Free Thinking Through the Fourth Turning with Sasha Stone

Sasha Stone

Essays on politics and culture from Sasha Stone's Substack. A former Democrat and Leftist who escaped the bubble to get to know the other side of the country and to take a more critical look at the left. Sashastone.substack.com www.sashastone.com

  1. 4d ago

    Why They Had to Kill Charlie Kirk Twice

    America lived through a political assassination one year ago today, and millions of people either barely noticed, shrugged it off, or openly celebrated. That was one of the darkest days in American history, a day I never thought I’d live through, watching people I used to know lose their humanity. One famous example was the actress Amanda Seyfried, who posted this: Charlie Kirk did not incite violence, and he was not “hateful.” Tyler Robinson shot Charlie Kirk to please people like Amanda Seyfried. She doesn’t regret her words. She stands by them, like the good little cult member she is. She complained about having to hire a bodyguard. She should feel lucky she wasn’t shot in the neck, lucky her kids don’t have to grow up without her. The Left felt emboldened by his death, even going so far as to celebrate it then and even now. When people lost their jobs for it - because who wants to employ a sociopathic monster - they whined about free speech. Jimmy Kimmel's cold heart could only make a bad situation worse. And then the videos. They tweeted and were rewarded for their ugliness. There was no bottom. I watched in horror as they went at Charlie’s memory; so scared were they that his legacy would expand and grow like a mushroom cloud. They thought their true hatred could extinguish everything Charlie left behind, but they were wrong. They were attacking a cartoon they invented, not the real Charlie Kirk. Charlie was right in the text he wrote the day before he died that Andrew Wilson read: the Left was trying to kill him. Tyler Robinson said the reason he killed Charlie Kirk was that “Some hate can’t be negotiated out.” Amanda Seyfried said “hate,” so did Tyler Robinson, and so did his defense attorney at the hearing where Robinson pled Not Guilty. The Left killed Charlie Kirk. Tyler Robinson just pulled the trigger. Their conviction in the Court of Public Opinion was that dissent was hate and Charlie Kirk would not stop spreading it; therefore, he should be silenced one way or another. Assassinations don’t happen every day, not in my lifetime anyway, especially not from a rooftop at a public event. A year prior to Charlie’s murder, on July 13, 2024, another killer climbed onto a rooftop and almost shot Trump to death. He missed. Just barely. There would be two more assassination attempts on Trump’s life, and plenty more that might have been. Why is it so important to the Left that their enemies die? Because that’s where all of this totalitarianism has to go. Charlie stood for exactly the opposite. He didn’t incite violence. He stood up for robust debate. But to the Left, they don’t believe that, which is why they’ve begun to resort to violence, excusing violence, celebrating violence. To them, that’s their solution to their biggest problem - what to do with all of these people who don’t agree with them? Hate to the Left is described as being anti-abortion, against “transing the kids,” and holding traditional beliefs about family and faith. That’s the first layer. It goes deeper. If you are against illegal immigration, you’re a fascist; if you support lower taxes, you’re killing Americans. “You’re a racist, a bigot, a homophobe, a transphobe.” They don’t even know what defines their hate anymore. They just know they’re consumed by it, which is all the more ironic given that they tagged Charlie with that word: hate. There was nothing hateful about Charlie Kirk, and he leaves behind a deep, dark hole that won’t be filled any time soon. The Left has become not unlike the jihadists who kill those who mock Allah. Even if they aren’t condoning violence, they’re condoning punishing people just for the crime of criticizing them. That no one shamed those who celebrated tells you everything about their values, and we’re supposed to put these people back in power? No, Charlie wanted to talk to them, to change their minds, to put himself in danger every time he faced them. They hit him with everything they had to shut him up, and nothing worked. And Charlie Kirk got through to them just by stating his opinion and making his case. Imagine that. He was about the best the Right had to offer. He was a lighthouse. The Left had to kill Charlie again because they had to kill his ideas, his thoughts, his speech, lest they somehow find a way out and reach the minds of the indoctrinated and maybe introduce critical thinking. We can’t have that. Are there enough voices to counter the lies by the Left as they attempt to write Charlie’s history? I don’t know. But just for the record, here is how Charlie Kirk spoke about gay people or the LGBT community. Here is how he spoke when confronted about his opinion on affirmative action. He never backed off of what he believed, but he made indoctrinated college kids defend what they’d been taught, and many of them might have left those conversations asking questions too, like how it was that they spent so much of their education being told what to think, not how to think. That is the gift Charlie Kirk gave them. He taught them what college should have - how to think. How to reason. How to question. And for that, he was “spreading too much hate.” No one on the Left had any curiosity about Charlie Kirk because to question the official narrative is too dangerous. But one person did and made this viral TikTok. Shabooki_Sunshine puts into words how I feel, too. I wish more people on the Left would think this way. It wasn’t only the Left. A faction of the Right also rose up in an attempt to kill what Charlie built and what he stood for, attempting to steal his legacy, destroy his widow, and undo everything he worked his entire life to build. The worst of them is the ugly, rotten heart of Candace Owens, bitter that Charlie distanced himself from her, who was exiled from Turning Point because she, like so many of them, had gone full Hitler in deciding the Jews were responsible for all of the evils in the world. That was never Charlie Kirk. Owens flew in like a hungry vulture to pick at Charlie’s corpse and steal his legacy, as she has no legacy of her own. Even now, on the one-year anniversary of her death, she’s harassing his widow, making it all about her. Has there ever been such a loathsome creature? She has done nothing good for humanity or tried to change minds in any positive way. Her entire platform is built on taking advantage of very stupid people, women mostly, who are transfixed by her gobbledegook. Charlie deserved better, but Candace stole him and now pretends he belongs to her. Most disappointing of all are those whom Charlie trusted, bowing in silent deference to Candace, either because they don’t want to alienate her large audience or they’re afraid of her, so they stay silent. They say nothing as she drags Erika Kirk into the arena again and again, blaming her for Charlie’s murder, blaming the Jews, and blaming Erika for being manipulated by the Jews. It is a black hole of delusion and bitterness. Candace Owens had to kill Charlie a second time because she didn’t like the guy who saw her for who she really was, because, of course, he did. Any bright light could figure that one out, even if he was too trusting for too long. She needed him to die a different way so she could rob the grave and get rich. It shouldn’t be that Candace wrote herself into his story so that everyone talking about Charlie Kirk or Erika will have to talk about her, too. But for an empty-eyed sociopath like Candace, even negative attention is better than none at all. The truth is that even in death, Charlie still outclasses all of them, on the Left and the Right, who are trying to kill him twice. The more they lie about him, the less power they have. They could not build what he built. They could not reach the lost boys cast aside by an indifferent cult that had no place for the majority of Americans who don’t have an identity category to elevate themselves and are just trying to live decent lives. They failed to kill Charlie’s memory because his goodness shines through. It’s there in all of the many videos he’s left behind, like a trail of breadcrumbs. It’s there in the beautiful faces of his wife and children. It’s there in how he built a movement and helped elect a president. I hear you, Charlie. I hear your voice, and I know how much you want to be in the fight now, helping stave off a blue wave, helping guide the young, helping to protect your wife and kids. What Charlie Kirk taught me America lost something when Charlie was killed. We saw who we were in how the Left celebrated his death. We saw who we were when the insane conspiracy theories were unstoppable. We saw who we were when few people stood up for Erika Kirk, who was bullied and demonized for months. But we lost something even bigger, too. We lost a bridge back to each other, a guy who would go anywhere and talk to anyone. We don’t have anyone like that now. We don’t have someone who cared that much about bringing back faith and family to the young who are the mercy of the Left’s fundamentalist cult or the increasingly extreme forces rising on the Right. We needed Charlie, and we still need him. But since we don’t have him, we have to keep his memory alive. We have to make sure they don’t kill him twice. The day before Charlie was murdered, he posted this on X: The next day, everyone realized how right he was. I wish I could say what I learned from Charlie was the kindness he showed to people who called him a racist to his face. I wish I could say I was that good. But I am not. The hatred that fills my heart when I see how people lie about Charlie Kirk, especially on the Left, feels like water on a sinking boat. The more I try to bail it out, the more futile it is. I didn’t know Charlie Kirk or think much of him before September 10, 2025. I felt like a phony when he was murdered because I had not bee

  2. 6d ago

    Mass Hysteria in Massachusetts. Again.

