The Corner Box

David & John
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Welcome to The Corner Box, where we talk about comic books as an industry and an art form. You never know where the discussion will go, or who’ll show up to join hosts David Hedgecock and John Barber. Between them they’ve spent decades writing, drawing, lettering, coloring, editing, editor-in-chiefing, and publishing comics. If you want to know the behind-the-scenes secrets—the highs and lows, the ins and outs—of the best artistic medium in the world, listen in and join the club at The Corner Box!

  1. 13h ago

    R.C. Samo Brings Fanboy Nation to The Corner Box - S3Ep44

    This week gets fun when R.C. Samo of FanboyNation.com joins David and John to talk Marvel’s Burbank move, Steve Wacker’s new editorial role, and what gets lost when the House of Ideas leaves Manhattan. They kick around the real human cost of a cross-country move, the danger of comics becoming movie leftovers, and why Daniel Warren Johnson’s Transformers worked because somebody let an artist swing for the fences. The movie detour gets into bad live-action remakes, Sonic’s near-disaster design, and Supergirl’s rough launch. And was Iron Man the Snow White of the MCU. Back in the shops, the crew gives Jae Lee’s M1: Monster Racing League a serious look, wrestles with page rates versus ownership, and agrees on one sacred rule: pay the people making the comics. Robert also brings the heat for Patrick Zircher’s Solomon Kane, while David proves that “supporting local comic shops” can mean buying every Badrock cover in sight. Captions: “What’s he going to do, hop from car to car in 405 traffic?” — Robert on Spider-Man’s new Burbank-adjacent reality“You make a comic book to make a comic book, period.” — David on why comics cannot be movie leftovers“Sometimes the passion project’s worth more than the bigger paycheck.” — Robert on Jae Lee’s M1: Monster Racing League work“As long as people are getting paid in comic books, God bless them.” — David on creator compensation“It was like Bad News Bears meets Supergirl.” — Robert on the film’s vibe“Iron Man is the Snow White of the MCU.” — Robert on the blueprint every later superhero movie followed Splash Page [03:30] – Burbank, Here We Come: Marvel’s move and Steve Wacker’s incoming editor-in-chief role hit the table.[06:27] – The Human Toll: John zeroes in on the staff asked to uproot their lives or walk away.[10:17] – The 52 Miracle: Why Wacker’s management of the weekly series still earns industry awe.[17:11] – Let Comics Be Comics: David makes the case against treating print stories like screen leftovers.[31:26] – The Remake Assembly Line: Robert calls out live-action retreads that bring nothing new.[34:02] – Sonic Dodged a Bullet: David recounts the Sega/Sony disconnect behind the original movie design.[40:17] – Snow White in a Repulsor Suit: Robert drops the episode’s most dangerously persuasive MCU analogy.[40:48] – Monster Racing League Roars: Jae Lee’s layouts, page-rate questions, and a gorgeous new Image book. Support the Corner Box David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website R.C. Samo (https://fanboynation.com) - Fanboy Nation host and the guest bringing reporter instincts, movie opinions, and indie-comic enthusiasm. Dive Deeper Into the Back Issue Bin Steve Wacker (https://en.wikipedia.org/wiki/Stephen_Wacker) - Incoming Marvel editorial leader discussed for his comics and animation experience. Jae Lee (https://en.wikipedia.org/wiki/Jae_Lee) - Acclaimed artist behind M1: Monster Racing League and the central creator-compensation conversation. Robert Windom (https://imagecomics.com/comics/list/creator/robert-windom/releases) - M1: Monster Racing League co-writer whose ownership of the work sparks the business discussion. Patrick Zircher (https://titan-comics.com/c/2236-solomon-kane-the-serpent-ring/) - Writer-artist praised for bringing serious visual firepower to Solomon Kane. Daniel Warren Johnson (https://www.danielwarrenart.com/) - Cited as the creator whose Transformers run shows what happens when an auteur gets room to work. James Gunn (https://en.wikipedia.org/wiki/James_Gunn) - The filmmaker whose DC rollout and Supergirl oversight get a spirited once-over. Marvel Comics (https://www.marvel.com/comics) - The discussion’s main pressure point: relocation, editorial succession, creator compensation, and comics as source material. 52 (https://en.wikipedia.org/wiki/52_(comics)) - Steve Wacker’s massive weekly-series editorial achievement, with Keith Giffen, Grant Morrison, Mark Waid, and Greg Rucka in the mix. M1: Monster Racing League #1 (https://imagecomics.com/comics/releases/m1-monster-racing-league-1) - Jae Lee and June Chung’s new racing series, praised for its art, color, and sharp page design. Seven Sons (https://imagecomics.com/comics/series/seven-sons) - The earlier Jae Lee and Robert Windom Image collaboration that frames the ownership question. Solomon Kane: The Lion Errant (https://titan-comics.com/comics/series/507-solomon-kane/) - Patrick Zircher’s new Solomon Kane chapter, singled out for its striking art. Challengers Comics + Conversation (https://www.challengerscomics.com/) - David’s Chicago retailer of choice and a reminder to support comic shops.

