UNSUNG - the Audiomovers Podcast

AUDIOMOVERS

UNSUNG is a fortnightly show exploring the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters and composers. UNSUNG honours the real stories, and the truth behind the music that shapes our lives. It's a podcast by music obsessives, for music obsessives. UNSUNG is made by Audiomovers - part of the Abbey Road REDD family - and used by over 90% of recording sessions at the studio. It is the creator of a suite of groundbreaking pro audio software tools designed to help music makers collaborate.

  1. Jun 4

    The Art of Recording Without Fear — Vance Powell | UNSUNG

    In this episode of UNSUNG season 2, hosts Matt Soczywko and Mirek Stiles are joined by GRAMMY-winning producer and engineer Vance Powell for a conversation about studio workflow, analog hardware, digital flexibility, and the realities of modern music production. Known for his work with artists including Jack White, Chris Stapleton, and Phish, Vance shares insights into how he builds fast, flexible studio systems designed to keep creativity moving. From instantly switching between classic hardware effects like PCM42 and Effectron-style delays, to balancing analog gear with modern plugin workflows, he explores how technical setup can directly shape artistic decisions in real time. The episode also touches on the challenges of working in world-class studios, unexpected technical failures, and how maintaining and understanding older equipment remains an important part of professional recording environments. Alongside this, Vance discusses his flexible approach to artist budgets and recoupment structures, designed to keep collaboration transparent, sustainable, and focused on making records rather than navigating rigid financial barriers. UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries. Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. ➡️ Learn more about Audiomovers – Audiomovers.com
 #VancePowell #UNSUNGPodcast #AudioEngineering #MusicProduction #StudioWorkflow #MixingEngineer #RecordingStudio #MusicTechnology Timecode Timecode[00:00:00] Introduction and studio economics[00:01:51] Sputnik Studio design and philosophy[00:02:54] Lessons learned from commercial studios[00:04:38] Equipment and tools as a craft[00:04:57] A little back story about the studio history[00:05:38] Working with Jack White[00:07:30] Working with the Wolf Audio Pro Patch[00:10:26] Modern mixing and gear integration[00:11:49] Using the Pioneer Reverb and other quirky gear[00:12:44] Creating a creative, comfortable studio vibe[00:13:50] The importance of functional maintenance[00:16:30] 'Waking up' the studio gear[00:18:31] Transitions in recording technology[00:20:15] Making recording affordable for artists - different techniques[00:24:14] The soul of live tracking sessions[00:27:28] Working with the band 'Little Feet'[00:32:16] Problems with modern "just because we can" production[00:35:50] Limitations and the discipline of tape[00:37:55] Impact of budgets on the industry[00:40:40] Collaborating with the band Phish and working with Brandi Carlile[00:43:00] Recording at The Barn with Phish in Vermont[00:45:15] Complex editing and polyrhythmic challenges[00:47:43] Pandemic challenges and remote solutions[00:48:50] Implementing Audio Movers and remote work[00:52:21] On tour, Live streaming and the Sphere shows[00:53:57] Finding consistency in live sound and dealing with problem people[00:56:55] Professional ethics and handling difficult artists[01:00:00] Managing artist expectations during tracking[01:02:16] Quick fire round and final thoughts

    1h 5m
  2. May 21

    Immersive Audio, AI and the Future of Recording — Chuck Ainlay & Michael Romanowski | UNSUNG

