Golden Spiral Media All Inclusive Feed

Golden Spiral Media

The Golden Spiral Media All Inclusive Feed includes all episodes of The Fringe Podcast, Cutting the Cable Podcast, dadhacker podcast, Triplecast & Portable Orchard Podcast.

  1. 3d ago

    SILY 722- Not Guilty, But Still Wrong

    In 1955, twelve men took just over an hour to reach a verdict. By every legal standard of that time and place, the matter was settled. Case closed. And yet, more than seventy years later, almost no one believes justice was done. Why not? Nobody handed us a rulebook, and the law itself said the opposite. So where did that conviction come from? Today we're looking at a story you may think you know, and perhaps a feeling you've never had to explain. I think that feeling is trying to tell us something much bigger than the story itself. Welcome to Stuff I Learned Yesterday, this is episode #722, “Not Guilty, But Still Wrong.” I’m Darrell Darnell, I have never been called to serve for jury duty, and I believe that if you aren’t learning, you aren’t living. Well, technically speaking I did get called once to serve in Oklahoma county, but I was living in Lubbock county Texas at the time, so my summons was dismissed. I want to tell you a story. While I tell it, I'd like you to pay attention to what's happening inside you. Not what you're thinking. What you're feeling. In August of 1955, a 14-year-old boy named Emmett Till left Chicago to spend part of his summer with relatives in a tiny Mississippi town called Money. He was a city kid, a little cocky maybe, the way 14-year-olds can be. I think about my own kids at that age, how big they thought they were and how little they actually understood about the world. Emmett was just a boy. One day at a small grocery store, something happened between Emmett and the white woman working the counter. People have argued for decades about exactly what. Whatever it was, it was nothing close to what came next. A few nights later, her husband and his half-brother came to the home where Emmett was staying, took him out of bed in the middle of the night, and drove away with him. They beat him so badly that his own family could barely recognize him. They killed him. Then they sank his body in a river, weighed down so it would never be found. It was found anyway. His mother, Mamie, made a decision that helped change the country. She insisted on an open casket. She wanted the world to see what had been done to her boy. Thousands came to look, and a photograph of him ran in Jet magazine. Then came the trial. The jury was all white and all male, because women and Black citizens were disenfranchised and essentially barred from serving. The jury deliberated for 67 minutes. One of the jurors later said, "If we hadn't stopped to drink pop, it wouldn't have taken that long." The verdict: not guilty. Both men walked free. About four months later, those two men sold their story to Look magazine for what would be roughly $50,000 today. They described, in their own words, what they had done. And nobody could do a thing about it. Because of double jeopardy, you can't be tried twice for the same crime. They were declared innocent, and then they got paid to explain how guilty they were. Now stop and check yourself. What are you feeling? If you're like me, there's heat in your chest. Maybe a knot in your stomach. Maybe you're angry at those men who died decades ago, men you never met. So here's the question I want us to consider today. What, exactly, are you angry about? The law said not guilty. Twelve citizens said not guilty. By every legal measure, and by the measure of that county in that year, no crime was proven. And yet you and I, and I'd bet nearly everyone listening, know with total certainty that a terrible wrong was done. Nobody had to teach you that. No one had to hand you a verse or a textbook. You just knew. A while back on my other podcast, Entering the Fifth Dimension, my co-host Robert and I discussed a Twilight Zone episode from 1964 called "I Am the Night—Color Me Black." Rod Serling, the creator of The Twilight Zone, wrote that episode. Our guest that night was Rodney Barnes. He is a Peabody award winning television writer and producer. I don’t know Rodney’s personal beliefs, but Robert has stated on multiple occasions that he is agnostic. That Twilight Zone episode was prompted by the assassination of President Kennedy, but Rod Serling had been wrestling with the Emmett Till case for years. He’d tried working it into other scripts but the network wouldn’t let him. Rod was frustrated by the social issues of his day and you can feel it. In the story, a town waits for an execution of a man named Jagger, a white man found guilty of killing a racist bigot. The entire town is in a fever pitch to see the man who killed a bigot hanged. Mysteriously, the town sits in darkness, the sun did not rise on this day. Then a Black minister steps in front of the crowd and tells them, "You hated and you killed. Now there's not one of you who isn't doomed. Do you know why it's dark? It's the hate he felt, the hate you felt, the hate all of us feel, and there's too much of it.” As we talked about that episode, nobody in the conversation, believer, agnostic, or otherwise, shrugged and said, "Well, that's just how that town saw it." Rodney called the decision to tell a story like that "a gutsy move" and "the right thing to do." Right. Not "popular." Not "profitable." Right. The truth is, we were all quietly leaning on a standard none of us had written. We agreed that what Rod had done and written was right, but by what standard were we basing that? That heat in your chest is not a quirk of your personality. It's evidence, and it's pointing at something. Following where it points is what I want to talk about today. This is the moral argument for God. Today we’re not zeroing in on a specific God. We’re not arguing for the God of the Bible. We’re not talking about Jesus. Those are separate questions, separate challenges, and we'll get to them in future episodes. For now, we're asking one foundational question: Is there a standard of right and wrong that sits above us, or isn't there? C.S. Lewis opens Mere Christianity with this very observation. He points to the way people quarrel. He writes that quarrelling means trying to show that the other man is in the wrong, and that there would be no sense in trying to do that unless you and he had some sort of agreement as to what Right and Wrong are. It’s common to hear people say things like, "That's just your opinion," or "Who are you to judge?" But notice when those statements typically show up. People typically say them when they're the ones being corrected. Let that same person get cheated on a deal, or lied about, or cut off in traffic, and the language changes in a hurry. Suddenly it's, "That's not fair." "You promised." "You had no right." Even "Don't judge me" is a judgment about judging. Everyone is appealing to a rule they assume the other person knows too. C.S. Lewis calls this the Law of Human Nature. He also takes on the objection that it's just instinct. Our instincts, he says, are like the notes on a piano. The moral law is not one of the notes. It's the sheet music that tells us which notes to play and which to leave alone. Sometimes the right thing is the quieter instinct, and sometimes we have to choose against the louder one. Something has to be doing the judging, and that something isn't one of the things being judged. So let's test where this standard could come from. Maybe it comes from the law. But in Mississippi in 1955, the law protected those men and said no wrong had been committed. Maybe it comes from the majority. But the majority in that courtroom gave its verdict in just over an hour. If right and wrong are decided by law or by vote, then what those men did to Emmett Till was not wrong. And you know that's false. Maybe the problem was the time and place, and we've evolved. But think about what that means. If society defines morality, then society can't be wrong, and so nothing was ever really wrong. It was only unpopular later. Perhaps the clearest test of this came about ten years before Emmett Till, at the Nuremberg Trials. The defendants argued, in part, that they had followed the laws of their own country and the orders of their own government. Their leader had even boasted that the Nazis stood on the ground of legality. The prosecutors answered that some acts are crimes no matter what a nation's laws say. In his opening statement, Chief Prosecutor Robert Jackson said the Nazi leaders treated international law, natural law, German law, any law at all, as a propaganda device to be used when it helped and ignored when it didn't. The prosecution appealed to a standard above Germany. C.S. Lewis made the same point. Without a real standard behind human rules, he argued, you have no reason to say one morality is better than another, whether it's civilised versus savage, or Christian versus Nazi. Here's what I learned. So here's where this takes us. I see only two honest options. Option one: there is a moral standard above all of us, one that no person or government can rewrite. This option means Emmett Till's killers were guilty, whatever the jury said, and the wrong was real. Option two: there is no such standard. This option means morality is just opinion. Your opinion, mine, a jury's, a dictator's. We each decide what's right in our own eyes, and there's no way to say anyone else is wrong. Think of a ball game where there's no rulebook and no referee, and every team keeps its own scoreboard. Nobody could ever win, because everybody wins. Nobody could ever cheat, because there's nothing to cheat. There would be no such thing as foul play, and honestly, that sounds like the foulest idea of all. To be clear, I’m not claiming that atheists, agnostics, or anyone else can't be moral. Many of the kindest, most honest people I know don't share my faith. The question is not whether people can know right from wrong or live...