  2. Jul 14

    Your Good-Time Comic Pals Having a Chitty-Chat on The Corner Box - S3Ep43

    The fellas get into how summer events stopped feeling like summer events and became a never-ending conveyor belt of crossover noise. John pulls from the Marvel trenches with House of M, Civil War, Secret Invasion, Tony Stark taking the heat, and Ralph Macchio’s very correct complaint that Spider-Man should not just walk into a press conference like some regular dope. Then Absolute Batman takes over the room, with Scott Snyder and Nick Dragotta’s monster hit reportedly moving wild numbers and now heading into animation with the actual comics creators involved. David and John debate whether that’s a creator win, a workload trap, or both, before veering into the eternal truth that most superhero adaptations still lose to the comic on the page. And once “What John and David read this week” kicks in, it’s a full rack raid: Ghost Machine, Kyle Starks’ Wrestle Heist, Vertigo’s new wave, Lobo, Drew Hennessy, Dai Dark, Dungeon Crawler Carl, and Invincible crushing graphic novel sales like it never left. Captions: “They started building tent poles instead of building up in the summer.” — John on how event comics became a constant cycle “Spider-Man doesn’t walk to a press conference and walk out like a normal person. He’s Spider-Man.” — John channeling Ralph Macchio’s perfect superhero logic “Well, how about Tommy Lee Edwards?” — David on the emergency button that fixes any bad comic idea instantly “Let them cook.” — David on Scott Snyder and Nick Dragotta being involved in the Absolute Batman animated series “I think bank robbers are heroes, David.” — John offering the only morally correct read on Wrestle Heist Splash Page: [00:00] – The Guest Is Nobody: John teases an exciting guest, and David immediately undercuts the whole operation because it’s just them. [01:37] – Summer Events Lost the Calendar: David and John talk about how big comic events used to dominate summer, but now announcements and launches feel scattered across the whole year. [04:10] – Event or Just a Big Story?: John uses Avengers Armageddon to unpack the fuzzy line between a major arc and a full-blown line event. [07:10] – Civil War From the Trenches: John explains how tie-ins worked, why the X-Men mostly sidestepped Civil War, and how Tony Stark became the guy everyone wanted to punch. [08:31] – Spider-Man Should Be Spider-Man-y: Ralph Macchio’s issue with the identity reveal scene becomes a perfect lesson in why superhero staging matters. [11:27] – The 1985 Photo-Realism Trap: John remembers Mark Millar’s original photo-manipulation plan for 1985 and why Tommy Lee Edwards was the better answer by a mile. [16:47] – Absolute Batman Has the Juice: The guys react to Absolute Batman’s huge sales chatter, Nick Dragotta’s art, and the thrill of a top-selling comic actually being good. [18:42] – Absolute Animation, Creator Control: The Absolute Batman animated announcement flips David from skeptical to fully interested once Snyder and Dragotta are involved. [33:18] – Ghost Machine Is Firing: David catches up on Ghost Machine and celebrates Brian Hitch, Gary Frank, and Francis Manapul producing big, polished comics on a strong cadence. [34:23] – Wrestle Heist Deserves the Belt: David breaks down Kyle Starks’ wrestling-meets-bank-robbery comic and mourns the fact that it may not have sold like it should have. [45:07] – A Bittersweet Credit Page: John spots Drew Hennessy’s name in God Summoner and reflects on a great inker, unfinished work, and comics that deserve to be seen. [47:47] – Bones, Backpacks, and Goth Space Chaos: John sells David hard on Dai Dark, a manga about immortality-granting bones and exactly the kind of weird nonsense this show was built for. [50:12] – Comic Books Without Pictures: David discovers prose novels, then pivots to Dungeon Crawler Carl and why comic shops were smart to pay attention. [53:20] – Invincible Still Won’t Die: The BookScan numbers turn into an Invincible victory lap, with compendiums and trades dominating the graphic novel chart years after the series ended. Support the Corner Box: David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: Scott Snyder (https://www.dc.com/talent/scott-snyder) - Writer of Absolute Batman, with the episode circling how much creator involvement could matter for the animated adaptation. Nick Dragotta (https://www.dc.com/comics/absolute-batman-2024/absolute-batman-1) - Artist and co-creator of Absolute Batman, praised here as the visual engine giving the book serious juice. Brian Michael Bendis (https://en.wikipedia.org/wiki/Brian_Michael_Bendis) - Writer behind New Avengers, House of M, Secret Invasion, and a big chunk of the Marvel event era John discusses. J. Michael Straczynski (https://en.wikipedia.org/wiki/J._Michael_Straczynski) - Writer of Amazing Spider-Man during Civil War, brought up for framing Tony Stark as very much the bad guy. Chris Gage (https://en.wikipedia.org/wiki/Christos_Gage) - Writer mentioned for Civil War-era work that gave Tony Stark’s side more shape than most tie-ins did. Ralph Macchio (https://en.wikipedia.org/wiki/Ralph_Macchio_(editor)) - Longtime Marvel editor whose Spider-Man staging complaint becomes one of the episode’s best craft lessons. Mark Millar (https://en.wikipedia.org/wiki/Mark_Millar) - Writer of 1985, discussed here through the abandoned photo-manipulation version before Tommy Lee Edwards saved the day. Tommy Lee Edwards (https://www.tommyleeedwards.com) - Artist of 1985 and Winterworld, praised hard for roughs so alive they could carry a whole graphic novel. Brian Hitch (https://en.wikipedia.org/wiki/Bryan_Hitch) - Artist name-checked through Ghost Machine and the broader discussion of cinematic superhero realism. Gary Frank (https://imagecomics.com/creators/gary-frank) - Geiger artist praised as part of Ghost Machine’s absurdly strong art lineup. Francis Manapul (https://www.dc.com/talent/francis-manapul) - Artist mentioned for Rook: Exodus and the sheer visual strength of Ghost Machine’s current output. Kyle Starks (https://www.kylestarks.com) - Writer and artist of Wrestle Heist, celebrated here as a cartoonist with sharp timing, bite, and big personality. Vladimir Popov (https://imagecomics.com/comics/releases/wrestle-heist-1) - Colorist on Wrestle Heist, singled out through David’s praise for the book’s full visual package. Steve Pugh (https://www.dc.com/talent/steve-pugh) - Artist on End of Life, praised as a perfect match for Kyle Starks’ Vertigo writing. Greg Rucka (https://www.gregrucka.com) - Writer mentioned through Gotham General and the Gotham Central legacy. Chris Condon (https://www.chriscondonwrites.com) - Writer discussed for Vertigo crime work and the upcoming Gotham Central connection. Jacob Phillips (https://jacobphillips.com) - Artist discussed with Chris Condon, with John noting the nice crime-comics lineage of that pairing. Jorge Corona (https://www.dc.com/talent/jorge-corona) - Lobo artist praised by David even while the story is not fully clicking for him yet. Skottie Young (https://www.skottieyoung.com) - Writer of the current Lobo run, discussed as David waits for the book to fully land. Nicoletta Baldari (https://www.instagram.com/nicoletta_baldari/) - Artist praised for a Little Lobo sequence that David absolutely loved. Drew Hennessy (https://www.marvel.com/comics/creators/12758/drew_hennessy) - Late inker remembered warmly by John and David, especially through unfinished work and a shared credits page. Ron Lim (https://www.marvel.com/comics/creators/208/ron_lim) - Artist mentioned in connection with John accidentally breaking the sad Drew Hennessy news. Paul Pelletier (https://www.dc.com/talent/paul-pelletier) - Artist on The Others project John and David discuss with real affection. Q Hayashida (https://en.wikipedia.org/wiki/Q_Hayashida) - Creator of Dai Dark and Dorohedoro, whose goth sci-fi weirdness immediately hooks John. Matt Dinniman (https://mattdinniman.com) - Creator of Dungeon Crawler Carl, which David flags as a major crossover opportunity for comic shops. Robert Kirkman (https://imagecomics.com/creators/robert-kirkman) - Co-creator of Invincible, which dominates the sales chart discussion like a cape-wearing wrecking ball. Absolute Batman (https://www.dc.com/comics/absolute-batman-2024/absolute-batman-1) - The big DC hit driving the episode’s sales, animation, and creator-control conversation. Absolute Batman Vol. 1: The Zoo (https://www.dc.com/graphic-novels/absolute-batman-2024/absolute-batman-vol-1-the-zoo) - The first collected edition of the Snyder and Dragotta run that keeps coming up throughout the episode. Civil War (https://www.marvel.com/comics/discover/114/civil-war-the-complete-event) - The Marvel event John uses to explain tie-ins, Tony Stark backlash, and how event storytelling gets shaped.

