No Tags

Chal Ravens & Tom Lea

No Tags is a podcast and newsletter from Chal Ravens and Tom Lea chronicling underground music culture. notagspodcast.substack.com

  1. 4d ago

    74: What does it take to run a clubnight for 20 years?

    For 20 years, Mantra and Double O have been running Rupture, the London-based party that’s become guiding light for 160-inclined ravers. As any promoter will tell you, that’s a damn good shift. Next month they celebrate two decades with a book – We Are Rupture: Signals From The Heart of the Rave – which gathers stories and reflections from their community, from international pilgrimages to processing grief on the dancefloor. They’re also working on perhaps the world’s first junglist play, Ferry to the Underworld – a theatrical prelude to their London and Bristol parties this November. A play! The blurb for their book asks: why do we rave, and why does it matter now more than ever? That felt like too big a question to ask of Mantra and Double O on a Tuesday morning, but we did find out what makes Rupture such an unusual D&B night and what’s kept them going for two decades. We also pried into both of their individual histories: from Dubs bringing Detroit techno to the Doncaster Warehouse in the early ‘90s to Indi’s hippy-Sikh upbringing, and the chance Xbox Live encounter that led to their first ever party in – ahem – Windsor. Plus, in this episode’s lengthy intro: Tom and Chal return to the conversation about proteinmaxxed dance music and what makes a festival a festival, with added insights from the listener mailbag. Our next 180 Studios listening session takes place on 11 November with NTS residents Nadia Ksaiba and Sofie K! That’s sold out already, but you can keep an eye out nearer the time for resales. Follow us on IG if you want a better chance of nabbing tickets next time. We record and edit No Tags ourselves. If you like what we’re doing and want to keep us ticking over, you can subscribe to our paid tier or buy our latest book, Conversations on underground music culture Vol. 2. Get full access to No Tags at notagspodcast.substack.com/subscribe

    74: What does it take to run a clubnight for 20 years?
  2. Sep 30

    73: Dance music has entered its proteinmaxxed era

    We need to talk about this event flyer, and not just because of how Big Beat Cinema-coded it is. Prospa, Josh Baker and Kettama have worked their way into the uppermost stratum of dance music – a rarefied zone which might seem a million miles away to No Tags listeners, but which has officially become too big to ignore. The massive Finsbury Park show that this photo shoot is advertising received 220,000 presale sign-ups and sold out in a day. At the time of writing, the boys have just added a third date. Clearly their Guy Ritchie-style promo video did the business. So what’s the secret recipe? It’s tech-house-but-not-quite, it’s gymbro-adjacent, it’s hetero to the point of retrograde... in fact, there’s a whiff of post-woke to the whole thing. After a decade of dance music attempting to diversify line-ups and recognise its Black and queer origins – at least, that was the claim – how did we end up back here, with four white lads as the DJ event of the year? To find out, Tom and Chal rack up two fat lines of creatine and attempt to chart the rise of 2020s protein-house: from Circoloco to Finsbury Park, via @joshbakertourmanager and the underworld of UGC clip farming. Plus: we tackle your feedback on our recent festivals episode – there was plenty of good stuff here, so we’ll come back to it next time. And of course, send in your thoughts and feelings on the whole Ket Street Boys situation. Support the show and help us inch closer to that Finsbury Park headline date by subscribing to our paid tier for just a fiver a month. https://notagspodcast.substack.com/ Get full access to No Tags at notagspodcast.substack.com/subscribe

    73: Dance music has entered its proteinmaxxed era
  3. Jul 22

    70: The true story of real dubstep

    “Is this dubstep?” There was a time in the 2010s when approximately 23% of all YouTube comments were a variation of this question. One of the UK’s most influential yet misunderstood dance exports, dubstep is also one of those rare genres that can trace its origins to a handful of people working in a few rooms. That unusual origin story is definitively told in a new book, Aftershock: The Seismic Impact of Dubstep. Based on hundreds of hours of interviews by journalist Lauren Martin, it weaves together testimony from the main players (including Benny Ill, Skream, Hatcha, Loefah, Mala, Coki, Youngsta, Plastician, Sgt Pokes, Kode9, Shackleton, Pinch, Joker and Rusko) with thoughtful framing from the likes of Martin Clark and Ammunition’s Neil Jolliffe, plus stacks of of flyers, ephemera and unseen photos. We had a blast going through the archives in preparation for this conversation with Lauren, where we talked about Croydon in the early 2000s, the school-age crew that formed around Big Apple Records, the closed loop of creativity that allowed the nascent genre to develop, the particular magic of FWD>> at Plastic People, the impact of Radio 1’s Dubstep Warz broadcast, and the competing explanations for dubstep’s demise in the 2010s, among many other things. Before the episode’s big drop into dubstep, Tom and Chal compare notes on a very ‘Merican month in the stunned afterglow of the World Cup half-time show, UFC on the White House lawn, a pretty decent Madonna album and Tom’s trip to the sunshine state. We do No Tags for the love of the game, but you can support the podcast in material ways by buying our latest book or subscribing to our paid tier for £5 per month. Get full access to No Tags at notagspodcast.substack.com/subscribe

    70: The true story of real dubstep
  4. Jun 4

    69: Your favourite DJ is a psyop

    Keep honking, piggies: I’m listening to whatever rockslop the algorithm just sicked up for me! So we’ve been circling a certain topic for a while now – in order to be fashionably off-cycle rather than just late to the party, of course – and we’ve finally done enough muck-raking to present you with our red-hot take. It’s verifiable: your favourite DJ is a psyop. We jest, mildly. But why is it so satisfying to point to popular things and call them a psyop? And it’s not just Geese, the perfectly solid rock band that launched a thousand hysterical thinkpieces. Angine de Poitrine? Évidemment. Rita Ora? Innit. But what about the current numerical titans of dance music? Your Josh Bakers, Kettamas, Silva Bumpas and, of course, your Freds Again? What does it take to reach the premier league in the age of algorithm? In this episode we break down the tectonic shifts underway in the game of selling yourself, and how video clips, vlogging, ‘content seeding’ and engineered virality are becoming standard promo tools from the mainstream to the underground. Is your favourite DJ paying low four-figure sums to have someone manufacture a viral moment during their next set? Honestly, they might be. Should No Tags join the party?* Let us know! — *If you do think we should join the party, these things don’t come cheap. You can support the podcast by buying our latest book, or by subscribing to our paid tier for a mere £5 per month. Get full access to No Tags at notagspodcast.substack.com/subscribe

    69: Your favourite DJ is a psyop
  5. Apr 30

    67: Sheffield, Synth City

    Sheffield punches well above its weight when it comes to tunes. From #1 synth-pop hits to underground techno classics, clattering industrial funk to accidental Britpop icons, the Steel City might have produced more brilliant music per capita than any other world metropolis. And yet, no one has published the definitive book on the subject – until now! Daniel Dylan Wray is one of the UK’s best music writers, and his new book Groovy, Laidback and Nasty: The History of Independent Music in Sheffield chronicles the maverick artists, chart invaders, parties, labels, venues and even Christian cults that shaped the city’s musical history. We talked to Dan about why Sheffield wasn’t swept away by punk rock but instead loved Kraftwerk and Wendy Carlos, how Peter Stringfellow became a crucial early mover in Sheffield’s club scene, and why there are no murals of Jarvis Cocker in the city centre. We also heard about the unlikely chain of events that birthed Warp Records, and one of the most important yet undersung ‘80s club nights, Jive Turkey. We also unveil a major expansion of our Rockufiction canon of ‘music films that bend reality’, including Frank Zappa, Daft Punk, Macca and S Club 7. That’ll probably be the final update on Rockufiction, but if you have any burning additions then get them in quick… As ever, if you like what we do on No Tags, please do consider signing up to our paid tier for a mere £5 per month! Get full access to No Tags at notagspodcast.substack.com/subscribe

    67: Sheffield, Synth City
4.7
out of 5
25 Ratings

About

No Tags is a podcast and newsletter from Chal Ravens and Tom Lea chronicling underground music culture. notagspodcast.substack.com

You Might Also Like