    In the good old days, before the Great Feminization, social media tribalism, and the instant fame of TikTok, most people felt disgust and horror at the thought of a mother killing her kids, let alone methodically leading each one down in the basement, then strangling them with an exercise band. This is the stuff of nightmares. Imagine your mother, the person you trust most in the world, telling you to “go to God, baby” as you felt your throat close and your life wither away. We’ve seen their faces, and we know their names. Everyone should be horrified, and yet, three years after the murders, Lindsay Clancy is not seen as a monster by hundreds of thousands of women all over the world but rather as their hero and a martyr for the agony and pain of motherhood. We are Lindsay! We stand with you, Lindsay! A triple homicide suspect whose fate was upended by one juror who withstood the pressure of 11 others to insist she was guilty beyond a reasonable doubt has become, for women, another Me Too moment. Me too, Lindsay. Me Too. Why are so many women losing their minds over this case, insisting Lindsay isn’t guilty because either she was afflicted with postpartum psychosis and had no control over these acts or Patrick did it because Patrick “said it” and he wanted out of the marriage to go have an affair with the woman he’s now married to. I wish it wasn’t mostly women who are vulnerable to this level of group psychosis. But it is. Women are communal. They tend to form groups or tribes, out of necessity and human evolution. Every time I scroll TikTok, I see them. There they are, staring back at me, those crazy, crazy women, performing for total strangers, united only by one singular idea: Lindsay Clancy is not guilty. Welcome to Rock Bottom Lindsay Clancy has been cast as a typical heroine in a Lifetime movie, or the protagonist in one of the psychological thrillers so popular on Audible. I know this world all too well. I watch these movies as a guilty pleasure, and I consume so many of these books that I forget which ones I’ve already read. It looks something like this: This might explain why the less camera-ready child killers like Andrea Yates or Susan Smith never became a worldwide sensation. The plots play out almost the exact same way. The ambitious, successful, beautiful woman has a seemingly ordinary life until it is disrupted by a dark force. Almost always, this is an abusive, manipulative, lying, cheating man. But not always. Sometimes it’s a woman. Whatever it is, the protag is never to be rescued. She must always rescue herself. Men who are “good” are allowed to admire them from afar and serve them but never save them. Lindsay Clancy has fit neatly into this role, especially if you are one of the truly insane women who believe she didn’t do it, and there are a lot of those. How perfect for a Lifetime movie or a psychological thriller if we found out in the last act that Patrick really did do it and Lindsay emerges as the true victim. Their theory is that Lindsay only thinks she killed the kids when, in reality, Patrick did it. It’s just that Lindsay did do it. She admitted it. She told the Chaplain first. Then, she told her husband and a psychologist that a voice told her to do it. The voice never appeared before or since because the voice was actually the mother who wanted to kill her kids. If Patrick Clancy is guilty of anything, it’s being too kind and trusting of his wife. Their text message exchange the day of the murders: And a recent appearance at his church. Patrick Clancy and their entire family have forgiven Lindsay and believe this was the result of postpartum psychosis, which is why Patrick and Lindsay are both suing the healthcare providers who treated her. And it also explains why they stonewalled, testified for the defense, and refused to give any insight into what else might have driven Lindsay to murder that day. These are not the cries of someone who lost her children but the cries of a woman who remembers that moment she caused them so much fear, so much pain, and their deaths. If a voice ordered her to do it, why didn’t she just say no? Why didn’t she scream for her babies when she snapped out of it? Believe Women I always thought it would be funny to put out a bumper sticker amid the Me Too movement that said: “Believe Children, Salem, 1692.” I’m not sure anyone would have gotten the joke. There aren’t many people out there like me who have read every book, listened to every podcast, and know everything there is to know about the Salem Witch Trials. One thing I know for sure, however, is that it wasn’t about “burning witches” nor was it about the patriarchy punishing women. These are lies that have never been corrected. The truth is that it was adolescent girls, not men, who had the power to decide who could live and who would die. So many people were convicted and hanged in Salem because of “spectral evidence,” what you could not see but could only imagine. There is a reason so much power was handed to those adolescent girls. Spectral evidence is why it’s so hard for so many to see the Lindsay Clancy case clearly. It was postpartum psychosis! It was bad therapy! It was the drugs! It couldn’t have been Lindsay. How else to explain how a seemingly normal “perfect” mother, high-achieving student, biology major, competitive cheerleader, could have killed her kids and then tried to kill herself? And for those girls in Salem, no one would have ever believed they could lie like that for so long. What Cotton Mather would call the Wonders of the Invisible World is the stormy darkness of the female mind. We can see from the Clancy case that so many are unwilling to see it for what it is: a mother who wanted to murder her children and took meds to stop those thoughts from coming, but they came anyway. All she wanted was for the problem to go away. But it’s that mysterious world men don’t dare even try to understand and usually avoid the endless emotional needs of women, which is why women need other women and why so many are now wrapping their arms around Lindsay Clancy. Me too, Lindsay. But what about the kids? Why isn’t there a bigger movement for them? Why is everything and everyone else blamed for their deaths except the woman who planned it? Thought it through. Knew exactly where the bands were and how to kill her children one by one. Spectral evidence is that no one dares question a woman who claims she was in postpartum psychosis and gets away with murder. Lizzie Borden got away with murder, it’s been theorized, because she hid the murder weapon and the bloody clothes in her menstrual pail, and none of the male detectives or any of the lawyers wanted to get anywhere near that subject. How does any society survive when this kind of murder is not only glossed over but excused because it’s the woman who matters, not the kids? Why not the kids? And why are things so much different now from when the case first broke in 2023? It’s easy if you know your Salem history. If Donald Trump was an existential threat to our utopia like the Devil was to Salem, then his second win in 2024 kicked into motion a Me Too on steroids. Now, it isn’t just about who assaulted, harassed, or raped women. It's about all men. Lindsay Clancy became their avatar because she tried to do everything right. She was the best woman, wife, and mother she could be, and it still wasn’t enough. Not even her Beach Body, Attachment Parenting, water parks, or birthday parties were enough. The same woman who left the hospital before she was ready so as not to miss her daughter’s birthday is the same woman who, a short time later, killed her daughter. That mirrors the psychology of what happened to so many women who thought they had enough power to win the presidency with Hillary and then with Kamala. Their collective rage projected onto Lindsay Clancy has exploded in a way it probably never would have otherwise. Trump’s second win, along with a hungry social media churn that wants more stories that will ignite our culture wars, turned a grotesque triple murder into a spectacle of narcissism and look-at-me trauma porn. “Me Too Lindsay” I spent so much of my adult life serving myself, chasing my own happiness because that was the blank check written for me as the first generation to come of age after Rose v. Wade and the Feminist movement. I couldn’t just have kids and get married. My life had to amount to more than that. Women became successful homeowners and business owners, and were elevated to positions of power thanks to a concerted effort to reorder our society and achieve gender parity across all industries and spheres of power. But chasing our happiness would eventually lead us back to where it started. How could we have everything and still not be enough? The world was changing. Now, it wouldn’t just be white men in charge. We would teach the young about the oppressors and the oppressed, and they would grow up to seek social justice, to fight against the colonizing white supremacist empire America had become. We just had no idea what we were building, what kind of madness we would unleash, and how it would all go so wrong for us that we’d end up abandoning women athletes, vulnerable women in prisons - we’d even accept that a transgender woman winning at Chess or Jeopardy was a win for women. We did it! Except that we didn’t. Little by little, the rights of the mostly white feminist women who dominated the Left were eroded. They just weren’t oppressed enough. It was “white feminism” - it was “TERFS.” Women were expected to take two steps back, to de-center themselves if they weren’t “of color” or “trans.” Abortion was all they had left. This baby is not yet human. And should we be that surprised that we’ve arrived here? If a baby is already disposable and if abortions have become almost