  3. Jul 7

    David Pepose in the Wonderful Land of The Corner Box - S3Ep42

    The guys sit down with David Pepose as The O.Z. heads toward its third and final Kickstarter chapter, turning the Wizard of Oz into a war-torn fantasy battlefield with Dorothy Gale’s granddaughter at the center of the wreckage. Pepose breaks down the long wait between issues, why keeping Ruben Rojas on the book mattered, and how trauma, reinvention, and redemption became the spine of his work from Spencer & Locke to Space Ghost. Things get especially sharp when the conversation turns to “cheap heat” retellings, why a grim hook is worthless without a real human story, and how Kickstarter gave Pepose both creative control and a life-changing payday. David and John also dig into Space Ghost’s breathless pacing, the value of done-in-one adventures, the brutal usefulness of editor notes, and why licensed comics can be freeing when the right people stay out of the way. Plus, Speed Racer goes full volcano madness, Pepose reveals he’s stepping away after his planned run, and fatherhood starts looming over the whole episode like the ultimate deadline. Captions: “Comics are ultimately all about playing the long game. This one was a little bit of a longer game than I had anticipated.” — David Pepose on the long road to finishing The O.Z. “What if Mad Max took place in the Wizard of Oz?” — David Pepose explaining the killer hook behind The O.Z. “I owe him my career, but not in the way that he expected.” — David Pepose on Bobby Kurnow accidentally steering him away from editing and toward writing. “We were turning sacred cow into Tasty Hamburger.” — David Pepose on the gamble of Spencer & Locke. “Shock can get your foot in the door once. But I’m playing the long game here.” — David Pepose on why grim retellings need more than cheap heat. “Superheroes are not superheroes because they punch out a bad guy.” — David Pepose sharing the Tom Brevoort rule that shaped his Space Ghost. “Sequels are another opportunity to screw up.” — David Pepose on why he won’t extend a story unless the timing and reason are right. Splash Page: [00:24] – Enter Pepose, Exit Safe Choices: John introduces David Pepose, from Spencer & Locke to Speed Racer, Space Ghost, Cable, Punisher, Fantastic Four, Moon Knight, and Captain Planet. [01:07] – The Long Road to the Occupied Zone: Pepose explains why The O.Z. #3 took years, why Ruben Rojas stayed on the book, and why the finale had to feel consistent instead of rushed. [02:41] – Mad Max Meets the Yellow Brick Road: Pepose lays out The O.Z. as Dorothy Gale’s granddaughter entering a brutal power vacuum in Oz after the “happy ending” fell apart. [05:21] – The Editor Who Scared Him Straight: Pepose talks DC internships, comics criticism, Comics Experience, and realizing he was absolutely not built for the editor’s chair. [07:09] – Sacred Cow, Tasty Hamburger: Spencer & Locke becomes the career gamble that proves Pepose can take an outrageous premise and make it hurt in the right way. [20:07] – Cheap Heat Gets Exposed: Pepose draws the line between a lazy grim retelling and a real story with emotional investment. [27:02] – The Brevoort Rule: Pepose shares the superhero lesson that shaped Space Ghost: it’s not about punching villains, it’s about protecting people. [55:29] – Speed Racer Hits the Finish Line: Pepose reveals he’s stepping away from Speed Racer after his planned run, with fatherhood and a packed workload forcing the baton pass. Support the Corner Box: David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: David Pepose (https://www.davidpepose.com/) - The guest of the episode and writer of The O.Z., Spencer & Locke, Space Ghost, Speed Racer, Savage Avengers, Punisher, Moon Knight, and more. Ruben Rojas (https://www.davidpepose.com/the-oz/) - Artist of The O.Z., whose work Pepose waited on to keep the finale visually consistent with the rest of the series. Whitney Cogar (https://www.instagram.com/smashpansy/) - Colorist on The O.Z., part of the finale team Pepose praises near the end of the episode. DC Hopkins (https://hopkinsletters.myportfolio.com/) - Letterer on The O.Z., credited as part of the book’s creative team. Jonathan Lau (https://www.instagram.com/jonathanalau/) - Artist on Space Ghost, described by Pepose as drawing “like a damn Terminator.” Andrew Dalhouse (https://www.instagram.com/adalhouse/) - Colorist on Space Ghost, praised as part of the book’s consistent creative engine. Taylor Esposito (https://www.ghostglyphstudios.com/) - Letterer on Space Ghost and owner of Ghost Glyph Studios, called an unsung hero by Pepose. Davide Tinto (https://www.instagram.com/tintodavideart/) - Artist on Speed Racer, part of the team bringing Pepose’s high-speed Mad Cave run to life. Kenneth Wagnon (https://www.patreon.com/Kennethjwagnon/about) - Artist behind the fully illustrated map of The O.Z. mentioned as a Kickstarter stretch goal. Tom Brevoort (https://en.wikipedia.org/wiki/Tom_Brevoort) - Marvel editor whose advice about superheroes defending the little guy became a major storytelling rule for Pepose. C.B. Cebulski (https://en.wikipedia.org/wiki/C._B._Cebulski) - Marvel figure Pepose mentions while discussing how Spencer & Locke helped get him on Marvel’s radar. Bobby Kurnow (https://idwpublishing.com/blogs/news/behind-the-scenes-with-bobby-curnow-interview) - Editor whose class visit helped Pepose realize editing was not his path. Dan Slott (https://en.wikipedia.org/wiki/Dan_Slott) - Writer praised during the conversation as someone who can love Spider-Man without being trapped by that fandom. Daniel Warren Johnson (https://danielwarrenart.com/) - Mentioned as a creator who helped blow open what licensed comics could be. Ryan North (https://www.ryannorth.ca/) - Mentioned as part of the modern wave of done-in-one and short-arc superhero storytelling Pepose looked at while building Space Ghost. Steve Orlando (https://www.steveorlando.com/) - Mentioned alongside Scarlet Witch as another example of current superhero pacing and structure. Jed MacKay (https://en.wikipedia.org/wiki/Jed_MacKay) - Mentioned in connection with Moon Knight and modern superhero structure. Joe Kelly (https://en.wikipedia.org/wiki/Joe_Kelly_(comics)) - Writer of the Space Ghost miniseries that introduced Pepose to a more serious superhero version of the character. Ariel Olivetti (https://en.wikipedia.org/wiki/Ariel_Olivetti) - Artist on the 2005 Space Ghost miniseries referenced during the conversation. Heidi MacDonald (https://www.comicsbeat.com/author/heidi/) - Comics journalist mentioned for the “satisfying chunk” idea about single issues earning their keep. George Marston (https://www.gamesradar.com/author/george-marston/) - Pepose’s friend who helped him frame Space Ghost as “Batman in space.” The O.Z. (https://www.davidpepose.com/the-oz/) - Pepose’s Ringo Award-winning fantasy war story and the emotional center of this episode. The O.Z. #1-3 Kickstarter (https://www.kickstarter.com/projects/theozcomic/the-oz-3) - The campaign for the third and final issue discussed throughout the episode. Spencer & Locke (https://www.davidpepose.com/spencer-and-locke/) - Pepose’s breakout “Calvin and Hobbes grew up in Sin City” comic and the project that helped put him on the map. Scout’s Honor (https://www.davidpepose.com/scouts-honor/) - Pepose’s AfterShock series that helped build the critical momentum leading to Marvel work. Space Ghost (https://www.davidpepose.com/space-ghost/) - Pepose’s Dynamite series and the major craft conversation point for pacing, done-in-one stories, and emotional superhero storytelling. Speed Racer (https://madcavestudios.com/product/speed-racer-issue-0/) - Pepose’s Mad Cave run, discussed here as it heads toward the end of his planned arc. Savage Avengers (https://www.marvel.com/comics/series/32776/savage_avengers_2022_-_2023) - The Marvel book where Pepose turns a Conan idea into a sword-and-sorcery Deathlok chase. Punisher (https://www.marvel.com/comics/series/36917/punisher_2023_-_2024) - Pepose talks about the challenge of creating a Punisher-adjacent book while dealing with modern baggage around the iconography. Captain Planet (https://www.dynamite.com/htmlfiles/viewProduct.html?PRO=C72513034110501011) - One of Pepose’s licensed projects and an example of an idea he had been carrying for years. The Devil That Wears My Face (https://www.davidpepose.com/the-devil-that-wears-my-face/) - Pepose’s Mad Cave horror book, brought up as his supernatural take on Face/Off-style body-swapping. Astro City (https://en.wikipedia.org/wiki/Astro_City) - The Confession arc comes up as an influence on how Pepose approached Space Ghost through Jan and Jace. Batman: The Long Halloween (https://en.wikipedia.org/wiki/Batman:_The_Long_Halloween) - Pepose uses it as a tonal and structural comparison point for Space Ghost. Space Ghost Coast to Coast (https://en.wikipedia.org/wiki/Space_Ghost_Coast_to_Coast) - The version of Space Ghost many fans know, and one Pepose had to work around while rebuilding the hero.

