Making a Scene Presents

Richard LHommedieu
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Making a Scene is the #1 Resource for the Indie Artist and the Fans that Love them! http://www.makingascene.org

  1. The Live Show Is Not Just a Night Out. It Is the Front Door to Your Whole Music Business

    قبل يوم واحد

    The Live Show Is Not Just a Night Out. It Is the Front Door to Your Whole Music Business

    Making a Scene Presents - The Live Show Is Not Just a Night Out. It Is the Front Door to Your Whole Music Business. For too long, indie artists have been taught to think of the live show as a single transaction. A fan buys a ticket. The artist plays the set. Maybe somebody buys a shirt. Everybody goes home. The venue sweeps the floor, the bartender counts the drawer, the band loads out, and the whole night disappears into the fog of tired backs, ringing ears, and gas station coffee. That is the old way. The new way is different. The live show is not just a night out. It is not just a gig. It is not just a chance to play loud, sell a few shirts, and hope somebody remembers your name next week. The live show is the most powerful conversion point an independent artist has. It is the one place where attention, emotion, money, identity, and community all show up in the same room at the same time. That is rare. That is valuable. That is not something you hand over to Spotify, Instagram, TikTok, Ticketmaster, or some rented platform that lets you borrow your own audience in exchange for feeding its machine. A live show is where a casual listener becomes a real fan. It is where a name on a poster becomes a face, a voice, a laugh, a handshake, a story, a memory. It is where your music stops being content and becomes an experience. And if you build the right system around that experience, the show does not end when the last cymbal fades. It keeps working. It keeps earning. It keeps bringing people into your world. That is the real game. http://www.makingascene.org

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  2. The Hidden Economics of Being an Indie Artist in 2026: A Survival Guide to Lower Costs, Increase Revenue, and Own Your Fans

    قبل يوم واحد

    The Hidden Economics of Being an Indie Artist in 2026: A Survival Guide to Lower Costs, Increase Revenue, and Own Your Fans

    Making a Scene Presents - The Hidden Economics of Being an Indie Artist in 2026: A Survival Guide to Lower Costs, Increase Revenue, and Own Your Fans For years, independent artists were sold a dream. The pitch was simple and powerful. You no longer needed a label. You no longer needed permission. You could record at home, upload your music worldwide, build an audience online, and create a real career on your own terms. Compared to the old days of expensive studio time, manufacturing costs, and gatekeepers controlling radio and retail, it sounded like freedom had finally arrived. And in many ways, it did. But what a lot of artists discovered after stepping into that freedom was something nobody talked about enough. Freedom came with overhead. The modern independent musician did not just inherit opportunity. They inherited the entire business. http://www.makingascene.org

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  3. Delay vs Reverb: When to Use Each (and Why Most People Overuse Reverb)

    قبل يومين

    Delay vs Reverb: When to Use Each (and Why Most People Overuse Reverb)

    Making a Scene Presents - Delay vs Reverb: When to Use Each (and Why Most People Overuse Reverb) There is a sound you have heard a thousand times, even if you never knew what caused it. A singer enters on the first line of a chorus and suddenly feels larger than life. A snare drum explodes through the speakers and seems to live in its own perfect room. A guitar line trails into the horizon after the phrase ends, creating emotion long after the note is gone. Space is one of the secret weapons of recorded music, and two tools have shaped that space more than any others: delay and reverb. http://www.makingascene.org

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  4. Interview with Flutes and Low

    قبل ٣ أيام

    Interview with Flutes and Low

    Making a Scene  Presents an Interview with Flutes and Low Flutes & Low is the folk duo of Ben Pichler and Cambria Haen, two musicians who first met and began playing together in Duluth, Minnesota. From the start, their chemistry leaned toward atmosphere—songs built on close harmony, patient storytelling, and melodies that stay with you long after they end. Deeply shaped by the Midwest’s wide-open landscapes, cold seasons, and shoreline quiet, their music feels both intimate and expansive: pastoral, emotional, and grounded in place. http://www.makingascene.org

