Love, Maur

Stories, Sermons, and Standup from the heart.

Mystical musings with a splash of irreverence. Lover of A Course in Miracles and storytelling. maureenmuldoon.substack.com

  1. 01/11/2025

    Fluent in Darkness

    Up on Madeline Island, darker days have settled in. The town has grown quiet, the water cold. Summer folks have flown off with the geese to sunnier shores, leaving the rest of us to navigate the dark. I was once among them. But this time, this year, I wait and witness as the light bows out early. In the remote solitude of Island life, traffic lights are replaced with stop signs, pulsing neons give way to the soft glow of lanterns, and darkness arrives honestly. It takes hold of the cabin, cuddling it in a black velvet-gloved embrace, until I can’t see my own hand an inch from my face, which is mesmerizing and feels less like absence and more like arrival. I am here. Here, where blaring search lights and sirens are replaced with subtle starlight and silence. I watch in wonder, realizing that I can be comfortable in the dark, no longer afraid but oddly intrigued, and apparently prepared for it. Earlier this year, I found myself reading book after book, such as Learning to Walk in the Dark by Barbara Brown Taylor and Waking Up to the Dark by Clark Strand. I had no idea why I was gobbling up these volumes designed to romance the dark. But I know that many of these books didn’t just ask us to make peace with the dark, but to enter it —walk in it, alone. As I thumbed through the pages, I had no idea at the time that they were welcoming me into an initiation that I would have never chosen for myself. In a dark time, the eye begins to see.-Theodore Roethke I don’t think I need to confess my bias toward brilliance and brightness. I’ve been taught to fear the darkness. I have romanced, regaled, and relished the light. Fire it up, friends, court your brilliance, chase off the shadows, and shine, shine, shine, sis-star! It seems that this overamplification of light’s value has blinded me to my own dualistic allegiances. And so it’s time that I forgive my fears and make peace with the full spectrum of humanity. To welcome darkness not as void, but as a fertile field of possibilities. A classroom, a teacher, and an opportunity to own and honor all aspects of myself, the waxing and waning. Love, Maur Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. In the cold, dark, stillness of these northern nights, I am discovering that I need darkness as much as I need dawn. My soul has been craving this. And as a sunny optimist, a seven on the enneagram, as a card-carrying rose-colored glasses, self-identified “silver lining factory,” I am honestly unerved by the depth of darkness and the rich love affair I have forsaken for sunnier sermons and high-vibe brilliance. I guess what I am saying is, I am ready to dance in the dark. “Someone I loved once gave me a box full of darkness. It took me years to understand that this, too, was a gift.” -Mary Oliver: My sunrise spirituality and breezy barefoot blessings have been effectively honored and celebrated. But now the darkness calls, and it will not be denied. It whispers of richness: of warm mugs of spiced dark chocolate, red velvet and incense, warm, worn leather… candlelight. And even now, as I write, I see how I am attempting to romance the darkness, to wrap and rebrand the bare bones of winter —the chill of shadows — as some glorious cashmere-grey mist settling over the woods. It just may be, but I hope you can spot the Ever Ready Bunny of Sunshine, so determined to avoid the darkness. Although these textures are sensual, and tangibly and decadent, do not be distracted, dear reader. Beneath the warmth of velvet, the richness of candlelight, they point to something deeper: the winter of the soul, the cold, dark, damp cave of hibernation, the solitude, the silence. And I, a people person through and through, find myself trying to convince myself that I am not afraid of the dark. I mean, I am not… I am really not. But then again, I am also not very fluent in it. And so I watch as grey skies turn black and deliver a generous sprinkling of stars who brilliantly dance and delight this audience of one, and I make myself stand in the darkness. And I find that it’s not a hiding place, but is a womb. It is not just the absence of light, but a beautiful mystery. Some things can only be seen in the dark. And so my task is to venture into the shorter days and solitude, not because the dark is comfortable, but because it offers me a sense of the sacred that I could not have secured for myself on sunny shores. And although I still favor them, I am entertaining the sacred in me that has always known how to find its way through the dark. The darker the night, the more brilliant the light appears. “I wish I could show you when you are lonely or in darkness the astonishing light of your own being.” -Hafiz I hope to find that, share it with you, and invite you into your own sacred darkness. So join me tomorrow at SpeakEasy Spiritual Community as we contemplate the full spectrum of darkness and light — the laser, the lantern, and the sun — and explore how we might navigate the continual waxing and waning of illumination within and around us. “Perhaps the light can only be found by those who have learned to love the dark.” — Barbara Brown Taylor May our love grow bolder in the darker days and darker times; may our love grow so bold that it outshines the sun. LOVE, Maur PS: Enjoy dessert. EVENTS SpeakEasy Spiritual Community honors all paths and is anchored in the teachings of A Course in Miracles and the Divine Feminine. We meet virtually on Sunday at 10:30 am CT and feature a community conversation that invites us to speak easily about spiritual principles and practice. Please don’t leave your brains, beliefs, or background at the door. We don’t have all the answers, but we love the questions. DESSERT A little spoof on daylight savings. I mean saving. It’s not plural! Join our virtual weekly Story Salon and get accountability and support on your writing. Love, Maur Substack is a reader-supported publication. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit maureenmuldoon.substack.com/subscribe