  3. Aug 29

    Lindsay Clancy: The Psychopath and Her Sycophants

    The Psychopath Lindsay Clancy, in my opinion, did not want to kill herself. She wanted to kill her children. It was all becoming too much for her, and she felt like she was drowning in it. Drowning in trying to be the perfect wife and the perfect mother. Her thoughts of suicide came as she tried to stop her thoughts of wanting to kill her children because what mother would ever think of doing such a thing? That voice? That was her. That was her hatred bubbling up, especially for Dawson, the middle child. Her hatred at herself for not being the perfect mother, and the loud voice of her inner psychopath who gave her advice on how to end her misery. Kill them. That’s what you really want to do. Then, you can kill yourself. Except that she didn’t really want to kill herself. She is a nurse, after all, and everyone knows how to commit suicide by slitting your wrists. She would know exactly where the carotid artery was, oh, but that voice would tell her just make it look like that was what you were trying to do. Get enough blood to make it convincing, then crawl out the window and into the snow and wait for your husband Patrick to find you and save you. What wasn’t in the plan? The way she fell, paralyzing herself, which is why these, along with whether she had a lawyer or not, were her primary concern once in the hospital. Do my legs work, she asked. The voice guided her through all of this and probably even through the trial now, careful never to disclose that it’s still with her. The camera is on you now, Lindsay. Put on a good show. Maybe a part of her was sad to hear what the voice made her do, but she knew the voice was her own. It was the psychopath within that did not want to do the job of motherhood anymore. She wanted her old life back. She wanted to be who she was before. She wanted control. Her inner voice was herself. She tried every medication she could. She tried aspirations. But the dark thoughts kept seeping through, no matter how much she tried to suppress them. She disclosed these thoughts to her husband and mother and hinted at them to her best friend. What she never did was turn herself in for them as a danger to her own children. If the husband bears any responsibility for these deaths, it is that he did not turn her in himself and keep those precious babies far, far away from her. On the day of the killings, Lindsey Clancy meticulously planned her actions, not as an irrational act but as a coldly rational one. Separating the children one by one and leading them down into the basement would have been scary for them, since it had never happened before. That was where Daddy worked. That was where Mommy worked out. That was where guests slept. It was not where kids belonged. And that ominous walk down those stairs with Mommy must have been terrifying, but their little brains could not comprehend what would happen next. Here is a clip from Chicks on the Right highlighting the prosecutor’s powerful closing. The hope and the reflex is to blame the drugs. We’re a country of people on too many drugs, whether they’re dying on the streets of San Francisco of Fentanyl or they’re murdering their children in Massachusetts. One thing is for sure: lots of people are making lots of money selling the illusion that there is such a thing as being perfect. I noticed this back in the 1990s when suddenly everyone had something wrong with their brains. We’d gone through therapy and healed the trauma and abuse in our past, but it didn’t make us “right” or “correct.” We needed drugs for that. We needed, wanted to be “healthy.” We were the victims of our hard lives, of our society, of our government, of the environment, of our diet, of our education, our culture, our marriages, and yes, even our children. Our children have paid the price, too, because if they weren’t perfect, something had to be wrong with them; we had done something bad or failed at motherhood. The mythical “post-partum” depression came on like one of these ailments in our brains we could do nothing about. We were all supposed to respect women who undergo this affliction and forgive them everything. Over the many decades, especially on the Left, we’ve become separated from ourselves in nearly every way. Whether it’s mothers aborting their children now as a rite of passage and an act of empowerment, or it’s mothers resenting their children and unable to mother them with post-partum. Be afraid, they say, be very afraid. And then, all the way down to our precious babies whose genders we now view as potentially “something wrong with their brains.” Mothers allow gender clinics, teachers, and influencers to tell them they don’t know their own babies. Drugs will fix them. Surgery, intervention, turn them into something else, someone else, someone more perfect. Women did not evolve to do it all alone. We evolved to be hovered over by our own mothers, our aunts, our sisters. Since women had babies so young in every era except the modern one, they needed the help and guidance of older women, which is why humans are among the tiny handful of species that undergo menopause, like Killer Whales. Older women have a role: to guide, to lead, and to help raise the younger generations. Lindsay Clancy wanted to do it all alone. Or at least, she wanted it to look like she did. An athlete, a nurse, and a mom, she wanted that Instagram fantasy all women believe they deserve. It all looked so good outwardly, from photos to testimonies of family and friends. But Lindsay was good at hiding. She was not a good mother at all, it turns out. She was a psychopath. It isn’t that mothers don’t kill their babies. They do. They dump them in trash cans, leave them in toilets, beat them until they can no longer breathe. Andrea Yates believed her children were demons and that they needed to be killed. That is what true psychosis looks like, and it’s more common than it should be. Women should not be doing motherhood alone, at least not those who are fragile enough to crack under pressure. It’s not easy. It's shocking how difficult it can be just to try to live your life after you’ve had a baby, but it is especially so for the modern woman who is used to centering herself. I was one such woman. By the time I had my baby at 32, I wanted her. She was a way for me to heal from my own childhood because I would do everything right. My own mother got so angry at times she flew into violent rages. She had four babies before the age of 25, and that must have been hard. We were untamed, wild children, and she needed control. Even now, I sometimes feel nervous when I spend time with her because we never knew when the fury would arrive or why. Like Lindsay, I was into the “attachment parenting” method, which is just the natural way women raised children before they invented things like cribs and formula. I didn’t want drugs during childbirth and wanted to do it all naturally. This is the kind of pressure women put on themselves to be perfect. If one thing goes wrong, they feel like a failure. And things will always go wrong. Breastfeeding them, co-sleeping with them, hugging them when they cry. Lindsay felt guilt for not being the perfect attachment parent and leaving her baby to cry it out with sleep training. She couldn’t sleep, and this was supposedly the solution. But leaving babies to cry it out is another way to separate mothers from their natural instincts, and Lindsay knew that too. But if the baby went away, then the problems went away too. After 18 hours of agonizing labor, I begged for the epidural. They’d already given me morphine, which did nothing. My labor was induced, and the contractions were unlike anything I’d ever felt in my life. The only thing I could do was scream. And when she finally came out of me, and I saw her face, I knew her already. I recognized her. My baby. I kept yelling for the nurse, “Just give me my baby!” They wanted to clean her up and check her vitals, but I just wanted to hold her in my arms to keep her safe. When they finally gave her to me and when I was complaining that I had wanted to do it naturally, without drugs, the nurse looked at me and said, “Healthy mom, healthy baby.” She was right. That’s all that mattered. That’s also the kind of thing labor and delivery nurses see all the time. They see the perfect and the imperfect. They see the joys and the tragedies. They see the struggles and failures. Lindsay Clancy knew all of them. I didn’t let go of my baby for a full two weeks. She stayed in my arms and close to me at all times. I had nightmares of something happening to her — what would I do? If there was a fire, or an intruder, or an earthquake, or a mass shooter. I was raising her without a father, which made me both the father and the mother, and yes, that was hard. It meant my life would no longer be the most important thing. Of course, I lost my temper on occasion. But I knew I would never be like my mom. I might have been if I’d had more than one. Children are their own people. They don’t do exactly what you want them to do at all times. One of my jobs was writing movie reviews, and if my daughter didn’t go down for a nap, I couldn’t make the showtime, so I’d drive around until she did, and sometimes she didn’t, and I felt the pressure of that, and I would think and sometimes say, “time for sleep!” The few times I lost my temper stay with me. They haunt me. I wish I could go back and scrub them from my memory and my life because I was, I think, all things considered, a pretty good mom otherwise. Perfect? No. And we all want to be perfect because if something is wrong with our kids, it means we weren’t perfect mothers. I would hear the complaints of other mothers and their difficult children. Why couldn’t they behave? I saw them punish them with time-outs, and I always thought I was so lucky to have such a good kid. It was ne

