Race Matters

FBi Radio

Race Matters is an anti-racist show that explores the values and complexities of race, culture and identity. In-depth interviews and unique story telling and spanning arts, music, politics, global and local events, plus experimental audio and community takeovers. Listen back to all our episodes on fbi.radio including radio exclusives, and stay up to date on our instagram  Listen to our Solidarity Syndicate series - sharing across airwaves and borders and our Liquid Homelands series - an experimental, queer audio offering We honor all hosts, producers, storytellers that have made this work possible as well as the long tradition of storytelling, resistance and resilience that has taken place on Gadigal Country, where fbi.radio broadcasts out of.   Our logo design by Jessica Mulet, our theme songs was composed by Mateo Baskaran  Race Matters is made possible thanks to the Community Broadcasting Foundation

  1. Jun 4

    #202 Building new worlds on the grave of AI

    “Intelligence is relatively new to life on Earth, but your hierarchical tendencies are ancient.” - Octavia Butler, Lilith’s Brood. The dawn of generative AI may seem like a whole new age - but in reality, it is part of an ancient history. Today on the show, Sara El Youghun, Joannie Lee, Janey Li and Samantha Haran come together to map this new genAI tech within the longer history of capitalist-imperialist surveillance and exploitation. Sara and Joannie discuss how they’re feeling in this moment as AI technologies are seemingly taking over. Sara reminds us of the science fiction of our childhoods that mirror the moment we are now living, and Joannie speaks to her recent experiences in community organising against the planned data centres in Western Sydney. Together, they reflect on strategies of organising, resistance and imagination. They listen through an interview that Janey and Samantha did with digital surveillance researcher and organiser, D.R. Sooriya. D reflects on and illuminates the fact amidst the outrage and uncertainty around what this new age of AI means, what we should most be focused on is the way it forms part of a longer, larger and deeper project on the part of tech billlionaries to force us into a certain kind of future. Most importantly, D reminds us that we are not helpless against this tirade - we can resist these techno-fascist futures, and build our own worlds in their place.  Produced by Joannie Lee and Samantha Haran Episode artwork by Janey Li HOPECORE: ANTI-AI ORGANISING FROM AROUND THE WORLD The Luddite Club No Tech for Apartheid Data Workers Inquiry Recent win - Boorloo/Perth data centre plan revoked Get involved with Stop the Slop! Campaign to stop the data centres in Western Sydney (join the Whatsapp channel) Upscrolled (social media platform built by Palestinian organisers)   FURTHER RESOURCES  Hell is Empty and the Devils Are All Here: AI and Imperialism in the Current Crisis  Atlas of AI: Power, Politics, and the Planetary Costs of Artificial Intelligence - Kate Crawford  AI Snake Oil: What Artificial Intelligence Can Do, What It Can’t, and How to Tell the Difference - Arvind Narayanan and Sayash Kapoor War Virtually: The Quest to Automate Conflict, Militarize Data, and Predict the Future - Roberto Gonzales Imagination: A Manifesto - Ruha Benjamin Glitch feminism: A Manifesto - Legacy Russell See omnystudio.com/listener for privacy information.

    #202 Building new worlds on the grave of AI
  2. May 29

    #201 Palestine Is The Litmus Test

    'There are two issues of our time really, that I think amount to a litmus test for morality as far as I'm concerned. One is what you're prepared to do on behalf of the Palestinian people and the other is what are you prepared to do on behalf of gay and lesbian people?" - Black, queer poet and activist June Jordan in an interview for 'A Place of Rage' (1991) by Prabhita Parmar What are people willing to do for the Palestinian cause? This is a question that Sara sifts through with Lebanese activist Ahmad Khochaiche and comrade to Maxime Camo, the spokesperson for the Australian arm of 'A Thousand Madleens' the freedom flotilla dedicated to organising civilians to break the illegal Israeli blockade of Gaza. Amidst the conflicting emotions of rage and survival, in holding the privilege of existing removed from the bombings, Sara invites us to expand our perspective on our personal agency, like embarking for a journey right to Gaza, that will alchemise our grief for the Palestinian cause. This episode was hosted by Sara El Youghun, produced by Yvonne Hong with help from Executive Producer Prinita Thevarajah. Huge thanks to Ahmad Khochaiche and Maxime Camo for being guests on today's show. Resources: ★ Donate to A Thousand Madleens here. ★ Donate to Australian Palestine Advocacy Network here. ★ Buy After the Last Sky, a compilation album by Al Gharib dedicated “For the Children of Gaza” (a record label based in Tripoli, Lebanon). Proceeds go to the Dalia Association. ★ Read June Jordan's 'Poetry For Palestine' here. ★ Read how humanitarian aid has been transformed into a political instrument of coercion and control in Gaza here. See omnystudio.com/listener for privacy information.

    #201 Palestine Is The Litmus Test

About

Race Matters is an anti-racist show that explores the values and complexities of race, culture and identity. In-depth interviews and unique story telling and spanning arts, music, politics, global and local events, plus experimental audio and community takeovers. Listen back to all our episodes on fbi.radio including radio exclusives, and stay up to date on our instagram  Listen to our Solidarity Syndicate series - sharing across airwaves and borders and our Liquid Homelands series - an experimental, queer audio offering We honor all hosts, producers, storytellers that have made this work possible as well as the long tradition of storytelling, resistance and resilience that has taken place on Gadigal Country, where fbi.radio broadcasts out of.   Our logo design by Jessica Mulet, our theme songs was composed by Mateo Baskaran  Race Matters is made possible thanks to the Community Broadcasting Foundation

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