    8 min
  2. 16/10/2025

    Dancing with Your Muse

    This week in The Artist’s Way at SpeakEasy, we’re invited to connect with our Muse and create a piece of artwork that celebrates the Muse. The invitation makes my heart flutter. I’ve been digging through the remnants of my past as we prepare for our move to Madeline Island. Closing up a home that has held my family and me for the past fifteen years is no small thing. I’m swimming through an ocean of emotions, gratefully anchored each day by what always seems like the perfect lessons from A Course in Miracles during this time. Lesson 288, Let me forget my brother’s past today. Lesson 289, The past is over. It can touch me not. Lesson 290 My present happiness is all I see. Oh, if this could be true, how gentle my path would be. But with every photo I pack, with every item and piece of artwork, I’m pulled into the stories of my past. This has been a home of stories and self-expression, where I wrote and published three books, created a one-person play, started a church, and launched a program that teaches and coaches people from around the world to embody the spiritual principles of A Course in Miracles. This is the home that birthed a dozen retreats, where I led women to sacred spaces. It’s the home that helped host The Maiden Voyage, a program guiding women on their internal journey of self-realization. So much has been stirred up and stored within the walls of this home, from the depths of addiction to the breathtaking betrayals, to the serenading of singers, sisters, and brothers, and the echoes of a trillion miracles upon miracles upon miracles. If you know, you know. This house has generously held it all, with barely a creak or a word of condemnation. This has been the home of the Muse. Finding the Muse is a bit like finding “a God of your own understanding,” but softer, more playful. Maybe she arrives as a fiery angel with paint on her wings, or a gentle grandmother tending a fire and humming you courage. Maybe she’s the boldest, brightest version of you, the part that sings out loud and speaks the truth without edit or apology. Maybe she’s the fearless, shameless, blameless, unedited, sexy, sacred siren who calls you to the sacred truth and to play, and shows you that these things are not mutually exclusive. However she appears, remember this: she is fun. She is frivolous. And she absolutely has your back. So, get to know her. This week, Jerome Imhoff, our fearless leader in The Artist’s Way group, invites us to take this connection a step further and create a piece of art inspired by your Muse. Paint her, sculpt her, collage her, write her a letter, use Canva or canvas, as I did in the image above. Let yourself have fun. How novel. And bring her essence into form. As Course students and teachers, we know that God is the Creator, and we are created in Its likeness. Child of God, you were created to create the good, the beautiful and the holy. - A Course in Miracles In The Maiden Voyage, A Spiritual Odyssey Through the Archetypes of the Feminine Soul, we journey through the archetypes as a creative and spiritual awakening, celebrating the Maiden, Muse, Mogul, Mother, Minister, Mystic, Monarch. Side Note: For those interested, The Maiden Voyage officially launches this January with a virtual and in-person monthly gathering for coaching, creativity, and soul care, culminating in an in-person celebration on July 22nd. Mark your calendars! More info. to follow. As for me, I have been so devoted to the Muse that I have often been mistaken for one. This has never been my goal. I am not a genie in a bottle, and I try not to be a shadow artist, a term coined by Julia Cameron, author of The Artist’s Way. No, dear reader, I am not interested in being the choreographer of your best moves; I am just a dancer, devoted to being led by my Divine, my own internal Muse, this lifelong companion who has swept me into adventures and sweetly seduced from me products, programs, and prayers beyond my own authorship. This internal guide makes it easy for me to step from the knowing and lean into the mystery, the trusted compass that gives me the gumption to pull the thread on all the tapestries I have woven, so that I can begin again, in a new chapter, in a new home, in a new way that will surely be an even more blessed and beautiful version of all the stories I once held so dear. Because God never steps backward. And so it is into the Mystery we go, when we go with the Muse, the miracle worker. She only asks us to give up two things: forget the past and forget the future. Stay here, in this present moment of conception, so that you can be guided and beguiled by her magnificent brilliance and beauty. Come, empty yourself, and surrender to inspiration, the Spirit that dwells within. Now is the time, dear reader, to reacquaint yourself with your own innate power. Now is the time to entertain your Muse. She does not come to the fearful or the controlling. She lives in the present and arrives to the one who celebrates the light on leaves, the wind in branches, and dreams in the desert, where all seems lost, and yet, and yet, look about you, look up, be willing, and you will not be able to ignore the single star that still shines for you. And when you lay your thirsty eyes upon this light, let it seduce from you a wish, a foolish, frivolous, childlike wish. Then wait, and watch with willingness. If I know anything about the Muse, and I do, I know that she comes to those who smile at the fire, for they know about the phoenix. The ones who gather bones from the graveyard and build themselves a throne. The ones willing to hear the rhythm of a new song, and the courageous ones who decide to sing along, even if they don’t yet know all the words. Whether you’re walking this path with our Artist’s Way group or simply following along from afar, I invite you to pause this week. Consider your Muse and create something, anything, that honors your God-given creative nature. The Muse is always waiting, ready to play, to guide, to remind you that art is sacred, joyful, and human. One final note: my place of home is shifting, but my love remains the same. I am always easy to connect with via the aforementioned Creative Virtual classes and conversations. The Muse in me is percolating with exciting ways to connect and collaborate in the future, and I can’t wait to share it all with you. And remember, if you want to meet up in person every week, swap stories, and work on your writing, subscribe to the Substack, and you’ll receive the Zoom information. It’s a great place to dance with the Muse. Thank you to all who have come to this home, and to those who took up residence here. We have had the privilege of hosting many friends in transition. Thank you to all who brought your music and musings to our table over the years, who planted our gardens, and broke bread with us. As I close up this home, this chapter, I look forward to connecting with you wherever and whenever that may happen. Because home is not a location. I think my kids sang it best: Home is wherever I am with you. You can find their wonderful rendition of the song in the dessert section. In the meantime… Love,Maur Love, Maur And now, enjoy DESSERT! I would love to hear from you! And if you'd like to connect, pitch a story for Voice Box, have me on your podcast, just have a chat, reach out here. For free resources and community connections, visit our calendar of events, click on any item of interest, and it will direct you to a registration form. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit maureenmuldoon.substack.com/subscribe