    In this episode of UNSUNG season 2, hosts ‪Matt Soczywko and ‪Mirek Stiles are joined by GRAMMY-winning engineers Chuck Ainlay and Michael Romanowski for a conversation about immersive audio, stereo, Atmos, AI restoration, and the future of music production. Known for work with artists including Dire Straits, Mark Knopfler, George Strait, Taylor Swift, and Miranda Lambert, Chuck and Michael explore how recording, mixing, and listening habits are continuing to evolve. From immersive mixing and binaural playback to AI-assisted restoration and the changing relationship between live performance and recorded music. The episode looks at where music production is heading next and what may be gained or lost along the way. UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries. Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. ➡️ Learn more about Audiomovers – Audiomovers.com ➡️ Listen to this episode on Spotify #ChuckAinlay #MichaelRomanowski #UNSUNGPodcast #AudioEngineering #MusicProduction #ImmersiveAudio #DolbyAtmos #MixingEngineer #MasteringEngineer #MusicTechnology Timecode 00:00 A casual chat among Audio Engineers 00:42 The real mission of the Recording Academy 04:56 How MusiCares supports the Music Community 08:08 Golf tournaments and keeping the team together 09:47 The true challenges of being an Audio Professional 12:19 Winning a Grammy and the reality of studio life 16:01 Should you ever go back and remix a record? 17:37 Inside British Grove Studio and the legendary Red 51 Console 19:06 Why we are still obsessed with vintage recording gear? 20:27 When it pays to break the rules in engineering 21:34 The long journey from surround sound to immersive audio 25:13 Technical headaches: The truth about Immersive Mixing 35:56 Making creative calls in Atmos Mastering 37:42 The deliverables nightmare: Making art translate everywhere 40:04 Taming the room: The battle for perfect immersive sound 41:47 From early DAWs to the Hard Disk revolution 45:59 A quick look at our technical podcasting setup 46:56 Keeping the passion alive in the studio 50:00 How the industry has shifted since our early days 52:30 Building the foundation: the Rock House Studio story 53:45 Career highs from Nashville to London 56:31 Mark Knopfler, Peter Frampton, and some legendary Pub stories 1:02:31 How a motorcycle trip led to a career in Mastering 1:08:25 The future of albums in an immersive listening world 1:10:52 New innovations pushing the boundaries of sound 1:14:02 Could AI and Quantum Computing restore lost music? 1:16:51 Rethinking stereo and immersive recording techniques 1:20:01 Production vs. Performance: Capturing the live energy 1:21:43 How live and recorded music are evolving together 1:23:28 Technology’s real impact on modern music creation 1:26:16 Looking ahead: Immersive audio and the future of the industry 1:29:15 Looking back: The path from Mono and Stereo to today 1:30:15 What nobody tells you about Immersive Production 1:33:12 Quickfire round: Our favorite studio picks 1:37:15 Finding the magic in iconic, historic studios 1:38:42 The pros and cons: Home setups vs. professional studios 1:39:20 Music is a communal experience: Final thoughts

    1h 42m
  3. May 7

    How to collaborate with artists successfully — Jordan Brooke Hamlin | UNSUNG

    For Episode 4 Season 2 of UNSUNG we continue with producer, engineer, multi-instrumentalist, and MOXE founder Jordan Brooke Hamlin, who joins hosts Mirek Stiles and @mattsoczywko to talk about creativity, studio culture, and what it really takes to make artists feel safe enough to do their best work. Based in Nashville, Jordan has produced and engineered albums and new musical works for artists including Indigo Girls, KT Tunstall, Brandy Clark, Allison Russell, Lucy Wainwright Roche, Tenille Townes, Sasha Sloan, Lila Blue, Rufus Wainwright, and Adia Victoria. As a touring and session musician, her collaborators include Brandi Carlile, Amy Ray, Ruby Amanfu, Loudon Wainwright III, Katie Herzig, Dar Williams, The Secret Sisters, and more. In this episode, Jordan breaks down the thinking behind MOXE — her 20-acre residential recording studio, production house, and retreat space — and explains why environment, trust, movement, food, lighting, and even the walk between rooms can shape what happens in a session. Jordan also talks about the role of the producer today, from protecting the artist’s experience to helping them navigate creative pressure, feedback, budgets, and the realities of the modern music business. She discusses why “vibe is everything,” how to build a space that pulls artists out of self-criticism, and why making records is often about people as much as sound. Throughout the conversation, Jordan returns to a simple but powerful idea: great records come from understanding the person in front of you, not forcing them into a fixed process. ➡️ Follow Jordan Brooke Hamlin – https://www.instagram.com/jamlin/?hl=en ➡️ Learn more about MOXE – https://www.moxe.space/ ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_jordan_brooke_hamlin Timecode 0:00 — Intro 0:45 — Creating the right vibe in the studio 4:20 — Why MOXE was built differently 9:30 — Making artists feel at home 14:00 — Building a studio around how people actually move 18:15 — The role of gear, instruments, and happy accidents 24:00 — What makes the right producer-artist fit 29:30 — How record-making roles have changed 35:00 — Protecting the artist’s experience 41:00 — Working with major artists and staying grounded 47:00 — Why artists need to ask “why am I doing this?” 53:00 — Collaboration, compromise, and creative trust 1:00:00 — Handling pressure and mistakes in sessions 1:07:00 — Quickfire: lighting, vocals, reverb, and monitors 1:15:00 — Closing thoughts UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, composers, and creatives shaping records and soundtracks across genres. Audiomovers software is used by professional engineers, producers, and composers worldwide across countless major releases. #jordanbrookehamlin #moxe #audiomovers #unsung #musicproduction #recordingstudio #producer #audioengineering #mixing #nashvillemusic

