The Dialogue Doctor Podcast

Jeff Elkins

Writing great books is critical to generating sales and building a following of readers. On the Dialogue Doctor Podcast, Jeff Elkins and other writers discuss how to write dialogue that will excite readers and help you sell more books.

  1. 3d ago

    How to Make Readers Root for a Character Who's Done Terrible Things [Ep 343]

    How do you make readers root for a character who has done something terrible? In this episode of The Dialogue Doctor Podcast, Jeff Elkins sits down with new author Aubrey W to talk through one of the hardest emotional arcs to pull off: repentance. Aubrey is working on a thriller built around a character who has done real harm, but she does not want the reader simply waiting for punishment. She wants the reader to long for redemption. That creates a powerful craft problem. How do you make a morally compromised character compelling without excusing what they have done? Jeff and Aubrey dig into what makes readers forgive, follow, and even love difficult characters. They talk about redemption arcs, unlikable protagonists, hidden wounds, vigilante logic, unreliable narrators, and the emotional difference between justice, revenge, repentance, and mercy. The conversation pulls examples from Six of Crows, Les Misérables, Gone Girl, The Girl on the Train, Dexter, and Spider-Man to explore how authors can give readers permission to care about characters who are lying, hiding, hurting people, or justifying their worst choices. They also get into the practical craft of first-person POV, how to create two distinct narrator voices, how inner thought changes pacing, when a character should lie to the reader, and why some stories only work when we are trapped inside the character's head. Listen in if you are writing a thriller, a redemption arc, an unreliable narrator, a morally gray protagonist, or any character who needs the reader to think, "I hate what you're doing, but I still want you to change." Because redemption only works when the reader still believes there is someone inside the character worth saving.   For more, check out Dialogue Doctor.com

    How to Make Readers Root for a Character Who's Done Terrible Things [Ep 343]
  2. Aug 10

    How to Open a Thriller Without Losing the Reader [Ep 341]

    Thriller writers hear the advice all the time: get to the inciting incident fast. But what happens when you get there so quickly the reader has not had time to care? In this episode of The Dialogue Doctor Podcast, Jeff Elkins sits down with author Jed to look at the opening chapters of a corporate thriller with a romantic subplot. Jed's story begins with a stolen item, a veiled threat, a high-pressure professional team, and the kind of tense setup thriller readers expect. The problem is not that the opening lacks conflict. The problem is that the story may be moving so efficiently that the reader does not yet know who to emotionally follow. Jeff and Jed dig into one of the trickiest craft problems in thriller writing: how to use third-person omniscient POV without making the reader feel unanchored. They talk about "head-hopping," the difference between omniscient narration and a guiding narrator, and how a small narrative guide can help direct the reader's emotional experience through a big cast. They also explore why a thriller opening may need a little more character interaction before the crime lands, how dialogue can make a professional team feel alive, why a front-loaded letter may distance the reader, and how to balance fast pacing with enough emotional connection to make the tension matter. Watch this episode if you are writing a thriller, working with a large cast, struggling with POV, or trying to figure out how to make your opening chapter feel tense, cinematic, and emotionally grounded. Because a great thriller does not just start with something going wrong. It starts with readers knowing exactly why they should care.

  3. Aug 7

    Is Craft Really King Again? Authors Debate What Actually Sells Books [Write Wrong Repeat Ep 4]

    What actually sells books right now? Is it craft? Writing to market? Better ads? Faster production? AI tools? A stronger backlist? Or is the real answer messier than any one author guru wants to admit? In this episode of Write, Wrong, Repeat, Holly Lyne, Jeff Elkins, JP Rindfleisch IX, Crys Cain, and Tom Holbrook get honest about the current state of the author business. The conversation starts with real author updates: rough NetGalley reviews, TikTok experiments, BookVault print quality, Facebook ads, AI translations, ADHD and productivity, newsletter flows, rights reversions, and the emotional whiplash of trying to build a sustainable writing career while life keeps happening. Then the group digs into the big question authors are hearing everywhere right now: is craft king again? The answer is not simple. Craft matters. Writing to market matters. Reader expectation matters. Emotional connection matters. And "good writing" does not always mean literary prose—it means giving your readers the experience they came for and doing it well. If you are an indie author trying to decide where to put your energy next, this episode will help you think more clearly about craft, market fit, ads, AI, reader expectations, and the difference between chasing trends and building stories people actually want to keep reading. Listen for a practical, funny, brutally honest conversation about what is working, what is exhausting, and what authors may need to rethink next.

  4. Jul 20 ·  Video

    The Secret to Making High-Stakes Fantasy Feel Personal [Ep 338 VIDEO]

    A young hero is about to make a decision that could change everything. But will the reader feel the weight of that choice? In this coaching session, editor Laura Humm works with author Liz Woodwiss on Chapter 21 of Liz's epic fantasy novel. The scene centers on Terry, a 14-year-old reluctant hero who is being pushed toward a terrifyingly grown-up decision: petitioning the King directly during a Day of King's Grace in order to expose the Queen's manipulation. Laura helps Liz strengthen the chapter by bringing the reader deeper into Terry's point of view. Instead of letting the scene become a room full of adults discussing politics, Laura shows how Terry's fear, hope, confusion, and urgency can guide the reader through the complexity of the moment. You'll learn how to open a scene with emotional stakes, how to keep third person close narration anchored in your protagonist, how to remind readers what matters at the start of a chapter, and how to use teenage reactions, whispers, and shared panic to make political fantasy feel immediate and personal. The session also digs into world-building through character-specific imagery, including how Terry's lace-making background can shape the way he sees danger, pressure, and choice. Watch this session if you're writing YA fantasy, political intrigue, a reluctant hero, or any scene where a young character has to stand in a room full of adults and decide who they are going to become.

  5. Jul 20

    The Secret to Making High-Stakes Fantasy Feel Personal [Ep 338 AUDIO ONLY]

    A young hero is about to make a decision that could change everything. But will the reader feel the weight of that choice? In this coaching session, editor Laura Humm works with author Liz Woodwiss on Chapter 21 of Liz's epic fantasy novel. The scene centers on Terry, a 14-year-old reluctant hero who is being pushed toward a terrifyingly grown-up decision: petitioning the King directly during a Day of King's Grace in order to expose the Queen's manipulation. Laura helps Liz strengthen the chapter by bringing the reader deeper into Terry's point of view. Instead of letting the scene become a room full of adults discussing politics, Laura shows how Terry's fear, hope, confusion, and urgency can guide the reader through the complexity of the moment. You'll learn how to open a scene with emotional stakes, how to keep third person close narration anchored in your protagonist, how to remind readers what matters at the start of a chapter, and how to use teenage reactions, whispers, and shared panic to make political fantasy feel immediate and personal. The session also digs into world-building through character-specific imagery, including how Terry's lace-making background can shape the way he sees danger, pressure, and choice. Watch this session if you're writing YA fantasy, political intrigue, a reluctant hero, or any scene where a young character has to stand in a room full of adults and decide who they are going to become.

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About

Writing great books is critical to generating sales and building a following of readers. On the Dialogue Doctor Podcast, Jeff Elkins and other writers discuss how to write dialogue that will excite readers and help you sell more books.

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