Kicking It Real

GABBY ROBERTS
  • 4.6 (10)
  • Performing Arts
  • Updated Weekly

I'm Gabby, a former Rockette who heard "no" five times before I ever heard "yes." Kicking It Real started as real conversations with dancers, and somewhere along the way it turned into something bigger: a space for anyone chasing a big, scary dream to actually get celebrated for it. Every guest leaves with something most people never get: a real moment of being seen, no follow-up question, just a chance to take a bow. This is where the highlight reel ends and the honest, in-progress stuff begins. Come for the stories, stay for the "same, me too" moments 🤍

  1. 2d ago

    43. how wearing all the hats led to dance captaining her own Broadway debut, her own LaDuca boot & the toll it all took with Lizz Picini

    Lizz Picini is the kind of guest who makes you want to throw out every box anyone has ever tried to put you in. There is a moment in every performance career where wearing every hat you own stops being a flex and starts being the whole job, and what you do with that weight says everything about who you actually are. Lizz has spent hers as a performer, dance captain, swing, and coach, most recently making her Broadway debut in Elf while dance captaining the very show she was still learning in real time, a run that also earned her a LaDuca boot named in her honor. We get into the industry insights she rarely shares publicly, like what it actually felt like to stand up and lead a room full of Tony nominated castmates before she even had her own Broadway credit to her name, and how she learned to stop letting other people's opinions determine her worth, her income, and her health insurance. We talk about the entrepreneurship behind building her own coaching business out of skills she almost didn't think were sellable, the resilience it took to keep performing through a very real relationship with burnout, and the time management it takes to run client consultations and a Broadway show in the same day. But underneath all of it is the toll that wearing every single hat actually took on her, the part she does not usually say out loud. This one is for you if you have ever felt like you needed someone's permission to take up more than one lane at a time, even when it was quietly costing you something to hold them all. Stay in the loop with me 🤍 Instagram & TikTok: @kickingitrealpod @potentiallygabby Find Lizz here👇🏼 Instagram & TikTok: @lizzpicini

  2. Jul 22

    42. Disney cruise ships, Wicked obsession, and setting boundaries as a performer with Conor DeVoe

    Today I sit down with Conor DeVoe. This conversation is a reminder that walking away from something does not always mean giving up on it, and that protecting yourself is not the same as quitting. He is a Coastal Carolina musical theater grad who built a career across regional theater and Disney Cruise Line, now on his seventh contract across four ships, puppeteering Olaf in Frozen and once covering thirty six different dance and acting tracks in a single production. Together we get into what it actually looks like when a performance career you love starts costing you your body and your sense of self, why he stayed as long as he did before leaving a theater contract seven months early, and how a pandemic hobby turned into a social media following that reminded him why he fell in love with acting and performing in the first place. We unpack boundaries, body image in an industry that rarely names it out loud, and real career advice for anyone building a life in dance or theater on their own terms. If you have ever stayed somewhere that was quietly breaking you because leaving felt like failure, this one is your sign to trust yourself instead.Stay in the loop with me 🤍Instagram & TikTok: @kickingitrealpod @potentiallygabbyFind Conor here👇🏼Instagram & TikTok: @conordevoe

  3. Jul 15

    41. Pilobolus life, letting go of ego and redefining what success means with Ryan Hayes

    Ryan Hayes didn't take his first dance class until he was twenty years old, and this episode is proof that the timeline you think you're supposed to be on rarely has anything to do with the career you actually end up building. He went from a Spanish major who'd never set foot in a studio to earning a dance degree at Gonzaga, spending two years training at Steps Conservatory in New York, and landing a spot as a company member with Pilobolus, the modern dance company known for pushing performance into territory that barely looks like dance at all. We get into what it was like grinding through auditions for cruises, tours, and regional theater before finding the kind of room that finally felt like home, and how choosing to lean into his niche instead of chasing versatility became the thing that let him stop performing for the industry and start showing up with real authenticity. We talk about the mental health weight of comparison, the quiet timeline anxiety that convinces so many dancers they're already behind, and what it actually took for him to believe he belonged in that Pilobolus audition room the second time around. We also get into life on tour with a company of only six, the unspoken rules that keep that many people sane in close quarters for weeks at a stretch, and the moment he had to rebuild what success even meant once booking the job didn't magically fix the rest of his life. If you have ever felt like you started too late for the thing you actually wanted, this one is for you. Stay in the loop with me 🤍 Find Ryan here👇🏼Instagram: @ryan_hayes39

