Grave Tone: Horror Podcast

Grave Tone

Grave Tone is a horror movie podcast covering new releases and some classics, along side horror TV shows, books, and games. New episodes weekly, with spoiler-aware reviews, interviews with horror filmmakers and authors, and scare-level ratings on every film. From cult classics to fresh nightmares, we dig into the stories that scare us, and why we keep coming back. If it bleeds, reads, streams, or screams… it's on Grave Tone.

  1. 5d ago

    Hope Movie Review and Ending Explained: What Really Landed in Hope Harbor

    Hope (2026) movie review: Na Hong-jin spent ten years away and came back with a creature feature that is not a creature feature at all. Arthur and Meaghan review Hope, the Korean sci-fi horror epic that premiered at Cannes, opened in South Korea in July, and finally hit North American theatres on September 9 through Neon. The setup is small. A remote fishing village called Hope Harbor, a police chief who is in way over his head, a dead cow that a bear did not kill. Then the thing in the mountains walks through a concrete wall in broad daylight, and the movie gets very, very big. This Hope movie review covers what works (creature design you can actually see, a setting that feels lived in, characters who make smart decisions and bring grenade launchers), and what does not (a middle section that lags, ten straight minutes of toilet humour, and a lore drop saved for the last twenty minutes). Hope (2026) Movie Review: Na Hong-jin's Creature Feature SwingNa Hong-jin's first film since The Wailing opens small and gets enormous, and the scale jump is the whole experience.Both hosts land on a six out of ten. Good movie, real problems, no hedging about either.The middle section lags and the toilet humour runs about ten minutes past funny.Creature Design and Practical Effects in HopeThe creatures show up in broad daylight, in slow motion, in full view. No one-tenth-of-a-second monster nonsense here.Each alien is designed differently, and the close-up work holds up even when the chase CG does not.Arthur's number one pick of the episode, and the reason the first reveal lands so hard.Hope Harbor: Setting, Scale, and the DMZA shabby little fishing village near the Korean Demilitarized Zone, full of elderly residents and no backup coming.Meaghan's favourite element: storefronts that feel real, forests that feel enormous, overhead shots worth the ticket.Communications are cut, and reinforcements are off fighting wildfires, which is how a small town becomes a sealed box.The Alien Reveal and the Lore DropWhat looks like a Korean folklore sea monster turns out to be something else entirely.Four aliens, four designs, a language built from a Mongolian dialect and actually spoken by the actors.The lore arrives in the final stretch and answers maybe half of what you want answered.Casting Fassbender, Vikander, Russell, and BrittonMichael Fassbender and Alicia Vikander perform through motion capture as Ma'veyyo and J'aur.Taylor Russell plays Ai'dovor, and Cameron Britton plays Va'migere. Britton is the Mindhunter and Umbrella Academy guy.Hwang Jung-min carries the human half as a police chief who is scared, hesitant, and completely out of his depth.Hope Ending Explained and Sequel TalkThe ending opens more doors than it closes, and the hosts argue two different readings of why the aliens are here.Na Hong-jin has a sequel script written. Nothing is greenlit.Closing question of the episode: is Asian cinema the only place keeping action movies interesting? Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Hope Movie Review and Ending Explained: What Really Landed in Hope Harbor
  2. Sep 7