  4. Aug 23

    Good Luck with Hasan Piker, Democrats

    The Democrats are just now waking up to a viral video of Hasan Piker singing We Are Charlie Kirk to a cacophony of cheers from the clapping seals in the sociopathic dehumanization factory known as the New Left. Why do they believe they are morally superior to the working-class Trump voters? Because the legacy media props them up and never calls them out. Well, now, they have a bad case of Hasan Piker, and as long as they stand with him, they will have to excuse the idiotic things he says and does, like wearing a Mao costume and mocking the grief of the Right after Charlie’s brutal murder. Not many Democrats will take that moral stand against Piker. They’re too afraid to look uncool, un-manly, and lose all of his millions of followers. And besides, they will say, Trump is “just as bad.” Trump mocked the deaths of his enemies, but Charlie Kirk was not Hasan Piker’s enemy. Maybe he’s jealous of the love millions had for Charlie - real love, not the kind Hasan Piker has, his sycophants begging him to be more sadistic, not just to his dog. These are dark and disturbed people. We are now approaching the one-year anniversary of the brutal, bloody, premeditated, calculated murder of Charlie Kirk by a guy whose desire to become a somebody drove him to become a hero for a day. Maybe he did it for his confused and anguished lover who could not decide on his gender identity. Maybe he did it for the pathologically insane furry community on Discord. Maybe he was whipped into a frenzy and aimed at Charlie by, oh, I don’t know, the CIA or the FBI. They’ve done worse. Israel, however, it was not. That didn’t stop craven psychopath Candace Owens - whom Piker calls his “Queen” - from plundering the grave of her “friend” Charlie. The truth is that he kept her at a distance, needed her to help build Blexit, and then, when she got too crazy, he slowly, carefully backed away. She blamed Erika for that. She blamed Turning Point. One thing is for sure: she is too much of a narcissist to put the blame where it really belongs, on herself. Chicks on the Right had an illuminating interview with Andrew Kolvet of Turning Point to clarify just what kind of relationship Charlie really had with Candace and why she’s become a woman scorned. But if Candace’s exploitation of Charlie’s death dwarfed the Left’s celebrating, Hasan Piker somehow manages to top them all. What most people who are just waking up to the true evil that is Hasan Piker singing We Are Charlie Kirk don’t know is that just over a month after Charlie’s murder, one of Piker’s putrid streams brought him a tiny bit of internet fame for mocking the song. Why did he think it was funny? Because he’s a dehumanizing, repulsive shitheel who uses his dog as a prop when he’s not shocking her to keep her in place. He’s mocking MAGA for listening to and celebrating an AI-generated song that, to date, has over 6 million views. There were lots of AI songs about Charlie. I even fell for it for a brief moment because I wanted to believe there were people on the Left kind enough, empathetic enough, and generous enough to sing about Charlie. But of course not. It was an empty void, one that AI filled. And Hasan Piker, puny little cockroach that he is, found it “funny.” You see, he’s trying to outdo 4chan all in the name of selling Communism and Islam. Hey, it’s worth it to sell your soul to take control of America. He kept dipping back into that bowl because that’s what you do if you are an influencer. You give the people more of what they want, and in his case, it’s sitting on his dog-torturing basement throne, while mocking the working class. He couldn’t get enough of it. He was like an uncut bull let loose in a field of fertile cows. On and on it went. He made his name on it. Most of this was done just over a month after the shooting, but he’s continued to use it for the lols, even two months ago. So it was natural that when he took the stage, he would sing it live, like he was the Rolling Stones, dragging out “Jumping Jack Flash,” or Elvis Costello, singing “Pump It Up” one more time. Yes, he was mocking MAGA, people he deems lower class and beneath his sorry ass, and making fun of how deeply the murder of Charlie Kirk dug into their morale. Most people don’t exist in the dank, slimy corners of the internet, so they might not know how long Piker has been dragging this story out. What else is he going to do? Talk about healthcare? No, everyone wants to see human suffering, and he’s more than willing to give it. He loves Candace Owens too because water seeks its own level. But it was a serious thing. Even Megyn Kelly once talked about why it mattered that we were saying “We are Charlie Kirk.” We are people the Left wants to see unpersoned at best and dead at worst. But most of all, just to shut up, and that’s what Tyler Robinson did to Charlie Kirk. He silenced him. The AI song was a way to make something happen that our culture would never have allowed because almost no musician would ever risk their careers like that. Remember when Jamie Lee Curtis offered him some sympathy and was raked over the coals and had to apologize? Yeah, that. Yes, if you are a sociopath who has bought into the decade-long, systematic campaign against the working class, you would think the AI song was funny, and maybe, a year later, it is kind of. But there was nothing funny about it in November of 2025 when Hasan Piker made his name on it. Hasan Piker fancies himself a fighter for the poor. He is anything but. He’s a pampered little rich kid who is absolutely a high-status influencer among the ruling class, just like Zohran Mamdani is. Bernie Sanders never worked a day in his life and was even kicked off a commune for not doing enough work, and by the looks of it, AOC will follow in his footsteps with a lifetime on the people’s dime. They can’t imagine a culture that doesn’t represent them, or that would punish artists for daring to play at the Kennedy Center or to celebrate America’s 250th birthday. Sorry, Democrats. You’re stuck with a guy who isn’t worthy of even being in the same room with Charlie Kirk, but who once was in the room with Charlie Kirk. That is how emptied out his soul really is. So no wonder it was so easy for Hasan Piker to mock Charlie Kirk even in death. He must have felt diminished in those debates. Who wouldn’t have? Charlie was smarter, quicker on his feet, and taller. Hasan Piker shines just a little bit brighter now that the brightest light has fallen. But he’ll never be like Charlie. He’ll never build a movement built on hope and faith. He’ll never change the world. He’ll always be on the outside, with his face pressed up against the glass, enjoying his one brief moment in the spotlight. And now he’s your problem, Democrats. You can’t wipe off the stain even if you used bleach. Good luck with that. ____ Leave a tipManage subscription This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