    1h 3m
  4. Apr 28

    The secrets of horror film scoring — Jeff Grace | UNSUNG

    For Episode 3 Season 2 of UNSUNG we continue with composer Jeff Grace, who joins hosts ‪@mirek.stiles and ‪@mixedbyjocelin to explore how music shapes emotion, tension, and storytelling in film. Best known for his work on The House of the Devil, The Innkeepers, Stake Land, and Meek’s Cutoff, Jeff Grace has built a career scoring films that rely on atmosphere, restraint, and psychological impact. Before that, he worked as an assistant to Howard Shore on major productions including The Lord of the Rings trilogy and Gangs of New York, gaining first-hand experience of large-scale film scoring at the highest level. In this episode, Jeff breaks down how composers approach building themes that can evolve across an entire film — from subtle hints to full emotional payoff. He explains why the best scores often go unnoticed, how tension is created through pacing and restraint, and why horror films offer a uniquely wide creative palette. Jeff also shares practical insight into the realities of working with directors, from spotting sessions and temp music to navigating feedback and creative collaboration. He discusses the challenge of finding a musical identity early in a career, and how limitations — whether budget, instrumentation, or time — can become powerful creative tools. Throughout the conversation, Jeff returns to a central idea: that film music isn’t about drawing attention to itself, but about shaping how an audience feels — often without them even realising it. ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_jeff_grace Timecode0:00–0:43 — Intro0:43 — What a film composer actually does4:30 — Starting with themes and building a score9:15 — Why the best film music goes unnoticed14:20 — Creating tension and scoring horror20:10 — Working with directors and interpreting feedback26:40 — Spotting sessions and remote collaboration32:15 — Temp music and creative constraints38:50 — Developing a sound and musical identity45:30 — From assistant to composer: breaking into film52:10 — Lessons from working on major productions01:01:15 — Advice for aspiring composers UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, composers, and creatives shaping records and soundtracks across genres. Audiomovers software is used by professional engineers, producers, and composers worldwide across countless major releases.#jeffgrace #filmscoring #filmcomposer #audiomovers #musicproduction #soundtrack #film #horror #composition #unsung

