Backwards Beats Podcast

Tunawood Productions

Backwards Beats revisits the Rolling Stone 500 Greatest Albums of All Time, one album at a time. We dig into the music, the context, and the reputation, then decide how much of it actually holds up. Sometimes we agree. Sometimes we don’t. The list doesn’t get the final word, but every album gets a fair shake. New episodes every Tuesday.

  1. 6d ago

    Lucinda Williams - Lucinda Wiliams (#426)

    In this episode of Backwards Beats, Dan and Carl continue their reverse journey through Rolling Stone’s 500 Greatest Albums of All Time by diving into Lucinda Williams’ seminal 1988 self-titled third album. Before Car Wheels on a Gravel Road made her a household name and an Americana icon, this 1988 release laid down the exact blueprint for the modern alt-country and roots-rock movements. Released on the legendary UK post-punk label Rough Trade Records after being rejected by major L.A. and Nashville labels, Lucinda Williams showcases raw Southern gothic storytelling, Telecaster-driven blues-rock guitar work by Gurf Morlix, and unforgettable songwriting. We trace Lucinda’s bohemian upbringing as the daughter of poet Miller Williams, her early years grinding on the Texas and Los Angeles club circuits, and how her unvarnished depiction of female autonomy and desire bridged the gap between traditional country icons like Loretta Lynn and 1990s roots-pop superstars like Mary Chapin Carpenter, Tom Petty, and Sheryl Crow. Join us for an in-depth track-by-track review, production breakdown, and honest critique of this roots-rock masterpiece. Key Topics Covered in This Episode: The origin story of Lucinda Williams, her southern upbringing, and literary influences. The 1980s music industry landscape and why major labels rejected her uncategorizable sound. How British post-punk label Rough Trade Records gave Lucinda complete artistic freedom. Recording sessions at Mad Dog Studios in Venice, California, with co-producer and guitarist Gurf Morlix and engineer Dusty Wakeman. Deep dives into iconic tracks: "Passionate Kisses," "Changed the Locks," "The Night's Too Long," "Crescent City," and "Side of the Road." How covers by Mary Chapin Carpenter, Tom Petty, and Patty Loveless turned Lucinda into a "songwriter's songwriter."   Join us next week when we cover Paul Simon by Paul Simon.

  2. Oct 6

    Al Green - Call Me (#427)

    Put on your room-temperature sweatpants and get ready to ease into a smooth, soulful masterpiece. This week on the Backwards Beats Podcast, hosts Carl and Dan take a deep dive into Episode 93 to discuss the Reverend Al Green’s seminal 1973 album, Call Me. Coming in at No. 427 on Rolling Stone’s 500 Greatest Albums of All Time list (a massive tumble from its previous No. 60 spot in 2003), this 9-song, 35-minute record is a clinic in musical restraint, lush arrangements, and vocal genius. From exploring the history of Royal Recording Studios in Memphis to breaking down Willie Mitchell's production wizardry, Carl and Dan dissect the album track-by-track. They analyze the legendary Hi Rhythm section (including the Hodges brothers), debate the role of country music covers in soul, and try to understand how Al Green makes complex modal interchanges feel as effortless as finger painting. Plus, stay tuned for their recurring "In Your Ears" segment, and find out if Call Me gets a definitive "Hit It" or "Skip It." Music References Four Tops Bonnie Raitt Linda Ronstadt Big Star Sparks Clandestino by Mano Chao Mano Chao BLACKsummers'night by Maxwell Ascension (Don't Ever Wonder) by Maxwell Pretty Wings by Maxwell Maxwell Tribute by Jack Black Jack Black Al Green & The Soul Mates Jackie Wilson Ray Charles Call Me by Juvenile Juvenile Chicago Billie Eilish Lizzy McAlpine Dodie Prince Creep by Radiohead Radiohead Trombone Shorty Bobby McFerrin Innervisions by Stevie Wonder Stevie Wonder Respect by Aretha Franklin (You Make Me Feel Like) A Natural Woman by Aretha Franklin Aretha Franklin Son of a Preacher Man by Dusty Springfield Dusty Springfield Mustang Sally by Wilson Pickett Wilson Pickett I'm So Lonesome I Could Cry by Hank Williams Hank Williams Hank Williams Jr. The Everly Brothers Can't Help Falling in Love by Elvis Presley Elvis Presley The Star-Spangled Banner by Whitney Houston Whitney Houston John Mayer Elmo Johnny Cash Jerry Lee Lewis Every Little Thing She Does Is Magic by The Police The Police Ten Summoner's Tales by Sting Seven Days by Sting Sting Erykah Badu Civil War / We Have a Choice by Karma Gods Karma Gods River of Dreams by Billy Joel Glass Houses by Billy Joel The Stranger by Billy Joel All About Soul by Billy Joel And So It Goes by Billy Joel The Downeaster 'Alexa' by Billy Joel Lullabye (Goodnight, My Angel) by Billy Joel 2000 Years by Billy Joel You May Be Right by Billy Joel Billy Joel Here I Am (Come and Take Me) by UB40 Red Red Wine by UB40 Can't Help Falling in Love by UB40 UB40 Leon Bridges Phoebe Bridgers Bob Marley Willie Nelson Lyle Lovett Lil Dicky Bring It On by Juicy J Juicy J Leonard Cohen Their Greatest Hits (1971–1975) by Eagles Eagles Thriller by Michael Jackson Michael Jackson Queen Elliott Smith Steve Miller Band Booker T. & the M.G.'s Jimmy Smith Carl Denson Maceo Parker Kinfolk: Postcards from Everywhere by Nate Smith Nate Smith Across 110th Street by Bobby Womack Bobby Womack No Jacket Required by Phil Collins Phil Collins Genesis Bone Thugs-n-Harmony Join us next week when we cover Lucinda Williams by Lucinda Williams