  5. Aug 23

    Yes, Jon Ossoff Is That Desperate

    Today, after staying on Jon Ossoff’s email list for eight years, I finally hit unsubscribe. This is my Dear Jon letter, and in some ways, the moment I will really be saying goodbye to the Democratic Party once and for all. I will admit I held on too long with Ossoff. Try as I might over the past six years since leaving the party to extricate myself from their relentless email machine, I didn’t mind when Ossoff’s emails flew into my mailbox. In 2017, I saw in Ossoff what the Democrats needed as they tried to find their next Obama stand-in. He fit the bill perfectly. I also liked how he didn’t seem to buy into the party's increasingly crazy extremes but was comfortably moderate, at least for a time. My record with Federal political donations tells the tale. If anyone looks at my record, they’ll see I continued donating to ActBlue through 2025. Except that I didn’t. I just didn’t realize they were charging me all that time. That’s how relentless they are and how stupid I am. The Glow-Up Before the expensive makeup, strategic lighting and tight shirts, Ossoff looked like what Steve Bannon would call a “pencil-necked geek.” He was too skinny, even if he was an Obama clone. He seemed too good, too clean for dirty politics back then. I fell for the lie that Ossoff really was a self-made man, a “filmmaker who turned to politics,” per this Wall Street Journal video. He is hardly self-made. More like a hot house flower. Ossoff grew up in a political household. Both parents were heavily involved in politics. At just 19, he began working on Capitol Hill for Rep. Hank Johnson while attending Georgetown’s School of Foreign Service and continued working for him until 2012. His email list was mostly the kind of thing you’d get in the old days of the Democratic Party, the kind of thing you’d expect from the Obama clone factory. But that isn’t really where Ossoff is now in his political career. He is determined not to go down as a squeaky-clean beta male. No, Ossoff has gotten SWOLE. He appears to have brought in a team to fix the look to be camera-ready. The makeup, the hair, the dimples. Ossoff finally looks the part. He can do alpha. All of a sudden, he’s the guy everyone is talking about. He’s the guy who is suddenly the hottie on tap. True, he’s Jewish, and that’s a problem for the Democrats, but no one really talks about that. Instead, they’re selling the matinee idol on TikTok. The truth is, I didn’t think about Jon Ossoff much until he went viral for channeling his inner sexist in a desperate bid to get attention and rise to the top of the pile. And it worked. He went viral! He’s in the headlines now, and everyone knows his name. But this version of Jon Ossoff will never be president. He’s abandoned what made him exceptional in the first place, his decency and his goodness. The sharks demanded flesh and blood, and he gave it to them, but it will come at a cost. One of the main reasons Democrats have failed for the past ten years to gain any purchase in this country has been their obsessive fixation on Trump, which is pretty much all Ossoff is doing. It’s a race to the bottom to see who can out-Trump Trump, to be more confrontational, more bullying, more vulgar, and tougher. They believe this will solve their “man problem,” and who knows, maybe it will. I look at Ossoff now, and I don’t see someone tough or brave. I see a coward. Ossoff, like James Talarico and almost every Democrat, is now leaning into the party's extremes. Because of course he is. He has to. In his viral speech in Atlanta, he referenced his daughters and said they will ask him one day how he let things get so bad, and, in the same sentence, dismiss the concerns of little girls and women in sports. Guess what, Jon: thousands of little girls will one day ask you why you let it happen, why you allowed so many of them to believe they should amputate their breasts when they could not consent. They will look to you, Jon. You will have to tell them why you pretended biological males had no advantage in sports because you were too cowardly to stand up to your own party. I once thought Ossoff was a good man. Now I see him as a desperate man, no different from any other Democrat, so much so that he’s given himself over to what has become an uncontrollable fetish on the Left to dehumanize Donald Trump and his supporters. They slut-shamed Melania’s modeling photos, splashing them all over social media. They suggested Trump was having an affair with his own daughter. They took a bath in Karoline Leavitt’s Vanity Fair photos, which splashed all over TikTok and led to her being called KKKaroline. They mocked Kellyanne Conway’s age and her face, and Sarah Huckabee Sanders’ makeup. It’s grotesque and repulsive, but it is typical and ongoing. Even now, Rosie O’Donnell is out there on primetime television calling Trump a “serial pedophile and rapist.” It doesn’t matter if it’s true. It only matters if it happened in their imagination. They spent whole seasons giggling about the particulars of the Stormy Daniels affair, and they were willing to forgive lusty E. Jean Carroll’s sexy talk at Anderson Cooper and envision instead a ridiculous, implausible, violent rape incident that most likely never happened. They call Trump a rapist so they can kill him. They call him a racist so they can kill him. They call him a fascist so they can kill him. They call him a pedophile so they can kill him. They just want to kill him, and every day the hungry beast must be fed. Before you say “But Trump says…” there’s a difference. No one on the Right, least of all Trump, pretends to be morally superior to the other half of the country as they have on the Left. There are no death fantasies. They don’t go “no contact.” They don’t destroy your career if you even so much as like a post by the other side. The price of admission in their world is that you have to want Trump dead too. You must forsake him, and then they will welcome you with open arms. That’s who they are and what they’ve become and why I could not and will never be a part of that world anymore. Now, Ossoff has become one of them. The party of women knows destroying a woman like Natalie Harp isn’t a good look, because she is sympathetic. She’s a homeschooled bone cancer survivor whose father committed suicide. And Ossoff, to paraphrase Aaron Sorkin, gets on television and calls her a w***e. And that, more than anything, defines the men of the Left, too. They can’t stand up to those crazy, crazy women. They have no real courage to stand up to the extremists either. They know they are muzzled and must do as they’re told. Cowardly beta males like musician Bill Madden, a keyboard warrior whose fingers tingle every day when he has the chance to say the worst things he can as long as it’s aimed at women on the Right. It kind of helps to see what he really looks like, just a fading nobody clinging to his youth. This quote is on his Wikipedia: “… when it comes to inequality, historically, no group of people has been discriminated against more than women. Men have been f*****g up the world for thousands of years. It’s time we give more women a chance to lead.” Oh really? I guess you have to say which women, eh Bill? Not all of them. It’s possible the Democrats overplayed their hand and have realized the Natalie Harp story is not a win for them. You can see them now reeling it in, trying to say Trump amplified it as a distraction because it makes the Democrats look bad. Oh no, my friends, you did that all on your own. The problem is that where there is chum in the water, there are hungry sharks. The lower the Democrats go, like Jennifer Welch and Hasan Piker, the more the candidates seeking office must feed the hungry beasts. The Party of Crazy, Crazy Women They might think the Great Feminization has made society better, but it has left them like a women’s prison, or stranded on a desert island with the only men in sight being the weak, flaccid, pandering, ineffectual men of the Left. And that has left the women, shall we say, a bit unhinged. Can you blame the women stuck on that island for losing their minds when they saw Zohran Mamdani’s TikToks? Most of what he does now seems directly related to how much women on TikTok will swoon over him. Parents’ night out? Free helmets? Doxing millionaires? Free groceries? Rent freeze! Abdul El-Sayed is following the same sales pitch of aiming his TikTok videos at the young ladies, flexing his muscles and waving his backside at the camera in a way no white man could ever get away with, certainly not while positioning themselves as a sexy “Daddy” figure. They don’t just want sexy back; they also want to be the party of fun and are working on a TikTok rebrand. The problem is that the base of the Democratic Party, mostly white women, are nuttier than a five-pound fruitcake. We found out just how nutty this past week as a movement began to form in support of child murderer Lindsay Clancy. There they were again, those crazy, crazy women showcasing their pathology on TikTok. They weren’t shaving their heads this time or wearing blue bracelets. They were elevating Lindsay Clancy as the victim, even after she confessed to strangling the life out of her three kids. These are the kinds of lunatics whose votes Jon Ossoff needs. And that is why he has finally given them exactly what they want. The irony of all of this is Natalie Harp was hurled into the arena for unending mockery, slut-shaming, and fantasies. Doesn’t she count as a woman, too? Isn’t she worthy of support? A Feeding Frenzy The media was all too ready to devour the bloody chum Ossoff threw into the water. It’s just that, as with everything they do, it’s not real. It’s fake news. There is no bottom when it comes to how they report on Donald Trump and e

  6. Aug 18

    Woke 1.0 Canceled America. Woke 2.0 Will Destroy It.

