Top TV & Film Podcasts – Apple Podcasts

展开讲讲

1

展开讲讲

展开讲讲编辑部
The Crown: The Official Podcast

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The Crown: The Official Podcast

Netflix
Hindi Songs

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Hindi Songs

naina naina
High On Cartoons Presents DuckTakes!

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High On Cartoons Presents DuckTakes!

High On Cartoons Presents DuckTakes!
Fish On! With Jeremy Wade

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Fish On! With Jeremy Wade

ITV Studios
Off The Vine with Kaitlyn Bristowe

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Off The Vine with Kaitlyn Bristowe

PodcastOne
Tha Trend

7

Tha Trend

Black Hollywood Live

7 May

97.国产都市剧30年：我的家，谁做主？

今天这期节目，我们想从近三十年的国产都市剧入手，观察剧中主角们“家”的变化。从《贫嘴张大民的幸福生活》中，一家六口挤在20平米的胡同小院；到《蜗居》里，房子开始直接决定一个人的尊严、爱情与命运；再到《欢乐颂》，同一楼层的三套房，已经可以清晰标注出阶层差异；《三十而已》中，顾佳则试图通过空间不断向上证明自己——12层不够，还要21层。而到了《好东西》，铁梅住进阁楼小屋，遇到了小叶，家成为了一个情感空间；《去有风的地方》里，许红豆甚至离开城市，在云南寻找一个“可以自由呼吸”的地方。三十多年过去，人和空间的关系，也彻底变了。我们会一边聊这些剧里的“家”，一边也聊聊我们自己——聊聊这三十年，中国人是怎么住、怎么活、又是怎么一步步开始问出这个问题的：这个家，到底是社会期待我拥有的样子，还是我真正想要的样子？今年也有一个词被频繁提起——“适我主义”。简单说，就是一个空间，不再是“应该是什么样”，而是“适不适合我”。 2026年3月，小红书正式发布年度居住趋势“适我主义” ，它背后其实是一个很明显的变化：人们在慢慢摆脱统一的“社会时钟”，而开始更多以“我”为标准来生活。而“家”，正好就是这个变化最具体、也最日常的落点。 shownotes：第一阶段：2000—2005年，独立空间 05:15 时代背景：新旧交替，从单位分配的福利房向商品房过渡，居住空间从集体之中脱离出来 07:20 “我家”的情况：电视儿童一代在怎样的空间看电视 15:06 电视剧《贫嘴张大民的幸福生活》（2000）：市井大家庭 30:36 电视剧《男才女貌》（2003）：初代“沪漂”生活第二阶段：2005—2015年，焦虑时代 44:56 时代背景：旧世界终结，新世界定型，平台经济奠定了我们如今生活方式的基本模型 48:04 “我家”的情况：从县城到省城，从省城到北京，北漂时代开启 53:38 电视剧《奋斗》（2007）：心碎乌托邦 01:11:04 电视剧《蜗居》（2009）“连灵魂都被掏空了” 01:20:43 电视剧《裸婚时代》（2011）：细节打败爱情第三阶段：2015—2020年，要不要参与这个游戏？ 01:30:54 时代背景：打破绝对增长预期，从确定性开始走向不确定性 01:34:20 “我家”的情况：我与这座城市的关系是什么？ 01:37:50 电视剧《欢乐颂》（2016）：阶层验证区域 01:48:18 电视剧《小欢喜》（2019）：分秒必争 01:57:26 电视剧《三十而已》（2020）：渴望上升，恐惧下坠第四阶段：2020年至今，适我主义 02:11:54 时代背景：暂停与重启，在不确定中建立“自愈系统”，在宏大叙事外寻找“微小确幸” 02:14:44 “我家”的情况：家从一种身份认同，变成安放自我的空间 02:22:51 电视剧《去有风的地方》（2023）：寻找新的生活 02:29:27 电影《好东西》（2024）：制定新的规则本期制作：主播：洞姐、康堤、王老师剪辑：天真图片：洞姐音乐：爱在2000 - 林依轮 In May - Brahms Lullaby Kids 幸福生活 - 李小龙我很好 - 刘沁电视剧“牵手”片头音乐 - 三宝爱情不堪一击 - 张广天他一定很爱你 - 阿杜我想大声告诉你 - 樊凡等不到的爱 - 文章我的八十年代 - 张蔷总有幸福在等你 - 刘涛/蒋欣/王子文/杨紫/乔欣 3030 - 金池树洞 - 欧阳娜娜北京夏夜 - 旅行团摇篮谣 - 斯斯与帆蜜湖 - 简约情人 Cradle song - Brahms Lullaby Kids happy 2000 -黎明
1 day ago

Untold River Monsters Secrets REVEALED!

Ever wonder how River Monsters actually began? In this first episode of Fish On!, Jeremy Wade, Scott Tankard, and early series director Barny Revill sit down to share the incredible stories that kicked off a global phenomenon. Discover how the team tracked down survivors of a deadly piranha attack with only a single newspaper clipping, the secret camera trick that captured every sudden bite, and the moment they realised Jeremy's fluency in Portuguese was their greatest asset. Plus, Barney tells the infamous story of having to superglue Jeremy’s front tooth back into his mouth mid-shoot in Uganda! Join our community for exclusive content, early access, and be part of the journey: https://rivermonsters.tv/ Follow the podcast on social: https://www.facebook.com/fishonpod https://www.instagram.com/fishonpod/ https://www.tiktok.com/@fishonpod
Season 6 Bonus

The Crown: The Story So Far

Before Season 6 of The Crown drops on Netflix November 16th, join Edith Bowman to catch up on story so far. This special pre-season episode of The Crown: The Official Podcast guides you through the key moments in the journey of Queen Elizabeth and her family, from Season 1 to Season 5, as we await the final ever season of The Crown. And of course, join Edith on The Crown: The Official Podcast from November 16th to follow Season 6 episode by episode, and say goodbye to this epic royal drama. The Crown: The Official Podcast is produced by Netflix and Somethin’ Else, in association with Left Bank Pictures. Host: Edith Bowman
15 Oct

十月广播电视报：我已经不再是我，而你却依然是你

展开头条 01:26 刘欢去世：从电视剧到大舞台，他的声音塑造的国民记忆展开内容电影 27:15 《神探之痕迹》：罪案播客与喜剧播客的结合电视剧 41:49 《兰香如故》：世界是封建的，但女主不是 01:03:15 《交锋》：第一集谍战，后面是《金秘书为何那样》 01:11:32 《狂怒追缉》：女性成为暴力主体，创伤与暴力的复杂关系 01:29:11 《翠鸟谋杀案》：现实交织虚构的双重体验，但仅止于“案件如何发生” 综艺 01:35:11 《思想验证区域2》（《社区2》）：为价值观明码标价 01:57:22 《街头餐厅斗士》：餐厅经营游戏，开店原来这么好玩展开生活&对抗无价值时刻 02:15:21 看老剧的生活：“欲望都市第一集是32岁” �展开播报 Moccona摩可纳咖啡，始于1753年，源自荷兰，全新摩可纳黑标线，用心雕琢每一个风味，演绎风味美学艺术，甄选肯尼亚等优质产区阿拉比卡豆+罗布斯塔豆，匠心拼配，带来立体风味和醇香口感均衡的咖啡艺术。进阶级风味，现磨级醇香，给更懂咖啡和生活的你。参考资料：传奇古典谋杀的终结那不是普通的黑T恤杨澜访谈录：刘欢 “昨天与隔世”——《一年又一年》创作随想 What makes a female serial killer? The creator of ‘Furious’ explores the question “Furious” Is a Crime Drama for a Post-Epstein World 발화의 장을 여는 사회실험 쇼, 권성민 PD가 고른 와 함께 보면 좋을 영화들 [인터뷰] 모르는 것 점검하기, 책 펴낸 권성민 PD 《心灵革命》[美]李海燕《鱼猎》史迈本期制作：主播：洞姐、康堤、王老师剪辑：天真封面：洞姐音乐：弯弯的月亮 - 刘欢我和你 - 刘欢 / Sarah Brightman Happy Tails - Blue Deer Studio In the Pines - The Kossoy Sisters 煙突 - ミツメ萍聚 - 李翊君 Half of my heart (Between Steps - Original Television Soundtrack) - Margaret Glaspy Candy (캔디) - H.O.T. 银河冬令恋曲 - 昏鸦 It's Getting Better - Cass Elliot Fever Dream (Between Steps - Original Television Soundtrack) - The Restless Age
01/06/2021

INVICTUS by Nidhie Sharma

Author Nidhie Sharma will read short excerpts from her survival in the wild autobiographical account INVICTUS, which has been published by Pan McMillan India.
26 May

98.砝码还是枷锁？言情小说如何安置女性道德

本期节目，我们继续邀请到了清华大学人文学院的薛静老师，延续上一次关于女性欲望的讨论，把目光转向一个更隐秘复杂的问题——女性道德是如何被安置的。从90年代琼瑶剧“爱情高于一切”的个人解放叙事，到台湾偶像剧里“善良即正当性”的灰姑娘模板；从2010年前后《甄嬛传》《步步惊心》所呈现的“在规则内胜利”的宫斗逻辑，再到近年来《穿进赛博游戏后干掉BOSS成功上位》《早安！三国打工人》等作品中女性开始尝试建立自己的道德体系，我们尝试梳理过去三十年女频叙事中一个持续运行的机制：女性是如何被要求带着道德去赢的。女性角色的胜利从来不是直接抵达的。她必须先证明自己是善良的、被逼无奈的、甚至是不愿意赢的，必须在行动之前完成一整套漫长的自我辩护。于是，道德就不只是价值判断，而成为一种入场的门票系统——需要你不断积累和证明。而当今天的观众开始为“恶女”平反，重新理解“疯批美人”的时候，我们似乎正在经历一种新的转向：女性不只在既定道德里寻找位置，而在反问道德本身，它是由谁制定的？在这期节目里，我们也讨论了许多具体的观剧记忆与文化现象：台偶里的傻白甜为何曾经如此具有吸引力，穿越与宅斗为何逐渐演化为一场生存推演，“把老公当老板”的叙事逻辑背后又隐藏着怎样的情感理性化。这些讨论也让我们重新去思考：女性是如何在这些叙事中获得位置，又付出了怎样的代价，道德对她们来说，究竟是砝码还是枷锁？ shownotes 第一阶段：“道德”的胜利（90年代-2010年）提及作品：《渴望》《北京人在纽约》《过把瘾》《流星花园》《命中注定我爱你》《放羊的星星》《天国的嫁衣》《恶作剧之吻》《王子变青蛙》《何以笙箫默》 02:53 90年代市场经济背景下，金庸和琼瑶的作品在国家秩序与家族传统之外，提供了一套超越世俗规则的个体价值体系——以武犯禁或爱情自由 11:35 90年代大众文化中的道德，一边文学进行道德实验，另一边电视剧维系传统道德规范 13:44 2000之后，台湾偶像剧中的女主形象与叙事特点：“善良的灰姑娘啊，你一定会得到属于自己的水晶鞋和王子”，爱情是道德奖赏，也是虚假承诺；而男主的道德可灵活滑动 20:08 女主对女二的胜利，是不可变的道德天赋战胜了可变的能力手腕，女二的失败意味着什么？ 25:03 这个阶段，为什么道德与阶级总是并置在一起？为什么大众心理会默认“财富必然导致堕落”，而“贫穷必然产出善良”？ 32:43 女主背后的乡村设置，选择女主用时意味着男主选择了女主代表的价值观，“我背叛了我原来的为富不仁的阶层，来维护新的田园牧歌” 39:55 当道德成为爱情砝码，“虐女”就成为加码和增加道德点数的方式 43:31 女主与男主逐渐抹平差异，从生产端到消费端，这一过程是如何发生的？第二阶段：“不道德”的胜利？（2010-2020年）提及作品：《步步惊心》《甄嬛传》《知否知否应是绿肥红瘦》《还珠格格》《庆余年》《花间令》《墨雨云间》 49:05 为什么这一阶段的女性角色，开始强烈追求“与世界产生联系”？ 55:05 为什么这个时期的思想实验，大多在古代作品里展开？为什么新的想象，西方是面向未来，中国是回到过去？为什么在宫斗和宅斗成为最为突出的类型写作？ 01:01:52 为什么这一时期的女主反道德的同时，又有极为强烈的权力认同？这一阶段的首要任务，让一个非常规的女主取得成功 01:06:42 男频的胜利vs.女频的胜利，男频的道德要求vs.女频的道德要求，有哪些区别？ 01:15:04 爱情置于生存之后，为什么仍是女主最后的结算方式？选择了木斧子，最后同时会获得金斧子和银斧子 01:17:48 契约婚姻/先婚后爱的设定：让女主合法合理心安理得地利用资源，获取成长空间 01:20:55 受众心理分析：为什么大家想看到女主要赢，又必须赢在规则之内？ 01:33:57 大女主题材的三重矛盾，为什么女强男更强？为什么流行让男主一开始以反派形象登场？第三阶段：重塑道德（2020之后）提及作品：《甄嬛传》《如懿传》《庆余年》《墨雨云间》《穿进赛博游戏后干掉BOSS成功上位》《早安！三国打工人》 01:38:22 为什么我们开始为安陵容平反，为魏嬿婉平反，时代环境发生了哪些变化？ 01:42:41 为什么我们对“恶女”的容忍度提高了，对“娇妻”的容忍度下降了？ 01:45:31 “疯批美人”为何常常设置为公主？她们因何而疯？ 01:50:22 以《赛博游戏》和《早安！三国打工人》为例，这一时期我们对女主角的道德有哪些灵活想象和先锋探索？ 01:58:00 女主角是个好人吗？这个问题不在于问或是不问，而在于提问者在哪里，是在文本之外还是在文本之内？ 02:00:07 薛静老师在小红书的REDX课程“我们与爱的距离”介绍 REDX作为小红书作为探索型IP，旨在生活现场，探索面向未来的知识。最近@薛静老师入驻了小红书，参与了小红书发起的 REDX栏目，除了她，这个栏目里还会有@林小英老师和大家聊教育给我们带来了什么，@复旦申琦好神奇老师聊年轻人如何规划养老，@刘海平老师聊如何拥有更好的亲密关系，@张秋子老师聊文学如何在当代解决我们的生活困境，@复旦谢晶老师和我们聊社会中的优绩主义和女性主义，也欢迎大家前去小红书观看收听。参考资料：《脂粉帝国》薛静《偶像剧中爱情与性別角色的再现与迷思：以台湾偶像剧的男女主角互动为例》李素月、陈延昇《女频网络文学中的道德问题——以两部“大女主”网络文学作品为对象》燕碧天《历史、丛林与权力关系中的女性——古代言情网络小说的“反言情”主题》肖映萱本期制作：嘉宾：薛静主播：洞姐、康堤、王老师剪辑：天真图片：洞姐音乐：我的快乐 - 锦绣二重唱真爱 - 183club Duck - Bill Wells/Maher Shalal Hash Baz 壮丽的你 - 雷光夏脸颊贴紧地球 - 雷光夏パパイヤマンゴー - 椎名林檎/斎藤ネコ
12/03/2020

BACURAU Q&A | The Curzon Film Podcast feat. Kleber Mendonça Filho and Juliano Dornelles

