Expect thoughtful commentary, dry wit, and nostalgic tangents about 1980s and 90s British culture. Beyond the Podcast We also publish the independent General Witchfinders horror zine and host live podcast events and film screenings for the UK horror community. General Witchfinders is your premier audio guide to British horror, Hammer films, folk horror, Quatermass, and everything that makes the UK’s supernatural tradition uniquely haunting. Listen now on Spotify, Apple Podcasts, or grab our latest horror zine and live event tickets at www.generalwitchfinders.com. Listener Reviews “Really entertaining and insightful. About half a dozen episodes done so far, and all on horror/supernatural things I personally love and wanted to hear more about. Lots of new facts and just downright entertaining takedowns. Great work.” – 5 Stars ***** 🦴 “If you’re looking for a fun chat about vintage British horror and sci-fi, then this is the podcast for you.” – 5 Stars *****Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

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