    11 min
  3. 19/09/2025

    All The Way To The Ocean

    My spiritual well-being cocktail is made up of three simple syrups: forgiveness, focus, and friendship. Forgive the fears, focus on the love, and find some good friends to walk the path home. Dr. Tererai Trent has been one such friend. Years ago, I was invited to attend the final filming of the Oprah Show. With visions of finding a car under my seat, I headed off to the show with my friend America, and that is where I was gifted something even more valuable. The episode was “Oprah’s top guests.” That’s where I heard the story of a girl from rural Zimbabwe who dreamed of coming to America, going to school, becoming a doctor, and returning home to serve her community. Because she was not allowed to attend school, she secretly taught herself to read and write by doing her brothers’ homework. The local teacher pleaded with her father to let her attend school, but to no avail. By eighteen, she was married with three children and trapped in an abusive relationship, until she met Jo Luck (a perfect name for the moment). Jo, then president of Heifer International, had come to Zimbabwe to stir hope and healing. After hearing the girl's dreams, she leaned in and assured the young woman that it was all possible. That small vote of encouragement became the fuel for the young woman, who would become Dr. Tererai Trent, to reach every last seemingly impossible dream. She would go on to share with the world the idea of Tinnogana, which means it is achievable. Side note, I did not get a car, but Oprah did gift us all a free Tinogona T-shirts, modeled here by my son. But I actually got so much more than a T-shirt. After the show, I took an action. I reached out to Dr. Tereria, and to my surprise, she wrote back. We became friends, and eventually, she joined me as an honored guest speaker at SpeakEasy. Later, she would also write the foreword to my first book, Giant Love Song. Foreward To Giant Love Song by Dr. Tererai Trent I met Maureen Muldoon while on my book tour with The Awakened Woman. She made it known that we would be friends. Thankfully, I felt the same way or I may have needed a restraining order. It’s interesting when you cross paths with a soul sister from across the globe and discover how similar our journeys, how universal our struggles, and how kindred our spirits. It’s beautiful to see that when we walk the good walk, life carves for us a path that is not meant to break us, but to wake us, and it peoples that path with helpful hands. We rise and awaken not just for ourselves but we do this for the betterment of all. This does not mean that the journey will be easy, but we will be guaranteed that our willingness will leave a legacy for those who still struggle. This has been my own life’s work, and it is also the theme woven so beautifully into Giant Love Song. Beneath every brokenhearted story is a love song, a lesson, or a blessing. These experiences are an invitation to find our most authentic and helpful voices. We are each responsible for delivering our stories and finding our own truths. My grandmther used to remind me of the importance of owning a voice that matches our dreams: “Until the female lion becomes the historian of her OWN story, the tale of the hunt will always glorify the hunter.” In Giant Love Song, Maureen Muldoon has become her own historian. She has found and honors the voice of resistance, the voice of fear, the voice of willingness, and finally, the voice of resurrection. No matter what our stories are, we must all learn to rise. Enjoy the journey through this giant love song and allow it to crack you open. Find that place, that open wound. Travel to your tender spots and let them inform you. Be willing to wait and listen. It is in these universal classrooms of love and losses that we will find our redemption and healing. We become more awakened. The deeper truth of our universal potential lies within the heart of the individual. However, it does not hurt to have some mighty companions along the journey. If you are looking to be reminded that we are each an essential and Divine thread in love’s tapestry, this book is for you. May it help you hear and honor your own giant love songs. —Dr. Tererai Trent Dr. Tereria and I had our dreams supported by both consistency and community. Community and consistency are love and law. Or what I call Deep River and Big Ocean. You can’t get to the Big Ocean without going through the Deep River. Deep river means consistency. It is the daily recommitment, the willingness to stay the course, to work the scales over and over, to hold to the dream, and to keep fresh your high resolve. Our daily thought patterns dictate our outcomes. Malcolm Gladwell popularized the idea that it takes 10,000 hours to go from ordinary to mastery. He pointed to the Beatles and Bill Gates, not as flukes of luck, but as masters of consistency. The difference between those who dream and those who deliver is often determined by how well you stay steady through the storms. Because life will get distracting, the river of our consistency will splinter into puddles. We’ll lose focus, gumption, courage, and faith. And that is when community plays a part. Community is one of the most significant predictors of resilience, focus, and long-term fulfillment. Birds of a feather flock together. The idea of social contagion in behavioral science shows that habits, good or bad, spread through communities. When your “flock” is committed to dreaming big, it’s easier to stay awake to your own calling. Community is the fertile ground where our callings take root and become more than just private dreams. Viktor Frankl, in Man’s Search for Meaning, taught that meaning is not found in isolation but in how we relate to others and to something bigger than ourselves. Or as my friend Barb said on our morning call, “When it comes to recovery, the people are the healing.” Alcoholics Anonymous rests on both these pillars: the people are the love, and the program is the law. And the people can make all the difference. It’s so affirming to see another artist sell a painting, a fellow life coach raise their session rate, or a sister musician take the mic and crush a song. In the same way, it’s devastating to see a fellow alcoholic go out or another writer receive a rejection letter. But doing it together is always better than going it alone. A Course in Miracles honors these pillars, too. The workbook holds 365 meditative lessons, one for each day. The lessons ask us to work with the specifics of our special relationships. Theory gives us the truth, and application brings that truth to life. For the past thirteen years, I’ve woken up to miracles thanks to Miracles LIVE 365, our daily A Course in Miracles calls. It’s not just a deep river, it’s a love-fest of friends. And honestly, when I attempted to go it alone, I did not get too far. They say, “If you want to go fast, go alone. If you want to go far, go together.” Personally, I prefer the long, slow path in the company of friends. Nothing can be loved at speed. -Michael Leunig This is also why The Artist’s Way works. The three handwritten pages each morning are the law, paired with the artist date, the love that fills the well and replenishes the soul. Honor these two pillars, and nothing can keep you from reaching the Big Ocean. If consistency is king, community is queen. That’s why we created SpeakEasy, a spiritual community where dreamers, seekers, and believers gather to go deeper together. Whether it’s through Miracles LIVE 365, The Artist’s Way groups, our weekly 12-step gatherings, or the other cool conversations and events that fill our calendar. SpeakEasy is designed to help people stay the course, hold to the vision, and keep rowing down the river that flows toward your ocean. So here’s your next step: Jump in the water. Pick one practice. Join one circle. Take one step toward consistency and community, one step toward your Big Ocean. * Join us for a free week of Miracles LIVE 365 * Sit in on our weekly 12-Step to Miracles meeting * Or walk with us through The Artist’s Way this October on Zoom And for writers, when you subscribe to this newsletter, you get access to our weekly online writers’ group, Story Salon. A simple but powerful way to stay consistent, keep your words flowing, and feel supported by a community that believes in your voice. Because the truth is: you don’t need to wait for someday. You don’t need to be perfect. You just need to show up. I could say that I went to the Oprah show and all I got was a losey T-shirt, but the truth is I got so much more, because I took one step. I reached out to that little girl with the big dream, I held tight to her example, and I got to the big ocean, and I want to take you there, too. Tinogona! It is achievable. Love, Maur BOOK LINKS: LINK for Giant Love Song by Maureen Muldoon LINK for The Awakened Women by Dr. Tereria Trent ✨ Thank you for walking this path with me. If you feel called, share this with someone who needs a reminder that their dreams are still alive. EVENTS Remember the words of Saint Francis of Assisi: where there is hatred, let me bring love. Contemplating this can reveal deeper insights to assist in reprogramming our psychological reflexes.  A person is never only their opinion, and every opinion has a half-life. Opinions are like clouds - only appearing to be permanent at a glance. Pay more attention and one can perceive the numerous forces continuously reshaping it.  Every profile picture is a doorway to an infinite interior, even for that individual. I go on uncovering and peeling layers around myself in pursuit of self-knowledge.  Our task—especially in seasons of heat—is to refuse the fixation of the single facet. To meet any neighbor as more than a position is moral hygiene. When we restore dimensions, we restore possibility: the chance that a disagreement can