    When Alexandria Ocasio-Cortez laughed off Woke 1.0, she attempted to distance herself from a movement she not only helped build but also led. Because the DSA is ascendant, they’re hoping to pivot to kitchen table issues just long enough to trick otherwise sane people into voting for them. Hasan Piker started wearing suits. Abdul El-Sayed is attempting to draw in Trump supporters by showcasing his white grandparents. And out in Texas, James Talarico is making ads with his Paw Paw. They’re just regular folks, like you and me. Well, except that they want to tear America down to the studs and rebuild it as a woked-up socialist paradise. But shsh. Nothing to see here, move along, move along. Woke 1.0 wasn’t just some silly thing that happened to them one time. It is a deeply held belief system that has been passed on through the generations and mandates conformity across all institutions and culture. It is not an ideology so much as the biggest cult in American history. As we’ve watched their power weaken after Trump’s second win, we see them now more clearly than ever trying to cling to it. Calling white people racist gets louder. Ordering women to obey the rules of language, like the refusal to use the word “cis” or whether or not dating bisexual men, makes you homophobic. Cults must always control the women, separate them from their children. True for Charles Manson, Jim Jones, or Scientology. It’s so bad on the Left now that the only right women fight for now is the right to kill their own babies. From White Fragility to protecting women in sports or locker rooms, not to mention children, the once and former feminists are MIA. Many of them are so desperate to be led and dominated by men that they are becoming Muslim reverts: Back in the 1970s, women were also vulnerable and impressionable because the Counter Culture revolution was all about leaving traditional values, like family and religion, behind to “find yourself.” Women were suddenly free, yet all they seemed to want was to find someone to follow. All of those white college girls of privilege were either sucked into cults, moving into vans, or shooting up banks. Meanwhile, the black community was vulnerable, too, and that is how cult leaders like Jim Jones took advantage of them. He was selling things not that different from today’s Left. The Origins of Woke 1.0 I’ll never forget May 25th of 2016. I decided to splurge for my daughter’s 18th birthday by taking her to see Hamilton on Broadway, with nearly the entire original cast. The tickets, flight, and hotel were too expensive, but we’d never get this moment back, so why not? It was the same year my daughter would visit the NYU campus, have her prom, and I would be doing everything I could to elect Hillary Clinton as the first female President of the United States, with the doomed hashtag #imwithher. I was part of a generation of parents who wanted to not just be better but to perfect ourselves, our children, and our world. I can’t pinpoint exactly when we transformed from anti-establishment Gen-Xers to helicopter parents. But I know it had to do with the therapy culture of the 1990s, capped off by Columbine in 1999, 9/11, and the two wars in Iraq and Afghanistan that followed. Something was wrong, not just with all of us, but with our country too. The person elected to heal us from all of this collective, multi-generational trauma was Barack Obama, who became our spiritual leader and our male role model. 2012 was the moment Obama and the millennial do-gooder establishment that surrounded him sought to make our country better through indoctrination in public schools and universities. Hillary Clinton was chosen as the torchbearer, but she lacked Obama’s charisma and had nothing to sell the public that they wanted except one thing: identity politics. It wasn’t enough. Our cult over-reacted to Trump’s win, as though it was the FBI showing up outside the Koresh compound. It was Doomsday and that dark cloud would cover everything we controlled, from Hollywood to the legacy media to book publishing to fashion to influencer culture. We drew a line, and if you wanted in, you could not cross it. If you wanted out, all you had to do was question authority. But it was what we weren’t watching that would be our biggest problem later. We weren’t watching the kids. Teenage Wasteland What happened to the nation’s young people, having been indoctrinated in the oppressor/oppressed mindset, where they saw racism, homophobia, transphobia, and Islamophobia everywhere they looked, even before Trump won, kicked into motion an apocalyptic fantasy that would justify everything they did, from protests to violence to assassinations. The internet was their fantasy world, which gave many of them absolute power. This was true whether it was social justice warriors who ultimately led the transgender contagion among young girls, or the boys who gravitated to 4-chan and would eventually lead to the rise of the mass shooter influencer, like Tyler Robinson, Matthew David Crooks, or Luigi Mangione. The first real sign of trouble happened nine years ago at Evergreen College. When I first saw this story, I was already pulling away from the cult, but even then, I was afraid to put it on social media because I knew it would be seen as “racist.” And yet, by burying this story, the Left set itself up for much worse down the road. Violence showed up as early as 2015 during Woke 1.0, when Trump supporters were often beaten, kicked, and spat on. The protests at Trump’s inauguration seemed to be a natural extension of the mass hysteria that consumed the Left in 2016. It would only get worse. The violence we’re seeing on the Left only escalated, culminating in a full-blown revolution on the streets in 2020, a mob demanding diners raise their fist for Black Lives Matter, and authoritarianism rising from a generation raised to believe they have the right to tear down what they didn’t build and make the whole country pay because of it. That put power briefly back in the hands of Joe Biden, who pandered to the mob. They believed the false narratives around January 6th, decided MAGA was the cult, and walked away from this story. They barely even talk about it now. The entire Democratic Party became the administrators at Evergreen, too crippled by white guilt to provide the necessary leadership and discipline these kids needed before they graduated and joined the workforce. But even still, the most dangerous legacy Woke 1.0 leaves behind isn’t what it’s done to kids or to culture, to our sense of history or to our unity as a country. No, in dividing us into the oppressed and the oppressor, it opened the door to America’s enemies to exploit the sitting ducks on the Left and name Islam as the most oppressed and thus hand it the most power. Then the enemy walked through the door we left open. Woke 2.0 My daughter was three when the planes hit the towers. I remember waking up to the news. Imagine the days before we all had cell phones, or even social media. I had to call my friend and tell her to turn on the news. This was the first time America had been attacked on this level since Pearl Harbor. But terrorism accomplished very little for Islam. It turned the US and the world against them. They were feared and even hated. Our country would transform into a surveillance state, and there’s an argument to be made that everything we’re living through now is not because of COVID but because of 9/11. Changing hearts and minds would be the way the Islamic world would rise from the ashes. Before long, there was a new word that controlled our thought and speech: Islamophobia. I didn’t realize how deep it all went until 2017, the same year as Evergreen. Wonder Woman had come out. My daughter really loved it, but she was afraid to say so online. Why? Because Gal Gadot was an Israeli who trained with the IDF. I was as shocked by this development as I was when she told me her friend was becoming a “he” and wanted “top surgery.” What on earth were they teaching our kids? Idiot liberals like me had no idea. And by the time many of us figured it out, it was too late. Palestine joined the wheel of oppression and took its place in the hierarchy long before October 7th. Hamas attacked Israel, and Putin invaded Ukraine with Joe Biden in power. They clearly saw him as a weak and addled president who would not be able to manage these wars, so what better time to test the hearts and minds campaigns and the way our enemies had begun to destroy us from within. October 7th wasn’t a random attack. It was an act of such extreme violence that Israel would have no choice but to go to war, and in so doing, a worldwide campaign to defend the oppressed in Palestine could turn the entire world against Israel. But it wasn’t until the rise of Zohran Mamdani, Hasan Piker, and now Abdul El-Sayed and the entire DSA that we could see how fruitful the decades-long hearts-and-minds campaign really was. The Holocaust, to these young people, barely matters. They have no idea what Stalin did, what Mao did, or even really what Hitler did. And they know better than to criticize Islam because that would make them a racist. There was only one place left to go. Just like the leap from World War I to World War II, so too would the jump from Woke 1.0 to Woke 2.0 land on the eternal scapegoat: the Jews. It’s like shooting fish in a barrel. Islam and Socialism. Islam and Black Lives Matter. Islam and Medicare for all. These two movements have so much in common, from controlling thought and speech to controlling women and children. But really, it’s all about their shared enemies, Israel and the US. Woke 2.0 isn’t just the Left, however. It’s also a large portion of the Right who have named Israel as the ultimate evil as well, so much so that they are following Candace Owens and Tucker Carlson down the r