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  5. Interview with Santiago Periotti of Santiago and the Soulmovers

    قبل ٣ أيام

    Interview with Santiago Periotti of Santiago and the Soulmovers

    Making a Scene Presents Gerry Casey's Interview with Santiago Periotti of Santiago and the Soulmovers Santiago Periotti is an Argentine singer, songwriter, and guitarist whose playing brings blues grit, rock drive, and a warm, soulful edge—now focused in the London music scene. Known for his passion on stage and a sound that blends energy with feel, Santiago has built his career the old-school way: writing, touring, and earning audiences one room at a time. http://www.makingascene.org

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  6. Interview with Tim Wagoner of The Fabulous Trutones

    قبل ٥ أيام

    Interview with Tim Wagoner of The Fabulous Trutones

    Making a Scene Presents an Interview with Tim Wagoner of The Fabulous Trutones Comin’ Back Live finds The Fabulous TruTones doing what great live bands do best: locking into a groove and then refusing to stay in one lane. The album moves effortlessly from classic blues in the spirit of the Three Kings, to the sun-baked shimmer of mid-’70s Southern California roots-rock, to the rocking edge of old-school country—and back again. It’s blues at the center, but it’s also proof that blues can be a launchpad, not a box. http://www.makingascene.org

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  7. Canada Just Put Money Behind the People Who Build the Stage

    ٢٢ أبريل

    Canada Just Put Money Behind the People Who Build the Stage

    Making a Scene Presents - Canada Just Put Money Behind the People Who Build the Stage FACTOR’s new live music investment is more than a press release. It is a reminder that if you want a real music middle class, you do not just fund songs. You fund the ecosystem that gets those songs in front of people. There is a big difference between saying you support music and actually building a system that helps music survive. Canada just gave us a very clear example of that difference. On April 21, 2026, FACTOR announced a $2 million investment in the live music sector through two new initiatives, the Promoter Program and the Festival Program. According to FACTOR, the goal is to strengthen what it called cultural sovereignty by sharing risk with Canadian-owned promoters and festivals that have a real track record of presenting Canadian artists and keeping diverse Canadian voices at the center of the live experience. FACTOR says the guidelines for both programs will go live on April 30, 2026, and applications are due by 5:00 p.m. ET on June 11, 2026. http://www.makingascene.org

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  8. Reverb and Depth: How to Place Sounds in a 3D Space

    ٢١ أبريل

    Reverb and Depth: How to Place Sounds in a 3D Space

    Making a Scene Presents - Reverb and Depth: How to Place Sounds in a 3D Space Flat Mixes Do Not Sound Cheap Because the Song Is Bad A lot of indie artists think their mixes sound small because they do not have enough expensive gear, enough fancy plugins, or enough studio prestige. That is the lie the old gatekeeper system sold for years. The truth is rougher and more useful. Most flat mixes sound flat because everything is standing in the same spot. The vocal is too close. The snare is too close. The guitars are too close. The keys are too close. Nothing feels near because nothing feels far. Nothing has air around it because nothing has a believable world around it. That is where reverb stops being a decorative effect and starts becoming one of the most powerful tools in a modern mix. Mix depth is the front-to-back dimension that helps make a mix feel lifelike and three-dimensional, and it points out that this sense of dimension is one of the clearest differences between amateur and professional sounding mixes. http://www.makingascene.org

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حول

Making a Scene is the #1 Resource for the Indie Artist and the Fans that Love them! http://www.makingascene.org

المعلومات

  • صناع العمل
    Richard LHommedieu
  • سنوات النشاط
    ٢٠١٩ - ٢٠٢٦
  • الحلقات
    ٦٣٨
  • التقييم
    ملائم
  • حقوق النشر
    © 2019 Midnight Circus Productions
  • موقع البرنامج على الويب
    Making a Scene Presents