Michael and Us Luke Savage and Will Sloan, Jacobin

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/75275385

After fleeing the Swedish tax authorities, Ingmar Bergman briefly set up shop in Germany to make what is widely considered his worst film. We look at his Berlin-set, David Carradine-starring rise-of-fascism drama THE SERPENT'S EGG (1977) to find out if it's really as bad as all that. PLUS: What does David Brooks' taste in music tell us about him?

Released shortly before the attack on Pearl Harbor, Howard Hawks' SERGEANT YORK (1941) was an attempt to rouse popular support for America entering the Second World War. We excavate one of the biggest box office hits of its day and find a movie in which God and Country are pitted together, and Country wins. PLUS: we hash over some of the drastic and unhappy changes that have happened to our local government in Toronto, Canada.

Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

PATREON-EXCLUSIVE EPISODE - https://www.patreon.com/posts/381-fine-horse-74986287

The dystopia is already here in Boots Riley's SORRY TO BOTHER YOU (2018). This anti-capitalist comedy follows a telemarketer who is nearly seduced by a superstar billionaire. We discuss how the film identifies revolution as both necessary and nearly impossible. PLUS: musings on the end of Twitter and Chicago-based columnist John Kass.

We've gazed into the abyss many times before but the Ray Romano/Gene Hackman comedy WELCOME TO MOOSEPORT (2004) - in which a former U.S. president runs for mayor against a small-town handyman - comes close to breaking us. PLUS: We recap the U.S. midterms, and ask: Is Ron DeSantis a serious threat to Donald Trump? (Short answer: no)

Join us on Patreon for an extra episode every week -

We finally felt lucky enough to discuss the grandaddy of right-wing law-and-order movies, DIRTY HARRY (1971). One thing is for certain: this is one cop who takes no guff from no one. PLUS: fiery hot takes on the U.S. midterms, the labour strike that is rocking Canada, and the future of entertainment.

Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus

Adam McKay's VICE (2018) sought to give Dick Cheney the full reckoning for his crimes through art that he will never receive in life. Is the film necessary cinematic intervention in the ongoing Cheney reclamation project, or a condescending failure? Your hosts disagree sharply on this cinematic polemic. PLUS: fiery hot takes on Elon Musk's Twitter takeover.

"'Damn right,' I said" by Eliot Weinberger - https://www.lrb.co.uk/the-paper/v33/n01/eliot-weinberger/damn-right-i-said

Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus