Read Beat (...and repeat)

Steve Tarter

If you're like me, you like to know things but how much time to invest? That's the question. Here's the answer: Read Beat--Interviews with authors of new releases. These aren't book reviews but short (about 25-30 minutes on the average) chats with folks that usually have taken a lot of time to research a topic, enough to write a book about it. Hopefully, there's a topic or two that interests you. I try to come up with subjects that fascinate me or I need to know more about. Hopefully, listeners will agree. I'm Steve Tarter, former reporter for the Peoria Journal Star and a contributor to WCBU-FM, the Peoria public radio outlet, from 20202 to 2024. I post regularly on stevetarter.substack.com. 

  1. "Show Trial" by Thomas Doherty

    6D AGO

    "Show Trial" by Thomas Doherty

    Groundhog Day, Ed Wood, The Big Lebowski, Dark City, and 12 Monkeys. What do these movies have in common? They were all made in the 1990s and represented a middle-level film—neither franchise nor family fare. “That’s what we’re missing at the theater nowadays,” said Thomas Doherty, the Brandeis University professor and author whose work frequently appears in the Hollywood Reporter. “The middle-level melodrama or thriller used to be well attended at the movie house. Now it goes straight to Netflix,” said Doherty. “We’re missing the smaller films. That product is in jeopardy,” he said. Also in jeopardy is the practice of going to the movies. Time will tell whether people will continue to want to see films in the company of their fellow human beings, the professor noted. “There will always be a niche audience. Fans and film buffs will still gather to watch certain films, but most now watch films at home,” he said. Doherty related how Hollywood faced a previous challenge when it came to theater attendance in the 1930s. “The Great Depression traumatized Hollywood. The movie industry thought that it was immune to any kind of downturn,” he said. Radio had entered the picture, piping, for the first time, entertainment directly into the home. Then there was the little matter of expendable income. Folks were out of work and relying on breadlines just to get by. Even the small cost of a film became an extravagance for many. But Hollywood got through it. The question is now whether the theater can stage another rebound at a time when the studios own the content and send serial dramas directly into the home?  Doherty pointed out that going to the movies used to be part of a courtship ritual. When a guy asked a girl to go out, he let his date decide on the picture to see. So you had a lot of movies designed to appeal to women, said Doherty, questioning whether that ritual is still in effect. Looking ahead, the challenge for the theater operator will be coming up with an experience you can’t get at home, said Doherty. Show Trial (cover pictured above) is a book that Doherty wrote in 2018 about the congressional hearings looking into Communist associations in Hollywood that brought about blacklists. “It’s hard to say what impact having so many screenwriters and movie people unable to work for 10 years had on the entertainment industry. We just don’t know what could have been produced in that time,” he said. What we do know is that there were definite tragedies among blacklisted individuals, said Doherty. Marguerite Roberts, who worked at Metro-Goldwyn-Mayer, had been one of the most respected and highest-paid screenwriters in Hollywood, he noted. In 1951, Roberts was called before the U. S. House Committee on Un-American Activities. Even though she merely accompanied her husband to meetings, when she declined to answer questions about being a member of the Communist Party, she spent the next 10 years unemployed, said Doherty. Finally, in 1961, Roberts found work again. In 1969, Roberts wrote the screenplay for True Grit, a film that won John Wayne his only Oscar. Wayne raved about the script that Roberts produced, Doherty said. Doherty has a new book coming out in April on the rise of archival documentaries in the 1930s. How Film Became History focuses on how most of us learn our history—through moving pictures—got started.

