Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

David Naimon, Milkweed Editions

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  1. 2D AGO

    Saul Williams : Martyr Loser King

    Martyr Loser King, the debut graphic novel of poet, musician, actor and director Saul Williams, with art by Morgan Sorne, not only exists in the same world as his feature film Neptune Frost, but also that of three of his albums, one of his poetry collections and a touring dance performance called The Motherboard Suite. All of these works, in their respective disciplines, explore the distribution of power, the intersection of technology and race, and how our digitally-mediated lives are sustained by the crudest and cruelest of analog exploitations. In Martyr Loser King we follow two Central African protagonists—a miner of coltan, the trace mineral that powers our smart phones and laptops, and an intersex hacker with designs on the system extracting wealth from their country and people. To borrow words from Saul’s song and poem “Coltan as Cotton,” in today’s conversation we hack into land rights and ownership, faith and morality, masculinity, femininity and sexuality. We hack into the rebellious gene, the storyboard, and the history of revolutions. We hack into the database and the panel marked “survival.” If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. One of the many benefits and rewards you can choose from is access to the bonus audio archive, with contributions from everyone from Dionne Brand to Isabella Hammad, N.K. Jemisin to Danez Smith, Naomi Klein to Viet Thanh Nguyen. You can find out more at the show’s Patreon page. Finally, here is the BookShop for today’s conversation.

    2h 43m
  2. APR 17

    Molly Crabapple : Here Where We Live Is Our Country : The Story of the Jewish Bund

    One of the elements that makes Molly Crabapple’s latest book so remarkable is, not only the remarkable stories it unearths and retells, but more specifically how she tells these stories, these erased stories, these stories meant to be forgotten. Not only does she tell them in a dynamic, often thrilling, way, she also does so in a way that somehow opens up the history and gifts it to contemporary movements, organizers and their artists. You can feel how alive to the moment Molly’s book of history is in the words of everyone who praises it. Whether Naomi Klein calling it a “gripping, human story of love, idealism and betrayal” or Tareq Baconi “a road map for our revolution today” and we explore this together—how to write, in whatever genre, in a way that offers one’s work to anti-colonial movements of liberation. A great conversation to pair today’s with is the recent episode with Jordy Rosenberg, who asks many of these same questions, but within the realm of fiction. After Jordy and my conversation had aired, Jordy sent me a second contribution to the bonus audio archive, a reading of the Palestinian writer and performance artist Fargo Tbakhi’s “Notes on Craft: Writing in the Hour of Genocide.” This joins many contributions from past guests whether from Naomi Klein, Dionne Brand, Isabella Hammad, or Omar El Akkad. You can check out all the potential rewards and benefits of joining the Between the Covers community, including access to the bonus audio archive, at the show’s Patreon page. Finally here is the BookShop for today.

    2h 30m
  3. MAR 27

    Jordy Rosenberg : Night Night Fawn

    Today’s conversation with Jordy Rosenberg is many things but at its heart it explores the question of what it means to write revolutionary literature (or as Trotsky would call it “October literature”). Whether we are talking about trans horror or a Marxist surreal, the originating violence of early capitalism or writing toward utopian horizons; whether we are getting granular on the level of craft and form or looking more broadly at the role of art and artists, the question of how our writing can lend itself toward conjuring an elsewhere and otherwise is, I think, the animating force behind it all. Jordy’s provocative choices in his latest novel Night Night Fawn bring these questions urgently to the fore as it centers and is narrated by someone whose worldview Jordy strongly opposes. Night Night Fawn is an opioid-addled, deathbed rant by one Barbara Rosenberg, a transphobic Zionist woman modeled after Jordy’s own mother. Barbara holds court not only on her life’s disappointments, but on Marxism and gender delivered through her cracked lens. All while her greatest disappointment, her transgender son, who may or may not want to kill her, visits her at her bedside. What opportunities, challenges and dangers does this approach create for a writer with revolutionary aims? How can looking back at originary violences, within a family or a nation or an ideology, be a liberatory act? And when confronting structural or familial violence, what is the role of humor and satire? Perhaps it is best summed up by Book Page in its starred review when they say Night Night Fawn is “comedic fiction as political firepower.” For the bonus audio archive Jordy contributes a reading of Kay Gabriel & Andrea Abi-Karam’s “What is the Project of Trans Poetics Now?” This joins supplemental readings by Torrey Peters, Mattilda Bernstein Sycamore, Rickey Laurentiis, Randa Abdel-Fattah, Isabella Hammad, Naomi Klein, Dionne Brand, Christina Sharpe, Layli Long Soldier, Natalie Diaz and many others. To learn how to subscribe to the bonus audio, and about the many other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is the BookShop for today. Given Jordy’s generous citational practice, it is more robust than most.

    2h 27m

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BOOKS ∙ WORKSHOPS ∙ PODCAST

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