ProducerHead

toru

Welcome to ProducerHead. A podcast for the Music Producer, Artist, Creative, and, Entrepreneur. I’m excited to present the ProducerHead podcast in the form of a series of conversations with accomplished producers who will share what’s in their heads to help you unlock your own. Whether you’re just getting started or you’re a professional producer, these conversations are here to offer information, encouragement, and community — a place to belong. ProducerHead will explore the entire spectrum of topics that are experienced as a producer. So, whether you’re interested in Growing your social media following Improving your Spotify release strategy Or Managing impostor syndrome ProducerHead is here for you. Connect at with ProducerHead at torubeat.com and @torubeat on social media. producerhead.substack.com

  1. 056. Are You Making Art or the Idea of Art? | feat. Matt Wyatt

    Jun 3

    056. Are You Making Art or the Idea of Art? | feat. Matt Wyatt

    The real tragedy would not be failing to achieve mastery, but that in the process you lost sight of what’s most important: realizing your own voice. A relentless pursuit of mastery can distract from the purpose of art: a unique and personal perspective, expressed freely. Art is the artifact, the expression of the voice, not the voice itself. We commonly parrot: “learn the rules, so you can break them.” In this conversation, Matt Wyatt says “Honestly, I think that’s overrated. I was certainly taught that, but some of the artists I most revere seemingly didn’t do that.” That isn’t to say competency doesn’t matter. It is not in your best interest to ignore rules, patterns, or convention altogether. Ignorance will likely lead to conventional results. The problem is that mastery is often talked about as a destination. A level to be reached before the art begins, when it is actually an ongoing commitment to develop your voice. You know enough words to write a book. Expanding your vocabulary will not write it. The technical blocks you encounter exist on the path to making it. As you write your book, you check the thesaurus for alternative words. In music, you may learn that what you need is not a new chord, but an inversion. Do not set out to master music. It is a clever way to avoid the real work: to understand you and your craft well enough to present it as a vulnerable artifact for the rest of us. ProducerHead is a publication for independent music producers. Subscribe free and get access to Sonic Stimulus Vol. 1 — a free sample pack, The Invisible Instruments — a series of creative frameworks for producers, and The Practice — behind the scenes production sessions from guests on the show. Get full access to ProducerHead at producerhead.substack.com/subscribe

    1h 39m
  2. 054. Make Good Music, Lie, and Don’t Be a Douchebag | feat. Late London

    May 6

    054. Make Good Music, Lie, and Don’t Be a Douchebag | feat. Late London

    Show up to the studio 100 times and make 10 dope songs. The pressure to create content distracts from the basic truth: making good music is the goal. In order to make good music, you must find yourself in the studio. If you’re not showing up to the studio, you’re not going to make anything, let alone anything good. Late London says: “Show up to the studio 100 times and make 10 dope songs.” This perspective also speaks to respect for the challenge inherent in making good music. It represents a conscious setting of expectations to prioritize showing up, removing pressure, and enjoyment in the experience of making music. Output is an artifact of process. Late’s respect for the challenge of making music is also seen in the way that he participates and interacts with his community. Not having seen each other since college, he immediately asked me to send him a track and did not hesitate to say “this vocal should be loud and proud.” He limits himself to three working sessions on tracks to avoid over-thinking and exchanges works in process with other producers. They help each other across the finish line to get the best — not the perfect — version of a song and then they move on. This is because he also values forward motion. More can be learned and experienced through continuing than from staying in place. All of this is filtered through his expansive and dynamic lens of what it is to be a professional. Late London regularly shape-shifts between DJ, Music Producer, Event Producer, Engineer, and Educator — he is mentally flexible in how he arrives. There are many ways to make it as an artist, he reminds us that how we define it is our choice. ProducerHead is free to subscribe. Subscribers get access to The Practice — an ongoing video archive of in-studio sessions from guests on the show. Late London built a track from scratch in 30 minutes and it is available now. Get full access to ProducerHead at producerhead.substack.com/subscribe

    1h 13m
5
out of 5
34 Ratings

About

Welcome to ProducerHead. A podcast for the Music Producer, Artist, Creative, and, Entrepreneur. I’m excited to present the ProducerHead podcast in the form of a series of conversations with accomplished producers who will share what’s in their heads to help you unlock your own. Whether you’re just getting started or you’re a professional producer, these conversations are here to offer information, encouragement, and community — a place to belong. ProducerHead will explore the entire spectrum of topics that are experienced as a producer. So, whether you’re interested in Growing your social media following Improving your Spotify release strategy Or Managing impostor syndrome ProducerHead is here for you. Connect at with ProducerHead at torubeat.com and @torubeat on social media. producerhead.substack.com

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