    Return to Oz and The Peanut Butter Solution: 1985's Two Weirdest Kids Movies

    Return to Oz and The Peanut Butter Solution both came out in 1985; both were sold as children's movies, and both are genuinely upsetting. Meaghan and Arthur team up with Annie and Caroline from the Drawn to Darkness podcast for a Childhood Trauma double bill made entirely of films that were technically made for kids. RETURN TO OZ: THE DISNEY SEQUEL THAT STARTS IN AN ASYLUM The first thirty minutes are a straight horror film. Dorothy has insomnia, Aunt Em hands her to Dr. Worley, and we get a silent nurse, a dark corridor, restraints, and screaming from other rooms.The electroshock therapy is a Disney invention. It appears nowhere in L. Frank Baum's Oz books.Fairuza Balk was actually the right age for the character in her feature debut, which makes the stakes land harder than the 1939 version ever did.The lightning cuts the power right before the machine fires. Everyone on this episode thinks it worked anyway.THE OZ BOOKS, MGM'S COPYRIGHT, AND WHAT DISNEY COULD NOT USE The film combines The Land of Oz (1904) and Ozma of Oz (1907). Baum wrote fourteen Oz novels before he died in 1919.MGM owned the 1939 designs, so Disney paid for the ruby slippers (silver shoes in the book) and left the gingham dress alone.Book two is a girls' revolt fought with knitting needles, and the messaging has not aged into anything coherent.The Gump's reward for saving Ozma is asking to be taken apart. That is in the novel.PRINCESS MOMBI, THE WHEELERS, AND THE NOME KING Jean Marsh plays Nurse Wilson and Princess Mombi, the same doubling trick the 1939 film used. She also played Bavmorda in Willow.Mombi's hall of heads is Elizabeth Bathory logic in a Disney film. Trophies, kept young, screaming.The Wheelers sit between Freddy Krueger's stretched silhouette and Biff's gang in Back to the Future Part II. The book defuses them. The film does not.Nicol Williamson plays Dr. Worley and the Nome King, so Dorothy's real trauma follows her into Oz wearing a different face.THE PEANUT BUTTER SOLUTION AND QUEBEC'S TALES FOR ALL SERIES The second Tales for All entry, directed by Michael Rubbo and produced by Rock Demers. The series now runs to twenty-seven films and markets itself as family-friendly.Michael gets a fright, loses his hair, ignores the ghosts' measurements, and everything after that is consequences.The art teacher kidnaps a neighbourhood of kids for a paintbrush sweatshop and wears Michael's hair as a jacket. His dog gets a matching vest.Celine Dion recorded her first English-language songs for this soundtrack at seventeen.MONTREAL ON SCREEN AND TRAUMA THAT ACTUALLY STICKS Three characters are brothers with three different accents, none French Canadian, which contradicts a claim made on the How Did This Get Made episode.Return to Oz earns real credit for admitting the first film broke its protagonist, then tells her to keep quiet or go back to the asylum. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Return to Oz and The Peanut Butter Solution: 1985's Two Weirdest Kids Movies
  3. Sep 5

    Jonathan Janz on Marla, His TV Adaptation & Moonflowers

    Jonathan Janz on Marla, the horror novel that sold out before it went on sale and then spent four years being the book nobody could find. Now it is everywhere, and he came back to Grave Tone to explain how that actually happened. Marla was published in 2022 by Earthling Publications as a 500-copy limited edition hardcover. That was the whole run. Paul Miller told Janz it was the most requested post-sellout book he has ever had. Four years, one agent change, one manager change, and a three-book deal later, Weird Tales and Blackstone Publishing gave Marla a wide release on August 18, 2026, and Janz walks us through every turn of that road (including the parts most authors would not say out loud). Marla, From 500 Copies to Everywhere Marla was a 2022 Earthling Publications limited edition, 500 copies, and that was the entire run. Paul Miller told Jonathan Janz it was the most requested post-sellout book he has ever had.Weird Tales and Blackstone Publishing released it wide on August 18, 2026, with a foiled cover, sprayed edges, and interior art.The text is about 98 percent identical to the 2022 edition after a full editorial pass. If you read it in 2022, you are not getting a different book.Inside King's Branch: Marla, Carl, Annie and Dylan A reclusive young woman lives with her mother Irene in a house on the edge of town. Some say witch, some say prisoner, and nobody actually knows.Detective Carl Lancaster connects her to a string of murders. Social worker Annie Frost carries a vague memory of her. Twenty-one-year-old Dylan Ellison sees someone he wants to know.Moonflowers and the Marla TV Series Marla is in development for television through Weird Tales and Lit Entertainment. Janz is working with a showrunner he cannot name yet.Moonflowers is an 11,000-word novelette prequel covering the Halloween night eleven years before the novel. It ships with the hardcover and the audiobook.The prequel introduces a character intended to matter in a possible second season, and it came out of Janz and the showrunner building the lore together (there is a Pinterest board).How Marla Got Here: Agents, Managers, Weird Tales A former agent read Marla as a reprint that would not sell. Janz disagreed; they parted, and he is clear that nobody was a villain.Ryan Lewis introduced him to Patrick White at Lit Entertainment; Adam Kolbrenner became his manager. Lane Heymont at The Tobias Literary Agency opened their first call with what the hell is going on with Marla.John Harlacher at Weird Tales read it and offered a three-book deal. Next up: The Stars Have Left the Skies, then Panopticon.Adapting Books to Screen Without Being Precious Janz has taught film lit for twenty-five years. Asked how he handles adapters changing his work, his answer was let the ultraviolence begin.Patrick White wrote a 35-page treatment of Marla and pitched it as The Outsider meets Mare of Easttown, which is why it went to series instead of feature.Widow's Bay, Horror Towns and Staffing One Janz, Meaghan, and Arthur all love Widow's Bay. Patricia, the painting scene, the taser episode. Derry and Castle Rock get their due as towns that feel lived in.We played a game where we asked Jonathan to staff a fictional town with horror characters. These were his awesome choices that we totally agree with!Sheriff: Stu Redman. Doctor: Beverly Marsh. Teacher: Patricia. Funeral director: Clancy Brown's mortician from The Mortuary Collection. Neighbor: Eddie Dean, with Oy included.Patricia Santomasso and Sean Patrick Hopkins narrate the Marla audiobook. Janz cried at his own book during a lunch break.  Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Jonathan Janz on Marla, His TV Adaptation & Moonflowers
  4. Sep 1