    1h 5m
  5. Apr 28

    Behind the sound of Howard Shore and Philip Glass with Nancy Allen | UNSUNG

    For Episode 2 Season 2 of UNSUNG we continue with film music editor Nancy Allen, who joins hosts ‪ @mixedbyjocelin and ‪ Mirek Stiles to explore the craft of film scoring, storytelling, and collaboration at the highest level of cinema. With over 90 film credits, Nancy Allen is best known for her work on The Lord of the Rings: The Fellowship of the Ring, Black Swan, and A Quiet Place Part II. A Golden Reel Award winner, she has worked closely with composers including Howard Shore and Philip Glass, and collaborated with directors such as Peter Jackson and Martin Scorsese across some of the most ambitious film productions of the last two decades. In this episode, Nancy shares a rare behind-the-scenes perspective on the making of The Lord of the Rings at Abbey Road Studios, including the moment the production shifted from tape to Pro Tools in real time. She reflects on the pressure of working with full orchestras before modern digital workflows, and how those constraints shaped both the creative process and the people involved. Nancy also breaks down the role of a music editor — sitting between director, composer, and picture editor — and explains how music shapes storytelling beyond the obvious. From Peter Jackson’s note to “score the anxiety, not the action,” to building emotional context before a single note is heard, she offers practical insight into how great film music actually works. Alongside this, Nancy shares her unconventional path into the industry — from waiting tables in New York to working on Scorsese’s Kundun — and the habits that matter most for anyone trying to break into film and audio today. She discusses the importance of organisation, communication, and understanding storytelling, as well as the evolving challenges of the industry in the age of streaming and AI. ➡️ Learn more about Audiomovers – https://audiomovers.com?utm_source=youtube&utm_medium=content&utm_campaign=unsung_nancy_allen Timecode0:00–0:55 — Intro0:55–5:30 — Early career and discovering music editing5:30–11:20 — Working before Pro Tools and the “Oracle” system11:20–18:00 — Pressure of recording with full orchestras18:00–24:30 — The Lord of the Rings at Abbey Road24:30–30:00 — Transition from tape to digital workflows30:00–38:00 — Remote collaboration and early digital workflows38:00–46:00 — What a music editor actually does46:00–52:30 — Scoring emotion vs scoring action52:30–58:00 — A Quiet Place and character-driven scoring58:00–1:05:00 — Breaking into the industry1:05:00–1:10:00 — Advice for aspiring editors and creatives1:10:00–End — Closing thoughts UNSUNG is a podcast from Audiomovers that explores the untold stories and creative processes behind the music we love. Each episode features producers, engineers, mixers, and composers shaping records and soundtracks across genres and industries.Audiomovers software is used by professional engineers and creators worldwide, across countless GRAMMY-winning records, major film productions, and global releases. #nancyallen #filmscoring #podcast #audiomovers #film #musicediting #sounddesign #filmproduction #abbeyroad #lordoftherings