  4. Jul 2

    Bart Sears Gives Away Ominous Secrets on The Corner Box - S3Ep41

    Part 2 of the Bart Sears interview continues as Bart walks David and John through the high-pressure years where every career move looked massive and every deadline came with teeth. Bart talks Eclipso, DC exclusives, the frustration of not getting one of the big characters, and the Valiant jump that put him on X-O Manowar and Turok right as the 90s boom was cooking itself alive. Then things get even more beautifully ridiculous with ToyBiz figure designs, Wizard pseudonyms, Brutes and Babes, and the launch of Ominous Press with a first issue that was basically a comic book, trading card set, collectible object, and logistical nightmare all at once! Along the way, Bart gets brutally honest about missed deadlines, silence with editors, depression, burnout, and why communication can save a project before everything goes sideways. It’s funny, brutal, and honest as hell — Bart Sears tells the truth about surviving the machine. Captions:“I wanted one of the main characters or I was gone.” — Bart Sears on asking DC for a bigger book before leaving for Valiant “They manufactured that heat.” — Bart Sears on how Valiant built demand by under-shipping early books “Wait, are you claiming that you ended the comic book industry in the 90s boom?” — David calling out Bart after the Turok sales talk “I screwed myself with Valiant.” — Bart Sears on taking X-O Manowar and Turok at the same time “If I’d stayed communicating, I probably would have been fine.” — Bart Sears on deadlines, embarrassment, and the editor relationship “I’ve never really enjoyed drawing.” — Bart Sears on the brutal honesty behind burnout, talent, and the job Splash Page:[00:57] – Eighty Pages of Pain: Bart remembers the Eclipso 80-pagers and the line technique that looked great but turned into a time-sucking monster. [03:09] – The Gem Cover Defense: The infamous Eclipso cover gets defended with the most collector-unfriendly solution possible: just buy two. [04:02] – Give Me Batman or I Walk: Bart explains why DC’s refusal to put him on a bigger character pushed him toward Valiant. [07:32] – Valiant Builds the Furnace: Bart breaks down how under-shipping created demand, heat, and eventually a sales bubble nobody could sustain. [09:32] – Two Monthly Books, One Bad Idea: X-O Manowar and Turok looked like a payday until deadlines, style choices, and pressure turned the whole thing into quicksand. [11:17] – Silence Kills Pages: David lands a real editor lesson for younger artists: communicate early, because quiet makes everybody panic. [15:24] – The Wizard Pseudonym Game: Bart explains why “Whitman” and “McNabb” showed up on Wizard covers while everyone with eyeballs knew it was him. [22:36] – The Monument Edition Madness: Ominous Press launches with loose cardstock pages in custom plastic cases, hand-packed in Bart’s mother’s garage like the most 90s comic object ever created. Support The Corner Box:David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: Bart Sears (https://www.bartsearsart.com) - The guest of honor, walking through Eclipso, Valiant, ToyBiz, Ominous Press, burnout, and the giant-art choices that made his pages impossible to ignore. David Hedgecock (https://funtimego.com) - The Corner Box co-host steering the conversation with collector brain, editor instincts, and full-on Bart Sears fandom. John Barber (https://www.pugworldwide.com) - The Corner Box co-host bringing the editor’s-eye view on contracts, deadlines, layouts, and why Bart’s pages never felt like anyone else’s. Joe Quesada (https://en.wikipedia.org/wiki/Joe_Quesada) - Mentioned by John in connection with young artists leaving when publishers would not hand them bigger characters. Steven Massarsky (https://en.wikipedia.org/wiki/Steven_Massarsky) - The Valiant co-founder Bart says was actively wooing him away from DC. Gareb Shamus (https://www.instagram.com/garebshamus/) - Wizard founder referenced during the Ominous Press discussion and the choice to launch with Brute and Babe. Todd McFarlane (https://mcfarlane.com) - Comes up during Bart’s Violator story, where deadline expectations collided hard with burnout. Christopher Priest (https://digitalpriest.com/about/) - The writer on Captain America and the Falcon, where Bart turned boredom into huge Cap and Falcon visuals on the page. Ron Marz (https://www.ronmarz.com/) - The writer on The Path, where Bart happily blew up the layouts while working inside CrossGen. Rob Hunter (https://dc.fandom.com/wiki/Rob_Hunter) - The inker Bart wanted on Captain America and the Falcon because he knew Hunter’s line would make the heavy rendering sing. Andy Smith (https://www.andysmithart.com/) - Mentioned as part of the studio and Silver Surfer-era orbit around Bart’s post-Valiant scramble. Mark Pennington (https://dc.fandom.com/wiki/Mark_Pennington) - The inker Bart discusses in relation to The Path and its blown-up marker layouts. Eclipso (https://en.wikipedia.org/wiki/Eclipso) - The DC villain and crossover work that pushed Bart into massive 80-page assignments and one very memorable gem-cover controversy. Justice League Europe (https://en.wikipedia.org/wiki/Justice_League_Europe) - Bart’s DC title before the Eclipso frustration and the “why won’t they give me a bigger character?” breaking point. Valiant Comics (https://www.dmg-entertainment.com/ip-universes/valiant-comics/) - The hot publisher that pulled Bart away from DC during the early 90s boom. X-O Manowar (https://en.wikipedia.org/wiki/X-O_Manowar) - One of the Valiant books Bart took on while trying to chase a more illustrative style under impossible monthly pressure. Turok: Dinosaur Hunter (https://en.wikipedia.org/wiki/Turok:_Dinosaur_Hunter) - The Valiant hit Bart connects to the massive sales spike and speculator-era overload. Wizard Magazine (https://en.wikipedia.org/wiki/Wizard_%28magazine%29) - The 90s comics magazine where Bart’s Brutes and Babes tutorials and pseudonymous covers helped boost his profile. Toy Biz (https://en.wikipedia.org/wiki/Toy_Biz) - The toy company behind the Marvel figure work Bart was designing around the same time he was trying to build a studio. Ominous Press (https://www.bartsearsart.com/folio-9) - Bart’s creator-owned publishing swing, built on huge mythology, Brute and Babe, and the infamous Monument Edition packaging gamble. CrossGen (https://en.wikipedia.org/wiki/CrossGen) - The publisher where Bart became art director and pushed layouts hard on books like The Path. Captain America and the Falcon (https://marvel.fandom.com/wiki/Captain_America_and_the_Falcon_Vol_1_1) - The Marvel series Bart discusses for its big figures, silhouette vehicles, and heavily rendered approach. The Path (https://crossgen-comics-database.fandom.com/wiki/The_Path_%28comics%29) - The CrossGen series Bart used to experiment with two-page spreads, marker layouts, and page design that ignored the safe route.