    30 min
  2. "Road to Nowhere" by Emily Lieb

    MAR 2

    "Road to Nowhere" by Emily Lieb

    In the mid-1950s, Baltimore’s Rosemont neighborhood was alive and vibrant with smart rowhouses, a sprawling park, corner grocery stores, and doctors’ offices. By 1957, a proposed expressway threatened to gut this Black, middle-class community from stem to stern. That highway was never built, but it didn’t matter—even the failure to build it destroyed Rosemont economically, if not physically. In Road to Nowhere: How a Highway Map Wrecked Baltimore, writer and historian Emily Lieb tells the history of the neighborhood and the highway that never happened. The book reveals the interwoven tragedies caused by racism in education, housing, and transportation policy. Black families had been attracted to the neighborhood after Baltimore’s Board of School Commissioners converted several white schools into “colored” ones, which laid the groundwork for predatory real-estate agents who bought low from white sellers and sold high to determined Black buyers.  Despite financial discrimination, Black homeowners built a thriving community before the city council formally voted to condemn some 900 homes in Rosemont for the expressway, leading to deflated home values and even more predatory real estate deals.  “It took me a while to see what an important role Baltimore’s public schools played in Rosemont’s story—but once I did, it changed the way I thought about the whole book,” said Lieb. “Initially, I thought I was telling a story about a highway that started in the 1950s and ended two decades later. Instead, I was telling a much longer story about a whole city, one that started right after the Civil War and continues through today.” Baltimore was a Jim Crow city, which means that until 1954, its schools were legally segregated. Decisions school officials made about whether a school was going to serve white students or Black ones determined where Baltimoreans could live, since families were unlikely to settle where their children could not go to school. Many people assume segregated neighborhoods made segregated schools, but in Baltimore, it was the other way around.  Through World War II, segregated schools kept most of West Baltimore’s schools for Black students—and, by extension, most of its Black population— concentrated in the older parts of the city. By the early 1950s, though, those old schools and neighborhoods were getting run-down and overcrowded. Rather than desegregating so that families could live and go to school where they liked, officials started to convert white-branded schools in the newer parts of West Baltimore into schools for Black students. And as soon as the city made it possible for their children to go to school in those newer neighborhoods, middle-class Black homeowners started to move in. That’s what created Rosemont. Segregated schools were good business because they created a captive market. Prospective Black homebuyers had a limited supply of housing to choose from, which inflated the price. And they also could not pay for their housing using the same kinds of affordable, government-insured mortgage loans that banks started offering their white counterparts during the New Deal. Instead, they typically had to get both their houses and their loans from the speculative real-estate companies known as “blockbusters.” That meant they paid more for their homes, and they paid more for the money they used to buy them. Blockbusting leached the wealth of the families who moved to Rosemont during the 1950s and early 1960s, but by itself, it didn’t keep the neighborhood from being the kind of place people scrimped and saved for and dreamed about living in. Still, over time, all the little things blockbusting took from Rosemonters started to add up. So, by the time city and state officials were looking for a neighborhood to bulldoze for an expressway, they could point t

    30 min
  3. "Vote with Your Phone" by Bradley Tusk

    FEB 28

    "Vote with Your Phone" by Bradley Tusk

    We think nothing of ordering dinner, shopping for clothes, or banking on our phones anymore. So why not vote? That’s what Bradley Tusk has been working on. In his book, Vote with Your Phone: Why Mobile Voting Is Our Final Shot at Saving Democracy, the New York venture capitalist spells out the details and the benefits of making it easier for people to vote. Along with the general public, Tusk wants to reach young people, folks who have grown up relying on their smartphones.  “Typically, young people have organized around radical causes—civil rights, women’s rights, the anti-war movement. But today, almost incredibly, the most radical possibility is finding common ground. The next great reform will come from pushing the country into the middle and forcing our government to become competent and functional again,” he said. What makes mobile voting safe is something called end-to-end verification, said Tusk. “It gives voters the ability to verify their ballot is recorded and cast correctly and that nothing tampered with their vote,” he said. Mobile voting would be another option for voters, Tusk suggests. “Voting by phone is effectively the same thing as voting by mail,” he said. Voters would be free to vote any way they please, including using the mails, or going to the polls to register a vote in person, he said.  The benefit, of course, is that mobile voting would increase participation. Instead of a 10 percent voter turnout for a primary, you could see a 40 to 50 percent turnout, said Tusk. Having served as deputy governor in Illinois (2003-2006) and campaign manager for Mike Bloomberg’s 2009 mayoral bid, Tusk knows about political realities. He knows that making it easier for voters to vote won’t come easily. “The real opposition to mobile voting will ultimately come from the political world,” he said. That’s where people need to weigh in, said Tusk. “We at the Mobile Voting Project can draft and get bills introduced that would legalize mobile voting in your state. But we can only pass those bills if you get involved,” said Tusk, addressing the nation’s youth. This year, a local election in Anchorage, Alaska, for the first time, will allow mobile voting. Tusk hopes that other local elections will soon follow.  More information is available at mobilevoting.org.