    SILY 722- Not Guilty, But Still Wrong
  2. Oct 26

    SILY 721- Quitting Halloween

    Confession time. When I was nine years old, I quit Halloween. Nobody talked me into it and it had nothing to do with religious reasons. I walked away from one of the best nights of the year as a kid because of shaving cream. I've thought about that night more than I probably should have, but it taught me something about getting hit and how to respond when you get blindsided that is still helping me to this day. Welcome to Stuff I Learned Yesterday, this is episode #721, “Quitting Halloween.” I’m Darrell Darnell, anything Reese’s is my favorite Halloween candy, and I believe that if you aren’t learning, you aren’t living. Let’s jump back in the Delorean and head to October of 1985. Commando starring Arnold Schwarzenegger and Alissa Milano was the top movie. Take On Me by a-ha was the top song. The most popular Halloween costumes were Hulk Hogan and Freddy Krueger. My parents had divorced earlier that year, and the summer of 1985 meant a move to a new town. My dad rented a house, and after school we'd usually end up at his girlfriend's house, hanging out with her kids. She would eventually become my stepmom, so that's what I'll call her here. I was in fourth grade. My brother was in sixth. My soon to be stepbrother was in fifth, and my soon to be stepsister was a senior. New town, new house, new people. Everything about my life that fall was new. The town was Wellston, Oklahoma. Fewer than 1,000 people. Picture Hawkins, Indiana in Stranger Things. Hawkins is 10-15 times bigger than where I lived. Downtown was one block. No stoplight. On one side of the street you had a video rental store, a grocery store, a pool hall, and the post office. The other side had a deli, an insurance office, and two vacant buildings. There were probably a few other spots that were either small businesses or empty storefronts, but I honestly can't remember. That's about it. If you wanted to see the whole thing, you didn't need a map. You needed about ninety seconds. Like most kids, I was excited about Halloween for one reason: candy. I have no idea what I dressed up as that year. I've tried to remember. I'm sure it was great. Maybe that was the year I tied some bandannas around my body and went as a member of the Rock N’ Roll Express. What I do remember is that I was going trick or treating alone. That may seem shocking or dangerous to some of you but it was a very small town, and it was a different time. I was given instructions on where to go, and I was given one rule. Don't go downtown. Downtown was where the older kids hung out on Halloween. I'd been told they used it for a giant shaving cream and egg fight, and I was supposed to stay far away from it. That was fine with me. I was nine. I had zero interest in getting egged or covered in shaving cream. So I had a plan. Stay in my zone, hit my houses, fill my bag, go home. Remember that word. Plan. I guess I’ve always been a guy that appreciates making plans. I left my stepmom's house and started working my way door to door. I did what you're supposed to do. I rang the bell, said the words, got the candy, and said thank you. Things were going great. Then I came to a large two story house about two blocks from downtown. Two blocks. I remember thinking that was a safe distance. After all, my new best friend lived right across the street. I rang the doorbell, got my goodies, and turned to head back to the sidewalk. And then out of nowhere, something hit me in the face. It was shaving cream. One of the kids who lived there had been hiding on the balcony, waiting, and he ambushed me as I walked away. I never saw him. I never heard him. I'd followed the rules. I stayed away from the big kids downtown, and I still got hit. It came from above, from a house where somebody had just handed me candy. I wiped away what I could, but it was on my face, my hands, and my costume. And I did what I'm not proud of, but I'm going to tell you anyway. Like Ralphie in A Christmas Story when he broke his glasses, I started crying. Then I ran. I ran the whole way back to my stepmom's house. Once I got cleaned up, I didn't want to go back out. I was too scared I'd get hit again. My night ended with candy from only a few houses. No full bag. No friends. No best night of the year. I let that shaving cream ruin my night. I wish I could do it over. When I think about it now, I feel silly. Shaving cream doesn't leave a bruise. It didn’t actually hurt me. I wasn't knocked down. I was surprised, embarrassed, and a little scared, and that was enough. A few years later I watched a man take a real punch and do something very different. When I was a kid, Mike Tyson was unstoppable, and I’m not exaggerating. He was the heavyweight champion of the world, and he had legs like tree trunks. His uppercut looked like it could separate a head from a body. He didn't