  5. Jun 30

    Bart Sears Muscles His Way Onto The Corner Box - S3Ep40

    Bart Sears joins David and John to unpack the early grind behind one of comics’ most muscular, instantly recognizable art styles. Bart talks about learning from Neal Adams, Ross Andru, Frank Frazetta, John Buscema, and How to Draw Comics the Marvel Way before landing work through Larry Hama and eventually walking into Hasbro with full superhero energy. From designing the heroic proportions of C.O.P.S. figures, to Hasbro badly misreading the toy market, the conversation turns into a brutal lesson in how great creative work can still get steamrolled by bad business calls. Then comes the real madness: Andy Helfer telling Bart to finish 18 pages in three days before handing him an 80-page DC event packed with almost every hero and villain in the DC Universe. Then Justice League Europe, The Spectre, Invasion!, Matt Groening’s napkin poster, and Bart’s Dark Knight deadline nightmare hit the table — and suddenly, this is a creator survival story with bruises. Captions: “Hell, I can do this.” — Bart Sears on seeing a Batman story as a kid and deciding comics were the job “You learn a lot by figuring out what direction lines go.” — Bart on tracing, copying, and actually learning how comic art works “There’s a game, six degrees of Larry Hama, that you can play with anything in the comic book industry.” — David on Hama’s impossible reach through comics history “The last thing I wanted to draw in my life was a female, because I really wasn’t very good at it back then.” — Bart on getting assigned biker women and motorcycles early at Marvel “It was just filled with Air Raiders. But you couldn’t find C.O.P.S.” — Bart on Hasbro backing the wrong toy line “If you can make a living making comic books, you can literally work anywhere in this world.” — David on comics being the hardest creative boot camp around “I’m not Jack Kirby.” — Bart on being asked to draw 18 pages in three days before an 80-page DC assignment Splash Page: [00:47] – John Barber’s Dog Opens the Show: John returns, Chase gets accused of eyeing his job, and somehow dog poop becomes the warm-up act. [02:53] – The Ten-Year-Old Pro: Bart traces his origin back to a Batman story, a werewolf, and the instant belief that comics were his future. [06:01] – The First Big Break: After Kubert School, video game art, and sample pages, Bart knocks on Marvel’s door and Larry Hama gives him work. [10:57] – The Hasbro Hallway Heist Fantasy: David remembers seeing original G.I. Joe art at Hasbro and having to fight every instinct not to run off with it. [11:54] – Original Art in the Dumpster: Bart drops the nightmare detail that a lot of classic toy art only survived because people rescued it from the trash. [16:14] – How Hasbro Fumbled C.O.P.S.: Bart explains how Air Raiders got the big push while C.O.P.S. demand blew past what Hasbro had ready to ship. [24:48] – Comics as the Hardest Job in the Room: David argues that anyone who can survive comics deadlines can walk into almost any business and dominate. [29:04] – The 18-Pages-in-3-Days Disaster: Andy Helfer asks Bart to finish nearly an entire issue of The Spectre in three days before dropping an 80-page DC event on him. [31:32] – Matt Groening’s Napkin Poster: Bart reveals the Invasion! poster concept came from Matt Groening sketching an idea on a napkin. [35:15] – Justice League Europe Gets Moved Up: Bart finds out from a fan at a convention that Justice League Europe is shipping months earlier than he thought. Support the Corner Box: David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: Bart Sears (https://en.wikipedia.org/wiki/Bart_Sears) - The guest of the episode, known for Justice League Europe, Turok, Ominous Press, and a big, anatomy-driven superhero style. Larry Hama (https://en.wikipedia.org/wiki/Larry_Hama) - Writer, editor, and G.I. Joe legend who gave Bart early comics work and later reconnected with him through C.O.P.S. material. Neal Adams (https://en.wikipedia.org/wiki/Neal_Adams) - One of the key Batman artists Bart mentions as an early influence. Ross Andru (https://en.wikipedia.org/wiki/Ross_Andru) - Classic Marvel and DC artist Bart cites as part of the visual education he absorbed as a young artist. Frank Frazetta (https://en.wikipedia.org/wiki/Frank_Frazetta) - Fantasy art giant whose work helped shape Bart’s early sense of power, form, and heroic drama. John Buscema (https://en.wikipedia.org/wiki/John_Buscema) - Marvel master Bart names as one of the artists he studied while learning the craft. Dan Fraga (https://en.wikipedia.org/wiki/Dan_Fraga) - Artist David mentions while talking about the value of tracing and learning from the linework of artists you admire. Mike Carlin (https://en.wikipedia.org/wiki/Mike_Carlin) - DC and Marvel editor who met Bart during his early Marvel office visit. Doug Moench (https://en.wikipedia.org/wiki/Doug_Moench) - Writer mentioned in connection with the DC C.O.P.S. comic. Andy Helfer (https://en.wikipedia.org/wiki/Andy_Helfer) - DC editor who gave Bart C.O.P.S., The Spectre, Invasion!, Justice League Europe, and plenty of deadline trauma. Keith Giffen (https://en.wikipedia.org/wiki/Keith_Giffen) - Artist and writer whose clean thumbnail layouts helped Bart survive the huge Invasion! assignment. Todd McFarlane (https://en.wikipedia.org/wiki/Todd_McFarlane) - Mentioned as the artist originally attached to the Invasion! issue Bart ultimately drew. Matt Groening (https://en.wikipedia.org/wiki/Matt_Groening) - The Simpsons creator who, according to Bart, sketched the rough idea for the Invasion! poster on a napkin. Jack Kirby (https://en.wikipedia.org/wiki/Jack_Kirby) - Comics legend invoked during the conversation about insane productivity and creator compensation. Joe Kubert (https://en.wikipedia.org/wiki/Joe_Kubert) - Artist, teacher, and Kubert School founder whose work ethic shaped Bart’s attitude toward saying yes and figuring it out later. Mark Pennington (https://en.wikipedia.org/wiki/Mark_Pennington_(comics)) - Artist and inker who worked with Bart and appears throughout the Hasbro and comics portions of the story. Justice League Europe (https://en.wikipedia.org/wiki/Justice_League_Europe) - The DC series David calls formative to his early comics reading, largely because of Bart’s artwork. C.O.P.S. (https://en.wikipedia.org/wiki/C.O.P.S._(animated_TV_series)) - The toy and animation property Bart helped design, with a comic-book-style heroic look. G.I. Joe (https://en.wikipedia.org/wiki/G.I._Joe:_A_Real_American_Hero) - The Hasbro toy line that frames part of the discussion about concept art, packaging, and toy design culture. Hasbro (https://en.wikipedia.org/wiki/Hasbro) - The toy company where Bart worked on concept art, figure design, and the C.O.P.S. line. The Kubert School (https://www.kubertschool.edu) - The art school Bart attended before breaking into comics and commercial illustration. How to Draw Comics the Marvel Way (https://en.wikipedia.org/wiki/How_to_Draw_Comics_the_Marvel_Way) - The classic instructional book Bart mentions as part of learning what comic pages were supposed to look like. The Spectre (https://en.wikipedia.org/wiki/Spectre_(DC_Comics_character)) - The DC character Bart was assigned before being pulled into the massive Invasion! project. Invasion! (https://en.wikipedia.org/wiki/Invasion!_(DC_Comics)) - The 80-page DC event issue Bart drew under a brutal schedule after Todd McFarlane left the assignment. Piranha Press (https://en.wikipedia.org/wiki/Piranha_Press) - The DC imprint tied to the behind-the-scenes deadline pressure Bart describes near the end of the episode. Ominous Press (https://en.wikipedia.org/wiki/Ominous_Press) - Mentioned in David’s intro as part of Bart’s long creative résumé, with more promised for part two. Turok (https://en.wikipedia.org/wiki/Turok) - One of the major characters David references while introducing Bart’s broader comics legacy.