    Daniel Barnett on Nightmareland: The Dark Tower Meets The Last of Us

    Daniel Barnett built a horror epic out of eternal night, and the Nightmareland omnibus is only the halfway point. Twelve volumes are planned. We sit down with horror author Daniel Barnett to talk about the Nightmareland Chronicles, the horror fantasy series he pitches as The Dark Tower meets The Last of Us (the games, and he is a purist about that). John Hawthorne is crossing a darkened America to reach his daughter's blue house by the Atlantic Ocean, with Mariah Nowak and thirteen-year-old Marcos Walker beside him. Marcos is deaf, and in this world, that turns out to be a defense rather than a limitation. Nightmareland Chronicles: Premise, Scope and the Omnibus Daniel describes Nightmareland Chronicles as one man's journey to reach his estranged daughter in a world claimed by eternal night, then admits that the logline does not cover all of it. The illustrated omnibus collects volumes one through six, a complete first season rather than an arbitrary halfway cut. Twelve volumes are planned; he originally thought ten. Individual volumes stay available for serialized readers. Dark Tower Meets The Last of Us: Influences and Genre His pitch is The Dark Tower plus The Last of Us, the games specifically. John Hawthorne shares an archetype with Roland; his dark tower is a blue house by the Atlantic. The revenge odyssey of The Last of Us Part II fed the dread of volume six. He also notes an accidental overlap: both stories put a brother in Wyoming. Nightmareland has fantasy bones (a quest, a small party, a great evil) but the architecture is all horror. Building the Book: Illustrations and Design Leslé Kieu created six original black-and-white illustrations that run in both the hardcover and the ebook, so digital readers get the art too. Daniele Serra's volume cover artwork runs as chapter title page backgrounds in the hardcover. Todd Keisling assembled the package. Writing Process: Gardens, Lullabies and Unwritten Lines He compares drafting to tending a garden; some things you plant will not bloom for years. A key lullaby in the first six volumes originally belonged to someone else. Moving it years later made it much more significant. The biggest lines at the end of volume six were never written down. He let them burn in him for years, so writing them became the reward. Lily is the book he always set out to write. Found Family in the Dark: John, Mariah and Marcos The trio is John Hawthorne, Mariah Nowak, and Marcos Walker, a deaf thirteen-year-old whose deafness is a real protective advantage here. Asked how long he would survive in his own universe, his answer is short: grab the dog, run somewhere remote. The defining survival trait is enduring and holding onto hope, the thematic spine of the whole series. Horror Is a Big House: Stigma and Recommendations His horror origin story is being shown Legend at two years old by a father who still claims he does not like horror. [LINK: Legend] He argues horror is a foundational genre, and emotional resonance rings sharper against the darkest material. Recommendations: the original version of The Stand, Robin Hobb's Assassin's Apprentice, and Doctor Sleep, which he says almost makes up for what Kubrick did to The Shining. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Daniel Barnett on Nightmareland: The Dark Tower Meets The Last of Us
  5. Aug 28