seem like a normal person. He seemed otherworldly. Every time he fought, you didn't wonder if he'd win. You wondered how quickly he would end the fight by knocking the other guy out cold. Tyson is credited with a line you've probably heard: "Everybody has a plan until they get punched in the face." It's one of the most quoted lines in sports, and when you think about those guys who were brave (or foolish) enough to step in the ring with Mike, it makes sense. People had good plans. Then they met his fist. By the time I was in eighth grade, Tyson was 37 and 0. On February 11, 1990 he traveled to Tokyo to take on a challenger named Buster Douglas. Nobody gave Buster a chance. At least one sportsbook had him at 42 to 1 underdog. We all viewed it as a formality rather than a fight. But Buster Douglas had a plan too. He used his jab and his height. He had about a twelve inch reach advantage, and he kept hitting Tyson with that jab again and again. He lasted a lot longer than anyone expected and made Tyson look human. Then came the eighth round. Tyson landed an uppercut, and Buster Douglas went down. This was exactly what everyone expected. This was the part of the story where the underdog's plan met Mike Tyson and the plan fell apart. A man who'd been written off was on the canvas, and the referee was counting. The formality was in full effect. The only thing is, Buster Douglas got up. He got to his feet at the count of nine. Right at the last second. A controversial, slowly counted last second, but still, he got up before the count of 10. Think about that. He'd just taken the best punch the most feared man in boxing could throw. He could have stayed down. Nobody would have blamed him. It was Mike Tyson and he was getting paid either way. Instead, he got up, and he kept fighting. Two rounds later, in the tenth, Douglas used that jab again to set up an uppercut of his own. It snapped Tyson's head back. Then came four more punches, and Mike Tyson, who had never been knocked down in his entire career, hit the canvas. I remember the part everyone remembers. Tyson fumbled around for his mouthpiece. He got it halfway in, and it wasn't enough. The referee counted him out at 1 minute and 23 seconds of the tenth round. The unstoppable champion was stopped. Buster Douglas shocked the world. The man who got knocked down first, won. The difference between the winner and loser wasn’t the size of the fist, it was the size of the heart. It was replacing fear with fortitude. Now, to be clear, I'm not comparing a can of shaving cream to a Mike Tyson uppercut. A nine year old on a sidewalk and a heavyweight challenger in a boxing ring are not in the same boat. But the question is exactly the same. When the unexpected hit lands, what do you do in that moment? Here's what I learned. First, the punch that gets you is rarely the one you planned for. I planned for downtown. I had a whole strategy for avoiding the big kids, the egg fight and the shaving cream. And I got hit by one kid on a balcony, two blocks away, at a house where I thought I was safe. Life works like that. You prepare for the big, obvious threat, and the thing that catches you off guard is smaller and closer. Second, being hit doesn't mean you lost. It means the fight started. I used to think that getting hit meant I'd done something wrong, that my plan had failed and now the night was over. But Buster Douglas got hit harder than I ever will, and his night wasn't over. It was round eight. The fight still had four rounds left and he only needed two of them to become a legend. Getting hit just told him what the fight was really going to be. Third, you're allowed to take a count. I'm not saying get up instantly like nothing happened. Buster didn't. He used every bit of that count of nine. Wipe off what you can. Catch your breath. Cry if you need to. A setback can sting, and you don't have to pretend it doesn't, but there's a difference between taking a count and taking the night off. One is a pause. The other is a decision to quit. And that's what I did. I didn't get knocked out of Halloween. I walked out of it. I'd love to tell you that was the last time I let a small hit send me reeling, but I'd be lying. I've had plenty of shaving cream moments since then. A door that closed. A conversation that went sideways. A day of parenting where I lost it and wanted to hide in my room for the rest of the evening. And each time, I get the same choice that nine year old kid had. I can head for the house, or I can wipe my face and ring the next doorbell. I think about the candy I missed that night. Not because of the candy, but because of what I didn't get to do. I didn't get to laugh with friends. I didn't get the full experience. The shaving cream only lasted a few minutes. What I lost by quitting lasted the whole night. Quitting is the thing from that Halloween that still haunts me to this day. So here's what