  6. Jun 23

    Deep Dive of Frank Miller's 300 (it's all about Lynn Varley) on The Corner Box - S3Ep39

    The guys get into Frank Miller’s 300, from its brutal Spartan swagger to the underappreciated magic Lynn Varley brought to every inch of the page. John is out today, but David is joined by special guest and fill-in co-host Chase Marotz to talk about Miller’s later art style, the historical homework behind Thermopylae, and why this book still feels like a giant opera made of sweat, shields, and testosterone. Before the main event, they hit the news wire: Chip Zdarsky and Marco Checchetto on Avengers, Teenage Mutant Ninja Turtles #300 moving monster numbers, Dark Horse recognizing its workers union, and Shaquille O’Neal teaming with Archie Comics. Then things get beautifully stupid with Sugar Bomb, Tom the Dolphin, Bart Sears, Juan Jose Ryp, and the kind of superhero book that could only come from trying to make your office mate laugh and/or quit. By the end, Frank Miller’s 300 looks less like a frozen artifact and more like the battle line between classic craft, creator obsession, and full-throttle comic book weirdness. Captions:“Frank Miller’s art has really become sort of outsider-esque.” — David on how Miller’s later style has grown on him “It’s the ultimate indie comic win.” — David on Teenage Mutant Ninja Turtles hitting issue #300 “One in a million thing happened to one in a million dude.” — Chase on Kevin Eastman and the Turtles phenomenon “I’ve never seen somebody have the ability to humanize a dolphin.” — David on Juan Jose Ryp drawing Tom in Sugar Bomb “This is the story that I was waiting to tell until I knew I was good enough to tell it.” — David quoting Frank Miller on 300 Splash Page:[00:42] – Miller Goes Outsider: David kicks off the episode by connecting Frank Miller’s current art style to the outsider comics conversation that’s been circling the show. [03:07] – Avengers Gets a Real Creative Swing: David and Chase react to Chip Zdarsky and Marco Checchetto relaunching Avengers, with cautious optimism and a few Batman-induced headaches. [08:08] – Turtles Print Money Again: TMNT #300 jumps to 200,000 units, and the guys break down why legacy numbering is ridiculous, brilliant, and very much still alive. [11:42] – A Hard Turn for Persepolis: David and Chase pause for Marjane Satrapi, reflecting on why Persepolis still hits with force and humanity. [13:28] – Dark Horse Recognizes the Union: The guys give credit where it’s due while keeping one cynical eye open about what comes next. [15:25] – Shaq Walks Into Archie Comics: Shaquille O’Neal’s new comics project gives David the perfect excuse to shout out Stephanie Williams and Ray-Anthony Height. [19:32] – Enter Sugar Bomb and the Dolphin Menace: Chase explains Sugar Bomb as a cynical cyborg superhero with a perverted dolphin sidekick, which is somehow only the beginning. [30:57] – 300 Returns to Battle: David and Chase revisit Frank Miller’s 300 and immediately zero in on Lynn Varley’s massive contribution to the book’s power. Support the Corner Box:David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue BinFrank Miller (https://frankmillerpresents.com) - The legendary cartoonist behind 300, Sin City, The Dark Knight Returns, and the whole Spartan blood-and-thunder centerpiece of this episode Lynn Varley (https://en.wikipedia.org/wiki/Lynn_Varley) - The Eisner-winning colorist whose watercolor work on 300 gets a well-earned victory lap from David and Chase Chip Zdarsky (https://www.zdars.co) - Writer discussed for his upcoming Avengers work and past Daredevil/Batman runs Marco Checchetto (https://www.marvel.com/comics/creators/11748/marco_checchetto) - Artist paired with Zdarsky on Avengers and a longtime Corner Box favorite Kevin Eastman (https://fan.kevineastmanstudios.com) - Teenage Mutant Ninja Turtles co-creator, praised here as the ultimate indie comics success story and an all-around great dude Peter Laird (https://peterlairdstmntblog.blogspot.com) - Teenage Mutant Ninja Turtles co-creator, part of the original DIY comics miracle behind TMNT Marjane Satrapi (https://en.wikipedia.org/wiki/Marjane_Satrapi) - Creator of Persepolis, remembered here for the power and humanity of her landmark graphic novel Stephanie Williams (https://stephaniecomics.com) - Writer of Shaquille O’Neal’s Archie Comics project and a friend of the show David wants back on the mic Ray-Anthony Height (https://www.ray-anthonyheight.com) - Artist on Shaq’s Archie project, praised by David as a hard-working comics talent getting a bigger spotlight Juan Jose Ryp (https://www.instagram.com/juanjoseryp) - Sugar Bomb artist whose character acting, especially with Tom the Dolphin, basically hijacked David’s heart Bart Sears (https://www.bartsearsart.com) - Artist behind Sugar Bomb’s initial designs and the upcoming guest for the Ominous Press/Brutes and Babes conversation Rolo Maeda (https://www.instagram.com/rolomaeda) - Interior artist on Super Kaiju Rock and Roller Derby Fun Time Go, shouted out during the Funtime Go Kickstarter break Zack Snyder (https://en.wikipedia.org/wiki/Zack_Snyder) - Director of the 300 film adaptation and the source of several side quests in the conversation James Gunn (https://www.dc.com/talent/james-gunn) - Mentioned through the Dawn of the Dead connection and his current DC film universe role 300 (https://en.wikipedia.org/wiki/300_(comics)) - Frank Miller and Lynn Varley’s five-issue Dark Horse series that anchors the main discussion Teenage Mutant Ninja Turtles (https://en.wikipedia.org/wiki/Teenage_Mutant_Ninja_Turtles) - The indie comics phenomenon discussed through TMNT #300, Kevin Eastman, Peter Laird, and the Frank Miller connection Teenage Mutant Ninja Turtles #300 (https://idwpublishing.com) - The legacy-numbered milestone issue David says pushed massive sales and brought the Turtles back into the spotlight Avengers (https://www.marvel.com/comics/series) - The Marvel flagship title discussed through the new Zdarsky/Checchetto relaunch Daredevil (https://www.marvel.com/comics/characters/1009262/daredevil) - Referenced through Zdarsky and Checchetto’s previous work and the TMNT/Miller creative lineage Batman (https://www.dc.com/characters/batman) - Comes up through Zdarsky’s run, Zur-En-Arrh confusion, and Miller’s larger creative legacy Persepolis (https://en.wikipedia.org/wiki/Persepolis_(comics)) - Marjane Satrapi’s landmark graphic novel, discussed as a major work worth revisiting Dark Horse Comics (https://www.darkhorse.com) - Publisher of 300 and the focus of the workers union discussion Dark Horse Workers United (https://actionnetwork.org/petitions/dark-horse-workers-united) - The labor effort discussed after Dark Horse voluntarily recognized the union Archie Comics (https://archiecomics.com) - Publisher behind Shaquille O’Neal’s new comics project with Stephanie Williams and Ray-Anthony Height Vengeance Unchained: The Legend of Black Caesar (https://archiecomics.com) - Shaq’s Archie Comics project discussed as a surprising non-superhero announcement Super Kaiju Rock and Roller Derby Fun Time Go (https://funtimego.com) - Funtime Go’s high-end hardcover graphic novel series currently running its Book 3 Kickstarter Sugar Bomb (https://funtimego.com) - David and Chase’s chaotic superhero project featuring Sugar Bomb, Tom the Dolphin, and a growing murderers’ row of artists Ominous Press (https://en.wikipedia.org/wiki/Ominous_Press) - Bart Sears’ publishing venture, teased for next week’s wild Brutes and Babes/Monument Edition conversation Brutes and Babes (https://en.wikipedia.org/wiki/Bart_Sears) - Bart Sears’ Wizard-era how-to-draw feature and the springboard for next week’s Ominous Press episode