  4. Jul 8

    40. pivoting from ballet to Broadway and what faith has to do with it with Deanna Cudjoe

    Years before she ever thought she'd actually play her, Deanna Cudjoe performed Cassie's monologue in a college acting class and texted her old teacher the day she booked the real thing. Deanna is the middle of five kids born to Ghanaian immigrant parents, found ballet through a random beginner book she pulled out of her basement at ten years old, trained for eight years at Still Point Ballet, studied at the University of North Carolina School of the Arts, toured Europe in West Side Story, and made her Broadway debut in Smash after booking it a full year before rehearsals even started. Now she's stepping into A Chorus Line as her first principal role. We get into the YouTube rabbit hole that basically taught her ballet before she ever set foot in a real studio, an old Anaheim Ballet channel and one Misty Copeland video she watched on repeat as a kid. We talk about what it actually felt like to sit on the Smash news for a year before it started, knowing her life was about to change and not being able to tell anyone yet. We talk about the exact moment she realized a Broadway credit and actually feeling fed by her work were two completely different things. And then we get into her faith, and how she stopped needing a role to tell her who she is. If you've ever built your whole identity around a title only to find out it was never actually the point, this one is for you. Stay in the loop with me 👇🏼🤍Instagram: @kickingitrealpod @potentiallygabbyTikTok: @potentiallygabby Find Deanna here👇🏼Instagram: @deannacudjoe

  5. Jul 1

    39. stepping back from broadway auditions, redefining identity, and building a nonprofit with Andrew Norlen

    This episode felt like getting a download from someone a few steps further down a road I'm just starting to walk myself. Andrew Norlen is a Boston Conservatory grad who wrote the book that gathered over two hundred Broadway letters during the shutdown, founded a nonprofit working to open the first wellness and community space for performers in Manhattan, and somehow does all of that while serving as associate director across Robert Hartwell's companies, the Broadway Collective and the Unstoppable. He has been chasing a Broadway debut for years, closed a non-union national tour of Kinky Boots, and got the offer for that show five minutes before places on a totally different contract he almost didn't take. We get into why rest still feels like something he has to earn instead of something he's allowed to just take. We talk about the years he spent making decisions based on what other people would think, and what it actually took to stop. We get into the audition he almost gave up on for good, right before it became the best one he'd ever done. And then we talk about the family change that forced him to ask, for maybe the first time, what he actually wants instead of what looks right on paper. If you are in a season of choosing yourself and still feel guilty about it, this one is for you. Stay in the loop with me 👇🏼🤍Instagram: @kickingitrealpod @potentiallygabbyTikTok: @potentiallygabby Find Andrew here👇🏼Instagram: @anorlen @bravingthebusiness

  6. Jun 24

    38. from Dandruff Danny on Hannah Montana to dancing at the McKittrick Hotel with Jack Taylor

    This episode wrecked me a little, in the best way. I went into this conversation thinking I was catching up with someone whose childhood I half remember from Disney Channel, and I came out of it talking about identity, injury, and what it actually means to rebuild yourself twice. Jack Taylor played Dandruff Danny on Hannah Montana before most of us even knew what a career in entertainment could look like, and somehow that is the smallest part of his story. He trained at Debbie Allen Dance Academy, danced his way through a kinesiology degree, and eventually ended up dancing at the McKittrick Hotel, the building behind Sleep No More, performing in a late night immersive show most people have never even heard of. We have known each other for years and this still felt like meeting him for the first time. What we actually get into is harder than any of that. Jack has broken his body twice now, once years ago and once very recently, and both times it forced the same terrifying question. Who are you when the thing you built your whole identity around stops working. We talk about stripping his ego away from his art, what his kinesiology background taught him that his own injuries still humbled him on, and why musical theater is pulling him back in ways contemporary dance never did. If you have ever tied your worth to one title, one role, one version of yourself, and felt the floor disappear when it shifted, this one is for you. Stay in the loop with me 👇🏼🤍Instagram: @kickingitrealpod @potentiallygabbyTikTok: @potentiallygabby Find Jack here👇🏼Instagram: @jackatacTikTok: @officialdandruffdanny