Kleber Mendonça Filho, the director of Aquarius, and collaborator Juliano Dornelles have come up with a politically loaded riff on The Most Dangerous Game scenario. It’s a thrilling blend of genre thrills and shocks, and smart satire. Bacurau, a settlement in rural Brazil, is shaken by its matriarch’s death. But something strange is happening, the water supply has been cut off, and the village has disappeared from satellite maps completely. Under threat from an unknown enemy, Bacurau braces itself for a brutal fight for survival. We hosted writer-director pair Kleber Mendoh-sa Feelyo and Juliano Dornales for a Q&A at Curzon Bloomsbury, where they spoke to Observer and Curzon Magazine contributor Wendy Ide about the films 10 year journey to the screen, its international inspirations and their 11000km search for the perfect small town…. Hosted on Acast. See acast.com/privacy for more information.
26/05/2022

130: Kdramas with stupid endings - Guest Gabble

It's Guest Gabble time! Lovely friends from patreon are invited to be guests on the podcast today to rant about any kdrama they have watched that had a truly terrible ending. Like, those Korean drama endings so bad they made you wish you'd never watched the show in the first place. Be warned! This episode is a big, spoilery rant! And also heaps of fun! Special guests are: Vani, D, Katherine, Lorna, Lizzie and Delaney :) Thank you so much to these special guests!!
12/06/2020

Faruq Tauheed talks Career, BLM and More on BHL's Tha Trend

About Pump: Seth, a famous fitness training mogul (Ray J) suffers a mighty fall and is forced to crawl back to his old life, to reclaim his spot as top dog at an Inglewood gym. But to his surprise, everything and everyone has moved on without him and picking up the pieces has never been harder. "PUMP" also stars Jennifer Freeman, Michael Jai White, Cynthia Rodriguez, Redaric Williams, and Christian Torres Villalobos. http://www.pumpseries.com Pump premiered on May 1st on the new multicultural streaming service UrbanFlixTV. It's kicking butt! It's vying for the #1 most streamed show on UrbanflixTV - and the trailer is about to hit 2.4 million views on Youtube alone! Here's Ray J talking to WENDY WILLIAMS about "PUMP": https://youtu.be/DR0_vyFXoKE https://www.blackfilm.com/read/2020/04/new-scripted-comedy-series-pump-to-premiere-on-urbanflixtv-starting-on-may-1/ LANETT TACHEL (Tamika) is a Writer/Producer/Actress hailing from Prince George’s County Maryland. After receiving her BFA in Theater from Howard University, she moved to Los Angeles to hone her skills as a multi-hyphenate and she began making her mark in television and film. Her credits to date include television and feature films ranging from action, comedy, to thriller that have released worldwide theatrically and on major television platforms including Netflix, Lifetime, BET, SYFY and more. Lanett lives by the motto, “Don’t Wait, Create” and encourages other artists to do the same. Chicago native McKINLEY FREEMAN (Jared) has enjoyed a prolific and varied career. He's perhaps best known as of late for playing "Derek Roman" on the TV series "Hit the Floor". Additional credits include: "Scandal," "Titans," "Into the Dark," "If Loving You is Wrong," "Bones," "End of the Watch," "The Closer," and "NCIS".
28 Sept · Bonus

Mitti De Baway: Mahira Khan, Wahaj Ali and a Drama Built on a Grand Scale (extended)

Asim and Amrita are joined by Pakistani drama reviewer Sophia Q to discuss the opening episodes of Mitti De Baway. Does the much-anticipated pairing of Mahira Khan and Wahaj Ali deliver? We get into the three timelines, the performances, the striking production design and the amount of slow motion. The longer conversation also takes in Pakistani dramas more broadly, from subtitles and international audiences to the shows Sophia thinks are worth watching. Contains spoilers for the opening two episodes. There’s a video version of this episode on the Khandaan Podcast YouTube channel. If you watch it and enjoy it, please give it a like. It helps the channel grow and lets us know you’d like more conversations like this.