    SILY 721- Quitting Halloween
  3. Sep 27

    TSTP 97- The Mine

    After Charlie's terrifying encounter with something in the woods, Mike, Lucas, Dustin, and Will set out on what starts as a school history project filming a mockumentary about town founder Samuel Hawkins, but quickly turns into a full-blown H.I.C. investigation. Join hosts Darrell and Addi as we break down "The Mine," diving into the boys' trip into the abandoned silver mine tied to the 1892 explosion caused by the legendary Bloodaxe Bill, and the unsettling discovery that someone (or something) broke OUT of the boarded-up mine rather than in. We talk through Mike's buried fear of ghosts stemming from a childhood Poltergeist screening, the group's skepticism toward Charlie's ghost story, and that terrifying cliffhanger when Mike falls into the mine and encounters a growling, screeching creature in the dark. We also cover the girls' side plot as Nikki and Max launch a Valentine's Day flower-selling hustle to cover Nikki's busted amp. From dodging Lunch Lady Phyllis and her cockroach accusations, to the chaos that erupts when demomoths infest the school kitchen, this subplot takes a dark turn fast. We share our theories on what these creatures actually are, how they connect to the flowers, and what Mike's history of ghost-related trauma might mean for the season's bigger mystery. Whether you're Team "ghosts are real" or Team "it's definitely Upside Down business," this episode has plenty to talk about! Connect with The Stranger Things Podcast: Facebook community Twitter Instagram Contribute Listener Feedback

    TSTP 97- The Mine
4.7
out of 5
30 Ratings

About

The Golden Spiral Media All Inclusive Feed includes all episodes of The Fringe Podcast, Cutting the Cable Podcast, dadhacker podcast, Triplecast & Portable Orchard Podcast.

More From Golden Spiral Media