    29 min
  4. "Everybody Loses: The Tumultuous Rise of American Sports Gambling" by Danny Funt

    FEB 13

    "Everybody Loses: The Tumultuous Rise of American Sports Gambling" by Danny Funt

    An exploration into the perilous world of American sports gambling, journalist Danny Funt interviews the power players of the betting boom at FanDuel, DraftKings, and beyond.  He relates the story of ESPN Bet, a failed attempt by the sports giant to compete with the major sports gambling operation.  As the first major investigation into America’s sports gambling industry, Everybody Loses describes how fast that professional organizations such as the National Football League and Major League Baseball went from being adamantly opposed to sports gambling spreading outside of Las Vegas to becoming sponsors. The vast amount of money spent by sports gambling firms to attract business and convert skeptics is tabulated in Everybody Loses. FanDuel and DraftKings spent $750 million in 2015—more than the entire beer industry—in advance of the NFL season that year. Thirty-eight states have now legalized sports gambling, said Funt, as the effort to transform a nation of sports fans into a nation of sports gamblers continues to gather momentum. The author said, having seen the problems that the tumultuous rise of sports betting has created, he’s fearful that the problem is likely to soon spiral out of control. On the near horizon is online casino gambling, now allowed in seven states, where gambling interests make even more money than they do through sports betting.  Victims of the gambling craze include those who place bets they can't afford, their families, and often the athletes themselves, he said. Funt notes that even lesser-known players are vulnerable, harassed by gamblers who may have lost money if a shot went in at the buzzer, upsetting the spread. Funt, who covers sports betting as a contributor to The Washington Post, said he made a visit to England where legalized gambling has been in place for several decades. Funt came away discouraged at the number of betting shops that allow one to bet on virtually anything that now saturate downtown London. A graduate of Georgetown University and the Columbia Journalism School, Funt also addresses the history of sports betting in this country in his book, going back to the 1919 Black Sox scandal when members of the Chicago White Sox were banned for life for their part in “fixing” that year’s World Series.

    32 min
  5. "Radical Cartography: How Changing Our Maps Can Change Our World" by William Rankin

    FEB 11

    "Radical Cartography: How Changing Our Maps Can Change Our World" by William Rankin

    Where are you with maps? Still digging in the glove compartment for that dog-eared map of Iowa? Gazing contentedly at a map of the world with Greenland as the dominant feature? Maybe you’ve got a pocket map of attractions in Downtown Chicago? Wherever you are when it comes to maps, you need to know what Yale history professor Bill Rankin is preaching: all maps lie. Maybe he wouldn’t actually say that but Rankin’s new book, Radical Cartography: How Changing Our Maps Can Change Our World makes the case that no one map can get it absolutely 100 percent right. Rankin argues that it’s time to reimagine what a map can be and how it can be used. Maps are not neutral visualizations of facts. They are innately political, defining how the world is divided, what becomes visible and what stays hidden, and whose voices are heard.  Maps are more than directional aids, but make arguments about how the world works, said Rankin. A map’s visual argument can change how cities are designed and how rivers flow, how wars are fought and how land claims are settled, and how children learn about race. Maps don’t just show us information—they help construct our world, he said.   While most mainstream maps use a jigsaw-puzzle-like format — solid color shapes separated by crisp boundaries, there are countless other ways to represent the same geography and tell very different stories. Rankin sees radical cartography as a way to shake up our view of maps by focusing on three values: uncertainty, multiplicity, and subjectivity.  Rankin cites an old episode of the West Wing TV show that talked about the Peters projection, an alternative map of the world generated in the 1970s. The Peters map sought to make improvements on the Mercator version, one that exaggerates Europe's size. The problem, Rankin says, is that the idea wasn't new. Many maps have been designed over the years to adjust our worldview, and the Peters map wasn't the first or the best. But while modern software allows for easier mapmaking, Radical Cartography isn’t designed to turn out a new generation of cartographers, said Rankin. The book seeks to help general audiences become more critical of the maps we use, he said.

