Support us on Patreon, get access to exclusive videos:▶ https://www.patreon.com/WeltgeistYT▶ Follow us on X for updates: https://x.com/WeltgeistYTOUR ANALYSES: ▶ Beyond Good and Evil: https://youtu.be/WIHXZUltfqk▶ The Antichrist: https://youtu.be/qej1Z8Qzq_c▶ Genealogy of Morals: https://youtu.be/6PUx4cOfFcI▶ Twilight of the Idols: https://youtu.be/YpVr_NEvWYA▶ The Will to Power: https://youtu.be/He6ZC7ZFBt8▶ Daybreak: https://youtu.be/cOL2z7nuXdA▶ The Joyful Science: https://youtu.be/U0fTBOJ-C_IWhen Dostoevsky was on the run from creditors, he and his wife arrived in the Swiss city of Basel. There they visited the local art museum and saw one of Hans Holbein's most famous masterpieces: The Dead Body of Christ in the Tomb. According to Anna, Dostoevsky's wife, her husband was completely transfixed upon viewing this painting. He stared at it for hours, even going so far as finding chairs in the museum to sit in front of it. The painting would play a role in Dostoevsky's novel The Idiot, where the titular character pronounces that a painting like this might cause a man to lose his faith.This video explores why that is. Dostoevsky grew up in the Russian Orthodox Church, and iconographically, this Church prefers to show Christ as a judge and ruler of mankind, the so-called Christos Pantokrator motif. Christ in his capacity as judge, sometimes literally during the Last Judgment, or other times sitting next to God the Father. Even though Christian dogma holds that Christ was both fully human and fully divine, it's a curious feature of the human psyche that we find Christ-as-God more palatable to our sensibilities than Christ-as-man, because to fully think through this dogma leads us to some uncomfortable ideas. Such as: the fact that Christ, in his capacity as man, was tortured and died a brutal death.Most Christian artworks featuring the death and torture of Christ try to beautify him. Think for example of the quiet grandeur of Zurbaran or Velazquez, or the epic character of a Rubens. But Holbein chose such strict realism that an urban legend arose he literally fished up a dead body from the Rhine river to more accurately depict a body in an advanced state of decomposition. This is Death, purely and honestly, without any artistic flourish. Just a confrontation with how the disciples must've seen Jesus too. Beaten and bruised. Dostoevsky says the painting is so powerful in its honesty that you really start to question the core Christian idea: could a body that looked like this, ever beat death? In The Idiot, the same questions pops up, but from the perspective of the disciples. They must've faced this same question. They didn't know that Christ would rise, how would they have felt, confronted with death like this, from their beloved master?This is where Nietzsche pops in: Nietzsche argues that the disciples invented and inverted modern Christianity because they had this crisis of faith, spurred on by watching their leader be beaten and humiliated, and invented the Christian story of the resurrection in order to take revenge on the enemies of Jesus. Dostoevsky, of course, disagrees. He tackled his crisis of faith in another way: by radically affirming Christ, even if truth itself is against him.