    13 min
  4. 03/08/2025

    Healing has no Ceiling

    Healing Has No Ceiling One summer when I was about seven, while spending a week with my cousins, I skinned my knee in such a hideous way that I couldn’t even bear to look at it. My Aunt Helen took me into the kitchen, propped me up on the counter, and began to care for the wound. I was terrified and traumatized, but her steady authority and focused care healed a part of me I didn’t even know was hurting. Was it the gentle assurance of her voice, the steady gaze of compassion? All I know is that the moment is still ringing in my cells. I felt like a feral cat that had somehow been adopted, for that moment, by a queen who generously filled my milk bowl with cream, and she touched something far beneath the skin, an ancient thirst. She applied a thick, cooling salve, followed by the largest Band-Aid I had ever seen. My aunt was a nurse, and Band-Aids were her business. In our home, when a wound appeared, we were pretty much on our own. The approach was “brush it off and move along,” or in more serious cases, you got a wad of toilet tissue held under the faucet. Nothing wrong with those rustic modes of healing—it was all I had known, and it worked. But under the careful care of my Aunt Helen, I was immersed in the art of care and learned many lessons from that oversized Band-Aid. First off, I loved it. I didn’t know you could love a Band-Aid, but I did. I loved how it looked, how it felt, and the love it represented. But all good things must end. The day came when the Band-Aid was no longer my friend. It had grown uglier than the wound itself, filled with dirt, lint, and sand—and it was time to pull it off. Again, my aunt was there. She sat beside me as I slowly peeled the edges from my skin, each attempt bringing a wave of pain and fear. “You just have to rip it off fast,” she said gently. “It’ll be less painful.” “I can’t,” I admitted. “Come here,” she said. And as I moved to her side, she reached down. With one clean, powerful gesture, she separated me from the Band-Aid. It was quick and painful, and then it was done. I felt sideswiped. Where had that kind and gentle care gone? Tears welled up in my eyes as we both looked down at the scabbed mess of my knee. “Now it needs air and sunlight,” she said. “Now the real healing begins.” I looked up at her in confusion. No more Band-Aid? But it was so cool, and it had been working so well! “No,” she said. “No more Band-Aid. It needs sunlight and air. Exposure to the elements will do the trick.” Exposure could be healing? I have come to find that her remedies were sound. Each morning during the Miracles Live gatherings, people from all walks of life share experiences, from major traumas to quiet griefs, that they have overcome or are coming through. They have the scars but no longer need the Band-Aid. The wound is now part of the perfection, not something to be hidden or feared. And sometimes, when the wound is fresh and the wounded is brave, something remarkable happens. There is a collective healing: tears, nodding heads, and an outpouring of appreciation. This vulnerability is how we rip the Band-Aid off our shared classrooms. This is how we bravely trust the elements to do their job, and in the witnessing of that strength, we’re reminded that we can handle the whole truth. We can heal together. Transparency is a generous elixir. Maybe not at first, maybe not right away. There are times, stages of healing, when we’ll still need Band-Aids to protect and cover our raw and ravaged vulnerabilities. But protection has an expiration date. Eventually, to fully heal, we must expose the tender parts of our story to light, to air, and to the kindness of mighty companions. This exposure not only heals the one who is wounded, but it also gives the rest of us the courage to remove our own Band-Aids. And in that courage, our compassion grows. So, how old are your Band-Aids? Is it time to let the elements help you? This Sunday, Lisa Natoli is joining us for a healing conversation on fearless love. I hope you will join us. Here is the link to join us LIVE at 10:30 am CT! In the meantime… Love, Maur Lisa Natoli is A Course in Miracles teacher and the creator of online courses on the topics of healing, abundance, awakening, and being aware of the light of your true Self. She came to know directly that the natural state of everyone is a shared, eternal, infinite Being, light, perfect love, timeless. Any difficulties one seems to experience in life come only from living in resistance, identification as a body-self, and being in contraction from our natural eternal state. Any limitations you seem to experience come only from the concepts you hold about yourself in mind. The light of truth dissolves all false beliefs you held about yourself, and the result is peace, joy, ease, and freedom. Her website is https://www.lisanatoli.com If you are unable to make the talk, here is a vintage conversation with Lisa Natoli! Love, Maur Love, Maur Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit maureenmuldoon.substack.com/subscribe

    8 min
  5. 19/07/2025

    I Know What You're Thinking.

    Last year in Ireland, on the very first day of a retreat, Kathy Scott of Trailblazey asked a question that made me dig. The theme of the retreat was Homecoming, and it was geared toward fostering a reconnection for the Irish soul, as well as for all the other ways a person might need to come home to themselves. Her question was… "What are the gifts you don't confess to? What are the gifts you're hiding?" I was in a small group of three women, and when it was time to share, we each admitted to the exact same thing. I am intuitive. What an odd and extraordinary moment. It’s one thing to be an alcoholic, and another to step into a room to hear everyone else's confession of what you have held as a secret. There is something inherently holy and helpful about transparency, especially in a world that can feel so warped and well-filtered. After our delightful discovery, we found that we had even more in common. The three of us had always known about our ability to know things. But up until that moment, we had not fully let ourselves be known. And so we sat, quietly. Privately. Sometimes playfully, sometimes reverently, with this secret. Keeping it under the bed or in the back of the closet. And as we all know, things that live under the bed, in the back of the closet, or behind the drapes can take on a spooky glow. This knowing was the kind of knowing that we all had been taught to tuck into our pockets. It was not a safe topic. Unless, as in my case, unless you were drunk. Yes. Back in my drinking days, my friends called me the “psychic drunk.” My party trick was offering enebriated “readings.” Just take that in for a moment—enebriated psychic readings. All I can say is it’s a good thing that I got sober. But that week in Ireland was not drenched in drugs and alcohol; it was a clean, clear confession, and for the first time in my life, the cat was out of the bag. Or should I say, the veil was lifted, the oracle had spoken. My third eye winked. Whatever, you get the idea. Something shifted. I looked at the women who had unburdened