  7. Aug 6

    The Cult of Fauci

    I was caught between worlds in 2020. I began the year as a faithful, loyal Democrat and a true believer in Fauci the Hero vs. Trump the Villain. I was never an anti-masker or anti-vaxxer, at least, not in the beginning. As the year wore on, however, the questions started piling up in my head. Why, I wondered, was it politics as usual if this pandemic was as serious as CNN said it was? Why, if the virus was microscopic, did masks suddenly become not only essential but mandatory identifiers in our society? Why, if it was so serious, did millions flood the street on Memorial Day Weekend to protest the death of George Floyd at the hands of the police, and 1,000 health experts signed a letter saying protesting was more important than a pandemic that was supposedly hitting the black community especially hard? Every time I’d ask a question, the unified whole would scream back at me, parroting the exact same talking points from the legacy media and the Democrats. No one was allowed to even ask a question, much less question the official party line. Why? The cult of Dr. Fauci. We hadn’t seen a hero rise like that since Barack Obama in 2008. We believed in him. We trusted him. We loved him. To question him became blasphemy, and even now, if you say his name among liberals, they will scowl at you. The cult of Fauci and the legacy media became one in 2020. They made him a star and, in turn, he went along with the official narrative that Trump was not competent in a crisis and helped the media convince the public to vote him out. But the truth was always chasing Dr. Fauci like a shadow, and the questions were not going away. Lucky for all of us, he kept a record of what he thought and did in 2020, and it is one history will never forget and should never forget. Dr. Fauci showed the half of America that voted for Donald Trump what he thought of them when he declined to answer any questions in Congress and instead pleaded the Fifth 111 times. Americans required something other than politics as usual when the pandemic arrived on our shores, but taking out a president was already the establishment's primary objective, and Dr. Fauci would prove instrumental in convincing Americans that Trump could not be trusted in a crisis. As Ann Coulter says on her Substack: Fauci was the left’s most promising silver bullet to take out Trump. As such, the media would brook no dissent from his COVID edicts. Liberals would not only destroy the economy, but countless lives, in order to slay a pestilence worse than the virus: Donald J. Trump. Taking down a president It might sound conspiratorial to say that the Democrats and their allies in the administrative state would crash the economy just to take Trump out of power, but the truth is even darker. Everything had to go wrong under Trump, including the economy. The more Fauci contradicted Trump, the more the legacy media celebrated him, elevated him, and the more the Cult of Fauci rallied around him. That led to more attacks by Trump. It’s not a coincidence that cases began to surge as their own kind of October surprise, allowing the Democrats to increase measures ahead of the 2020 election. All the while, what Fauci seemed to care about most was the attention paid to him by high-profile celebrities. I was one of those people who trusted CNN and watched as they scared us, night after night, with the death count from COVID ticking upward, with no mention of who was getting hit the hardest. It just looked like everyone, everywhere was getting sick and dying. What sweet relief to hear RFK, Jr. confront Dana Bash on CNN about their willingness to pump fear into the veins of the unsuspecting public: And yet, as we found out by the Cup Foods surveillance recording, in areas the Democrats supposedly governed, like Minneapolis, the day George Floyd died, no one in that store, including him, who was still recovering from COVID, was wearing a mask. When I saw that, I realized just how small our bubble really was. Dr. Fauci knew he was a media-made star. He marvels at it throughout his diary, shaking his head at the attention paid to him but hanging on every word. But he had no immunity to this level of adulation and celebrity. This was a lot for a guy almost no one knew until he became a household name. Fauci and the Bobbleheads Fauci’s diaries throughout 2020 paint a picture of a seduction. Fauci the Hero was drawn in by those who projected their distrust and hatred of Trump onto him. The more he played that role, the higher his profile would rise. Of course, Hollywood would cast him that way. That’s what they do. But it wasn’t just Hollywood. It was all the most high-profile figures on CNN, ABC News, MSNBC, NPR, PBS and SNL. Fauci kept a healthy remove in the beginning. This wasn’t his first rodeo, but he is only human after all. Trump was trying to open the country back up even in late March, instinctively knowing that in an election year, crashing the economy would be the end for him. And then, the press began to tie him to Trump: July 13, 2020: Fauci lapped up the praise with a mixture of astonishment and bemusement. Praise and adoration from Funny Girl and Pretty Woman would have gone to anyone’s head. Or the painting and growing friendship with folk singer Joan Baez: A note to actor and chef Stanley Tucci promising to send cookbooks in January of 2021: Zoom calls with the best and the brightest in April of 2020: The press detailing just how beloved he was becoming in April of 2020: And of course, the bobbleheads: And somehow, Dr. Fauci even became a sex symbol. When you feel the warm embrace of the cultural elite, and you breathe that rarified air for the first time, it can be intoxicating. I’ve experienced a bit of it myself, but one thing you should never do is believe you are one of them, and by the end, that is what happened to Dr. Fauci. He was vulnerable because he was uncool. And of course, being routinely attacked by Trump the Villain, who was desperately trying to win re-election and could see very well what the media was doing by elevating Fauci the hero, only made Fauci more inclined to side with the side that would write his legacy. Fauci became the most important weapon against Donald Trump, as he redirected better solutions to help save kids from lockdowns, bring the economy back, and allow some common sense with masks and social distancing. Trump had to fail, and that's why Fauci became a superstar. Mass Formation Psychosis By the time Biden took power, the entire Left was locked into “Mass Formation Psychosis,” per Mattias Desmet by way of Dr. Robert W. Malone: Fauci was trotted out to validate all of the bad policy pushed out by the Biden administration once they took power. Through it all, he maintained his tight connection to Joan Baez and Barbra Streisand, having dinner with them, advising them privately. Many were singing songs about him. Love for Fauci, trust in his word, became interchangeable with taking the vaccine. Fauci was the vaccine just as he was the science. No one would dare doubt him or question his advice. He was the leader of a cult by now and drunk on that power. But in casting his lot with the Trump “resistance,” he abandoned the other half of the country as most of our ruling elite did. But they are Americans and Fauci worked for them too. He betrayed their trust again and again and could not even be bothered to show them the respect of answering their questions. The truth would eventually come out. Dr. Jay Bhattacharya was brought back on X after having been shadow-banned for “disinformation” and is now the head of the CDC. We would finally find out that toddlers didn’t need to be masked and most children did not need to be kept out of school, and Trump’s efforts to open them back up that he was attacked for again and again were the right call. Why had we done that to them? How had we all gone along with it? This got much worse under Biden. It was as though the campaign to dump Trump turned into the new normal and everyone had to stand by the story. Here is Jeremy Boreing: The Fauci myth also propped up the legacy media so much so that even now, they have to link arms with the Democrats to defend him. For many Americans, the legacy media propped up the official story the Democrats needed to be true to take out a one-term president with a strong economy. But they built a high wall of protection that meant even when we finally knew the truth - that the vaccine did not stop the spread and masks offered minimal support - the legacy media would not tell the public the truth. My nephew flew in from Thailand to finally see all of us after a year of separation. He’d already contracted and survived COVID, so he was immune, but because he was not vaccinated, members of my family forbade him from visiting. I kept screaming, “He already got COVID! He doesn’t need the vaccine!” But no. If Fauci didn’t say it, if ABC, NBC, CBS, CNN, the New York Times didn’t say it, they would not listen. You had to be vaccinated to enter restaurants, theaters, even family gatherings. Dr. Fauci knew the truth. He knew the vaccine was from a lab leak. He knew it might cause harm to some. He knew it was untested. He continued to push a one-size-fits-all solution, and anyone who didn’t go along with it was treated like an enemy of the state. But for him, his legacy was already written, and nothing was going to take it from him. I lost three loved ones during COVID. One overdosed during lockdowns from loneliness. Another dropped dead suddenly of a heart attack in his early 50s. My uncle did not take the vaccine and died from COVID. It was never a one-size-fits-all solution to force everyone to inject an experimental drug, even if it saved the lives of many. It probably saved my life. But it should have been a choice, not a public pressure campaign that demanded all go along with it or they would be demonized as “a

  8. Jul 29

    Can Paramount Skydance Save Hollywood From Itself?