  3. Sep 29

    Hüsker Dü - New Day Rising (#428)

    In Episode 92 of Backwards Beats, hosts Dan and Carl review Hüsker Dü's 1985 landmark release, New Day Rising, ranked at #428 on Rolling Stone Magazine's 500 Greatest Albums of All Time. The hosts explore the Minneapolis punk scene of the 1980s, the band's transition from intense hardcore to melodic post-punk, and the creative tension between dual songwriters Bob Mould and Grant Hart. Given a divisive, trebly low-fi production style, will our hosts ultimately give the album its due for its undeniable influence on 90s alternative rock—inspiring bands like Nirvana, Green Day, and the Pixies. Music References Dinosaur Jr. Basket Case by Green Day Good Riddance by Green Day Green Day Friends in Low Places by Garth Brooks Garth Brooks American Pie by Don McLean Don McLean Buddy Rich Doc Severinsen Ed Shaughnessy Louie Bellson In the Summertime by Ray Dorset / Mungo Jerry Ray Dorset / Mungo Jerry Blue Öyster Cult Motörhead Mötley Crüe Psycho Killer by Talking Heads Talking Heads Suicide Commandos The Replacements Minutemen Document by R.E.M. Reconstruction of the Fables by R.E.M. Shiny Happy People by R.E.M. What's the Frequency, Kenneth? by R.E.M. R.E.M. Eight Miles High by The Byrds The Byrds Prince The Beatles Ram by Paul McCartney Paul McCartney Nirvana Pixies Pearl Jam Jimmy Eat World Foo Fighters The Offspring All I Want for Christmas Is You by Mariah Carey Dreamlover by Mariah Carey Mariah Carey That's the Way Love Goes by Janet Jackson If by Janet Jackson All for You by Janet Jackson Janet Jackson Charli XCX Ben Harper Jack Johnson Ben Folds Lenny Kravitz Dead End by Dead Kennedys Buzzbomb by Dead Kennedys Dead Kennedys Rockin' in the Free World by Neil Young Neil Young Ball and Chain by Social Distortion Social Distortion The B-52's Severe Tire Damage by They Might Be Giants They Might Be Giants Rush Muse Wilco It's All Been Done by Barenaked Ladies One Week by Barenaked Ladies The Old Apartment by Barenaked Ladies Shoe Box by Barenaked Ladies Brian Wilson by Barenaked Ladies Barenaked Ladies Celebration Summer Fugazi Kenji Haino With or Without You by U2 U2 Taylor Swift Rumours by Fleetwood Mac Fleetwood Mac Tom Petty Ramones Elvis Costello The Who Run Runaway by Slade Slade Quiet Riot TV Party by Black Flag Gimme Gimme Gimme by Black Flag Thirsty and Miserable by Black Flag Black Flag Joy Division 59 Times the Pain Butthole Surfers My Morning Jacket Only the Good Die Young by Billy Joel Angry Young Man by Billy Joel Billy Joel Goldfinger CAN Weird Al Yankovic 3AM by Matchbox Twenty Matchbox Twenty Cloud Nothings War Pigs by Cake Never There by Cake Short Skirt/Long Jacket by Cake Sheep Go to Heaven by Cake Mexico by Cake Cake War Pigs by Faith No More Faith No More Immigrant Song by Led Zeppelin Led Zeppelin Bread Join us next week when we dig into Call Me by Al Green.