  7. Jun 16

    Kickstarter Marketing 101 on The Corner Box - S3Ep38

    The guys get into the real mechanics of launching a comics Kickstarter without just throwing a link into the void and praying to the algorithm gods. David breaks down why the campaign is won before launch day, how email lists and “notify me” clicks create the first-day fire, and why stretch goals work best when they feel like party favors instead of cheap bait. John digs into the questions creators actually ask: do updates cost pledges, do non-comics audiences convert, and how much should you show before you spoil your own book? From there, the conversation jumps into “Here’s What John & David Read This Week” with Joe Palmer’s Destination Kill, the absolute fever dream of Neil Adams on Mr. T and the T Force, and a heartfelt detour into the wild, too-short career of Seth Fisher. It’s part creator survival guide, part comics archaeology, and part “how did Mr. T end up kicking through a roof?” Captions: “It’s almost like doing a pre-order for the pre-order.” — John translating Kickstarter strategy into direct-market terms “When you generate $10,000 in 12 hours, Kickstarter pays attention.” — David on why day-one momentum changes everything “The stretch goals are kind of like the party favors.” — David on treating a campaign like a celebration, not a begging bowl Splash Page: [00:00] – Hall of Fame Host Energy: David kicks things off by needling John with the Transformers Hall of Fame intro, and John takes the bait beautifully. [03:32] – The Kickstarter Firestarter: David lays out the big lesson: if you wait until launch day to build heat, you may already be cooked. [06:57] – Pre-Campaign Is the Campaign: The “notify me” page becomes the whole game, turning awareness into day-one pledges. [13:32] – Three Hours to Funded: Super Kaiju Book 3 hits its goal fast, giving David a real-world case study instead of vague creator advice. [16:49] – Stretch Goals as Party Favors: David reframes extras as a celebration for backers and a smart way to move fence-sitters. [25:14] – Link in Bio or Get Buried: The guys get into how social platforms punish links and force creators into smarter, weirder promotion tactics. [34:09] – Don’t Ignore the Monster Fans: David makes the case for chasing kaiju lovers, roller derby people, and genre fans outside the comics bubble. [48:51] – Mr. T Saves Literacy and Kicks Through a Roof: John opens a polybagged time capsule and finds Neil Adams, gold chains, moral chaos, and pure comics madness. [51:58] – The Seth Fisher Appreciation Lap: David revisits The Flash: Time Flies and celebrates Fisher’s dense, inventive, future-shocked artwork. Support the Corner Box: David Hedgecock (https://www.funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: Creators Mentioned David Hedgecock (https://www.funtimego.com) - The Corner Box co-host and Fun Time Go publisher breaks down his Kickstarter playbook from direct experience. John Barber (https://www.pugworldwide.com) - The Corner Box co-host, longtime Transformers writer, former IDW editor-in-chief, and current PUG Worldwide editor-in-chief asks the creator-side questions that make the Kickstarter talk useful. Rolando Mallada (https://www.instagram.com/rolomallada) - Artist on Super Kaiju Rock-N-Roller Derby Fun Time Go, praised by David as a major selling point of the campaign’s interior art. Bart Sears (https://www.bartsearsart.com) - Legendary artist discussed as a past live-event guest and character designer for Sugar Bomb. Rich Johnston (https://bleedingcool.com/author/rich-johnston/) - Bleeding Cool writer mentioned as receiving a launch-day exclusive for the Super Kaiju Kickstarter. Jay Gonzo (https://www.instagram.com/jaygonzoart) - Artist behind the collector’s box artwork for Super Kaiju, praised for his Day of the Dead-inspired style. Dave Baker (https://www.heydavebaker.com) - Creator mentioned through John’s Jay Gonzo story and a broader comics-world connection. Joe Palmer (https://www.instagram.com/palmerjoeart) - Artist of Destination Kill, which John calls a fantastic first issue. Neal Adams (https://en.wikipedia.org/wiki/Neal_Adams) - Legendary comics artist whose work on Mr. T and the T Force sends John into full back-issue joy mode. Mr. T (https://en.wikipedia.org/wiki/Mr._T) - Pop culture icon at the center of the wild Now Comics book John brings to the table. Pete Stone (https://en.wikipedia.org/wiki/Peter_Stone_(writer)) - Writer credited in the discussion of Mr. T and the T Force. Seth Fisher (https://www.floweringnose.com/) - The late artist celebrated for his inventive, dense, wildly imaginative comics work. John Rozum (https://en.wikipedia.org/wiki/John_Rozum) - Writer of The Flash: Time Flies, the Seth Fisher-drawn DC one-shot David revisits. Sergio Aragonés (https://en.wikipedia.org/wiki/Sergio_Aragon%C3%A9s) - Referenced as a comparison point for the amount of visual information packed into Fisher’s pages. Zeb Wells (https://en.wikipedia.org/wiki/Zeb_Wells) - Writer of Fantastic Four/Iron Man: Big in Japan, one of Fisher’s last major works. Joe Hill (https://joehillfiction.com/) - Writer mentioned in connection with a posthumously published Seth Fisher story. J. M. DeMatteis (https://www.jmdematteis.com/) - Writer of Green Lantern: Willworld, remembered as a perfect match for Seth Fisher’s surreal visual imagination. Mark Badger (https://en.wikipedia.org/wiki/Mark_Badger) - Artist mentioned by John while connecting DeMatteis’ stranger comics work to Fisher’s energy. Topics & Resources: Super Kaiju Rock-N-Roller Derby Fun Time Go: Fuji-Tengu Flames (https://bleedingcool.com/comics/super-kaiju-rock-n-roller-derby-fun-time-go-fuji-tengu-flames/) - The Book 3 campaign discussed in the episode, including its launch push and press strategy. Kickstarter Comics (https://www.kickstarter.com/comics) - The crowdfunding ecosystem David breaks down throughout the first half of the episode. Bleeding Cool (https://bleedingcool.com) - Comics news site mentioned as part of David’s launch-day press push. Comic Geek Speak (https://www.comicgeekspeak.com) - Podcast mentioned as part of David’s campaign outreach. Destination Kill (https://oni-press.myshopify.com/products/destination-kill-1) - The Oni Press sci-fi comedy John recommends during the weekly reading segment. Oni Press (https://oni-press.com) - Publisher of Destination Kill, brought up during John’s new-comics enthusiasm. Mr. T and the T Force (https://en.wikipedia.org/wiki/Mr._T_and_the_T-Force) - The bizarre Now Comics back issue John brings in, complete with Neil Adams art and a polybagged trading card. Now Comics (https://en.wikipedia.org/wiki/Now_Comics) - Publisher behind Mr. T and the T Force. Superman vs. Muhammad Ali (https://en.wikipedia.org/wiki/Superman_vs._Muhammad_Ali) - Neal Adams classic used as a comparison point for big, goofy, high-energy celebrity comics. The Flash: Time Flies (https://dc.fandom.com/wiki/Flash:_Time_Flies_Vol_1_1) - The Seth Fisher-drawn DC one-shot David uses as his entry point back into Fisher’s work. Green Lantern: Willworld (https://dc.fandom.com/wiki/Green_Lantern:_Willworld_Vol_1_1) - Seth Fisher and J. M. DeMatteis’ surreal Green Lantern story, remembered fondly by David. Fantastic Four/Iron Man: Big in Japan (https://www.marvel.com/comics/series/1845/fantastic_four_iron_man_big_in_japan_2005_-_2006) - The Marvel mini-series by Zeb Wells and Seth Fisher discussed as one of Fisher’s final major works. Myst III: Exile (https://en.wikipedia.org/wiki/Myst_III:_Exile) - Video game David mentions as part of Seth Fisher’s creative path before returning to comics. Locke & Key (https://en.wikipedia.org/wiki/Locke_%26_Key) - The Joe Hill series connected to one of Fisher’s posthumously published comics stories. Justice League Europe (https://en.wikipedia.org/wiki/Justice_League_Europe) - Bart Sears’ run is referenced while David talks about bringing him into Fun Time Go live-event orbit. Rocky III (https://en.wikipedia.org/wiki/Rocky_III) - The film that made Mr. T’s Clubber Lang iconic, referenced through the Mr. T trading card. Marvel (https://www.marvel.com) - Mentioned across the episode through David and John’s industry histories, Fisher’s Big in Japan work, and the broader state of current comics. DC Comics (https://www.dc.com) - Mentioned through Seth Fisher’s DC work, The Flash: Time Flies, Green Lantern: Willworld, and the current comics landscape. IDW Publishing (https://idwpublishing.com) - Referenced through David and John’s editorial history and the wider independent comics scene.

