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  1. 3D AGO

    Culture Gabfest - Paul Is Not Dead Yet Edition

    On this week’s monster mash, Steve, Dana, and Julia gather around the proverbial reanimation laboratory to take on the nutty, goth, and unbridled The Bride! Maggie Gyllenhaal’s feminist—or not, it’s up for debate—retelling of Frankenstein features a truly committed performance from Jessie Buckley. Do the disjointed pieces add to a coherent whole? They discuss. Next, they take a look at Paul McCartney: Man on the Run, the Morgan Neville documentary about the moment when the legendary songwriter and rockstar stopped being a Beatle and had to become something else. Finally, they wade through the morass of titles like How to Tame a Silver Fox and Ms. CEO’s Baby Daddy Is the Merchant of Death to explore the exceedingly cheap and increasingly popular world of vertical micro-dramas via the app ReelShort.  In a bonus episode for Slate Plus subscribers, they tackle the question of when, in fact, one becomes an adult—inspired by a recent piece in The New Yorker by Shayla Love.  And if you’re watching the Oscars this week, don’t miss a chance for a special live pre-show with your fave Gabfest critics. Dana joins Isaac Butler, Nadira Goffe, and Sam Adams on Thursday, March 12, for an Oscars preview unlike any other. They’ll weigh in on the sinners and saints of this year’s award season. Endorsements Dana: The compilation of Kris Kristofferson songs The Essential Kris Kristofferson, especially the first disc. Julia: The Helen Garner novel The Spare Room. Also her new LA-based news outlet, L.A. Material, launching next week. Steve: Jean Guéhenno's account of life in Occupied France Diary of the Dark Years, 1940-1944. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

    1 hr
  2. Decoder Ring - Was "Eyes Wide Shut" a Warning?

    3D AGO

    Decoder Ring - Was "Eyes Wide Shut" a Warning?

    When Eyes Wide Shut opened in the summer of 1999, it was widely considered a disappointment. This final film from legendary director Stanley Kubrick had been sold as an erotic thriller, and potentially even a peek into the real sex lives of its then-married stars, Tom Cruise and Nicole Kidman. But Eyes Wide Shut was stranger than that: a meditative art film whose much-hyped orgy scene is more creepy than sexy, run by a cabal of rich and powerful men who prey on young women. But Eyes Wide Shut has received a burst of new attention in the last few years, amid constant revelations about a real-life cabal of rich and powerful men who prey on young women. Across the internet, cinema sleuths have been asking: is it possible Eyes Wide Shut was not fictional? Was Stanley Kubrick trying to warn the world about a real conspiracy? And if so… was he murdered for it?  In this episode of Decoder Ring, we follow Lane Brown—a lifelong Kubrick fan and features writer for New York Magazine—as he investigates this conspiracy theory and what it says about how we deal with ugly facts and murky fictions. This episode was written and produced by Max Freedman and edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Barbezat, Michael. “‘Pizzagate’ and the Nocturnal Ritual Fantasy: Imaginary Cults, Fake News, and Real Violence,” The Public Medievalist, May 4, 2017. Brown, Lane. “The Eyes Wide Shut Conspiracy,” New York Magazine, Dec. 17, 2025. Ebiri, Bilge. “An Oral History of an Orgy,” New York Magazine, June 27, 2019. Nicholson, Amy. “The Year Tom Cruise Gave Not One but Two Dangerously Vulnerable Performances,” The New York Times, Aug. 27, 2024. Raftery, Brian. “Dream Team: Cruise, Kidman, Kubrick, and the making of Eyes Wide Shut,” New York Magazine, Apr. 15, 2019. Shapiro, Lila. “What I Learned After Watching Eyes Wide Shut 100 Times,” New York Magazine, July 1, 2019.  Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

    47 min
  3. MAR 4

    Culture Gabfest - Elvis Has Entered the Building Edition

    On this week’s show, Steve is joined by June Thomas, author of A Place of Our Own, and Michael Schulman, author of Her Again and Oscar Wars, for some rollicking Gabfest discourse. First up, they get all shook up by EPiC: Elvis Presley in Concert, the concert documentary directed by Baz Luhrmann from archival Elvis performance footage. Does the master of cinematic spectacle bring the King back to life? Next, they turn to The Fall and Rise of Reggie Dinkins, the new sitcom from 30 Rock co-creator Robert Carlock starring Tracy Morgan. Finally, they examine the uncanny and profound phenomena of posthumously-published celebrity interviews—including Eric Dane and Jane Goodall—of Netflix’s Famous Last Words specials. Existential bravery or exploitative trash? They discuss. In an exclusive bonus episode for Slate Plus subscribers, the panel weighs in on the best casting Oscar race. Endorsements Michael: The audiobook of the memoir I Regret Almost Everything by Keith McNally as narrated by the incomparable Richard E. Grant. June: Two niche podcasts featuring conversations with authors of biography including Bio, the official podcast of the Biographers International Organization, and Biographers in Conversation. Also, jumping on the Richard E. Grant train, the BBC parody cooking series Posh Nosh starring Grant and Arabella Weir. Steve: The recent essay “The Stony Dark Within” by Joy Williams about Rainer Maria Rilke in the New York Review of Books. -- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

    1h 3m

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