  4. Sep 22

    Four Tops - Reach out (#429)

    Welcome to Episode 429 of the Backwards Beats Podcast! This week, hosts Carl and Dan break down album #429 on Rolling Stone's 500 Greatest Albums of All Time list: the 1967 Motown masterpiece Reach Out by Four Tops (no "The," as they meticulously clarify!).  Released in the summer of 1967, this 12-song pop treasure represents the absolute zenith of the group's legendary partnership with songwriting and production royalty Holland-Dozier-Holland (HDH). Backed by the unmatched studio mastery of the Funk Brothers featuring bass deity James Jamerson, and the sublime backing vocals of the Andantes, Reach Out is an essential pillar of soul and pop history. Carl and Dan unpack the album’s dramatic vocal dynamics, its daring genre-blending covers, and why these 32 minutes of music continue to define the Motown sound. Music References GWAR magic carpet ride by Steppenwolf Steppenwolf Rolling Stones like a Rolling Stone by Bob Dylan Bob Dylan Florida Georgia line Darious Rutger Wonderwall by Oasis don't look back in anger by Oasis Oasis Ames brothers Levi Stubbs Everly Brothers Big Bopper Richie Valens lovin spoonful Steve Winwood signed sealed deliver by Stevie Wonder Ebony and Ivory by Stevie Wonder Stevie Wonder Funk Brothers James Jamerson how sweet it is to be loved by you by Marvin Gaye Marvin Gaye The Supremes The Andantes Martha Reeves Temptations Jimmy Ruffin my guy by Mary Wills Mary Wills Dana Ross I'll keep holding on by Marvelettes Marvelettes how sweet it is to be loved by you by James Taylor James Taylor Walk away Renee by Left Bank Left Bank Kanye West Outkast red hot chili peppers Bobby Daron If I were a carpenter by Tim Hardin Tim Hardin three dog night I'm a believer by the monkeys the monkeys All Star by Smashmouth I'm a believer by Smashmouth Smashmouth Ludicrist Antoine Stanley Vulfpec theo catsman joe dart Cory Wong Joey Dossick Lewis Cato Blondie Pat Benitar Fleetwood Mac The Beatles Queen ACDC Hozier Haley Williams Maclamore FINNEAS RHYNO by Travis Scott Travis Scott Daft Punk Keith Richards Morgan Wallen Future Metro Booman Rupert Holmes Smoky Robinson mos def the way you make me feel by Michael Jackson Michael Jackson Bjork it's so quiet by Betty Hutton Betty Hutton Join us next week when we explore new day rising by Husker du.

  5. Sep 8

    Los Lobos - How Will The Wolf Survive? (#431)

    Welcome back to another episode of the Backwards Beats Podcast! This week, hosts Carl and Dan double up their recording schedule to bring you a deep dive into the groundbreaking 1984 album How Will the Wolf Survive? by Los Lobos. Currently holding the #431 spot on Rolling Stone’s 500 Greatest Albums of All Time list, this 11-track, 33-minute masterpiece is a densely packed piece of art that blends traditional Mexican-American folk styles with rock, country, blues, doo-wop, and punk. Carl and Dan explore the band's rich East L.A. roots, discuss the pristine, live-in-the-room production helmed by legendary producer T-Bone Burnett, and break down the album track-by-track. They analyze everything from the sweet vocals and "deceptive resolution" music theory behind "Matter of Time," to the blistering Zydeco energy of "The Breakdown" (featuring legendary percussionist Alex Acuña) and the jangly, janglebox-style title track. Finally, stay tuned for the "What's in Your Ears" segment, where Dan obsesses over Steely Dan and Carl revisits a classic 90s sample-based electronic album from Moby! Key Points Behind the Band & Album: Formed in East Los Angeles in 1973 as a group of friends playing Mexican folk music at parties, restaurants, and weddings, Los Lobos consists of David Hidalgo (vocals, guitars, accordion, violins, lap steel), Louie Perez (drums, guitar, vocals), Cesar Rosas (vocals, guitar, bajo sexto), and Conrad Lozano (bass). How Will the Wolf Survive? was their first major label full-length release, co-produced by T-Bone Burnett and Steve Berlin. The 1984 Field: The album peaked at #47 on the US Billboard 200 and spent 34 weeks on the charts. Rolling Stone named it one of the best albums of 1984, competing in an legendary year alongside Bruce Springsteen's Born in the U.S.A., Prince's Purple Rain, Madonna's Like a Virgin, and Van Halen's 1984. Music References Randy Travis 1984 by Van Halen Van Halen Born in the U.S.A. by Bruce Springsteen Bruce Springsteen Purple Rain by Prince When Doves Cry by Prince Let's Go Crazy by Prince Prince Like a Virgin by Madonna Madonna The Smiths Heartbeat City by The Cars Hello Again by The Cars The Cars George Thorogood & The Destroyers ZZ Top Slip Slidin' Away by Paul Simon Paul Simon Little River Band Nick of Time by Bonnie Raitt Bonnie Raitt Social Distortion A Love Supreme by John Coltrane John Coltrane 311 Frankie Valli Scott Bradlee The Four Tops Steep Leazer Heavy Weather by Weather Report Weather Report Paul McCartney Joni Mitchell Ella Fitzgerald Elvis Presley Michael Jackson Chick Corea Whitney Houston Plácido Domingo Wayne Shorter Joe Zawinul Herbie Hancock Carlos Santana Dave Matthews Band Cindy Blackman Santana Ray Charles The Wood Brothers Little Bob and the Lollipops Steve Winwood Diogenism Jerry Garcia Shout by The Isley Brothers The Isley Brothers Brian Setzer Yakety Sax by Boots Randolph Boots Randolph (What's So Funny 'Bout) Peace, Love and Understanding by Elvis Costello Elvis Costello Bob Dylan Kid Charlemagne by Steely Dan Rikki Don't Lose That Number by Steely Dan My Old School by Steely Dan Steely Dan Play by Moby Moby The Chemical Brothers Gwen Stefani Bad Bunny The Ronettes The Rolling Stones Join us next week for Un Verano Sin Ti by Bad Bunny.