themselves, and I thought, of course you’re intuitive, of course. I trusted them, and so I trusted myself, a wee bit more than I had before the trifecta confession. I believe the act of confession is what liberated your true gifts. There was a time over a decade ago when I was invited to a health fair. I informed the organizer that I would offer 10-minute affirmative prayer sessions. I explained to her that it was an intuitive way to open up to the interpretations of a Higher Hand and to place an affirmative blessing on the situation. She was confused about my offering and suggested that I call them “intuitive readings.” For some reason, I didn’t blink an eye. I knew that my prayer sessions were intuitive, I just never labeled them that way. I changed the sign on my booth to read “10-minute Intuitive Readings”, and I set it up as I would for offering affirmative prayers. When my daughter arrived, she smirked at the sign. “Are you intuitive?” I shrugged back. “I am today.” But here’s the thing: in claiming this intuition, in putting it out there, I seemed to have opened a door to greater connections and confidence around my “readings.” Back in Ireland, a new permission was in the room. A new authority. I felt it, this sense that my gifts were no longer just mine to hide. They were meant to be shared and honored. Later that night, I decided to list all the ways my intuition had shown itself to me. This is an exercise I give my clients, based on the idea that what you focus on increases. I was genuinely surprised by all that I had been denying. In the more paranormal sense, I have communicated with pets that have transitioned, not just in mind, but in sight… like the movie The Sixth Sense, I have seen dead people, or at least dead pets, which, as it turns out, are not actually dead. I’ve channeled messages from those who have passed over, which I was not fully prepared for and not’t entirely interested in; it was a bit intense. But in a more gentle and less WooWoo way, my clients and I have benefited from the highly intuitive prompts, interpretations, and awareness of things that I could not have known that I knew, and yet I knew. I did not go to Ireland to retrieve these gifts. Still, acknowledging them in a group of other intuitives felt like an initiation, a calling out, a coming to terms with something that was no longer willing to be ignored, a homecoming. When I came back to the States, it was as if the soil had changed. Something bloomed. My intuitive channel opened wider. And then, after a personal trauma —a moment that cracked me wide open, the gifts amplified. In some ways, you could say, I got out of the way, or I was gotten out of the way. And I began to notice the shift, the sessions I offer, which have always been deeply transformational, began to move with even more specificity, clarity, and precision, like truth on tap. Connections would arrive before I could “think” them. Knowing would flow through me, things I didn’t know I knew, and yet I knew. And it all felt oddly effortless, like someone else was doing my job. Now I understand that back in the day, confessions like this could have gotten me burned at the stake, and in more modern times, subject to an uncomfortable eye roll. This 6th sense is not universally accepted. It might be the reason why it feels like we are still banging rocks together when it comes to our level of communication. As a child, when I explained to my mother that I could still see and interact with our pet dog, Joe, who had been in a fatal car accident, she simply said to me, “No, you can’t.” The truth is, I was a little freak as a kid. I barely had a toe on the earth, and I am sure my mother was ’t looking to encourage my oddball ways. But what was once feared and stigmatized is now being confessed. Let’s face it, the world needs more freaky oddballs. So, although I don’t tread ignorantly out onto this new ice, I do tread, because I have a gut feeling that I am not alone; in fact, I would not be surprised if you, dear reader, might also have a few hidden gifts of your own. If so, leave your declaration in the comments. What is claimed and strengthened. What is denied is weakened. So you choose. If it is any encouragement to you, since that moment in Ireland, my discernment and clarity have amplified, and numerous signs and symbols have marked my life. Spirit always gets Her way. And the more we talk about it, the more we find that what was once feared, shamed, or silenced is now being openly accepted, integrated, and celebrated in brave and beautiful conversations. I believe that we are all intuitive. Some of us just have a harder time hiding it. To continue this conversation, I am thrilled to share that next week at SpeakEasy, we will be hosting Carrine Zupko, author of The Clairs. This book covers how to assess guidance and intuition, specifically directed towards students of the Course in Miracles. In the book, she references a section of The Course: “…each individual has many abilities of which he is unaware. As his awareness increases, he may well develop abilities that seem quite startling to him. Yet nothing he can do can compare even in the slightest with the glorious surprise of remembering Who he is. (ACIM, M-25.1:3-5). If you are interested in learning more, grab the free book on her site and join us next Sunday for the conversation. I have listed her link in the dessert section. I hope you show up, because all healing is mutual. When you begin to accept your gifts and remember who you are, you can be more helpful to others. Since my confession, my own sessions have gone next-level. I have had more clients cry in the last two months than in my entire career, not because of pain, but because of the profound experience of being truly seen. It’s beautiful to behold. So I am excited about these upcoming conversations, both in session and at SpeakEasy. My hope is that they offer you a place to confess a few gifts of your own. If you're feeling called, if you’ve been navigating something heavy, confusing, or tender, or if your soul yearns for some transparency and crystal clear direction, I’m here to support you in awakening to your most impactful, empowered, and intuitive self. Link to book a session. Or if you want to try out a 10-minute affirmative prayer session, AKA intuitive reading… Click here. I promise I will be sober. Till then, enjoy dessert! Dessert! This past week, I was a guest on Lisa Whittingham’s lovely podcast. She just launched it, and her first guest was Sonia Choquette. I started listening right before I was about to post this Substack. The topic is intuition… Go figure, as if we needed another sign. You are going to love this conversation. LINK And don’t forget to grab a FREE copy of Corinne’s book and join us next Sunday at SpeakEasy. LINK to free book. Link to join the conversation. LINK This week at SpeakEasy, we have Todd Fink of the Kind Mind Podcast with a conversation on Causeless Grace. It’s gonna be a good one. LINK Love, Maur Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. And until we meet again. Love, Maur This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit maureenmuldoon.substack.com/subscribe

