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Subtext: Conversations about Classic Books and Films

Wes Alwan and Erin O'Luanaigh

Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.

  1. The Music of Longing in “Amadeus” (1984)

    MAR 3

    The Music of Longing in “Amadeus” (1984)

    If an understanding of music implies a love of structure, perhaps the musician’s relationship to his art mirrors the one he has with authority, both human and divine. Salieri, whose father was a man of commerce, sees God as a kind of bank manager who records prayers and sacrifices as payments on a long-term loan of musical talent. Salieri’s economics work just fine until the arrival of Mozart, who seems to have put up no collateral—he’s ”a giggling, dirty creature” in the words of Salieri—but has received the equivalent of a billion-dollar loan. Are Mozart’s gifts a glitch in divine accounting? Or are his flaws attendant on or even the result of his genius? And how can we account for the glitch in Salieri’s design, which permits longing to go unanswered by talent? Wes & Erin discuss the 1984 film “Amadeus,” directed by Milos Forman. Upcoming Episodes: Susan Sontag’s On Photography; Withnail & I; Waiting for Godot Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

    39 min
  2. The Character of Authority in Shakespeare’s “Julius Caesar”

    JAN 20

    The Character of Authority in Shakespeare’s “Julius Caesar”

    Brutus is an honorable man, but Caesar is Caesar: at the beginning of Shakespeare’s play, his name is near the point of becoming synonymous with dictatorial power, and his every wish, as Mark Antony points out, has the substance of a command. For the rebels who oppose him, this identification of political authority with personal will is a perversion of republican institutions, and a form of corruption that justifies any means of putting an end to it, even if that means killing a friend. Yet Brutus’s conception of himself as unflaggingly virtuous is one he in fact shares with Caesar, and perhaps reflects the same authoritarian tendency, in grounding the legitimacy of political action in the character of a particular actor. Then again, it is not clear that democratic institutions will always forestall authoritarian tendencies, rather than enable the masses to sanction absolute power in a charismatic leader. Wes & Erin discuss Shakespeare’s “Julius Caesar,” and its sustained reflection on how political power is constructed, located, and legitimated. Upcoming Episodes: “Amadeus,” Susan Sontag. Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science. Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website

    50 min
4.9
out of 5
253 Ratings

About

Subtext is a book club podcast for readers interested in what the greatest works of the human imagination say about life’s big questions. Each episode, philosopher Wes Alwan and poet Erin O’Luanaigh conduct a close reading of a text or film and co-write an audio essay about it in real time. It’s literary analysis, but in the best sense: we try not overly stuffy and pedantic, but rather focus on unearthing what’s most compelling about great books and movies, and how it is they can touch our lives in such a significant way.

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