BROADWAY NATION

A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality.

  1. Round in Circles, part 2

    1d ago

    Round in Circles, part 2

    This is the second part of my conversation with author Barry Kester whose fascinating new book is titled: Round In Circles — The Story of Rodgers & Hammerstein’s CAROUSEL. Last week we focused on the three people most responsible for the creation of CAROUSEL — Oscar Hammerstein, Richard Rodgers, and the dynamic producer Theresa Helburn, whose vision and obsession it was to turn Ferenc Molnar’s play Liliom into a musical.   This week Barry takes us behind the scenes of CAROUSEL’s rehearsal period and it’s rocky out-of-town tryout including its very first performance in New Haven where the show ran more than four hours long! Along the way we have the opportunity to focus on the other key members of Carousel’s creative team — choreographer Agnes De Mille, director Rouben Mamoulian, dance arranger Trude Rittmann, and orchestrator Don Walker — all of whom were crucial in helping Rodgers & Hammerstein turn what could have been a disaster into one of the landmark musicals of the “Golden Age of Broadway.”  If you missed part one you may want to catch up with that episode before listening to this one. This episode is made possible in part through the generous support of Patron Club Members: Roger Kloresse, Elizabeth Troxler and Chris Moad.  Thank you all! How to become A PATRON of Broadway Nation! If you are a fan of Broadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

    30 min
  2. Encore Episode: Round in Circles — The Story of Rodgers & Hammerstein's CAROUSEL, part 1

    6d ago

    Encore Episode: Round in Circles — The Story of Rodgers & Hammerstein's CAROUSEL, part 1

    My guest on Broadway Nation this week is Barry Kester, author of the fascinating new book: Round In Circles — The Story of Rodgers & Hammerstein’s CAROUSEL. I thought I knew a lot about Carousel — and in fact Albert Evans and I have previously devoted several previous episodes to that show and its truly groundbreaking innovations. However, we both found this book to be filled with new information, new discoveries, and new insights.    Based on his exemplary research, Barry Kester takes us deep inside Rodgers & Hammerstein’s creative process as they endeavor to transform Ferenc Molnar’s dark, fantastical play, Liliom, into their second Broadway musical collaboration, which they know will be compared to their first show, Oklahoma!, which had become the most successful Broadway Musical of all time and was still going strong! So, they consciously set out to do something very different.   At the center of this story is a dynamic woman, producer Theresa Helborn, who was the inspiring, driving force behind the show. In fact, without Helborn there would have been no Carousel or Oklahoma! This is the first of three episodes in which Barry will share with us not only these fascinating stories but also his own unlikely and surprising tale of how he came to write this book. Become A PATRON of Broadway Nation! If you are a fan ofBroadway Nation, I invite you to become a PATRON! For a just $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

    45 min
  3. Ep 199: MARC SHAIMAN ON BROADWAY

    Mar 5

    Ep 199: MARC SHAIMAN ON BROADWAY

    This is the second half of my recent conversation with Tony Award-winning composer, lyricist, arranger, and music producer MARC SHAIMAN about his new, New York Times bestselling book, NEVER MIND THE HAPPY. During his five-decade career, Marc has found enormous success in nearly every aspect of show business, but in this episode, we focus on his experiences on Broadway, including CATCH ME IF YOU CAN, CHARLIE AND THE CHOCOLATE FACTORY and, most especially, the behind-the-scenes history and development of his smash-hit musical HAIRSPRAY. Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, PAULA & STEVE REYNOLDS. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

    49 min
  4. FIVE DECADES OF SHOW BIZ with MARC SHAIMAN

    Feb 19

    FIVE DECADES OF SHOW BIZ with MARC SHAIMAN

    My guest today on Broadway Nation is the Tony Award-winning composer, lyricist, arranger, and music producer, MARC SHAIMAN, who has found spectacular success in nearly every aspect of the entertainment industry, including film, television, and theater, but is probably best known to fans of this podcast as the composer and co-lyricist of the Broadway smash hit musical HAIRSPRAY. Marc joins us today to tell us about his star-studded new book, NEVER MIND THE HAPPY, which recently became a New York Times bestseller. In this candid, hilarious, and at times quite moving memoir, Shaiman looks back over five decades of his amazing career. I found this to be a delightful conversation filled with behind-the-scenes stories and impromptu musical punctuations that I suspect you will not soon forget! Become A PATRON of Broadway Nation! This episode is made possible in part by the generous support of our Patron Club Members, including our newest patron, Arnold Hirshon. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month, you can receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact, I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional, in-depth conversations with my frequent co-host, Albert Evans, that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation, there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please click on this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://broadwaynationpodcast.supercast.tech/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

    35 min

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4.9
out of 5
120 Ratings

About

A lively and opinionated cultural history of the Broadway Musical that tells the extraordinary story of how Immigrants, Jews, Queers, African-Americans and other outcasts invented the Broadway Musical, and how they changed America in the process.In Season One, host David Armstrong traces the evolution of American Musical Theater from its birth at the dawn of the 20th Century, through its mid-century “Golden Age”, and right up to its current 21st Century renaissance; and also explore how musicals have reflected and shaped our world -- especially in regard to race, gender, sexual orientation, and equality.

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