Piper's Dojo Audio Experience

Andrew Douglas and the Piper's Dojo Team
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The Dojo engages thousands of bagpipers around the globe, by harnessing the power of the internet to help connect those in the world who share a specific passion; enriching one's life through bagpipes.

  1. 6d ago

    509 - Real Feedback Month is coming! Plus chanter tuning, synthetic reeds and more (Dojo U Q&A session)

    This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl launch our special "Real Feedback Month" – you can join Dojo U before June 5th for a free 30-day trial and get direct feedback on your real summer repertoire through live critiques, recording reviews, and 15+ weekly classes designed to get your piping performance-ready for the season ahead. They also tackle listener questions on chanter tuning, synthetic reeds, blowing efficiency, recording gear, pitch standards, and more. Here’s what we cover this week: 00:00 – June’s Real Feedback Month: how it will work and how to get involved 04:43 – Fixing a chronically sharp high G: warmups, carving myths, reed positioning, moisture control systems, and alternative chanter modifications 14:03 – Synthetic chanter reeds: thoughts on the Highland Bagpipe SureFire reed, why synthetic drone reeds have succeeded more easily, and what’s still missing from synthetic chanter technology 19:20 – Reed gurgling on E: what causes it, why overblowing is usually the main issue, and how reed strength affects stability 25:27 – Puffing your cheeks while playing: why it happens, whether it’s a problem, and how it relates to blowing mechanics 28:40 – Recording gear and adapters: getting the Zoom IQ7 working with USB-C devices and why cable quality matters 30:14 – Current limitations of AI transcription for bagpipe content 32:00 – Acceptable low A pitch frequencies: why 480 Hz can be completely normal depending on weather and conditions 34:40 – Wrap-up and sign-off

    35 min

  2. May 18

    508 - Why should you care about piobaireachd? (Dojo Conversations Episode 161)

    Pìobaireachd can feel intimidating for so many pipers… so why do the people who fall in love with it become completely obsessed? In this first episode of a new multi-part series, Andrew and Jim explore the historic, musical and sometimes mysterious world of pìobaireachd (piob mhòr, the big music, or “peeb-rock”) — the classical music of the Great Highland Bagpipe. They unpack the myths, traditions, gatekeeping, history, and genuine beauty surrounding the art form, while making the case that piob isn’t just for elite competitors or music scholars. It’s a completely different way of experiencing music on the pipes. They explore why piob can feel so inaccessible at first, the parallels between tradition and storytelling, and why learning even a little pìobaireachd can fundamentally change the way you hear and play the instrument. Here’s what we cover in this episode: 00:00 – Introducing piping’s forbidden dinner-table topic 00:40 – Why pìobaireachd can feel like a secret society (and why that barrier exists) 02:20 – The psychology of exclusivity and piob as a “club” within piping 04:30 – Inside Andrew’s massive Dojo pìobaireachd course and how it was built 07:00 – Why your apprehension about piob is completely normal 09:00 – Piob vs light music: why the experience feels fundamentally different 16:00 – What the Urlar (ground) actually is and how variations are constructed 17:45 – How simple melodies evolve into elaborate musical “finger fireworks” 18:30 – The MacCrimmon legend, the Skye school, and the mythology surrounding piob origins 21:00 – Teacher lineage and the idea of tracing musical ancestry 22:30 – Piob as “bagpipers’ religion”: storytelling, tradition, and the mystery factor 28:00 – Gatekeeping, authority, and why modern piob culture is slowly becoming more open 32:00 – Tradition as a guide rather than a prison: descriptive vs prescriptive teaching 36:00 – Why even “boring” piob deserves an open mind — plus a preview of next episode’s deep dive into history and the legendary black chanter

    38 min

  3. May 11

    507 - Threaded drone reeds, competition grades and tempos, and using a hygrometer (Dojo U Q&A Session)

