ICA Infrequencies ICA London
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- Arts
Conversations from the ICA archives in London.
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Aria Dean on Abattoir
Artist and writer Aria Dean discusses her recent work and the thinking behind her current exhibition at the ICA Aria Dean: Abattoir. The exhibition, which includes an immersive film installation and new sculptural presentation, builds on the artist’s ongoing research into agricultural and industrial architecture, specifically the intimate connection between modernity and death on conceptual, political, and material levels at the site of the abattoir.
ica.art/aria-dean-abattoir
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Neneh Cherry, Naima Karlsson + more on Moki Cherry's life, love and work as an artist and mother
Moki Cherry’s family discusses collaging as working class art, the wisdom of children, and how family life and artmaking are part of the same practice.
With Neneh Cherry, Naima Karlsson, Tyson McVey, Linder Sterling and Hettie Judah.
Exhibition curated by Naima Karlsson and Nicola Leong
Event programmed by Susanna Davies-Crook and Nicola Leong
Recorded by Cheyanne Mccormack
Edited by Justin Tam
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Swindle: how to write a track with Kojey Radical, grime on TV, producing like a musician.
Swindle has come far from his days experimenting with grime, funk and dubstep, but he still carries the craft of a jazz musician. In this conversation with Nicolas-Tyrell Scott, from the Town Hall conversations, Swindle talks about how he wrote a track with Kojey Radical, seeing more grime on mainstream TV, the different methods in writing for TV in Candice Carty-Williams' show Champion, and how he's never stopped learning.
Recorded Wednesday 28 Jun 2023 at the ICA in London.
Featuring Swindle and Nicolas-Tyrell Scott
Recorded by Ben Moon
Edited by Justin Tam
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Yvonne Rainer: avoiding the audience gaze, filmmaking vs dancing, accepting mistakes
Yvonne Rainer and film research Oliver Fuke have a conversation to open a season at the ICA celebrating the dancer and choreographer's body of film work.
She reflects many years back on how she experimented with form between filmmaking and dancing, on being accused of not caring about the audience, and on how she'd never change anything about her films.
Yvonne Rainer: A Retrospective
17 - 27 August 2023, at the ICA, London
www.ica.art/yvonne-rainer
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Momtaza Mehri: the limits of identity politics, symbolism and Beyoncé
This episode was picked and edited by Amrit Sanghera, one of the ICA’s Public Advisors.
What happens when powerful black women use their positionality to push their identity as cultural product or representational symbol, and how useful this is for the interests of working class Black women?
Momtaza Mehri explores the slipperiness of female power, agency and identification. She touches on the pleasures Black women experience in the symbolism and imagery of powerful figures such as Beyonce and Michelle Obama.
The recording was part of a series of Black feminist programmes exploring pleasure as a politics of refusal, recorded on 9 November 2019.
Editor: Amrit Sanghera
Mixing: Justin Tam
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Filmmaking as women: Glitch Feminism
Part 3. Discussions from filmmakers responding to what Legacy Russell’s Glitch Feminism idea and how they use it in their practice.
‘Being a black woman in the world means a lot is expected and asked of you… the place I can set my strongest boundaries is in the digital realm’ ‘Apps like Natural Cycle where suddenly we’re using technology to liberate our bodies from traditional medicine and that in a scewed way maybe is a form of cyber-feminism and enters into that world’
Featured short films by artists Salome Asega, Ain Bailey, Anaïs Duplan, Caspar Heinemann, shawné michaelain holloway, Zarina Muhammad, E. Jane, Jenn Nkiru, Tabita Rezaire and Victoria Sin.
Glitch Feminism embraces the causality of 'error' and turns the gloomy implication of 'glitch' on its ear by acknowledging that an error in a social system disturbed by economic, racial, social, sexual, cultural stratification, and the imperialist wrecking-ball of globalization—processes that continue to enact violence on all bodies – may not be 'error' at all, but rather a much-needed erratum.
Recorded 17 November 2017.
Credits
Editing: Millie-Beth Wright
Sound: Justin Tam
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