    Hollywood is not trying to stop a monopoly by blocking the Paramount Skydance merger with Warner Bros. It’s trying to protect one. If a monopoly means near-complete control over what gets made, promoted, and rewarded, then much of Hollywood and the cultural institutions around it operate under the ideological consensus of the Left and the Democratic Party. Why do the Obamas have a long-running production deal at Netflix? Why do the Emmys consistently elevate late-night hosts whose politics align with that consensus? Jimmy Kimmel, John Oliver, Stephen Colbert, Jon Stewart? Do you think they’d ever nominate Greg Gutfeld, whose show often tops them all in ratings? If that isn’t an ideological monopoly, I don’t know what is. Why did major awards shows stay silent on Charlie Kirk? Why did so many artists cancel Kennedy Center appearances after its Trump-era changes, and why did multiple acts drop out of America 250 events? David Ellison and Paramount Skydance are attempting something brave and unprecedented: an outside challenge to that consensus. Their roughly $110 billion bid for Warner Bros. Discovery would give them control of a major studio, HBO/Max, CNN, and a large portfolio of cable and streaming assets. While there has been some resistance to the biggest mergers in recent history, we’ve never seen anything like #blockthemerger. Meet the new resistance, same as the old resistance. 12 state attorneys general, including California, have sued to block the deal. The Writers Guild of America has filed its own antitrust lawsuit. SAG-AFTRA has publicly opposed the merger, though it has not joined the litigation. Opposition also includes the Future Film Coalition (which leads the #BlockTheMerger campaign), Democracy Defenders Fund, Committee for the First Amendment, Free Press, the International Documentary Association, and the American Economic Liberties Project, among others. More than 5,600 industry figures have signed an open letter against the deal, including Mark Ruffalo, Jane Fonda, Javier Bardem, Elliot Page, Emma Thompson, Ben Stiller, and Cynthia Nixon. Paramount Skydance has, for now, delayed closing. Can they hold the line under this unprecedented pressure campaign? Hope springs eternal. But you won’t read about that point of view in any of the trades. They’re a monopoly, too. Most of them are owned by the same entity, Penske Eldridge. Just today, it was announced that the Hollywood Foreign Press, the former owners of the Golden Globes, are suing Jay Penske for $150 million. They are claiming Penske orchestrated their downfall so he could buy the Golden Globes. Jay Penske already owns Deadline, The Hollywood Reporter, Variety, Indiewire, Gold Derby predicting site, Rolling Stone, a virtual monopoly on the awards race from soup to nuts. Gold Derby shapes the nominees, the trades take ads from the studios and the Golden Globes hand out the awards. But wouldn’t you know, when Rebecca Keegan wrote a hit piece on me, she did so in the Hollywood Reporter, owned by Penske Eldridge. I was a vocal and prominent critic of Penske’s growing monopolistic power on the awards race and one of the few willing to speak out. With one hit piece, the Penske company took out both a competitor for ad money and a pesky nuisance for the brand. That is what you call a monopoly. A Climate of Fear and A Culture of Silence I found out firsthand how monopolies work in Hollywood when I was canceled in 2024. The day a Hollywood Reporter story labeled me a “MAGA darling,” one studio pulled its ads from my site that day. The last thing they wanted was to be associated with an accused and condemned witch. It was shocking how many of them fell in line in robotic fashion, gripped with fear. The response was swift and uniform. Every writer on my site left to protect their reputations. Friends of fifteen years ended the friendship. My Oscars ticket was revoked. Jane Fonda’s Women’s Media Center fired me from their annual Oscars report. Screening and party invitations dried up. I was benched on Gold Derby. Worst of all, the lucrative studio ad buys for the Oscars and Emmys vanished. As it all collapsed, I remembered in 2012, an advertising strategist telling me I could be making far more money if I sold the site better. “You have no baggage to speak of,” she’d said. That was true then. I was one of the few independent Oscar sites left, and still am, known around town for being honest to a fault. I stayed independent even as the ad money made life more comfortable for me and my daughter than it had ever been. There was never any question why my career ended in Hollywood: I had been outed as a Trump voter. I was on the wrong side of Hollywood’s progressive orthodoxy, and that meant I was finished. How it started… I started Oscarwatch.com as a single mom with a one-year-old baby living in a studio guest house in Van Nuys, California, in 1999. I was an early web pioneer with a 1200-baud modem and a really good idea. I was already catching the attention of publicists and rocking the boat, as all of us amateurs did back then. We were moving fast and breaking things. Traditional media was not ready. The studios weren’t either. They were used to having a monopoly on Oscar FYC ads in Variety and the Hollywood Reporter, their bread and butter. Until the blogs came along. By 2006, I was starting to make money because my little site had birthed a big bang of other Oscar sites, and by then even the New York Times had an Oscar blogger, the late great David Carr, who called himself the Carpetbagger. David Carr became a mentor of sorts and encouraged me to sell ads for myself, rather than piggyback off bigger sites. I was working three jobs by then: as a horoscope writer under a pseudonym (Laura Wilde), a janitor working my dad’s routes because he was a good guy and knew I needed the money, and a freelance film critic. Right around then, the Academy of Motion Picture Arts and Sciences sued me for trademark infringement, and my site was renamed AwardsDaily.com. Now I was cleared to start making real money. David Carr was horrified that I was working as a janitor while the trades were raking in millions on Oscar ads and encouraged me to start sending out RFPs. But I didn’t have to, because before long the studios were sending them to me. My site became so influential that I never really had to pitch to them. They all wanted real estate on my site. Who could ever have imagined that? Certainly not me, someone who got online in 1994 back when no one thought you could make money on the internet. One of the first studios that bought ads was Fox Searchlight, an awards subsidiary of Fox. I called it Big Fox and Little Fox, and both advertised on my site. When I got my first $15,000 just to run ads, I was stunned. That was more money than I had ever seen on a check. I was just kind of faking it, pretending I knew what I was doing, but I really didn’t. Of course, it was also about promoting films the studio wanted to place in the Oscar race, and that’s still what it’s about. It’s not exactly pay-to-play, but most of the bloggers making money in the Oscar game are grateful and help keep the advertisers’ movies prominent. I did too. I barely noticed in 2019 when Disney bought Fox for $71 billion. The Writers Guild objected to the merger, just as they have to the Paramount Skydance merger with Warner Bros., but there was nowhere near the same amount of public outcry. Trump praised the Disney/Fox merger after having attempted to stop the 2018 merger of AT&T and Time Warner, leading to a trial, but the judge ruled against the Trump administration, and the deal went through. Again, no major public outcry. At some point after 2020, I’d noticed that Disney had stopped advertising on my site. I wrote it off as their shying away from my comments on “gender affirming care” for kids. I’ll never know exactly why, but all I do know is that once the merger went through, Fox and Fox Searchlight also stopped advertising. The Paramount/Skydance merger with Warner Bros. is significantly higher and covers more territory than any of the major corporate mergers we’ve seen as Hollywood reshuffles the deck amid the shift to streaming. Warner Bros. was selling. The only question was whether Netflix or Paramount Skydance would buy it. Both deals would have had the blessing of the Trump administration. But because it’s David Ellison and the team that bought CBS, and because Trump is an ally, the Democrats and the Left have turned #BlockTheMerger into another No Kings protest or battle for the “resistance.” After the story about me broke in the Hollywood Reporter, Netflix also stopped advertising. No other studio except Focus Features, an adjunct of Universal, had the courage to run ads on my site. I was now officially blacklisted. Emails to the various studio reps went unanswered. This past year, Paramount bought a modest ad package on my site for the Emmys to celebrate the success of Landman and The Madison. I felt lucky to get it, and it was a sign, at least to me, that Paramount, like Focus Features, was brave enough to take a chance on someone deemed too toxic by the industry. Landman, Taylor Sheridan’s Billy Bob Thornton drama, had become one of Paramount+’s biggest hits: its first season averaged 15.8 million viewers in Nielsen’s cross-platform ratings and ranked among the top 10 series of the 2024-25 season. Season 2 opened to a Paramount+ record 9.2 million views in its first few days and continued to dominate the streaming charts, at one point leading all multiplatform viewing with more than 14 million. The Madison, starring Michelle Pfeiffer, launched as Sheridan’s biggest series debut yet, drawing 8 million views in its first 10 days. But unfortunately, #blockthemerger had bled into the awards ecosystem, which remains a closed loop. Sure enough, when the Emmy nominations arrived,

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Essays on politics and culture from Sasha Stone's Substack. A former Democrat and Leftist who escaped the bubble to get to know the other side of the country and to take a more critical look at the left. Sashastone.substack.com www.sashastone.com

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