    26 min
  6. "The Heartland: An American History" by Kristin Hoganson

    FEB 8

    "The Heartland: An American History" by Kristin Hoganson

    When Kristin Hoganson came from the East to the Midwest 25 years ago to teach at the University of Illinois, she realized she had entered the heartland, that safe sanctuary that lies between the American coasts. But was it? Her book, The Heartland: An American History, delves into heartland characteristics that have portrayed the rural communities of the Midwest as local, insular, isolationist – “the ultimate national safe space, walled off from the rest of the world." What Hoganson found in her research was that all this heartland talk is a myth. The region has been globally connected – not cut off from the rest of the world as the myth would have it. Rather than isolationist, the area adopted agricultural practices from Europe and around the world.  Thanks to the efforts of agricultural programs and extension offices of the land-grant universities, the roots of Midwestern prosperity could be traced to the far corners of the world, the author noted. Most farmers looked to Europe—England and Germany, especially, for techniques, tools, and information to use in the field. Hoganson began her research for The Heartland in central Illinois, looking into the Champaign-Urbana area where the U of I is located. You have the displacement of the Kickapoo people, native Americans who had a history of moving about the country. When settlers arrived, however, that movement was dictated, pushing Kickapoo families further west, and later occupying territory on the border between the United States and Mexico  There’s also history on hogs. Midwestern farmers sought out different breeds to find the most productive source of pork they could. The soybean fields that now blanket the state, sharing space with the many rows of corn resulted when soy was found to be “a profitable ration” for hogs. Unlike vast areas of the western U.S. that face arid conditions, many Illinois farmers faced a different problem: fields were underwater much of the year. “Flatville arose from the muck,” stated Hoganson, pointing to a dramatic solution, the placing of underground tiles to accelerate water runoff. Referring to the Midwest as “flyover country” is simply denigrating an area from on high, said Hoganson, adding that “the U.S. heartland is the overlooked part of the country.” Most Americans don’t understand the big middle of the country, even some of the people who live there, she said.

    27 min
  7. "Artificially Intelligent" by David Eliot

    FEB 2

    "Artificially Intelligent" by David Eliot

    If you’re weary of being bombarded by claims and concerns over AI, you need to hear David Eliot talk about the subject. The author of Artificially Intelligent: The Very Human Story of AI is “the story of how artificial intelligence was born from human longing, grief, and ambition. It’s the story of the humans at the forefront of this field, from Hinton to Lovelace, Turing to Altman,” he said. As a researcher at the University of Ottawa, Eliot has been working on AI since 2019, while acknowledging that research on the subject began earnestly in 2012. When asked what books someone might want to read to understand AI better, Eliot said that’s a difficult question to answer.  “I never know where to tell them to start. That’s not to say that there aren’t great books on the topic. There are. But I find that a lot of the books on the market right now focus on the future—they focus on the doom and gloom potential of AI, and not how it works, or how it is affecting us now,” he said. Human Compatible by Stuart Russell is one book that Eliot holds in high esteem. “It was published in 2019, so it may be a little dated. AI tends to move quickly,” he said. Eliot said that AI has already made its mark in the fields of education and medicine. “AI, when implemented properly, can be a tool to help us achieve more of our human potential,” he said. “When asked to deal with complex social problems with undefined cultural variance, (AI) can get a little whacky. But in a game with defined rules, it tends to be really good. Medicine fits beautifully into this category. Reading image scans, triaging based on reported symptoms, scheduling surgeries, and providing simulated training—AI has a lot of potential in healthcare,” said Eliot. The author acknowledged that AI has already had an impact on employment. “People have lost jobs,” he said. But Eliot said that some of the companies that reduced staff to adopt AI have paid a price as a result. “I strongly believe that AI has more transformational power than any technology since the steam engine. But we are in the early days, and it is still unclear what this change will look like. The important thing is that we as a society get to decide what this change will look like,” said Eliot.