    This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl tackle students' top-voted questions covering everything from competition tempos and reed setup to drone threading, posture, and grading standards. Here’s what we cover this week: 00:00 – Welcome & intro 00:07 – Threading drone reed seats: the pros, cons, and ongoing debate. Does it change the sound? Is it reversible? And should you do it on vintage or high-end pipes? 07:00 – What actually separates the grades? A practical breakdown of Grade 5 through Professional, including what players should realistically be aiming for at each level 14:40 – Using the Two-Week Tune of the Week process for competition prep: applying the freedom phase approach to building and polishing solo or band repertoire 19:10 – Andrew’s move to St. Andrew’s College: will he continue playing with Inveraray? A look at how yearly “renewals” work and what he shared during the interview process 21:30 – Do bagpipes make people look better in photos and videos? Why posture matters more than you think, and the four key points that change everything 23:58 – What’s a safe tempo for a Grade 4 2/4 march? Live metronome demos using Siege of Delhi, Iron Division, and Prince Charles, plus why groove matters more than raw BPM 33:00 – Decoding judge feedback on tempo: how to turn “too fast” or “too slow” comments into practical adjustments 33:54 – Willie’s Glenfiddich tempo check: Mike’s rule that Grade 4 players probably shouldn’t be playing faster than 58 BPM 33:52 – Adding phase-passing recordings to Dojo-U congratulation posts: logistics, community feedback, and possible improvements 35:12 – Reed selection: when is a reed truly bad, and when is it just a poor match for your setup? Including the “90% rule” for chanter and drone reeds 37:57 – Why trial and error is still the best teacher: how running a band, experimenting with chanters, and buying cheap used gear speeds up learning 39:52 – Reed humidity prep: Andrew’s Ziploc bag and cigar humidification pack method for conditioning reeds before testing 41:30 – Hygrometer accuracy: why Andrew replaced his old hygrometers, and how unreliable readings can quietly sabotage your setup

    44 min

  4. May 4

    506 - Why Don't My Bagpipes Sound Good With Other Instruments? (Dojo Conversations Episode 160)

    What if the reason your pipes sound incredible on their own… is the exact reason they clash with everything else? This week, Andrew and Jim dig into one of the most fascinating (and frustrating) realities of bagpiping: why the instrument’s beautiful, locked-in sound can feel completely at odds with a piano, organ, or other orchestral instruments. It all comes down to two competing systems of tuning – so buckle in for a music nerd deep dive into just intonation vs equal temperament, why they are often at odds with each other, and what you can actually do about it in real playing situations. Here’s what we cover in this episode:00:00 – Perfect intervals and the bagpipe’s unique tuning identity00:22 – Intros, hats, and an unexpected Albany geography tangent05:49 – Just vs equal temperament: what are we actually talking about?08:03 – Why the drone locks bagpipes into just tuning13:21 – A practical demo using 100 Hz to explain pure intervals17:00 – The ratios behind the bagpipe scale (B, C#, D, E, F#, G)22:32 – Equal temperament explained: 12 equal slices of the octave27:01 – The trade-off: why “in tune” sometimes means slightly out30:38 – Bagpipe vs piano in real numbers (e.g. C# at 600 vs 604.7 Hz)32:27 – The biggest clashes: why high G and low G hurt the most33:09 – Splitting the difference: practical tuning compromises35:04 – Can digital instruments meet the bagpipe halfway?35:45 – The hidden truth: even great pianos aren’t perfectly “in tune”37:11 – Why pure intervals are so addictive (and ruin everything else)41:38 – Do B-flat chanters fix the problem?43:47 – Finding your place on the just ↔ equal temperament spectrum

    47 min

  5. Apr 27

    505 - Crushed Reeds, Confusing Feedback & Hard Truths About Tuning (Dojo U "Strike In" Q&A Session)

    This week on Dojo U’s "Strike-In" Q&A, Andrew and Carl dig into everything from reed disasters and confusing judges’ comments to tuning, piobaireachd mindset, and band dynamics. Here’s what we cover this week: 00:00 – Exhibit D: introducing the new segment breaking down piping-related social media images 01:25 – A crushed, darkened reed: what it reveals about mold, storage, and poor setup habits 06:18 – Another smashed reed: how it happens (yes, the chanter cork) and a simple pre-play check to avoid it 10:01 – Matching shirts Q&A: “Who’s the nice one?” (inspired by Ed Best) 12:45 – Piobaireachd: is it more about mental endurance or technique? 20:38 – “Pipes tuned too close”: making sense of confusing or contradictory judge feedback 27:46 – Struggling to hear locked-in drones: how to actually develop your ear (and why it never really ends) 37:20 – Favourite places to play: from the World’s to the band hall when everything clicks 40:56 – Demoting players in a band: how to handle it clearly, fairly, and without unnecessary friction 46:00 – Blowing inconsistencies at band: what helps, what doesn’t, and why the real work happens at home

    56 min

  6. Apr 20

    504 - The Myth of Relaxed Playing (Dojo Conversations Episode 159)

