The Israeli art restorer and spy Gabriel Allon is as real as George Smiley or Hercule Poirot. He even has his own Wikipedia page. The CNN special correspondent Jamie Gangel describes herself on X as a friend of Gabriel Allon before she gets around to mentioning her husband, the best-selling thriller writer Daniel Silva who, of course, is the creator of Allon. As with all successful literary inventions, of course, Silva is as much Allon as Allon is Silva. Silva-Allon. Amongst the most lucrative partnerships in contemporary fiction. Unsurprisingly, Silva still hasn’t managed to kill off Allon. Twenty-six books into the series, the retired Mossad legend turned Venice art restorer is the truest fake spy in the business — a character so real that Silva, who seems to revel in his insularity, has to lock himself away from imagining how readers receive him. Or perhaps he’s locking himself away from Allon. In Ransom, out today, a billionaire real estate baron asks Allon to find his vanished wife, the dazzling socialite Alice Winter — who has, of course, a darker life. Behind Silva’s latest summer best-seller looms Russia’s shadow war on Europe. That’s the post-cold war cold war politics of Ransom. Unit 29155, the GRU’s sabotage specialists, are hitting pipelines and flying drones over Copenhagen, an MI6 officer describes the Russians as feral animals, and Ransom’s climax unfolds at an emergency Downing Street summit with Zelensky without the United States in the room. It’s a terrifying narrative as real as Gabriel Allon. Five Takeaways • An Art Restorer Who Used to Be a Spy. Gabriel Allon was invented for one book — a 1999 novel inspired by the Camp David peace process, written like a demon in a cottage near Land’s End — and was never meant to continue. Twenty-six books later, Silva has flipped the character’s formula: once an operative whose cover was art restoration, Allon is now an art restorer who used to be a spy, formally retired and living in Venice. As for his age, Silva freezes time the way Christie froze Poirot: Allon is aging in reverse, quite intentionally, and Silva will write him for as long as people want to read him. • Russia’s Shadow War on Europe. The serious spine of Ransom is the campaign of sabotage and subversion that Russia is waging against all of Western Europe — the GRU’s Unit 29155 hitting pipelines, running hacking operations, and flying the drones that shut down Copenhagen Airport and pushed Denmark toward its highest state of alert. One MI6 officer tells Silva the Russians are acting like feral animals, and the worse the battlefield goes, the more aggressive the sabotage becomes. Silva has been here before: Moscow Rules put him ahead of the curve on Putin in 2008, and Allon’s personal war with Putinism enters its latest round. • Writing an Israeli Hero After October 7. Allon is the old Israeli liberal establishment made flesh — secular, social-democratic, the Ashkenazi security elite whose surviving members now oppose the conduct of the war. Silva, an avowed two-stater, saw the change coming years before October 7: quoting his friend Richard Haass, this is not your parents’ or grandparents’ Israel. Allon, he insists, would never serve in a cabinet alongside far-right extremists like Ben-Gvir and Smotrich — and they wouldn’t have him. What happened on October 7 was barbaric, Silva says, but this war has gone on far too long. • The Super Rich, With a Judgmental Eye. It’s fun to write about the rich — the jets, the expensive toys, the glamour of Venice, Knightsbridge, and Ibiza — but Silva does it for a specific reason: to draw the contrast between how they live and how the rest of us live. A new global super elite is checking out from everyone else, he argues — unwilling to pay taxes, to educate the young, or to care for the sick — so Ransom balances the socialite’s world against an encampment of homeless seasonal workers on Ibiza. Britain itself gets the same treatment: austerity, seven prime ministers in a decade, and shires where nobody is doing very well. • Pencils on the Floor. Silva calls himself a literary novelist masquerading as a thriller writer, and his working methods match the self-description: he lies on the floor and writes with pencils, keeping technology as far from the work as possible. AI appears in Ransom only because the plot demanded it — a proof-of-life photograph that has to be checked for deepfakery, in a world where even presidents fake pictures. The thought of asking AI to write for him prompts a simple question: what would be the point? A book a year since 1997, and book 27 began the day after this one was finished. About the Guest Daniel Silva is the award-winning, #1 New York Times bestselling author of twenty-six Gabriel Allon novels, including The Kill Artist, Moscow Rules, Portrait of an Unknown Woman, A Death in Cornwall, and An Inside Job. His books are published in more than thirty countries. He lives in Florida with his wife, CNN special correspondent Jamie Gangel — who describes herself on X as a friend of Gabriel Allon before mentioning her husband. His new novel is Ransom (HarperCollins, July 14, 2026). References: • Ransom by Daniel Silva (HarperCollins, July 14, 2026) — book 26 of the Gabriel Allon series. James Patterson: “Silva can really write, the bastard.” • Moscow Rules (2008) — the novel Silva is proudest of, which put him ahead of the curve on Putin and began Allon’s personal war with the Russian secret services. • The Kill Artist (2001) — Allon’s first appearance, inspired by the Camp David peace process and written in a rented cottage near Land’s End. • Unit 29155 — the real GRU sabotage unit behind the pipeline attacks, hacking operations, and drone incursions that drive the novel’s plot, including the 2025 shutdown of Copenhagen Airport. • John le Carré — whose George Smiley, Silva concedes, needs no advice from Gabriel Allon, though the two would have got on had they met on Bywater Street. • Richard Haass — the foreign policy analyst and friend of Silva’s whose line frames the Israel discussion: this is not your parents’ or your grandparents’ Israel any longer. About Keen On America Nobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 3,000 episodes since the show launched on...