  6. Aug 25

    LCD Sound System - Sound of Silver (#433)

    In Episode 87 of the Backwards Beats Podcast, hosts Carl and Dan dive into LCD Soundsystem’s critically acclaimed 2007 release, Sound of Silver—ranked #433 on Rolling Stone’s 500 Greatest Albums of All Time list. The hosts explore the history and mastermind behind the project, James Murphy, detailing his path from New York studio builder and DJ to founding DFA Records and creating dance-punk. Throughout the track-by-track breakdown, Carl and Dan discuss the record's unique balance between live instrumentation and electronic looping, its heavy New York identity, and its thematic reflections on aging, anxiety, and urban life. Key Points James Murphy & LCD Soundsystem's Origins: Dan breaks down Murphy's early background—from playing in punk/new wave bands to mistakenly turning down a writing opportunity for Seinfeld—before establishing DFA Records alongside Tim Goldsworthy and releasing the breakout single "Losing My Edge." Genre Fusion & Production: The hosts highlight how Sound of Silver bridges the gap between punk, disco, house, and indie rock, featuring real drums, live percussion, and vintage synths rather than relying purely on electronic loops. This episode also features the song "Up In Smoke" by Indie artist Ben Dearie. You can check his music out at https://bendeariemusic.com/   Music References Shit Robot Loretta Lynn Cooked Rain, Crooked Rain by Pavement Pavement Pet Shop Boys 2Pac Blur Gorillaz James Brown James Murphy Beck Lenny Kravitz nine inch nails A Flock of Seagulls Bow Down to the Exit Sign by David Holmes David Holmes rapture Juan McLean Can ESG Liquid Liquid Fat Boy Slim Dig Your Own Hole by Chemical Brothers Chemical Brothers Moby Tiesto Avalanches Stealy Dan Train in Vain by the clash the Clash David Bowie talking heads Pixies Kim deal TV on the radio Arcade Fire Reggie Watts The Killers The Strokes Julian Casablanca's Bob Dylan Ben Deere Partners in Crime by Rupert Holmes Widescreen by Rupert Holmes Escape by Rupert Holmes Partners in Crime by Rupert Holmes widescreen by Rupert Holmes Lunch Hour by Rupert Holmes Rupert Holmes Jim Croche something by Beatles Beatles Rachel Price Vulfpec Cake beds are burning by midnight oil Midnight Oil Trent Reznor Jimmy Hendrix Empire State of mind by Alicia Keys Alicia Keys Storm&Stress by Storm & Stress Storm & Stress Kevin Shea Join us next week when we dive into Confessions by Usher.

Ratings & Reviews

5
out of 5
5 Ratings

About

Backwards Beats revisits the Rolling Stone 500 Greatest Albums of All Time, one album at a time. We dig into the music, the context, and the reputation, then decide how much of it actually holds up. Sometimes we agree. Sometimes we don’t. The list doesn’t get the final word, but every album gets a fair shake. New episodes every Tuesday.

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