  8. Jun 9

    Is Clive Barker Responsible for The Matrix?! on The Corner Box - S3Ep37

    David & John talk about the brutal math of making comics after the pages are done and the hard truth of the hard work behind every Kickstarter project. The guys talk about Marvel's changing of the guard, Dan Buckley’s legacy, DC’s momentum under Marie Javins, and whether comics are being pulled closer to media-brand machinery than comic-book instinct. John then drags Clive Barker’s Razorline out of the longbox, complete with Ecto Kid, Hyperkind, Steve Skroce, James Robinson, Lana Wachowski, and some truly heroic cover embossing. David counters with AmeriKarate, an Action Lab oddball that sounds like Team America, American Dad, Chuck Norris, and karate-chop insanity got shoved into one very dumb, very fun blender. Somehow, it all becomes a love letter to strange comics, dead-end experiments, and the beautiful mess of the medium. Captions: “Marketing comic books is a lot.” — John stating the creator pain in six words “We blew it, man. We were like amateur hour big time.” — David on wishing they’d done more with David Harper “It is nonsense… but oddly under control.” — John on Hyperkind and the chaos of Razorline “Everything is solved with a karate chop to the face.” — David on AmeriKarate’s entire operating system Splash Page: [00:47] – The Kickstarter Pain Machine: David breaks down why making the comic is only the first boss fight. [03:39] – Eisner Guest Regret Spiral: The guys admit they may have fumbled a killer David Harper conversation. [05:05] – Marvel Gets a New Boss Fight: Dan Buckley’s exit sparks talk about Marvel, Disney, and the future of the line. [09:23] – Dark Horse Alarm Bells: David worries about shops closing and comics losing focus to bigger media plays. [12:01] – DC Gets Its Flowers: Mark Waid’s comments back up David and John’s read on Marie Javins’ steady hand. [18:16] – Enter Razorline: John revisits Clive Barker’s strange Marvel horror-superhero experiment from the ’90s. [22:00] – Embossed Abs Era: Ecto Kid’s cover becomes a love letter to ridiculous, beautifully overworked ’90s production. [46:04] – AmeriKarate Kicks the Door In: David recommends a wildly dumb, wildly fun Action Lab series with maximum karate stupidity. Support the Corner Box: David Hedgecock (https://funtimego.com) - The Corner Box Co-Host John Barber (https://www.pugworldwide.com) - The Corner Box Co-Host The Corner Box (https://www.thecornerbox.club) - Official Website Dive Deeper Into the Back Issue Bin: Part 1 — Creators Mentioned David Hedgecock (https://funtimego.com) - Co-host, comics veteran, and creator behind Super Kaiju Rock n’ Roller Derby Fun Time Go. John Barber (https://www.pugworldwide.com) - Co-host, writer, editor, and Transformers Hall of Fame comics veteran. David Harper (https://sktchd.com) - Comics journalist and Off Panel host discussed after his recent Corner Box appearance. Dan Buckley (https://en.wikipedia.org/wiki/Dan_Buckley) - Longtime Marvel publishing executive discussed during the Marvel leadership conversation. Marie Javins (https://en.wikipedia.org/wiki/Marie_Javins) - DC editor-in-chief credited in the conversation for helping steer DC’s current momentum. Mark Waid (https://en.wikipedia.org/wiki/Mark_Waid) - Veteran comics writer discussed for his long-running relevance and current DC work. James Gunn (https://en.wikipedia.org/wiki/James_Gunn) - Mentioned in the conversation about comics-aware leadership and DC’s broader direction. Mike Richardson (https://en.wikipedia.org/wiki/Mike_Richardson_(publisher)) - Dark Horse founder discussed in relation to the company’s leadership shift. Clive Barker (https://www.clivebarker.info) - Horror and dark fantasy creator behind Marvel’s Razorline concepts. Steve Skroce (https://en.wikipedia.org/wiki/Steve_Skroce) - Artist on Ecto Kid and later collaborator with the Wachowskis. James Robinson (https://en.wikipedia.org/wiki/James_Robinson_(writer)) - Writer of early Ecto Kid issues, discussed shortly before his Starman era. Lana Wachowski (https://en.wikipedia.org/wiki/Lana_Wachowski) - Mentioned for taking over Ecto Kid under her earlier name and later collaborating with Steve Skroce. Corey Kalman (information missing) - Co-writer of AmeriKarate; reliable official reference not provided in transcript. Brockton McKinney (https://www.imdb.com/name/nm2444198/) - AmeriKarate co-writer connected in the discussion to Gingerdead Man movies and Rick and Morty comics. Devon Roth (information missing) - AmeriKarate artist praised for animation-flavored storytelling; reliable official reference not provided in transcript. Dave Dwonch (https://www.actionlabcomics.com) - Letterer on AmeriKarate and Action Lab-connected creator mentioned in the credits discussion. Part 2 — Topics & Resources Super Kaiju Rock n’ Roller Derby Fun Time Go (https://funtimego.com) - David’s Kickstarter comic promoted during the episode. Kickstarter (https://www.kickstarter.com) - The platform at the center of David’s creator-marketing pain and Super Kaiju campaign. Marvel Comics (https://www.marvel.com/comics) - Discussed through leadership changes, market position, and the Razorline back catalog. DC Comics (https://www.dc.com) - Discussed for its current creative momentum, Absolute line, compact editions, and editorial direction. Dark Horse Comics (https://www.darkhorse.com) - Discussed through leadership changes, shop closures, and publishing focus. Things From Another World (https://www.tfaw.com) - Dark Horse-connected retail operation discussed after store closure news. Razorline (https://en.wikipedia.org/wiki/Razorline) - Clive Barker’s Marvel imprint and the centerpiece of John’s reading pick. Ecto Kid (https://en.wikipedia.org/wiki/Ecto_Kid) - Razorline title praised as the strongest of the batch. Hyperkind (https://en.wikipedia.org/wiki/Hyperkind) - Razorline superhero title discussed for its wild ’90s execution. Hokum & Hex (https://en.wikipedia.org/wiki/Hokum_%26_Hex) - Razorline title discussed for its hard-to-explain weirdness. Saint Sinner (https://en.wikipedia.org/wiki/Saint_Sinner) - Razorline title discussed as one of the darker Barker concepts. AmeriKarate (https://www.actionlabcomics.com) - Action Lab series David recommends for absurd action-comedy mayhem. Gingerdead Man (https://en.wikipedia.org/wiki/The_Gingerdead_Man) - Bizarre horror-comedy rabbit hole connected to Brockton McKinney. Image Comics (https://imagecomics.com) - Discussed as the massive early-’90s disruption that forced Marvel and DC to react. X-Force (https://en.wikipedia.org/wiki/X-Force) - Used as a reference point for Marvel’s early-’90s artist churn and post-Liefeld direction.

See All (155)

Ratings & Reviews

4
out of 5
4 Ratings

About

Welcome to The Corner Box, where we talk about comic books as an industry and an art form. You never know where the discussion will go, or who’ll show up to join hosts David Hedgecock and John Barber. Between them they’ve spent decades writing, drawing, lettering, coloring, editing, editor-in-chiefing, and publishing comics. If you want to know the behind-the-scenes secrets—the highs and lows, the ins and outs—of the best artistic medium in the world, listen in and join the club at The Corner Box!

Information

  • Creator
    David & John
  • Years Active
    2023 - 2026
  • Episodes
    155
  • Rating
    Explicit
  • Copyright
    © 2026 Fun Time Go, Inc.
  • Show Website
    The Corner Box

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