7 episodes
Stage Left: The Podcast Broadway Podcast Network
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- Arts
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5.0 • 13 Ratings
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“Stage Left: The Podcast” is a bi-monthly podcast featuring lively and engaging conversations with New York’s younger and underrepresented theatre critics and journalists about the latest and most noteworthy productions on Broadway and beyond. Anchored by Rob Russo—founder and writer of Stage Left and co-host of The Fabulous Invalid—each episode features an in-depth roundtable discussion with a rotating roster of guest panelists with the mission of broadening the cultural discussion to elevate and include diverse perspectives.
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The Stage Lefty Awards
On this special episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by prior panelists Ayanna Prescod, Casey Mink, and Christian Lewis, and special guest Jamie DuMont from “The Fabulous Invalid”, for the first-ever “Stage Lefty Awards” in celebration of the abbreviated 2019-2020 season of theatre in New York. Tune in to hear the panelists share their picks for the most outstanding performances and shows of the season.
Music by Jason Robert Brown, “Wait “Til You See What’s Next”.
Rob Russo
Twitter/Instagram:
@StageLeft_NYC
www.stageleft.nyc
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Mack and Mabel, Darling Grenadine, and West Side Story
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Hayley Levitt, theatre critic and associate editor at Theatermania.com, and Jose Solís, freelance theatre critic, writer, and podcaster, for a roundtable conversation about three musicals: “Mack and Mabel”, “Darling Grenadine”, and “West Side Story”.
Music by Jason Robert Brown, “Wait “Til You See What’s Next”.
Rob Russo
Twitter/Instagram:
@StageLeft_NYC
www.stageleft.nyc
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Grand Horizons, Little Shop of Horrors, and Moulin Rouge!
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Christian Lewis, theatre critic and Outer Critics Circle member, and Ayanna Prescod, theatre critic and founder of OurBKSocial, for a roundtable conversation about “Grand Horizons”, “Little Shop of Horrors”, and “Moulin Rouge!”
Music by Jason Robert Brown, "Wait 'Til You
See What's Next".
Rob Russo
Twitter/Instagram:
@StageLeft_NYC
www.stageleft.nyc
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My Name Is Lucy Barton, Is This A Room, and A Soldier’s Play
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by David Gordon, theatre critic, senior features reporter, and principal photographer at Theatermania.com, and Casey Mink, senior staff writer at Backstage, for a roundtable conversation about three top shows on Broadway: “My Name Is Lucy Barton”, “Is This A Room”, and “A Soldier’s Play”.
Music by Jason Robert Brown, "Wait 'Til You See What's Next".
Rob Russo
Twitter/Instagram:
@StageLeft_NYC
www.stageleft.nyc
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Tina: The Tina Turner Musical, American Utopia, and The Inheritance
On this episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Jose Solís, freelance theatre critic, writer, and podcaster, and Louis Peitzman, freelance culture writer, for a roundtable conversation about three top shows on Broadway: “Tina: The Tina Turner Musical”, “American Utopia”, and “The Inheritance”.
Music by Jason Robert Brown, "Wait 'Til You See What's Next".
Rob Russo
Twitter/Instagram: @StageLeft_NYC
www.stageleft.nyc
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Slave Play, Our Dear Dead Drug Lord, and Jagged Little Pill
On the first episode of “Stage Left: The Podcast”, anchor Rob Russo is joined by Casey Mink, senior staff writer at Backstage, and Ayanna Prescod, theatre critic and founder of OurBKSocial, for a roundtable conversation about three top shows of the fall season: “Slave Play”, “Our Dear Dead Drug Lord”, and “Jagged Little Pill”.
Music by Jason Robert Brown, "Wait 'Til You See What's Next".
Rob Russo
Twitter/Instagram: @StageLeft_NYC
www.stageleft.nyc
Learn more about your ad choices. Visit megaphone.fm/adchoices
Customer Reviews
Smart, Funny, Accessible
This is the perfect theater podcast. The host, Rob Russo, is charming, funny and exceptionally well informed. He effortlessly weaves his treasure trove of technical, historical and industry knowledge into each conversation without pretense and with his audience’s enjoyment in mind. I can’t recommend this enough to anyone who has a marginal interest in theatre.