    Buddy (2026) Review: Casper Kelly's Killer Unicorn Is a Perfect Midnight Movie

    Buddy (2026) review: Casper Kelly's killer unicorn horror comedy is the most unhinged thing in theaters this week, and we are fully on board. Meaghan and Arthur caught Buddy at its international premiere at the Fantasia International Film Festival, about a month before the wide theatrical release, and walked out of that screening loud about it. Casper Kelly (the Too Many Cooks guy, the Adult Swim Yule Log guy) built a pitch-perfect recreation of a 1990s children's television show called It's Buddy!, then let the giant orange unicorn at the center of it start turning on the kids. That is the setup. What the movie does after that is stranger, funnier, and a lot meaner. Casper Kelly Goes Feature Length with Buddy Casper Kelly made his name on Too Many Cooks, the 2014 Adult Swim short that ate the internet alive. Buddy is his feature directorial debut, co-written with Jamie King. The same obsessions carry over: disposable 80s and 90s family media, hand-built sets, puppetry, and post-production elements treated as real things characters have to survive. It premiered in the Midnight section at Sundance in January 2026, then took its international premiere at Fantasia on August 1 before Roadside Attractions and Saban Films opened it wide. What If Barney Was a Horror Movie The film builds a fake 1990s kids show called It's Buddy! and commits to it completely, down to the theme song, the credits, and the episode reset. Barney & Friends ran fourteen seasons and 268 episodes between 1992 and 2010. That is the shape Kelly is working from, and the recreation is close enough to hurt. Kelly's hook came from a real question: what if one of the kids refuses to follow the script? Five minutes in, we find out. Buddy Cast and the Young Performers Delaney Quinn plays Freddy, the first kid to clock that something is wrong. She is the reason the film works, and she told Kelly she wanted to play a final girl. Cristin Milioti (Emmy winner for The Penguin) plays Grace, a suburban mother running a parallel modern-day storyline. Topher Grace plays her husband Ben. Keegan-Michael Key voices Buddy, Patton Oswalt voices Strappy the sentient backpack, and Michael Shannon voices Charlie the Train and Willie. Every kid in this thing is believable as a child trapped in an impossible situation, which is harder than it sounds. Practical Effects, Puppets, and Production Design The practical effects work is the headline. Buddy takes damage across the runtime, and the costume changes tracking that damage are excellent. The set is period accurate in a way that feels almost aggressive: oversized cartoonish props, matte painted woods, a clubhouse, a treehouse, and the Worry Well. Supporting characters include Mr. Mailbox, Betty Bunny, Charlie the Train, a bluebird, a junior puppeteer designed, and talking flowers. None of it feels out of place. Every lesson arrives as a song, exactly like the shows it is riffing on. Diamond City, Wizard of Oz, and the Lore Buddy tells the kids their missing friend went to Diamond City. The kids come to believe it is a way out. The Wizard of Oz influence is all over the escape, and Kelly has named The Shining as another touchstone. There is a spin-off tease planted in the film, and Kelly talked about wanting to do more if this one connects. Content Warnings and Where to Watch Rated R. Children are in real danger throughout, and the violence is not implied, so know that going in. Runtime is 95 minutes. It plays best loud, in a full room, with people who react. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Buddy (2026) Review: Casper Kelly's Killer Unicorn Is a Perfect Midnight Movie
  6. Aug 24