    12 min
  6. 03/07/2025

    One Good Thing

    Growing up, my family lived just up the block from the church, and everything we did revolved around our church and school. We never veered far from it, mentally or physically, and when we did, we could still locate its steeple even when we were blocks from home. It pointed to the heavens as a reminder of our potential and possibilities. To enter the church, you had to open these massive wooden doors, which required you to lean back and pull with great force. As kids, sometimes it took several of us to get the job done. But once opened, we were greeted by a dark sanctuary that rushed us like a cool and welcoming exhale from the marble floors and walls. The breath of this building was perfumed with incense and wood polish. The stained glass windows filtered reverence into the air. But the main attraction for me was the people. It was always the people, the women in their lipstick and fancy hats, men in crumpled ties. The teenage girls, attempting high heels for the first time, clicked and clacked down the aisle as they delivered the offerings to the priest. The squirly kids, doing their best to avoid secret pinches from their haggard mothers, while not losing their minds in the boredom of it all. And the wrinkled old men who slide the baskets of money under our noses, tempting us with the delusion of grandeur. I loved the people, second only to the stories. The ones that the priest told, the ones that made us laugh, think, and see things differently. I was in awe of the alchemy of the stories that could draw us in and transform us into a better version of ourselves. I loved church. So much that I wanted to be a priest, but I was told right off the bat that I couldn't be a priest because I had a physical disability. The physical disability was called “my vagina”. As it turns out, anyone with a vagina, could not be a priest. Which seemed like such a random, radical, and yet strangely specific criterion for holiness. And so, instead of being a priest, I left for Hollywood and became an actress, a storyteller. Telling stories on TV and film, and I did this for twenty years. But after playing hookers, and drug atticts and jewelry thiefs, I decided I was done acting. I want to play the role I came for. So, I gave up my second-class citizenship as an actress and became a priest, of sorts. Priest was the only word I had for what I was destined to do, but it never quite fit. Soon, I learned the word “celebrant.” That's exactly what I do. I celebrate life with all its riddles, rough patches, and rites of passage. I summon the sacred and weave a bit of wonder in the hem of the mundane, giving a poetic nod to a memorial service or blessing a young couple's vows. I weave the stories and sermons that help people feel seen and heard. Reminding them that there is something sacred about their humanness. It was not always easy to step into the role; it was a coming out of sorts. But the gentle, intuitive prompt would not be denied, and after a while, I just got tired of fighting it, so I started a church and ordained myself. Vagina and all. And for the last 13 years, I have been running a spiritual community called SpeakEasy. It was not born alone; it had a twin sister, called Voice Box Stories and Serenade, a monthly story event with a musical twist, where I helped to get storytellers. I started the church about the same time I started Voice Box. These two sisters grew up together, yet apart. Which seemed right. Some people would never go to a church. And some people would never go to a bar. Still, something sacred could happen under these twin peaks. People could gather and share good stories, the definition of gospel. This was church. At both places, I got to collaborate with Cathy Richardson, the rock goddess. At SpeakEasy, she was the High Priestess of song, at Voice Box, she was the High, High priestess of Song. Cause the woman likes her weed. Though when I told this story at Voice Box, she shamelessly confessed to being high at church too. Which makes more sense than my original version. Together, we created community. Here’s the church, here’s the steeple, open the doors and love all the people. Things seem to go humming right along. We had ups and downs and in and outs, traumas, dramas, celebrations, and deaths. But even through COVID and catastrophes, we held our ground and showed up. Showing up was all we needed to do, and the rest of the magic just happened. But this past April, showing up became impossible. My life blew up, and took everything down to ash, it was so irreversible, and irreverent that I found myself standing in the aftermath mumbling incoherently, “Oh my God.” Over and over. My Inner teacher assured me that “there were no victims, no bad guys, and I was entering a time of a thousand kindnesses.” And yet, for all intents and purposes, it sure as f**k felt like an annihilation. I was devastated, blasted right out of my shoes, and could no longer follow the known pathways. I couldn’t go to church, I couldn’t show up at Voice Box. Friends filled in for me, and I found myself driving to New York, my Motherland, with my daughter sitting side saddle. My daughter had decided a few months earlier that she was going to rent a place in New York, the three weeks prior to Easter, so she could experience the city and meet up with old friends. When she first told me about these plans back in January, I asked, “Can I go with you?” At which she promptly, clearly, and sharply replied, “NO, this is my time, Mom. It’s just for me.” And yet here we were driving together to New York. There is nothing like a good catastrophe to bring mothers and daughters together. When we arrived at the Airbnb in Brooklyn, it was a church, a beautiful old red church. I stepped out of the car and said, “What is this?” And she said, “This is where we are staying.” I said, “We are staying inside a church?” She nodded and grabbed her bags and made her way in as I stared up at the steeple wondering what the ever living f**k? I reluctantly entered the church and found myself in a renovated apartment. On one wall was a picture of a Risen Christ, and on the other, a large skeleton kneeling in prayer. I felt more like the skeleton. The owner of this Airbnb was hitting the holy hard. To get onto the internet, the password was Exodus 444. Exodus is about leaving your home, leaving all that you know to lean into the mystery. Oddly appropriate at that moment. My daughter wanted to know more about the 444. She reached for the bible on the shelf and opened it, only to find that it was not a bible, but a safe. A safe that required three digits. She punched in 444 and it sprang open. And there inside the safe were drugs, mushrooms. I wish I could tell you that I took the mushrooms, ate them all, and met God. But the truth was that my daughter and I were so pixilated from the devastation of our lives that no amount of drugs would have made a dent or a difference. So, we shut the safe and began to move through rotations of sadness, rage, depression, remorse, shame, sadness, rage, depression, remorse. They flooded in and tag-teamed us around the clock. But the one thing I did not allow into the room was grievance. I was being marinated in grief, upon grief, upon grief, upon grief. Still, I had no budget for grievance, because I had already visited this particular place in hell, all those years earlier, when my first husband left me for Miss Universe (Full story here or on Audible). At that time, I took up a grievance that I could not lay down. I hated the man with every ounce of my being, I hated him from my bone marrow, and when that was not enough, I borrowed bone marrow from friends, and convinced them to hate him too. And I was pretty successful in that, if that’s what you call success. For 7 years, I stoked the flames of that hatred with my life energy. The attention that belonged to my children I placed on the fire, the energy for my creativity I placed on the fire. I offered all I had to keep this grievance well lit. One day prior to opening my own church, I was employed at another church as the Youth minister. And this particular Sunday, I was supposed to teach the kids about forgiveness. Which I knew I couldn’t do, because I hadn’t figured out how to forgive. So, I said to my higher power, “What the f**k do you want me to do? How the f**k am I supposed to teach forgiveness to kids, when you know I hate this man.” Plus, these were city kids who could smell b******t faster then a drunk uncle can ruin Thanksgiving. The intuitive suggestion that I received back was that if I was willing to forgive him, all I had to do was think of one good thing about him. You would have thought this would be easy. But remember, I had spent some years stockpiling this grievance. I had buried all the good things under my hatred. I tried to bypass this step, suggesting to my Higher Power that I could not think of one good thing. To which It replied, “I’ll wait.” So, I took a minute —a good, long minute — to try and think of one good thing. And finally I thought of flower boxes that he had made, for our shitty appartment in Sunnyside Queens. I thought of a helicopter ride that he had surprised me with for my 24th birthday, and I thought of the moment in my life when I was down on my luck, and he came to me as a friend and said, “I will walk you through this thing.” And he did. He was a friend to me when I really needed one. When I remembered that, it was uncomfortable for me to imagine how I could have ever forgotten it, and suddenly something lifted. So, I went to church and taught the kids about forgiveness, about having one good thought, about looking past the crime to the Christ, to the innocence, if you can. Not long after that, I had a chance to see him, and when I saw him, I actually saw him. I did not see the hatred; I only saw the kindness, and when I saw that, I was so overwhelme