  7. Jun 17

    37. early career moves, dance companies & being a part time New Yorker: how to make a dance career work without burning out with Erzsi Bernath

    This episode felt less like recording a podcast and more like exactly what it is. Two WMU alums who haven't had a real sit-down in way too long, finally doing it on mic. If you haven't met Erzsi yet, she's the kind of person who stayed at her studio alone through her entire junior and senior year of high school when everyone else quit, paid off her student loans in months by taking a second job on the cruise ship, and somehow still shows up with more self-awareness than most people twice her age. She's danced everywhere from Royal Caribbean to Odyssey Dance Theater to Bridgerton, and she currently splits her time between Chicago and New York while running 13 convention weekends a year with West Coast Dance Explosion. We get into what the cruise ship world actually looks like from the inside, and why she thinks it might be one of the smartest financial moves a dancer can make right out of college. We talk about what it means to build a career that doesn't look like everyone else's, and why she stopped being ashamed of that. We talk about the all-or-nothing mentality that dance trains into you and how hard it is to shake. And then we get into the heavier stuff. Health challenges that have put her plans on hold in ways she didn't see coming, watching the Tonies recaps from her couch, and grieving the career you thought you'd have while still showing up for the one you do. Her reframe on that is one I haven't stopped thinking about. If you're a dancer trying to figure out what it looks like to keep going when the timeline you planned stopped working, this one is for you. Stay in the loop with me 🤍Instagram & TikTok: @kickingitrealpod @potentiallygabby Find Erzsi here 🤍Instagram: @erzsi_bernath

  8. Jun 10

    36. Rockettes, confidence & why not me: round 02 with Alli Bollinger

    In today's episode, my first ever repeat guest is back and honestly, it felt less like recording a podcast and more like exactly what it is.In today's episode, my first ever repeat guest is back and it felt less like recording a podcast and more like exactly what it is. Two best friends who used to train side by side in New York, sitting down and actually telling the truth. If you haven't met Alli yet, Episode 14 is waiting for you. But if you're already a fan, you know she's one of those people who just makes you feel like everything is going to be okay. Not in a toxic positivity way, but in a "we're taking it month by month" kind of way that actually sticks. We get into what it actually felt like to move to New York City with nothing guaranteed. The money stress, the comparison trap, the fear underneath the fear that had nothing to do with dance and everything to do with just wanting to be happy. We talk about the class culture in NYC and why taking less class might actually be the thing that made both of us better. We talk about body changes and strength training as a dancer, and why your goal being to feel good is always going to beat your goal being to look a certain way. And then we get into the audition room. Imposter syndrome, confidence, and the reframe that I haven't stopped thinking about since we stopped recording: confidence is a choice, not a feeling. You don't wait until you feel it. You decide. If you're chasing something right now and you're not sure if it's going to work out, this one is for you. Stay in the loop with me 👇🏼🤍Instagram: @kickingitrealpod @potentiallygabbyTikTok: @potentiallygabby Find Alli here 👇🏼Instagram & TikTok: @your_spoonful

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4.6
out of 5
10 Ratings

About

I'm Gabby, a former Rockette who heard "no" five times before I ever heard "yes." Kicking It Real started as real conversations with dancers, and somewhere along the way it turned into something bigger: a space for anyone chasing a big, scary dream to actually get celebrated for it. Every guest leaves with something most people never get: a real moment of being seen, no follow-up question, just a chance to take a bow. This is where the highlight reel ends and the honest, in-progress stuff begins. Come for the stories, stay for the "same, me too" moments 🤍

Information

  • Creator
    GABBY ROBERTS
  • Years Active
    2025 - 2026
  • Episodes
    54
  • Rating
    Explicit
  • Copyright
    © GABBY ROBERTS
  • Show Website
    Kicking It Real