    Colony Review: Train to Busan Director's Goopiest Outbreak Yet

    Colony (2026) review: Yeon Sang-ho went back to zombies and made them learn. Meaghan and Arthur break down the Train to Busan director's newest outbreak. Colony traps biotechnology professor Kwon Se-jeong (Jun Ji-hyun, credited internationally as Gianna Jun) inside a mixed-use Seoul high-rise when disgraced scientist Seo Young-chul (Koo Kyo-hwan) releases an engineered virus at a biotech conference and announces that he is the only vaccine. The infected do not just bite. They share a hive mind, they trade information, and they get better at hunting you every hour.### Colony 2026 Review: Yeon Sang-ho Returns to the Zombie Movie Colony is a standalone story with no ties to the Train to Busan timeline, and the outbreak starts in a completely different way. World premiere at Cannes Midnight Screenings on May 15, 2026, South Korean release May 21, Canadian premiere at the 30th Fantasia International Film Festival, North American theatrical release August 28, 2026 through Well Go USA. Scores: Meaghan 7.5, Arthur 8. [LINK: Colony] Hive Mind Zombies and the Fungal Virus Explained The infected share information across a hive mind, so a skill one of them picks up spreads to all of them within minutes. They start on all fours like animals, then stand, then learn to use their senses, then start throwing each other at people. The fungal and spore basis gives the film a real Last of Us flavour, and it is also why everything eventually turns sticky.  The Colony Cast and Who Survives the Lockdown Jun Ji-hyun (Gianna Jun) plays Kwon Se-jeong, a blunt biotech professor attending the conference with her ex-husband Han Gyu-seong (Go Soo). Koo Kyo-hwan plays Seo Young-chul, the ousted scientist who engineers the virus, keeps the only vaccine in his own body, and has a real reason for doing it. Ji Chang-wook is security guard Choi Hyun-seok and Kim Shin-rok is his older sister Choi Hyun-hee, an IT employee and wheelchair user spending the day with him. Shin Hyun-been plays scientist Gong Seol-hee, working the outbreak from outside the building. A Sealed Seoul Tower: Mall Horror After Dawn of the Dead Retail at the bottom, office tower above, and the whole thing locked down once the authorities clock the bioterror attack. The film uses the full building (mall floors, offices, parking garage) with an actual reason to move each time, rather than clearing levels like a video game. Very Romero, with a bit of [REC] in the quarantine.  Zombie Choreography and Practical Body Horror Movement was designed by choreographer Jeon Young, who also shaped the zombies in Train to Busan, Peninsula and Hellbound, using breakdancers, contortionists and modern dance troupes. The first person to turn gets an iconic contortion scene, the same way Train to Busan handled its first turn. The set degrades across the runtime, going from clean and shiny to fully overtaken, and characters start getting stuck to walls. The horde reminded us of the dancer sequence in Smile 2. Is the Zombie Subgenre Oversaturated in 2026? Measured against We Bury the Dead, This Is Not a Test and 28 Years Later: The Bone Temple, plus a decade-plus of The Walking Dead spinoffs. The verdict: the standard zombie is exhausted, but the twists are not. Colony and The Bone Temple both prove there is room left. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Colony Review: Train to Busan Director's Goopiest Outbreak Yet
  7. Aug 21

    Insidious: Out of the Further Review + Post-Credits Explained

    Insidious: Out of the Further review, and we did the homework first. We rewatched all five previous Insidious films in one week, then walked into the sixth one with fresh eyes and a much better understanding of what this franchise is actually building. Vote for us at the Sacred Crypt Awards for the Rising Star category! Vote here, thank you! Insidious: Out of the Further Review and Our Rating We rewatched all five previous Insidious films before seeing the sixth, and it changed how much of this one landed. You do not need to, but it helps. Both of us landed on 5.5. It is a solid installment that does more with its lore than we expected going in. Not scary so much as gross. Multiple "ew, yuck" moments and almost no gore, which is a strange trick to pull in a PG-13 supernatural horror movie. The makeup and practical effects are the best they have looked in a few installments. Cast: Amelia Eve, Lin Shaye and Sam Spruell Amelia Eve plays Gemma Hall, a single mother raising her daughter Maya (Island Austin) in her childhood home. Lin Shaye returns as Elise Rainier, the only person to appear in all six Insidious films. Sam Spruell plays Cyrus Lam, a cult leader who kept the job after death. Tall, blindfolded, genuinely menacing. Brandon Perea (Nope) plays Nick, Maisie Richardson-Sellers plays Clare, and Joseph Lopez turns up as Lester after starring in Passenger earlier this year. Set Design, Lighting and the Pillow Fort Sequence The pillow fort scene is the best set piece in the movie. It looks soft in the trailer; it is metal underneath, and she cannot get through it. Rooms in the Further open outward as the camera moves, revealing four walls floating in nothing. Clever, cheap, effective. Insidious has always loved a nice house, from the Lambert home to Elise's childhood place to Dalton's dorm in The Red Door. Take a safe space, make it unsafe. Six movies in, someone finally bought a working flashlight. You can actually see things. Further Lore, the Doors and the Post-Credits Scene The entities in the Further have a hierarchy, and Cyrus brought his cult with him. Everyone over there wants out. Gemma does not just astral project. She can pull things out and shove them back in, which is a genuinely new ability for this franchise. Every film pushes harder toward our world. This one gets the furthest without fully succeeding, and we think that is deliberate.  The post-credits scene resolves Cyrus and leaves the door open (literally and otherwise) for whatever comes next. Our Biggest Gripe: No Specs and No Tucker Specs and Tucker have appeared in every other Insidious film. They are not in this one at all. Not even a cameo. Clare fills their narrative slot as the in-between helper, except she has an ability and they never did. Spectral Sightings, their in-universe company, used to have a real website. It is now a parked domain for sale. Huge missed marketing opportunity. If we missed a second credits scene, tell us in the comments. We checked. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Insidious: Out of the Further Review + Post-Credits Explained
  8. Aug 12