    30 min
  8. "Troublemaker" by Carla Kaplan

    FEB 2

    "Troublemaker" by Carla Kaplan

    When you review the life of Jessica Mitford, the activist muckraking journalist who died in 1996, you’re following someone who not only lived through world events but put her body on the line and wrote about them. That list includes the Spanish Civil War (she went to Spain as a 17-year-old adamantly opposed to fascism), World War II, the Red Scare of the early 1950s, the fight for civil rights in the 1960s, and the Vietnam War. Carla Kaplan, a professor at Northeastern University, digs into Mitford’s colorful life in Troublemaker: The Fierce, Unruly Life of Jessica Mitford. “Even as a very young child, she was motivated by a profound sense of fairness. The British class system made no sense to her,” noted Kaplan. As one of six exceptional sisters (all very different) who grew up as members of British aristocracy, Decca, as she was known, had a unique vantage point, said the author.  She also had a unique life: Disowned by her family, left alone save for an infant daughter after her husband died in World War II, she later moved to Oakland, Calif., married a left-wing lawyer and became a writer, a registered Communist, and a civil rights activist.  As an investigative reporter in the 1950s, she covered the Freedom Riders and published The American Way of Death in 1963, cowritten with husband Bob Truehaft., She later wrote about the penal system and American obstetric care.  Mitford was in Birmingham, Ala. in 1961 when civil rights activists took refuge in a church overnight as a seething white mob set fires and overturned cars before the National Guard finally intervened. Mitford was in that church that night, crediting Martin Luther King Jr. for helping maintain order among those confined to the church The American Way of Death, described by the New York Times as “a scathing exposé of the funeral industry’s pretensions,” was one of a trio of landmark books published by female authors in 1963. The others being The Feminine Mystique by Betty Friedan and The Silent Spring by Rachel Carson. Mitford’s book outsold both of them that year, noted Kaplan. Asked to do a profile of actress/singer Julie Andrews for a national magazine in the 1960s, Mitford declined the assignment because she found Andrews too nice.  Mitford’s high-profile career produced plenty of material for Kaplan to explore. Along with 200 recordings that Mitford made, she left behind 500 boxes of memorabilia. Kaplan also conducted 50 additional interviews with people who knew Mitford.  Mitford’s indomitable courage and brassiness were all the more effective because of her keen sense of humor, said Kaplan, adding that Decca’s vigilant opposition to fascism is a model that can be appreciated in these tumultuous times.

    30 min

Ratings & Reviews

4.7
out of 5
3 Ratings

About

If you're like me, you like to know things but how much time to invest? That's the question. Here's the answer: Read Beat--Interviews with authors of new releases. These aren't book reviews but short (about 25-30 minutes on the average) chats with folks that usually have taken a lot of time to research a topic, enough to write a book about it. Hopefully, there's a topic or two that interests you. I try to come up with subjects that fascinate me or I need to know more about. Hopefully, listeners will agree. I'm Steve Tarter, former reporter for the Peoria Journal Star and a contributor to WCBU-FM, the Peoria public radio outlet, from 20202 to 2024. I post regularly on stevetarter.substack.com.