    1h 8m
  6. 07/07/2025

    Nile Rodgers: "My Only Thought Is: How Can I Make Your Song Better?" | UNSUNG

    For Episode 22 of the UNSUNG podcast Dom Dronska (General Manager, Audiomovers) & Matt Soczywko (Head of Marketing, Audiomovers) were joined by music legend Nile Rodgers at Abbey Road Studios in London. In this very special episode, Audiomovers' Chief Collaborator & Chair of the Advisory Board Nile Rodgers offers an incredible journey through his legendary career. Starting off with his work on Duran Duran's "The Reflex" in 1983 and getting back in the studio with them over 40 years later, he opens up about the challenges of dealing with record label pushback and the impact of the "Disco Sucks" movement, alongside the clever tactics he and Bernard Edwards used to navigate their first record deal. Nile shares his philosophy on collaborating with artists, crafting hit records, and how his experience with small budgets fostered his "one take" recording philosophy in his early days which inspired the writing of certain tracks. He discusses the unconventional method Chic used to break their first hit, "Dance, Dance, Dance," and dives into the technical side of his studio process, discussing his experience with digital and analog recording. He recounts fascinating stories from his diverse discography, including the iconic bassline of "Good Times" and his work on films like "Coming to America" and "Beverly Hills Cop III." The conversation also explores Nile's first experiences with Hip Hop alongside Blondie's Debbie Harry and Chris Stein, growing up in Alphabet City, and his early access to musical education. He also touches on his experiences working with legends like Sister Sledge, Diana Ross on "I'm Coming Out," and Carly Simon on "Why," as well as the story of almost working with Aretha Franklin. Finally, Nile closes on his enduring passion for making music better for others and his commitment to philanthropy through the We Are Family Foundation.➡️ Follow Nile on Instagram - https://www.instagram.com/nilerodgers➡️ Hear some of Nile’s work - https://open.spotify.com/playlist/37i9dQZF1DZ06evO24hDkk?si=aGNcI_SnRa6eP586ADWF4A➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Nile_RodgersTimecode0:00 - 0:34 Intro0:38 - 4:56 Working with Duran Duran and the Story of “The Reflex”4:56 - 6:28 Dealing with Pushback from Record Labels6:28 - 7:57 Staying in Touch with Artists While Moving from Project to Project7:57 - 10:36 The Bassline of “Good Times”10:36 - 11:20 How Working with Small Recording Budgets Made Nile So Efficient11:20 - 14:05 Digital Recording vs. Analog Recording14:05 - 15:25 Does Nile Prefer Recording Analog or Digital?15:25 - 22:27 Nile & Bernard’s First Record Deal22:27 - 23:38 The Impact of the “Disco Sucks” Movement23:38 - 23:53 How Nile Decides Whether He’ll Work with an Artist23:53 - 26:57 (Almost) Working with Aretha Franklin26:57 - 28:52 Wanting to Be a “Self-Contained Band”28:52 - 32:26 How to Get a Hit Record32:26 - 34:32 Working on Commercials to Pay the Rent and Meeting John Landis34:32 - 40:43 Working on “Coming to America” & “Beverly Hills Cop III”40:43 - 42:51 Eddie Murphy Story42:51 - 44:45 “Alphabet City” & the Beginnings of Hip Hop44:45 - 47:17 Nile’s First Experience of “Hip Hop” with Debbie Harry + Chris Stein47:17 - 52:36 Growing Up in Alphabet City + Nile’s Early Access to Musical Education52:36 - 55:44 Working with Sister Sledge55:44 - 58:00 Working on Diana Ross’ Album “Diana” (1980)58:00 - 1:04:00 The Story of “I’m Coming Out”1:04:00 - 1:04:40 Intermission1:04:40 - 1:12:34 The Story of “Why” by Carly Simon1:12:34 - 1:14:32 What Nile Cares About When Working on a Song1:14:52 - 1:15:26 EndUNSUNG is a podcast from Audiomovers. Our software LISTENTO is used on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, we have a whole suite of other groundbreaking pro audio software tools.Join us.#nilerodgers #podcast #music #musicproduction #audiomovers

    1h 15m
  7. 07/01/2025

    "A Producer Punched Me In The Face Mid-Session" - GRAMMY-winning Engineer Matt Sim | UNSUNG

    For Episode 21 of the UNSUNG podcast, Jocelin, Matt Soczywko & Igor Maxymenko were joined by GRAMMY-winning Mixing & Mastering Engineer Matt Sim at Qube East in London. Matt Sim is a GRAMMY-winning, multi-platinum & billboard charting mixing & mastering engineer. He has worked with a very eclectic list of global artists including: Aya Nakamura, Jackson Wang, Illenium, The Chainsmokers, Mark B, Milli and many more. After graduating from Berklee College of Music, Matt Sim moved to New York City, where he spent a decade as an in-house mixer at the legendary Hit Factory NYC studios. Currently, he serves as Warner Music Asia's in-house Dolby Atmos Music Mixer and is a pre-approved immersive mixer for Universal Music Group and Sony Music globally. With over 2,700 credits and more than 8 billion streams under his belt, he has firmly established himself as one of the most respected mixers in Asia. In this episode, Matt takes us through his journey, from his musical beginnings and early studio experiences in New York, including landing the gig at The Hit Factory, to how his unique mentality shaped his hustle and desire to become a mix engineer. He discusses his approach to mixing for diverse clients, adapting to different genres, and the nuances of mixing for cultural preferences. Matt also shares insights into his creative process, including whether his classical background comes in handy, his thoughts on production, and the skill of providing effective client feedback. A significant part of the conversation focuses on Dolby Atmos, covering his setup, delivering Atmos mixes, the future of the format for consumers, and how he utilizes Audiomovers. Wrapping up with Matt's reflections on career highlights, working with artists like Big Sean and invaluable advice for aspiring engineers. ➡️ Follow Matt on Instagram - https://www.instagram.com/mix_by_matt_sim/ ➡️ Check out some of Matt’s work - https://mixbymattsim.com/ ➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_Matt_Sim UNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us. Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate. #mattsim #podcast #production #mixing #engineering #atmos