    Fantasia Film Festival 2026: The Best Horror Films We Saw Out of 20-Plus Screenings

    Fantasia Film Festival 2026 is over, and we saw more than 20 films between us. These are the six that stuck. Meaghan and Arthur close out Grave Tone's Fantasia Film Festival 2026 coverage with a mini wrap-up of their best horror films of the fest. No ranking (Meaghan ranked hers anyway). Just the movies that are still living in our heads two weeks later, plus honorable mentions and the release dates you actually need. Fantasia Film Festival 2026 wrapped, and we saw more than 20 films between us. No ranking, just the six that stuck, plus when you can watch them. Fantasia 2026 Vampire Horror: No Rest for the Wicked Kasper Kalle's queer vampire period piece, set on the Faroe Islands in 1862, follows a young fisherman and a stranded whaler. The vampire lore here is not the lore you know, and that is the whole point. Gorgeous start to finish (the Robert Eggers comparison is earned) with chemistry that carries the entire film. Won two Cheval Noir awards at Fantasia. Opens in Danish cinemas September 3. No North American date yet. Korean Zombie Horror: Colony from Yeon Sang-ho The Train to Busan writer-director returns to zombies a decade later, and it is nothing like Train to Busan. A biotech conference gets sealed off after a bioterrorism attack. The infected share information through spores and function as a hive mind. Characters make smart decisions, which is Arthur's entire personality at this point. Yeon Sang-ho's zombie run: Train to Busan, the animated Seoul Station, then Peninsula in 2020. Colony is a standalone. Killer Mascot Horror: Buddy and the Too Many Cooks Effect Casper Kelly (Too Many Cooks, Adult Swim Yule Log) made a horror movie that asks what if Barney was a monster. We caught the international premiere at Fantasia and stayed for the Q and A. It uses the uncanny sitcom-credits trick from Too Many Cooks and pushes it somewhere much worse. Funnier than you expect and considerably gorier than you expect. Superpowers as Horror: Freaks Part II Zach Lipovsky and Adam B. Stein's sequel closed the festival as a world premiere. Think X-Men, except the powered people are the ones being hunted. Each generation born to powered parents comes out stronger, which is where the sequel expands past the first film's isolation. The original Freaks (2018) is streaming free with ads on Plex. Watch it first. Queer Slasher Joy: Teenage Sex and Death at Camp Miasma Jane Schoenbrun's film is a full 180 from the sadness of I Saw the TV Glow. Made from joy and love for the horror genre, and every frame shows it. Self-aware about slasher tropes without ever sneering at them. Instant cult classic (the merch already exists). Our full review episode is up. Honorable Mentions and Release Dates The Leader dramatizes the Heaven's Gate UFO group, with Vera Farmiga and Tim Blake Nelson. Colony and Buddy both land in theatres the same day at the end of August. Make a weekend of it. Freaks Part II has distribution but no date yet. More Grave Tone incoming: mini episodes, childhood trauma entries, and interviews. Follow us & Subscribe: SpotifyApple PodcastTikTokInstagramThreadsGrave Tone Horror Podcast Website Background music by: Steve Swisher from the Producer's Chair Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

    Fantasia Film Festival 2026: The Best Horror Films We Saw Out of 20-Plus Screenings

Ratings & Reviews

4.2
out of 5
5 Ratings

About

Grave Tone is a horror movie podcast covering new releases and some classics, along side horror TV shows, books, and games. New episodes weekly, with spoiler-aware reviews, interviews with horror filmmakers and authors, and scare-level ratings on every film. From cult classics to fresh nightmares, we dig into the stories that scare us, and why we keep coming back. If it bleeds, reads, streams, or screams… it's on Grave Tone.

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