    20 min
  7. 19/03/2025

    Nine Lives of a Sister

    In times like these, it is easy to forget ourselves, to forget that Spring will come. The world's weight presses in, making us feel small, uncertain, and unsteady. My grievances seem to block the brilliance. And then Spring comes, slow and shyly, slipping in, waking us from the dream of darkness and devastation and returning us to peace. "Let everything happen to you—beauty and terror.Just keep going.No feeling is final."—Rainer Maria Rilke It’s rocky out here, I’ll give you that. But it seems that, like death, the shifting is part of the plan when you live in the sands of time. I watch myself tumbling through life, eternally in pursuit of something steady, only to find myself tossed to the wind again and yet ever held in Grace's expansive net. It’s best to cultivate a bit of detachment as we attempt to navigate this world as a mirage, a facsimile, a whirling mass of thoughts and stories and emotions that come and go too fast to pin down. Just keep going. No feeling is final. And even in the roundabout of life and death, we somehow remain essentially the same. Even as everything cycles around us, even in all the changes, the soul is eternal. And Spring has arrived, and I am eight. I am eight. I am eternally eight years old and boiling with frustration and longing as my cycling sisters circle me, beautiful blurry banshees swarming, seducing, and dismissing me as they weave around our front yard. Like human sailboats on wheels, gliding in and swiftly sailing out and down the block and back again, and I, the monkey in the middle, am trying to grasp them like slippery kite stings, I have no luck. “Let me on,” I scream. “Please, take me with you!” They crane their heads back at me with sweaty smirks they scream. “No, Maureen, you're too big!” How can I be too big when I feel so small? “You need to learn to ride on your own. Use the black bike, they shout as they move off again. Watching them go fills me with dread. Knowing I will be left for good. I will never catch up. I will always be the kid sister, forever left behind. The black bike is in the garage; it has a silver banana seat and half of a ringer. The top part is missing, and you can see the gears. The spokes and chain are rusty and reluctant, and the metal moans as I pull it up and shake it from its winter slumber. The moan is chilling in the dark garage, and the bike is heavy, awkward, and laden with cobwebs. I want to give up before I even get it to its wheels. But the howling of my sisters like distant train horns reminds me of my mission, and I use all my might to steady and then straddle the bar between my legs. With my pointed toes, I slowly tip-toed my way to the front yard. Once in the safe view of my sisters, I attempt a running start, hoisting my body onto the seat. Immediately, I see things I could not see from the earth; the higher view gives me a flicker of confidence as my feet search for the peddles, my hands grip the handlebars, and I am off. But with no understanding of how to stop, I steer toward the hedges, hoping to break my speed. In I go, gulped up by branches and bramble, swallowed whole. I unweave myself from the thicket, howling at the bloody scrapes on my legs and hoping to stir some pity in my sisters. They pull up, squinting with skepticism and concern. Drawing in Oscar-winning accuracy, I plead, “I need help.” Maggie climbs off first. “Come on, Erin,” she says. “You hold her on that side, and I’ll get her from this side. Then we run. Maureen, you pedal and don’t stop.” They do their best to keep me up as I tilt back and forth like John Boy Byrnes after he has spent too much time drinking wine with my father, the Giant. Maggie screams, “Pedal, pedal!” in my ear, her heavy breath on my cheek, her shaky arms holding me steady. I push down hard as the metal creaks and whines back at me. Clenching my gut, standing up straight, putting all my weight into it, we are a slow-moving three-headed beast. Jiggling and jangling down the block like a glass jar full of rusty nails. Love, Maur Substack is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. “Good job,” Erin mutters. “Keep pedaling,” Maggie repeats. I will my legs to move faster. We pass the Tracy’s house, and the Gostils’. But by the time we get to Bananie’s house, Maggie lets go and falls to the grass. Erin quickly follows. I slow to a stop and jump my feet to the earth so as not to fall over. And I imagine what Nadia Comaneci must feel like to stick a landing. Maggie looks at me, then down at the Bananie’s driveway. It’s a short, steep hill leading to the street, a stone wall holding back their property, protecting cars and offering us a perch to peek into the passing traffic. She stands and steers me and the bike to the top of the driveway. Erin jumps up, too, but watches from the safe distance of the grass. “You’re not supposed to ride in the street,” she reminds us. We don’t even look at her because we know the rule and have already decided to break it. “When you have to stop, use your feet because the brakes don’t work so good, okay?” She waits for my buy-in. I nod, breathe, and stare at the steep drive to the street below. “On the count of three, I’m going to push you off, down the drive, and into the street. Ready?” Again, I nod. We check that no cars are coming, and then she begins to count. I stare at the silver banana seat between my legs and the tips of my toes, trying their best to hold my balance. I think I should pray, but “Three!” is called, and she pushes me off, and the bike takes flight right into the path of an oncoming car. It has come out of nowhere and is charging like a bull, horn screaming, air rushing up at me so hard I can hardly keep my eyes open, like holding my face too close to a fan. My hair stands up; my skin wiggles on the bone. My feet flail on either side of the bike. In the blur of watching my life end, I hear Maggie screaming, her voice high, her words are odd sound muffled and mangled beneath the blare of the horn. And I know I will soon join them. The driver flashes before me, his white knuckles clutching the steering wheel, his wide eyes shocked and angry. I squeeze my eyes shut, not wanting to be a witness to my own death. I hold to the handlebar like a jackhammer over the loose gravel. Her voice comes again, but this time, I can hear her. “Turn the wheel! Turn the wheel!” Without thinking, without knowing, I pull the handlebars toward the curb. The bike hops and pops over cracks and potholes, my teeth bang together, and I know I am going to die. I open my eyes one last time to see his face, his mouth open and yelling as he tugs on the wheel. I close my eyes again and hear the screeching of tires, and then, instead of a crash, I feel a warm whoosh. A blast of hot and holy air shoving me toward the curb. My feet find the pedals. I begin pumping. My knees shake, but I keep pedaling. At our driveway, I turn the wheel, the bike bumping over the walkway. At the yard, I toss it to the ground and collapse into the grass, listening to my heartbeat pounding against the earth. Boom, boom, boom. My heart, my beating heart, telling me I am somehow still alive. This thought releases a dam, and tears spill from my eyes like spring sprinklers. My sisters come running and fall beside me. I press my face into the dirt so they don’t see my tears. I don’t want them to call me a baby. Erin pokes my side to make me laugh, but I am not so ticklish. “You’re probably part cat,” she smirks. “Cat?” I ask, looking up at her. “Yeah, cats have nine lives.” She stops speaking when she sees my tears. I lay my head back down and think about Tom from Tom and Jerry—how he always gets back up after being hit with a frying pan or smashed by a boulder. I don’t think I am part cat. I know it’s my sisters. It’s always my sisters. Every time, without fail, flying in like superheroes, they catch me, warn me, cover for me, and protect me. They are the ones to count on, the sure thing, who steer me in the right direction and guide me from the mouth of death. I have nine lives, but not because I am a cat, but because I am a sister. Maggie pulls a blade of grass and smiles down at me. “Now you know how to ride.” I turn my face back to the earth. I am not convinced. “You should probably stick to the sidewalk till you get a little better.” Uncle Harry’s car pulls to the curb, and the girls take off to get in one more ride before dinner. I swatch them mount the bikes like horses, smooth and fierce, they ride the wind. This time, I am not so envious. This time, I don’t chase after them. I’ll stick to the sidewalk, walk, or watch from the stoop. The Giant slams the car door and passes by me. I move in his shadow as we make our way to the house. At the front door, he turns to me. I think about telling him about the car and the horn and how I saw death. But my dad is so tall. Will my words make it all the way to his ears? Besides, it’s hard to wrangle my thoughts so I just stare up at him as he brushes his chin and says, “Don’t leave that bike on the grass.” I nod and turn back as he makes his way into the house. We will have only a few more years till my mother passes from breast cancer, but he must have heard the rumble on the tracks. Between my near-death and her complete transition, we will face a thousand shifts and changes. "Let everything happen to you—beauty and terror.Just keep going.No feeling is final."—Rainer Maria Rilke Death does not come alone; it ushers in a new chapter, but not before convincing us of its permanence and that we will live forever in darkness. And yet, Spring returns again and again. We rise stronger, more tender, and better informed. We are not spared from fear, but we are held within it. We are not promised safety, but we are given str

    14 min
  8. 14/02/2025

    Everything (Happy Valentine's Day)