    1h 28m
  8. 06/24/2025

    "K-Pop Isn't A Genre It's Their Culture, It's Everything" Production Duo LDN Noise | UNSUNG

    For Episode 20 of the UNSUNG podcast, Jocelin and Matt were joined by British songwriting & production duo LDN Noise at Abbey Road Studios. Comprising Greg Bonnick and Hayden Chapman, the two met via a mutual friend, originally producing garage and UK electronic genres popular at the time. After digital downloads started to displace revenue generated from physical sales of vinyl and CDs, Greg's dance music label began to struggle financially. He pivoted out of making niche UK genres like Garage and 2-step and started studying songwriting and looking into producing more commercial music with Hayden. They had a string of early successes working on music for UK chart-toppers like Cheryl Cole, Sugababes, and Tinie Tempah, while also working on more underground acts/genres like Skepta and Grime. Then, around 2012, the UK music scene started to run thin on the ground; there weren't many acts to pitch songs for. The boys had landed a big track with Chris Brown that same year but struggled to get much music placed until their songwriter friend Andrew Jackson introduced them to a brand-new genre emerging from South Korea called K-pop. Returning from LA frustrated after a big writing trip, they decided to double down on this brand-new genre and quickly found success in K-pop, finding their broad musical taste and diverse musical ability a perfect fit for the multi-genre twists and turns found in K-pop's DNA. Today, LDN Noise has written songs and produced music for some of the biggest acts in K-pop and the world, including: Chris Brown, Nick Jonas, Red Velvet, Exo, NCT Dream, NCT 127, Skepta, Enhypen, Twice, and many, many more. In this episode, the boys discuss how they typically work together, how they met, their early productions, their transition into songwriting, and the commercial evolution of UK Rap in the 2010s, Grime's second wave, the highs and lows of various musical genres, the impact of diverse musical experiences, their success in K-pop, covering its defining features, the potential dark sides of the scene, and the importance of work ethic and talent in the music industry, how they initially got into K-pop, what inspires them when writing in the genre, how they developed the skillset to produce its many diverse styles, their preferred DAW, the different sound characteristics of DAWs, the plugins they regularly use. They wrap up with a quick-fire round, what's next for LDN Noise, and some invaluable advice for aspiring music makers.➡️ Follow LDN Noise on Instagram - https://www.instagram.com/ldnnoise➡️ Listen to some of LDN Noise's work - https://open.spotify.com/playlist/0Gb68yqL6OxyHECuQJJAhr?si=jmZmFSFYSPu2vUJWPfw-4Q➡️ Learn more about Audiomovers - https://audiomovers.com/?utm_source=YouTube&utm_medium=Content&utm_campaign=UNSUNG_LDN_NoiseUNSUNG is a weekly podcast from Audiomovers that honors the real stories and the truth behind the music that shapes our lives - by music obsessives, for music obsessives. Each week, we explore the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters, and composers.Join us.Audiomovers is part of the Abbey Road REDD family and our software LISTENTO is used by over 90% of recording sessions at the studio, as well as on countless GRAMMY-winning records and Billboard 100 hits. Alongside LISTENTO, Audiomovers creates a suite of groundbreaking pro audio software tools designed to help music makers collaborate.#LDNNoise #podcast #K-POP #musicproduction #songwriting #audiomovers #unsung

    1h 13m

About

UNSUNG is a fortnightly show exploring the untold stories and creative processes behind the music we love, from a cast of globally acclaimed record producers, studio engineers, songwriters and composers. UNSUNG honours the real stories, and the truth behind the music that shapes our lives. It's a podcast by music obsessives, for music obsessives. UNSUNG is made by Audiomovers - part of the Abbey Road REDD family - and used by over 90% of recording sessions at the studio. It is the creator of a suite of groundbreaking pro audio software tools designed to help music makers collaborate.

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