    What if trying to be relaxed when you play is actually a kind of denial – one that could affect your overall development as a piper? This week, Andrew and Jim explore what real control and calm actually look like in practice, why rushing and cramping show up when they do, and how many players end up stuck in a kind of “false chill” that can limit progress. Here’s what we cover in this episode: 00:30 – Why “just relax” isn’t helpful advice 01:10 – The myth of the chill player (and a Bob Marley detour) 01:36 – The chill–tension continuum: finding your baseline 05:29 – Recording anxiety and the tendency to rush 06:05 – Hand cramping and fears around focal dystonia 06:46 – Stuart Liddell’s playing and the sound of real ease 09:57 – Reactive vs proactive rhythm: why rushing happens 10:59 – “Pretending to be relaxed” – spotting avoidance 11:16 – How responsibility changes your relationship to “chill” 12:51 – Pre-chill, false chill, and what’s really going on 13:34 – Why most “chill” is actually denial 14:58 – Pre-chill vs post-chill: earning relaxation 16:39 – What genuine relaxation actually feels like 19:40 – Posture, tension, and diagnosing cramping 25:02 – “Slow is smooth, smooth is fast” in real practice 26:16 – Is it fast playing, or just well-controlled? 28:22 – The “victory lap” trick: can you fake relaxation? 28:45 – Avoiding avoidance: the real solution 35:40 – Preparation vs relaxation in great players 37:33 – Competition chaos: making it up mid-performance 38:27 – A practical action plan: record, assess, adjust 40:34 – What “wealth” looks like in your playing 41:13 – Finger tension: finding the balance

    45 min

  7. Apr 13

    503 - Stop Blaming the Reed: Fix Your Setup Instead (Dojo U Q&A Session)

    This week on Dojo U’s Friday Strike-In Q&A, Andrew and Carl tackle a wide range of piping questions – from chanter choices and reed behaviour to rhythm fundamentals, travel tips, and getting the most out of your Dojo membership. Here’s what we cover this week: 00:00 – Poly vs. blackwood chanters: are plastic chanters becoming the new standard? 04:12 – Retuning on the fly: what to listen for when your drones drift mid-performance 06:38 – Tapping your foot while playing: why it’s harder than it sounds (and how to build it) 12:32 – Why reeds change day to day: consistency, moisture, and the real culprit 21:30 – Teaching beginners: should you learn all 11 Commandments of Mastery? 24:17 – Flying with your pipes: what you actually need (and what you don’t) 37:28 – Submitting recordings for feedback: how to get the most from Dojo coaching 39:41 – Basic vs. Premium: what solo pipers unlock with a premium membership

    43 min

  8. Apr 6

    502 - The Hidden Cost of “Fixing” Your Reed (Dojo Conversations Episode 158)

    Should you be messing with your chanter reeds?    This week, Andrew and Jim discuss the pros and cons of reed manipulation — pinching, licking, shaving, bridling, and everything in between. Are these habits actually helping your playing, or just creating more problems?   Reed tweaks can feel like quick fixes. But as Andrew and Jim explore, most of them are temporary, inconsistent, and quietly destructive. Drawing on personal experience (and a few cautionary tales), they unpack why so many pipers reach for manipulation in the first place — and what to do instead.   Here’s what we cover in this episode:  00:12 – Skateboarding, chess, and the joy of being bad at things  03:08 – Why reed manipulation is today’s focus  03:26 – The performance supplements analogy (and the Icarus connection)  08:57 – Reeds as precision instruments: why less is more  15:23 – Why all manipulation is (technically) destructive  17:56 – Buying hard reeds to shave down: risk vs reward  22:57 – “If it ain’t broke…” (and why no one listens)  24:55 – Pinching: what it does and how long it lasts  29:35 – The real reason pipers manipulate reeds  32:46 – Licking: pitch, vibration, and moisture science  38:23 – Bridling: the “perma pinch” trade-offs  39:57 – Reverse pinch / poking: opening the reed  40:24 – Shaving: when (if ever) it makes sense  45:07 – Jim’s lunch break experiment: resisting the urge  47:05 – Reed rituals: superstition, habit, and hidden benefits  50:02 – Final thoughts and why Icarus is worth a watch

    51 min
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4.9
out of 5
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About

The Dojo engages thousands of bagpipers around the globe, by harnessing the power of the internet to help connect those in the world who share a specific passion; enriching one's life through bagpipes.

Information

  • Creator
    Andrew Douglas and the Piper's Dojo Team
  • Years Active
    2016 - 2026
  • Episodes
    497
  • Rating
    Clean
  • Copyright
    © 2026 All rights reserved
  • Show Website
    Piper's Dojo Audio Experience

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