    Donny Robertson gave me my first Valentine. It was a cherry red, heart-shaped lollipop etched with white letters that read,  “Be mine.”  In sixth grade, romantic gestures were like Big Foot sightings. We’d heard the stories, but no one had actually seen them. So I wasn't put off when he handed me the lollipop with an awkward shrug and said, "My mom packed this in my lunch. Do you want it?" Donny's mother had packed him many treats over the years, Ding Dongs, Devil Dogs, Yankee doodles, and cool ranch Doritos. I had lusted after his lunch snacks all year. But He had never offered me any of those. So when he handed me this Valentine, my first real Valentine, pretending that it meant nothing, I froze. It was a snapshot, an out-of-body experience, and somehow I knew, and I knew that he knew, and all that unspoken knowing made my heart swell.  Love, Maur Substack is a reader-supported publication. Donny had a sharp, swift, and slightly raunchy sense of humor, especially for a 6th grader. Word on the street was that he had spent some time in public school and got tainted by those "pagan" kids. Well, it paid off. He was not scared, safe, or stunted. He was a real live boy. Whose blue humor made me laugh. That honking, toothy, and overexposed laughter that would have surely been stifled if I had grown up with selfies, Facebook, Instagram, and Zoom.  But in the days before social media, I was free to laugh my ugly, awkward laugh, and his humor won my heart.   At home, my mother was losing a bitter battle with breast cancer. So amid this nightmare, Donny's kindness and off-color jokes were a daily vacation from hell. I never believed that Donny, the cool, popular kid, had a thing for me. He was loud and charismatic, and I was skittish, shy, and slow on the uptake.  Two years later, his admiration was confirmed. The eighth-grade dance was a big deal. When I first got there, I wasn't sure why. The event took place in our school gymnasium. We all stood around looking at each other the same way we did in gym class, but this time dressed in our Sunday best, under lowlights, and to the soundtrack of 80's love songs. The girls clumped in bunches, and the boys hung around the circumference of the dance floor, rocking from side to side and pecking their heads to the drum solos.  As the night unfolded, we got more comfortable. After a particularly energetic and sweaty song, I went to the girl's room to wipe my face and was shocked to hear,  "Donny Robertson likes Maureen?" It came from a group of popular girls, delivered with disgusted disbelief like they had discovered a turd in the toilet. Maureen? Gross! Even I was shocked. On the dance floor, Donny approached me, took my hands, and started to dance. It was the type of dance where you swung each other around, spinning out, spinning in, rocking back and forth, all with minimal eye contact. In the rare moment when I caught his glance, I wondered if my eyes were as animated and enthusiastically lit as his. And under the blaring music and mood lighting, everyone else faded into nothingness, and all that was left was the bold, beautiful boy and the awkward and unsuspecting girl. Their bodies twirled, tucked, and twisted in what felt like a pre-choreographed movement like we had been born for this. moment. Every once in a while, I would catch sight of his sparkling blue eyes, sweaty dark hair, and pirate’s smile bursting with mischief and possibilities.  The day after our graduation, Donny approached me again. "I am having a party back at my house, and everyone is going. Do you want to come too?" Again, he shrugged like this was all normal like we had done this a thousand times before.  I showed up in a floral sundress and Candes high heels. Sandra Dee from the knees up and Sandy from the ankles down. I was still on the vine and hadn't yet fully ripened.  At the party, the other girls spoke too loud and fast and laughed too hard. They grabbed each other and huddled in hives of whispers that would erupt in volcanic screams. If I stood too close, I'd be a casualty of their hot gossip.   I felt myself shutting down. I found a chair in the hallway and put myself in time-out. I needed to be still; I had no words for what would later be called social anxiety. After a while, Donny found me and asked why I was sitting alone. I shrugged. So he sat, we talked, and he made me laugh again. It felt like a rescue, a reassurance. A reassurance I didn’t know I needed. After eighth grade, I went to an all-girls private school, and Donny went to the local public high school. In the spring of my freshman year, my mother transitioned, and life changed forever. I never saw Donny after his house party.  But I never forgot his kindness and beauty. On September 11th, I watched with the world as the unimaginable happened. And then it happened again. And then, thanks to the news machine, it happened over and over until we couldn’t watch it anymore.  On September 12th, my brother Jimmy, another young man with enthusiastic eyes, would get a call. He and his firehouse were being called over.  Those were my sister’s words, "Jimmy got called over." I knew what it meant. He was headed to ground zero to help dig through the death and ruble.  My sisters also shared that when our kid brother arrived at the barge that would shuttle them to the site,  Jimmy and his team pushed to the front of the line. When he met up with the Captain in charge, Jimmy informed him that his team should go first.  The Captain asked why, and with the confidence of a motherless Jersey boy, Jimmy explained, "Cause my guys are the best." My brother, along with a tribe of thousands of first responders, would step into hell.  His team was responsible for digging things out. The instructions were that if they came across any paraphernalia that was cop or fireman-related, a helmet, a badge, or a belt buckle, they were to halt the work and call over the foreman. Who would decipher what unit it belonged to, and those men and women from that unity would carry out the remains of their co-workers. There was a code of order amid the chaos, a raw ritual punctuating the confusion.  My brother would carry many things out to be assessed by the foreman and many stories back to us. Most of these stories we wished he didn't share and hadn’t seen. Then came the day he carried a story that would change my relationship with the fallen towers. "Hey, Maureen, you know who worked on the 105th floor of the North Tower?" "Who?" "Donny, remember Donny Robertson?" At that moment, I saw the building fall one last time, as though it was the first time, all over again. Donny was 35; the newspaper said, "His family and friends were the most important thing to him in the world. He told the jokes, picked up the tab, and called the car service. If you were his friend, he'd ensure that he cared for you. There was a loyalty that went almost beyond friendship." When I read those words, I know exactly what they're talking about.  The article said that he had a wife and four kids and that it was hard to find a photograph of Donny for the prayer card for his memorial Mass. There were no pictures of him without a child climbing on him. The family had to crop him out of a family reunion shot to get a photo without a small arm or leg draped around him. Mr. Robertson could always be found with a smile on his face and ready to offer an encouraging word. Yes, I thought as I read the words, they got it; they saw him too.  Twice a year, I think of him, on September 11th and Valentine's Day. I think of us. Two scrappy, enthusiastic dancers twirling each other around the gymnasium. I think of how that relationship gently crept into my life and slowly faded out, hovering only long enough to help me through a particularly rough patch.  And each year, when making my way through the candy isles at Walgreens, my eyes inevitably fall on the bag of those heart-shaped lollipops with the white writing that says, Be Mine.  All these years later, my heart still dropped a little because although it could have been passed off as a casual crush, in the grand scheme of things, the courage it takes for a 6th-grade boy to offer a valentine to a gratefully awkward young girl is the same courage it takes to do all the good stuff that life would have us do. Even the small stuff that you want to pass off as nothing. I knew, and I knew that he knew, that it really meant everything.  In honor of love, do something brave today. Like sign up for dance class, write a love note, or subscribe to your favorite writer’s substack. :-) Love, Maur SHOP Looking for a good book? This nifty LINK will take you to my author page on Amazon. Story Salon As a reminder, paid subscribers meet every Monday from 3:00 PM CT to 4:30 PM CT for our Story Salon. Come hang out with other creatives, storytellers, and writers and workshop your stories, sermons, and standup, or listen. Either way, stay lit! Dessert These are a few images that bring me happiness. My husband’s unconditional love for our son. Our daughter’s love for art. My love for hot chocolate and awesome dance moves. Love comes in all forms and flavors. Love, Maur This is a public episode. 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About

Mystical musings with a splash of irreverence. Lover of A Course in Miracles and storytelling. maureenmuldoon.substack.com