Music Tectonics

Rock Paper Scissors, Inc. PR firm

The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. The podcast includes news roundups, interviews, and more. Our host is Dmitri Vietze, CEO of PR firm rock paper scissors.

  1. Sep 23

    How Direct-To-Fan Unlocks Revenue

    This week on the podcast, we're on revenue multiplier 7 on our Rising Tide miniseries: direct-to-fan.  First, Mag Rodriguez, founder and CEO of EVEN, makes the case that most artists are leaving serious money on the table by skipping direct-to-fan entirely, and why you don't need a big mailing list to start selling directly to fans. Then, J Edward Keyes, editorial director at Bandcamp, explains why CDs are suddenly outselling vinyl with younger fans, and walks through some of the free features on Bandcamp that most artists still aren't using. Finally, Tim Quirk, SVP at Zedge and general manager of the new streaming app Tapedeck, talks about why streaming has never paid artists what they're actually worth, and what he's building to fix it. Three companies, all betting that the future of music revenue runs through the fan relationship, not around it. This episode is part of the Rising Tide miniseries, working through the revenue multipliers that grow the value of the music industry, and building toward this year's Music Tectonics Conference theme in Santa Monica this October. Get your tickets now The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find show notes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

  2. Sep 9

    More Music Means More Growth: The New Job of Distributors

    What is a music distributor actually responsible for in 2026? This week on the Music Tectonics podcast, we're focusing on distribution and artist services as a revenue multiplier. It used to mean one thing: getting your music onto Spotify and Apple. Now the companies doing that are pitching marketing, financing, even A&R, and we're asking what's real and what's marketing. First, Daouda Leonard of CreateSafe traces how we got here, from physical distribution through companies like Koch, to TuneCore's 2009 launch as the first real self-upload on-ramp, through the SoundCloud and blog era, to the "gold rush" of 2013 to 2018 when the playing field briefly leveled between independent artists and major labels  He also argues that most of what distributors pitch today is still a myth unless real capital backs it, and breaks down how some are starting to structure what looks like a record deal (minus the part where they take your copyright).  Then, Isaac Miranda, global marketing director at ONErpm, joins to talk about what a company he calls possibly the last large independent music company operating at scale actually turns on for an artist once they sign, from paid media and sync to fan engagement. We revisit the story from the Emmanuel Zunz episode back in May and pick it up from the marketing side, including a stat from a recent ONErpm audit that found 70-80% of artists in emerging markets weren't collecting their publishing rights.  This episode is part of the Rising Tide miniseries, working through the revenue multipliers that grow the value of the music industry, all leading up to the Music Tectonics Conference this October in Santa Monica.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find show notes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

  3. Sep 2

    What if Generative AI Grows the Music Business?

    What if generative AI actually grows the music business instead of shrinking it? This week, Dmitri Vietze tackles the AI question everyone's tired of hearing about, but from a different angle.  First, Matt Adell, co-founder of Musical.ai, breaks down the $20 billion opportunity sitting inside AI music, and what it actually takes to get consent, attribution and compensation right instead of scraping music without permission.  Then Gaurav Sharma, founder of Hook, makes the case for AI as an amplifier for fan engagement rather than a replacement for artists, and why even a fraction of social music consumption could be worth as much as streaming is today. Stick around after the interview for a preview of next week's episode with Daouda Leonard of CreateSafe, former creative director for Grimes, on the story behind Grimes AI voice licensing platform elf.tech and what they learned from building it. This episode is part of the Rising Tide miniseries, working through the revenue multipliers that grow the value of the music industry, all leading up to the Music Tectonics Conference this October in Santa Monica.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

  4. Aug 19

    How Music Catalogs Get Valued and Sold

    What is your music catalog actually worth, and how would you even find out?  This week we're on the second stop of our Rising Tide miniseries, tackling catalog valuation, one of the revenue multipliers we're covering ahead of the Music Tectonics Conference this October. First, music lawyer and Instagram creator Ryan Schmidt breaks down how catalogs get valued, the difference between the multiplier method and discounted cash flow analysis, and why an audit can uncover money you didn't know you were owed. We also get into name, image, and likeness rights, AI licensing, and where Ryan thinks the biggest growth opportunities are for artists and songwriters. Then we bring in two companies already working in this space. Sho Mitchell from Beatlibrary walks us through what a catalog valuation tool actually looks like in practice, and Rob Steiner from Luminate shares data on the current state of the catalog acquisition market. If you're a music tech company solving problems like these, come demo on the beach and network with the ecosystem at the Music Tectonics Conference, October 27 to 29 in Santa Monica. The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

5
out of 5
25 Ratings

About

The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. The podcast includes news roundups, interviews, and more. Our host is Dmitri Vietze, CEO of PR firm rock paper scissors.

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